Showing posts with label gay dvd. Show all posts
Showing posts with label gay dvd. Show all posts

Monday, April 22, 2013

All American Guys: Raw Workout Review

All American Guys: Raw Workout
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This is a video of three guys taking turns lifting weights for a full-body workout. Presses, curls, pulls, squats, and ab exercises are included.
As indicated to me by the seller (who viewed the DVD and responded to my questions before my purchase) there is no nudity or sexuality and those "tags" placed on this product are incorrect and should be removed. The guys workout without shirts.
This video falls short by not providing instruction during the weightlifting (which would have greatly improved the value). Isiah Brooks "advises" the guys about a technique to perform squats to provide better muscle definition. Additional instruction throughout the rest of the workout would have made this a valuable tool.
Extras are talks by two of the guys (one including motivation), an arm wrestling match, and two of the guys talking and "play" wrestling.

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Join Ryan, Josh, and Jesse, three of Allamericanguys.com's top male fitness models, along with fitness trainer and fellow model Isiah Brooks, as they guide you through a complete total body workout.Each segment of this challenging workout focuses on key muscle groups, including chest, back, shoulders, arms, legs, and abdominals.Raw Workout also includes bonus interview footage of the guys sharing workout tips and glimpses into their personal lives.

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Tuesday, February 19, 2013

Straight Boys Gay Boys Review

Straight Boys Gay Boys
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I bought this DVD about a month ago when I came back from a stressful business trip and I must say it did manage to relax me, put a smile on my face and turn me on.
There are certain moments that were my very favorite (e.g. When the Plumber closes the shower glass door with a gesture "no you can't" is one for example, or when the young redhead manipulates his victim into posing in that humiliating way)
All and all I found the approach fresh and non typical in compare to other gay movies that are populating the market now a days.
The thinking of this concept come from an obviously different space, more like a straight movie does, and maybe that is what I liked.

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Sunday, December 2, 2012

Were the World Mine (Standard Cover) (2009) Review

Were the World Mine (Standard Cover) (2009)
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The premise of Were the World Mine is romantic comedy trope: character A yearns for the love and affection of unattainable character B, then though a series of hi-jinks, true love wins in the end. That is about where the comparison ends as everything else is turned on its ear in Tom Gustafson's big screen adaptation of his own short film Fairies.
The film's tagline, `If you could make someone love you, would you?' Is honestly, unexpectedly answered, "Yeah. Obviously."
The first twist to the romantic comedy trope is that the lead couple is two young men. In the film our put-upon hero Timothy (Tanner Cohen), is cast as Puck in his senior production of A Midsummer Night's Dream. During rehearsal, he happens on the recipe to recreate the flower, here called a pansy in a nice play on words, which Puck uses on Shakespeare's lovers. Timothy/Puck uses the pansy first on his unrequited crush Jonathon (Nathaniel David Becker), then on his classmates, and then the town, allowing everyone to see the world through his eyes. By the end of the film, as in Shakespeare's play, all is peace.
Of course, Timothy is hardly the usual trodden-down gay lead. This is not some Cinderella story with the homely, or even 'Hollywood Ugly' lead forlornly in love with someone quite beyond him; Timothy is a pretty boy himself. The object of his affection, Jonathon is not the typical, unattainable ideal man either. We are shown in subtle ways that he is just as interested in Timothy, as Timothy is in him. Oh, were things only a bit different, eh? Enter the pansy.
This is not an adaptation of Midsummer Night's Dream, but it does have plot points tacked on from that play. Helen Fielding did the same thing tacking on Jane Austen's plot from Pride and Prejudice to the novel Bridget Jones's Diary. Timothy at various points may is Puck, Oberon, Bottom and Helena. Perhaps that is the perfect descriptive combination for a young gay man, part fairy, imp, fool, and unrequited lover.
The musical fantasy sequences are not really fantasy, they are a part of the plot; magic spells that movie the story along.
The music and lyrics are inspired. Shakespeare interpolated and set to music, may hardly be revolutionary, but it is still quite fun and infectious. I find myself listening to the soundtrack repeatedly. Tanner Cohen is wonderful and has a slight sibilant 'S' that is quite endearing.
Tom Gustafson is definitely a director and writer to watch, he spins a fun, engaging yarn with genuine moments of poignancy. Some of the imagery in the film is iconic and arresting. It is hardy without flaws, but the the music and the performances buoy you along over those flaws. Cohen and Becker are especially good. I would not change a frame.

