All American Guys: Raw Workout Review

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(More customer reviews)This is a video of three guys taking turns lifting weights for a full-body workout. Presses, curls, pulls, squats, and ab exercises are included.
As indicated to me by the seller (who viewed the DVD and responded to my questions before my purchase) there is no nudity or sexuality and those "tags" placed on this product are incorrect and should be removed. The guys workout without shirts.
This video falls short by not providing instruction during the weightlifting (which would have greatly improved the value). Isiah Brooks "advises" the guys about a technique to perform squats to provide better muscle definition. Additional instruction throughout the rest of the workout would have made this a valuable tool.
Extras are talks by two of the guys (one including motivation), an arm wrestling match, and two of the guys talking and "play" wrestling.

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Join Ryan, Josh, and Jesse, three of Allamericanguys.com's top male fitness models, along with fitness trainer and fellow model Isiah Brooks, as they guide you through a complete total body workout.Each segment of this challenging workout focuses on key muscle groups, including chest, back, shoulders, arms, legs, and abdominals.Raw Workout also includes bonus interview footage of the guys sharing workout tips and glimpses into their personal lives.

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Straight Boys Gay Boys Review

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(More customer reviews)I bought this DVD about a month ago when I came back from a stressful business trip and I must say it did manage to relax me, put a smile on my face and turn me on.
There are certain moments that were my very favorite (e.g. When the Plumber closes the shower glass door with a gesture "no you can't" is one for example, or when the young redhead manipulates his victim into posing in that humiliating way)
All and all I found the approach fresh and non typical in compare to other gay movies that are populating the market now a days.
The thinking of this concept come from an obviously different space, more like a straight movie does, and maybe that is what I liked.

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Late Marriage (2001) Review

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(More customer reviews)The thrill of watching international movies is to find a superb current release at your local first-run 'art house' cinema, lock on to a great star, then work backwards through that person's previous work. "Late Marriage" is the perfect example of how that movie-watching technique can unearth a hidden gem.
In this case, you can start with the oustanding Israeli film (in theaters now), "Walk on Water." You'll never see a better film. Its star, Lior Ashkenazi, is the hottest thing in Israel at the moment. His breakout, it turns out, was 2001's "Late Marriage." Shockingly, my local rental location (with its 150 - 200 international titles) had it in stock.
There's an unexpected treat in here: 'Marriage' also features (albeit too briefly) the charms of Aya Koren (billed here as Aya Steinovitz). This is the most beautiful woman in film today. See 'Bonjour Monsieur Shlomi' if you doubt that.
The film itself is very enlightening and, ultimately, heartbreaking. It centers on the struggles of a 31-year-old man looking for independence in life and love, yet hampered by the expectations and, subsequently, outright threats of his family when it comes to the matters of marriage. The ending of the film is a jawdropper. You'd never get this type of dispiriting - but hyper-realistic - conclusion in the "come lift us up where we belong" world of Hollywood.
Speaking of which, there are some annoying things to comment on about the marketing of this movie. A prominent blurb on the DVD cover box compares "Marriage" to "Big, Fat Greek Wedding."
Not on your life. Writer/Director Dover Koshashvili must have spit out his breakfast when he read that. These two films couldn't be more dissimilar in the way their respective culture conflicts get resolved.
Next, we had back of the DVD, which features solely a picture of Ashkenazi and Ms. Koren. You can't fault a marketer for featuring her front and center, but, alas, she's not center to the film in any fashion.
Last, and most egregiously, when have the cover shot of Ashkenazi flashing his newly be-ringed finger into the mirror. He appears to be showing it to co-star Ronit Elkabetz (his beloved Judith). This photo is faked. It's a montage. It egregiously misrepresents the resolution of the movie. At this point, Ashkenazi's Lior is alone, lost in deep introspection (we see why in the dramatic, concluding 10 minutes that follow).
Who is responsible for this trickery? Why resort to it? Will it sell a single extra copy of the movie? I'll bet this approach greatly upset Mr. Koshashvili. No way a director would condone this misrepresentation of his baby.

