Showing posts with label black. Show all posts
Showing posts with label black. Show all posts

Wednesday, December 12, 2012

Afro Samurai (Director's Cut) (2007) Review

Afro Samurai (Director's Cut) (2007)
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There's no doubt that Afro Samurai has a cool and simple concept and a very bloody style. In this future world of feudal Japan nothing seems to matter but two headbands that represent the two best fighters. To get to the number one fighter you must go through the number two and to get to the number two you must go trough everyone else. This way of life that nobody should have to live especially a child who has nothing but the headbands and revenge on his mind. As a child Afro saw his father who was the number one fighter at the time get massacred by a man named Justice. After the fight is over Justice takes the number one headband off of the head of Afro's father, which was not too far away from his body. Justice tells Afro something similar to what Uma Thurman said to Vivica A. Fox's daughter in Kill Bill, that if he wanted revenge he would fight him when he came for him.
Afro took those words very seriously and took a few things of his fathers including his very cool Katana. Afro immediately went from an innocent child to an almost emotionless man with a ton of weight on him as he begins his vengeful journey. Afro Samurai is a unique anime or story for that matter. You don't see too many people willing to put out a story with basically nothing but very bloody fight scenes for about two episodes before a really good story starts up. Especially in a 5 part series where the episodes are only between 20 and 30 minutes long. I can't lie because I love stuff like that and it made Afro Samurai all the more tempting to finish watching. The second is that this was a pricy anime to make costing $1 million per episode so I'm sure a few viewers from the Hip hop community were expected to watch this. Even if you're an action film fan you have to admit when there's too much action and not enough story Even in a revenge tail like Kill Bill with a certain scene that this anime could relate to 88 times over it had a mystery and story.
Afro was on the verge of being in the too much and not enough category and then a cool story hits you somewhere around the end of episode two. Flashbacks of Afro's life are showed, you see him as a kid again and the people who took him in and gave him his gritty skills. All throughout the 5 part series you see that the money was well spent because the animation is amazing and beautiful. The things that Afro does with his skills are crazy and this animation was a giant step up for anime samurai fight scene, it was flawless. The voice actors are great including Sam Jackson who is great for co-producing this and putting his foot in it.
I think it would have been cool to actually give Afro a real name, it's cool for people that take him on to call him Afro but I think he should have had a name for his other life before he became the Afro Samurai. In other words I kind of wish the story went just a bit deeper with a little bit more complexity. I think that Afro Samurai is a great series that everyone should see especially to view its beautiful quality.

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Ice Cold Soul and a Jones For Revenge
Afro Samurai (voiced by Academy Award® nominated Samuel L. Jackson) is an epic tale of a black samurai's hunt for Justice (voiced by Ron Perlman: Hellboy Alien Resurrection ) who murdered his father. With music score by The RZA ( Kill Bill Wu Tang Clan) Afro Samurai blends traditional Japanese culture, funky technology and hip hop to create a brutally fresh entertainment experience.
Director's Cut features:
15 MINUTES OF NEVER BEFORE SEEN FOOTAGE
Exclusive Manga art from Afro Samurai Creator, Takashi Okazaki
In the Booth with RZA - Music Production Tour
Director's Cut Edition of Afro Samurai is a 2-disc set with over 170 minutes of action!
All the cool action at a hot new price!

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Tuesday, September 4, 2012

Chappelle's Show - The Lost Episodes (Uncensored) (2003) Review

Chappelle's Show - The Lost Episodes (Uncensored) (2003)
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When Dave Chappelle shocked the world by turning his back on Comedy Central and his smash hit Chappelle's Show, rumors of completed skits, or in this case "lost episodes" were rampant. Now, in 2006, Chappelle's Show: The Lost Episodes are here, and upon viewing, it's apparent why Chappelle had grown so disatisfied with the direction the show was taking. Since Dave is no where to be found, Charlie Murphy and Donnell Rawlings host and present the sketches, which range from Dave imitating Howard Dean, to once again imitating P. Diddy and Lil' Jon. The saddest part of this DVD isn't that Dave is gone, it's how painful some of the skits are to watch. The Howard Dead and Gary Coleman spoofs go nowhere, as does "The Monsters" in which Dave, Charlie, and Donnell are a werewolf, Frankenstein's monster, and a mummy respectively are discriminated against, and the much heard about pixie sketch is funny at first, but it only furthers the notion that Chappelle stated in interviews about it only furthering racial stereotypes instead of spoofing them. The MTV Cribs skit begins slowly, but by the time Dave whips out some T-Rex eggs, it gets surprisingly funny. The biggest gem of the sketches is Dave in a club that spoofs the post-humous releases by Tupac. Other than that, there's hardly anything else here worth mentioning, which is incredibly disappointing. The second season of Chappelle's Show was a step beyond the first season as Chappelle pushed the limits of comedy and racial issues, but you'd never know it once you give this a look. It's worth a look for fans of the show who have been mourning it's demise, but don't expect much out of it. Instead, check out Dave Chappelle's Block Party or his standup DVD's; they are much more worth your time and cash.

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Outrageous, intelligent and provocative, Chappelle's Show - The Lost Episodes proves that Dave Chappelle is now and forever one of the funniest, most boundary-pushing comedians to ever appear on television.

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Wednesday, June 27, 2012

Janky Promoters (2009) Review

Janky Promoters (2009)
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While this film is watchable, I definitely would rate this as the least liked of the corroborations between Cube and Mike Epps. I would also say it falls towards the bottom when you throw in the Friday series, and the other movies he's played a hand in creating. As a big Cube fan, musically and theatrically, this is hands-down one of his worst (which explains why it was never advertised before being released to the theater, and then quickly released to DVD). It has its moments, but those expecting the same quality of work will be disappointed.