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Armed with a magical love potion and empowered by dazzling musical fantasies, struggling teen Timothy (dreamy Tanner Cohen, As the World Turns) turns his narrow-minded town gay and captures Jonathon (buff Nathaniel David Becker), the rugby jock of his dreams.Also starring Wendy Robie (Twin Peaks), Broadway star Judy McLane (Mamma Mia), Zelda Willaims (House of D and daughter of Robin Williams), and Jill Larson (Opal on All My Children), Were the World Mine uses vibrant imagery, a first-rate cast, and innovative music to push modern gay cinema and musical film beyond expectation.Director/writer/producer Tom Gustafson brings us his feature directorial debut in Were The World Mine. This critically acclaimed, multi-award winning film about the truth of love was inspired by his award-winning musical short Fairies, which has screened in over 75 International film festivals. " It made my heart soar." - indieWIRE

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Wednesday, October 31, 2012

Noah's Arc: Jumping the Broom (2008) Review

Noah's Arc: Jumping the Broom (2008)
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I just finished watching the movie and it was FABULOUS. I would recommend getting the video at soon as it releases. I will be doing just that. Jumping the Broom was a great love story. It had all elements of a great movie. It was heart-warming, and funny, sad and a feel good movie. I have but two negative comments, the first being it was way to short and I would have loved more. Story lines could have developed into more but as it was it was GREAT. My next negative is where was WILSON CRUZ. Not having this final and important member to the movie was extremely DISAPPOINTING and would not have destroyed the story line. I will purchase this movie and I am going again to see it.

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NOAH'S ARC:JUMPING THE BROOM - DVD Movie

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Saturday, October 27, 2012

Get Real (1999) Review

Get Real (1999)
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"Get Real" combines a terrific script with superb acting. Steven Carter is one of the best gay teen characters ever written, portrayed touchingly and realistically by Ben Silverstone. He is simultaneously geeky and sexy, awkward and self-assured, yet underneath his fears and self-doubts there is always a ray of self-acceptance and sense of humor about his predicaments that comes shining through.
You will marvel at Steven's courage, empathize with his pain, and just simply fall in love with this complex and totally adorable young man. His love interest, another complex character, is also brilliantly played. Steven's next-door neighbor and (female) best friend is the only character who comes across as somewhat stereotypical (an overweight fag-hag type), yet her performance avoids the pitfalls that the stereotypical characterization could've created.
The quirky humor the director interjects throughout the film will catch you off guard at times - during the scene inside the park men's room, when the soundtrack started playing The Troggs' "Love is All Around", I had to supress an urge to laugh uproariously and at the top of my lungs (I first saw the film in a theater).
"Get Real" is a "must see" for anyone who knows what it feels like to be young, gay & in the closet, and also for straight folk who wish to understand the difficulties GLBT people have to face, even in our contemporary, allegedly "enlightened" world.