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You Are Not Alone (1978) Review

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(More customer reviews)DU ER IKKE ALENE (You Are Not Alone) is a 1978 Danish landmark film written by Lasse Nielsen and Bent Petersen and directed by Nielsen and Ernst Johansen. When the period during which this film was made, a time when gay theme movies were all but verboten, this little film is a brave, delicate, tender, unpretentious tale of the bonding, both emotional and physical, that occurs between two young boys in a boarding school in Denmark. The story develops slowly and insidiously, a fact that makes some viewers find it boring or slow. But for this viewer the pacing of the story is intricately involved in this tale of the fragile first attractions that occur in young boys: everything is new, and nothing is rushed - it just happens and evolves.
Kim (Peter Bjerg) is a young prepuberal youth living with his parents: his father (Ove Sprogøe) is headmaster of a boys' school and his mother (Elin Reimer) is in line with the father's hardline standards. Though not a student in the school, Kim does associate with the young high school age boys and finds one lad in particular, Bo (Anders Agensø), a role model who shows concern for Kim and with whom Kim bonds, emotionally and eventually physically. The manner in which this occurs is never acted out but merely suggested in the most discreet and beautiful way. But we watch as this bond develops more strongly, with each of the boys nascent to the situation in which they find themselves.
The classmates are a varied group - normal kids in a normal school situation - until one of the boys Ole (Ole Meyer), who is somewhat of a trouble-maker, posts magazine pictures of nude women in his dorm room. Reprimanded by the headmaster he is put on probation and when he ultimately posts the contraband pictures in the dorm restroom, he is threatened with expulsion. His classmates band together to protect him and Ole is maintained in the school.
Other sidebar stories that pepper the screen are swimming hole escapades where the injury of one of the boys calls forth the empathy of the entire class; there is a vignette where an older woman tries to teach one of the boys the beauties of physical love; there is a shower scene that finds Bo and Kim gently observing each other; and there is a class project for graduation that is supposed to be an enactment of the 10 Commandments, one episode of which is assigned to a student filmmaker.
It is this finished class project film, shown before the faculty and the parents, that is based on the commandment 'Love thy neighbor' and it is a beautifully wrought scene of Bo and Kim embracing and kissing in one of the more honest and sensitive moments on film. The 'non-story' film ends without an audience response: it simply fades away to a tune that speaks of 'You are not alone - there is someone like you ahead.' No, this is not a film about nudity or raw sex. Instead this film is a brave exploration of the normal period in growth when boys search for role models and find their first sensations of love emerging. It is delicate, beautifully filmed and acted, and is one of the early forays into same sex love that works on every level. Grady Harp, December 06

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Unflinchingly honest and boundlessly lyrical, the exploration of sexual awakening in You Are Not Alone was a turning point in world cinema. At a Danish boy’s boarding school in the late 1970s, Bo and Kim are naive young classmates, whose friendship blossoms into a childlike love affair. When their friend is expelled for a prank involving lewd posters, the student body bands together to strike against the school and its authoritarian headmaster. Lasse Nielsen and Ernst Johansen’s classic film is a groundbreaking meditation on innocence, rebellion and love.

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Eating Out: All You Can Eat (2009) Review

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(More customer reviews)I enjoyed the first two Eating Out movies. They were fun and light and frothy. Silly enjoyment. This movie is the same, only more so. I thought the storyline here was a little weaker, and there were plenty of other faults. However, I have to say I enjoyed it, especially the zingy one-liners throughout the film.
Definitely not a great film, probably only worth two stars, but I enjoyed it for its fun silliness, so I give it four stars.

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Get ready to clean up the whole plate!This entirely new story in the Eating Out collection offers plenty of the over the top sex-romp rowdiness that made the first two films into cult favorites, along with a delightful dose of pure romance. Rebekah Kochan returns as Tiffani, the infamous, lovable, hysterical and funny slut who attempts to help her geeky but very cute friend Casey (Daniel Skelton) find true love - or at least a sexy hunk. Taken under Tiffani s wing, Casey pretends to be Ryan, Tiffani's hot, straight, stripper ex-boyfriend, in order to seduce the smoldering Zack (Chris Salvatore) online, which works, until the real Ryan shows up!Only through some fancy footwork, advice from his Aunt Helen (John Waters Cult Icon Mink Stole) and mentor Harry (Emmy Award winning Leslie Jordan, Sordid Lives, Will & Grace), and a daring provocative sexual escapade can Casey figure out how to set things right and perhaps even find the love he s been seeking.Eating Out 3 introduces six hot, openly gay actors in lead roles including Daniel Skelton, Chris Salvatore, Michael Walker, John C. Stallings (The Janice Dickinson Modeling Agency), Maximiliano Torandell, and Rick D'Agostino.

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