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(More customer reviews)1. THERE'S SOMETHING HERE THAT DIDN'T SURPRISE ME. In a lot of the scenarios, the straight Blacks had some clue about the DL brothas. One guy said when his girlfriend and he broke up, she screamed, "You like hot dogs anyway!" But yet she later took him back. When one guy came out as bisexual, his military father said, "I had been hearing stories of that." A straight female friend said to one DL man, "I knew that!" The Black community is my own community and I do think that sometimes it's not that brothas are hiding; it's that straights are willing to ignore the facts because they don't want them to be true in the first place. This DL thing is not fool-proof.
2. THERE'S SOMETHING HERE THAT SADDENS ME OR MAKES ME EMPATHIZE WITH STRAIGHT WOMEN. First, one brotha is dancing in sexy rhythm with his girlfriend, then later he comes out to her while his boyfriend is at the same table. The woman asks, "Does this mean this is the end of you and me?" and the DL guy affirms that. The sista bows down her head in sadness. I think a whole bunch of straight female viewers are going to get teary-eyed at this. This woman did not ask that her man be gay. She lost what she thought was a good partner through no fault of her own. The documentary does not pursue the issue further and some may feel that this short-changes her unfairly. But this scene reminds me of Dina Matos-McGreevey's autobiography and Liza Minelli's comments about the legitimate pain of straight women who find out the real deal about their male partners. Perhaps someone could make a documentary about how they suffer too. Those interested in this from a Black woman's perspective may want to read LaJoyce Brookings' autobiography.
3. THERE'S SOMETHING THAT ANNOYED ME. A lot of the people filmed had their faces blurred. The camera purposely used blurry movements so the viewer couldn't see some of the actions taking place by people in the camera's range. The DL brothas speak in low, mumbly tones so you could barely hear what they are saying. From an aesthetic perspective, this may have given a visual imagery to a topic that is meant to be so secret. But if you are a viewer that likes to be given all the facts and have a better chance to come up with your own conclusions, then you may hate a lot of this.
4. MISCELLANEOUS STUFF. Other discussions of DL have implied that DL brothas avoid openly gay men like the plague. The four men here never suggest that being gay and being DL are mutually exclusive. In a lot of ways, "down low" just means "closeted." In "Boundaries of Blackness," Dr. Cathy Cohen said the MSM term is frustrating because MSM often get busy with openly gay men. Remember when J.L. King said to Oprah, "Will & Grace and Queer as Folk don't matter because they concern whites, not blacks!"? Some say that DL brothas get down only intraracially. Some say DL is a response to not just Black homophobia, but also to white gay racism. The legal book "Hybrid" makes mention of this. In other words, DL may come from the thought that "White gays exclude us and Black straights would punish us if they knew the real deal, so this is how we'll negotiate those two things." Here, there seemed to be more interracial action that one might imagine. Don't get me wrong: this wasn't like the infuriating "Brother to Brother" where no Black male couples were present. There are brotha-loving brothas here. It's just that there are more whites here than some may imagine. Finally, I think bisexual activists may have a lot to say about this. These men never suggest that liking men equates to not liking women. They never say, "I'm so proud and excited that others don't know the real me!" They seem to be suggesting that liking men may prevent them from getting with women, so they just keep that side of them under wraps. If there were more acceptance of bisexual males, then maybe DL-ness would not be so widespread.
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On the DownlowIn this artful and thought-provoking film, highly regarded experimental filmmaker Abigail Child follows four young African American men in urban Cleveland, Ohio, who all live life on the downlow (the DL).Uncomfortable with being termed gay, as it doesn t correspond with their concept of Black masculinity, the men in this film straddle two seemingly incompatible worlds. Billy claims that the best sex of his life was with the mother of his two children, but he lives with a man. A self-described thug, Ray prefers drag queens. Kerwin desires not only a beautiful woman on his arm, but a man as well. And Antonio, an ex-con who picked up the DL lifestyle while incarcerated, is dating George, whose teenage girlfriend doesn t know that George, too, is on the DL. Together, these men s stories offer a rare window into both the allure and struggle of the DL lifestyle.Interweaving their narratives through candid interviews and intimate cinematography by Arthur Jafa (Crooklyn, Daughters of the Dust), ON THE DOWNLOW offers a penetrating glimpse into a split existence: one life lies on the surface, and another is hidden below.DVD Features: Original Casting Interviews; Trailer; Filmmaker Biography
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