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Sunday, October 14, 2012

Noah's Arc - The Complete Second Season (2006) Review

Noah's Arc - The Complete Second Season (2006)
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A television series about a previously ignored group of people certainly deserves attention, and I applaud the creators of Noah's Arc for daring to present the first series about the lives of African-American Gay men. Even better, after watching both seasons on DVD, I found that Noah's Arc mostly lived up to its well-deserved accolades. The characters are quirky, the plot lines fast and furious, the laughs frequent and genuine and the drama quite effective.
I admit I was initially disappointed by the quality of the acting, until I realized that it took a few episodes for the cast to fully hit their stride, and I believe that the series perfectly fit its tag line, "A comedy about drama". After I relaxed into it, I came to care about the characters and their situations quite a bit. By the time I finished the DVD of Season One, I was so addicted to Noah and his friends that I had to purchase Season Two, even though it seemed the creators sometimes tried to squeeze just a little too much plot into a 22-minute format. But considering the constraints they had to work with, in the end I marveled at how skillfully the writers weaved in a myriad of subjects and plotlines, subtly handling many important issues without ever being heavy handed.
The lead character Noah is a case in point. I quickly caught on that his character is deliberately rather feminine, and I realized that the writers wanted viewers to get comfortable with the idea that this slight, delicate and very femme gay man managed in eight short episodes to attract the romantic attention of a half-dozen masculine, sexy co-stars and guest stars. The story of Noah's romance with his on-again off-again boyfriend Wade (played by the adorably dimpled hunk, Jensen Atwood) is the primary focus of the plot, although each episode also found time to explore the daily lives, loves and dramas of his three best friends, Alex, Ricky and Chance (for those who don't get it, Alex Ricky Chance = Noah's ARC, according to a comment by the series creator).
But at first I wasn't sure if Noah's wardrobe and femme manner were meant to be the biggest "in-joke" of the series. In an early episode, while his character is crying poverty and falls behind on his rent, he is dressed (as always) in an ever-changing ensemble of ultra-chic couture, much of which makes him look even more effeminate. Eventually, the effeminacy issue was tackled head-on quite satisfactorily, and one character's speech about "effemina-phobia" and his subtle but powerful comments on the anti-eroticism / ostracism of femme men in the gay male subculture was extremely thought provoking. This is the show's biggest strength; it manages to delve very subtly into issues that many members of the gay male community (and indeed, many gay films and novels) completely ignore, without spoiling the humor or getting too preachy. Before long, I realized that the creators were definitely making a statement with the fact that some of Noah's outfits bordered on cross-dressing, even while I could never be sure if his clothes were meant to be taken seriously or not. Noah's boyfriends were all extreme hunks (one thing this show does not lack for is eye candy) but all the while the disparity between Noah's feminine nature and the masculinity of his various suitors made me feel uncomfortable and definitely conscious of the looks-ism and anti-femme bigotry that permeate the gay male world today. Bravo!
In fact, the most satisfying aspect of the series was that it tackled a surprising number of real-life issues with humor and charm, and I was amazed that through the relatively short run of this show, Noah's Arc discussed a variety of important topics, like HIV testing and awareness, the "down-low" subculture, sero-discordant couples, gay dating, gay marriage, sexual compulsion, monogamy, gay bashing, and the previously mentioned delicate issue of "effemina-phobia" (and whichever writer on this show coined that word deserves a medal), all with a refreshing mix of light-hearted laugh-out-loud humor and (at times) dead serious drama. As often as I found myself laughing hysterically, I also found myself extremely touched by the dramatic situations and challenged by the serious, provocative subject matter.
There was one major disappointment - although I was aware even before I acquired the Season Two DVD set that the show had not been renewed for a third season, I was not prepared for the abrupt, unresolved cliffhanger ending of the final episode, which left the fate of one of the main characters completely up in the air. This was quite annoying, since there was no opportunity to resolve this plot point. For this reason alone, I must subtract one star from what would otherwise be a five star review.

Despite this shortcoming, Noah's Arc gets five stars for effort, ten stars for its genuinely funny moments, and a big thank you for discussing so many important topics without being preachy or trite. May it be a harbinger of things to come.

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Navigating life and love in L.A. isn't easy, and no one knows that better than Noah and his friends - Alex, Ricky & Chance. LOGO's ground-breaking, one-of-a-kind series Noah's Arc follows all four as they chart an uncertain course through the City of Angels, where laughter and drama are never in short supply.

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Saturday, August 18, 2012

Trick (1999) Review

Trick (1999)
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What do you get when you mix an aspiring musician working as an office temp with a hot go-go boy? The answer is "Trick" a charming movie that proves that looks aren't everything. Christian Campbell (brother of Neve) stars as Gabriel, a composer of showtunes who meets the man of his fantasies dancing atop a counter at a gay club in New York. J.P. Pitoc, who plays Mark, is the go-go boy with a body to die for who finds himself and Gabriel trying to locate a place where they can fool around. Due to several mishaps, both men get to know each other's interests and friends, and eventually they discover each other's inner beauty. Pitoc is probably the best looking actor I have seen on film in recent years and his torso inspired me to work out even more. He provided enough eye candy for everyone. Campbell is great as Gabriel, however the two scene stealers in this are Clinton Leupp who plays the bitchy drag queen that confronts Gabriel about Mark's past and Tori Spelling, who plays Gabriel's best friend. Personally, seeing that her father had no role in producing this film gave Ms. Spelling more credibility that she was casted in this film for her talent and not because of neptotism (e.g. "House of Yes"). An excellent soundtrack of dance music will keep you in the mood, and the interesting characters in this film will give those who have never stepped into a gay/lesbian club circuit an idea of what goes on after the sun sets. Except for a kiss between the two main characters and a brief encounter beneath a piano, there are hartdly any references to gay sex. I encourage anyone to watch this film in what I consider a gay version of the "Pick Up Artist".

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What do drag queens aspiring sex therapists and tori spelling have in common? theyre part of a madcap night out in manhattan for two frustrated guys that are desperate to find a place any place. Special features: widescreen version original theatrical trailer and cast and crew filmographies.Studio: New Line Home VideoRelease Date: 05/30/2000Starring: Christian Campbell Clinton LeuppRun time: 90 minutesRating: RDirector: Jim Fall

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Wednesday, April 4, 2012

Beautiful Thing (1996) Review

Beautiful Thing (1996)
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There are many 'coming out' and gay-themed movies these days, but none is more heart-breaking -- or heart-warming -- than this one. Glen Berry and Scott Neal are perfect as Jamie and Ste, two troubled working-class London boys coming to terms with their sexuality, each other, and the homophobic world around them. Ste lives with an abusive father and older brother who have made him feel ugly. Jamie and his mum take him in, and the boys bunk together. They discover love to the accompaniment of "You are sixteen, going on seventeen, unprepared for a world of men". The music (a lot of Mama Cass, but also some lovely, bittersweet original stuff for string quartet) is deftly woven into the fabric of the film's story, and is an integral part of its structure. After a fight, Jamie and Ste kiss to Mama Cass singing "You gotta make your own kind of music". The ending is as uplifting and sweet as any on film. The surprising thing is that this wonderful movie was made for British television. I wish more films could be as fresh, touching, and honest as this bright, shining little gem.

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A pair of teenage boys growing up in a working-classneighborhood become aware of their homosexuality. While both werevaguely aware they might be gay, neither had ever acted on theirimpulses. Once they decide that they're attracted to each other, neitheris sure just what to do. Winner of 4 International Film Festival Awards.

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Tuesday, March 27, 2012

Loving Annabelle (2006) Review

Loving Annabelle (2006)
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This movie is fantastic. You don't really realize how great it is until after its over though. It is a great story. A Catholic Boarding School teacher falls in love with her female student. That's right, it is about lesbians and homosexuality. However, if you are just looking for "lesbian action" don't waste your time with this, its not a sex movie. If on the other hand, you are mature enough to handle such a plot, you'll love it. So after an hour of the student pursuing the teacher and the teacher being wary and afraid to be with her.....well I can't tell you how it ends. What I will say, though, is why it is so great. It does not openly debate, discuss, or point out anything about homosexuality being right, wrong, good, or evil. What it instead does is tell a wonderful tale of romantic, yet forbidden pursuit, and no matter what your stance is on homosexuality in general, you cannot help but hope for a happy ending, and get wrapped up in this love drama. After the movie is over, you think of how bittersweet the story is and poor this and at least that and then it hits you - You have been focusing on love, passion, heartache, and beauty....but NOT about Straight or Gay relationships. That's the beauty of this film. It captures you into a world of pure love drama and you forget that it is about a controversial subject at all. Regardless of your stance in this controversy, all you can focus on while watching is a love story between two human beings. Watch it, you'll love it.

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Rising star Erin Kelly (Waking Madison) is Annabelle, a precocious Senator's daughter who falls for her Catholic school teacher, Simone (Diane Gaidry, The Dogwalker).After Simone is assigned to control the rebellious student, she instead finds herself drawn into Annabelle's world. As their attraction builds, the two women must cope with the reactions of those around them. Writer-Director Katherine Brooks unveils this smoldering tale of forbidden love with intelligence, wit and sensitivity.

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Thursday, November 10, 2011

Edge of Seventeen (1995) Review

Edge of Seventeen (1995)
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Edge of Seventeen is a wonderfully realized coming-of-age film about the one teen trauma John Hughes never touched: coming out. To start with, the soundtrack is nothing short of spectacular for 80s nostalgia enthusiasts. And the costuming is eerily authentic (rumor has it that the screenwriter ransacked his own home closet to find his 80s club duds). Passing the fact that David Morton has managed to capture the feel of a Hughes teen flick (down to the great opening credits); the performances are the high point here. Chris Stafford will steal every gay Gen-Xers heart; both because he's adorably snuggleable without being implausably beautiful, and because playing a 16-yr old from the mid-80s, he's a stand-in for all of us who WISH we'd had the guts to go after the cute blond boy from our summer job (Anderson Gabrych). Of particular note is Lea Delaria supporting turn as the dyke den-momma; who provides the best possible example for how queer adults should treat queer kids. This is a film that's full of great moments (mostly dominated by Stafford), including a "first-time" love scene that will leave you twitchy with anticipation, and a rimming scene (move over, "Queer as Folk") that will have you rolling off the couch with laughter. Best of all is the fact that for a US-made gay-teen themed film, the plot finally seems to break past the level of "Afterschool Special;" enough for me to rank it above such gay film favorites as "Beautiful Thing" and "Get Real." For American queerboys who came of age in the 80s, this is as real as it gets (or as close to what we wanted in our teen years as we'll find now.) It's a must-have for your collection.

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Set in 1984 in Sandusky, Ohio, "Edge of Seventeen" follows the coming-out of a naive 17-year-old teenager at exactly the moment when gender-bending pop stars like Boy George and Annie Lennox of the Eurythmics were flaunting androgynous images. As the youth, played with a heartbreaking sweetness by Chris Stafford, goes through his first rites of gay passage (after being callously used by the slightly older boy who brings him out, he tries to retreat to heterosexuality with his closest female friend) he emerges as a poignant gay everyman. Lea DeLaria is wonderful as his butch lesbian boss at the amusement park restaurant where he meets his first boyfriend.

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Friday, November 4, 2011

You'll Get Over It Review

You'll Get Over It
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"You'll Get Over It" is a fine French made-for-TV movie showing how coming out affects an individual and those closest to him. Vincent Molina (played by Julien Baumgartner) is the 17-year old anchor of the school swimming relay team, is about to graduate, and is a closeted gay. He has a long-time, virgin girlfriend, Noemie (played by Julia Maraval), and a non-virgin 'buddy', Bruno (played by Nils Ohlund). This works out until Vincent hooks up with a new student, Benjamin (played by Jeremie Elkaim of "Come Undone"). People know Benjamin is gay and make the link to Vincent, who has had a compartmented life. The movie shows how Vincent and those closest to him deal with their emotions as the situation plays out.
Vincent's initial withdrawal and distrustfulness are very realistically shown. The uncertainty and bargaining of his friends and family come through well. The acting is good thoughout.
There is considerable skin shown, from all of Vincent to Noemie to the swimmers and locker-room denizens.
While the movie centers on Vincent and his long-time network, I would have liked a stronger sense of how Bruno fit into Vincent's worldview and on why Benjamin and Vincent make a good fit. Jeremie Elkaim does not get much time on screen, despite his top billing and a good performance. The bonus features are just a picture gallery and some trailers.
I have noticed that recent French movies on a gay theme have been substantially better than their American counterparts. "You'll Get over It", "Close to Leo", "The Man I Love", "Confusion of Genders", "My Life on Ice", "Come Undone", and other movies all seem to have more depth of characterization and more willingness to reveal emotions, sexuality, and the human body than, say, "A Home at the End of the World".
You'll enjoy watching "You'll Get Over It".

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Vincent (newcomer Julien Baumgartner) is an average high school boy, a good student, and a star swimmer.With his best friend Ste'phane and his beautiful girlfriend Noemie (Julia Maraval), high school life couldn't be better for Vincent... until he meets Benjamin (COME UNDONE Jeremie Elkaim). Vincent keeps crossing paths with the new student, until the two finally have a private moment. The next day, Vincent's idyllic life begins to crumble when the school is vandalized with graffiti labeling him a fag.As the people in his life respond to the news, Vincent faces the inherent challenge of adapting to life as a gay young man. YOU'LL GET OVER IT takes a direct and compassionate look at Vincent's struggle.

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Wednesday, August 31, 2011

Shelter (2007) Review

Shelter (2007)
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I'm previewing "Shelter" for the Brisbane Queer Film Festival where it screens on Saturday 24th May 2008. "Shelter" shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers.
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". In "Shelter" surfing is simply a fact of life element - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writer and director of Shelter has done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?

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Forced to give up his dreams of art school, Zach spends his days working a dead end job and helping his needy sister care for her son. In his free time he surfs, draws and hangs out with his best friend, Gabe, who lives on the wealthy side of town. When Gabe's older brother, Shaun, returns home, he is drawn to Zach's selflessness and talent. Zach falls in love with Shaun while struggling to reconcile his own desires with the needs of his family.

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Thursday, August 18, 2011

Whole New Thing (2007) Review

Whole New Thing (2007)
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Ah, I love a chance to do a little alliteration in my reviews.
This Canadian film is very entertaining and very well done. The story of a young boy coming to grips (often), with his sexuality is handled with good taste and intelligence. The acting, particularly by Aaron Webber, is subperb. If he's not actually gay, he certainly does a good job of conveying some of what it means to be thirteen and dealing with such issues.
The sub-plot involving Emmerson's mother cheating on his father with a Cylon (inside joke), is less interesting, but still good. Frankly, that could have made for a decent stand-alone movie, but here it somewhat drags focus away from the main plot.
I'd like to see a sequel to this film, which is not something I say every day, especially not in the context of a gay film, most of which follow the checklist of gay movie cliches (ie: character dies, usually through suicide, character gets gay bashed or character gets AIDS).
>>> SPOILER WARNING!

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Emerson Thorsen, 13, lives with his parents in their eco-home in the wilds of Nova Scotia. The precocious teen has completed his first book, writing and illustrating all 1000 pages of it. Meanwhile, the home-schooled youth can barely add 2 + 2, so his mother enrolls him in the local junior high. Emerson isn t happy about the move, and has trouble fitting in at the new school. One of Emerson s new teachers is Don Grant, a 42-year old closeted gay man. Emerson initially is scornful of his teacher, but when Emerson speaks up in class, Don treats his ideas seriously. Emerson's scorn changes to respect, but soon he develops his first crush on Don. Emerson throws himself into this awakening of the heart with dangerous abandon. Don, who isn t out to the students, reacts with alarm. Eventually, Don has to learn how to curb Emerson's feelings without crushing his spirit. In the process, both student and teacher learn valuable lessons about surviving growing pains.

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Sunday, June 26, 2011

Billy Elliot (2000) Review

Billy Elliot (2000)
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Beginning with an exuberant title sequence, this charming, offbeat, coming-of-age story revolves around Billy Elliot (Jamie Bell), the younger of two sons of a widower coal miner (Gary Lewis) near Newcastle in Northern England. It's 1984, and the National Union of Mine Workers is engaged in a long, bitter strike, marked by street battles with riot police and protests against the busloads of scabs crossing the picket lines.
Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy - "Lads do boxing and football and wrestling, not friggin' ballet!" - forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence.
What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who - despite the simplistic predictability of the plot - create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific.
In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer."
While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" - and it was a bit hit at both the Toronto and Cannes Film Festivals. On the `Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.

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