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Shady music promoters get into hot water when their chance to book a superstar rapper goes awry.

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Monday, June 11, 2012

Spike Lee Joint Collection (Clockers/ Jungle Fever/ Do the Right Thing/ Mo` Better Blues/ Crooklyn) (1989) Review

Spike Lee Joint Collection (Clockers/ Jungle Fever/ Do the Right Thing/ Mo` Better Blues/ Crooklyn) (1989)
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This would be a steal at twice the price. I don't know what possessed Spike Lee to offer five of his best movies at such a low price. Do the Right Thing is a brilliant movie, capturing both the rhythms and tensions of Lee's beloved Brooklyn, which he would return to time and again. Lee is at his best when avoiding the polemics and sticking to character-driven movies. Jungle Fever and Mo' Better Blues stand out in this regard, because they are first and foremost about people. Jungle Fever introduced the great Samuel L. Jackson, as well as launched Wesley Snipes in an intense social drama which revolves around an inter-racial love affair. Jackson stole most of the scenes however as the drug-addled brother who simply couldn't get his act straight no matter how hard he tried. Mo' Better Blues exposed Lee's love for jazz. Moody and atmospheric, with Denzel Washington delivering a solid performance, the film tries to recapture the spirit of the Harlem Renaissance. Clockers was his crime drama with plenty of tension. Crooklyn revolved mostly around amusing family disputes, with Alfre Woodard as a strong mother figure. It was probably the least satisfying of the five, but fun to watch just the same. Lee embelishes his movies with such rich cinematic color, and offers numerous fascinating camera angles such as his now famous walking scenes in Jungle Fever. Not since Gordon Parks, had someone done so much for black cinema, rescuing it from the blaxploitation films of the 70's.

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Spike Lee is one of the most acclaimed and controversial directors of all time. Now five of his most provocative, thought-provoking films are available in one collection. From the breakout hit dramedy DO THE RIGHT THING to the gritty, urban CLOCKERS, Lee peels away life's layers, exposing the ironies, brutalities, rhythms and prejudices of the naked city in this powerful collector's set.

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Sunday, May 27, 2012

Why We Laugh (2009) Review

Why We Laugh (2009)
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This is an intelligent, informative and educating documentary reminding those who choose to negotiate their selfworth by ignoring all the negative racial perceptions of black people for the dollar!!!

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Studio: Uni Dist Corp (music)Release Date: 04/27/2010Run time: 90 minutes

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Monday, April 30, 2012

Platinum Comedy Series - Mike Epps (Deluxe Edition) Review

Platinum Comedy Series - Mike Epps (Deluxe Edition)
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I AM A HUGE FAN OF MIKE EPPS. I HAVE SEEN A COUPLE OF HIS STAND UPS. BEFORE HIS DEBUT IN FRIDAY HE DID A SHOW HERE IN ST. LOUIS THAT WAS SO HILARIOUS. THE NEXT TIME I SEEN HIM IT WAS BEYOND HILARIOUS. I DON'T KNOW WHAT HAPPEN TO INAPPROPRIATE BEHAVIOR.


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Mike Epps is the hottest, most coveted and brightest new star in the world of comedy. He has already starred in numerous cult films including The Friday franchise and All About the Benjamins with Ice Cube, The Honeymooners with Cedric the Entertainer and Roll Bounce with Bow Wow & Nick Cannon. Now, Mike Epps is set to explode onto the scene with his very own HBO series entitled "Unsuccessful Thug," while preparing to star as the lead role in Richard Pryor’s life story.To see Mike Epps live is to experience laughter at its highest peak. You will be doubled over with stomach pains as Mike Epps gives you 60 minutes of brash, unapologetic comedy as only he can on his debut DVD "Mike Epps – Inappropriate Behavior." UrbanWorks Entertainment is proud to welcome Mike Epps into the prestigious Platinum Comedy Series. Enjoy "Mike Epps – Inappropriate Behavior" and the Platinum Comedy Series at home on the television or in the car! Bringing you the Funniest Comedians in America!!!

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Friday, March 30, 2012

Chappelle's Show - Season 1 (2003) Review

Chappelle's Show - Season 1 (2003)
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I had caught snippets of Chappelle's Show here and there before, but I had never made a point of actually sitting down and watching a complete episode. Then a friend of mine told me about a hilarious skit featuring Dave Chappelle as a black white supremacist (he is blind and doesn't know he is actually a black man); if it was only half as funny as she said it was, I knew I had to see it for myself, so I soon bought myself a copy of Chappelle's Show Season One. Not only is the skit in question hilarious, it basically defines the type of humor Dave Chappelle brings to the comedy scene. I don't think the television viewing audience has ever seen anything like this before - certainly not to the extremes that Dave Chappelle takes it. When he jokes about the fact the show has not been cancelled yet, it actually rings with a bit of truth. Very few comedians could get away with this type of over-the-top humor.
To say that this is mature humor is something of an understatement. Adult language abounds, and all the bleeps you heard on television are now removed - thus, the Uncensored! tagline. You'll find a lot of jokes centered on human anatomy - especially female anatomy. Far beyond everything else, though, is a relentless comedic skewering of racism. Some would probably consider this a racist show, actually - the "n word" is used in abundance, and stereotypes of blacks, Asians, whites, and other races are exploited shamelessly. The whole point of the race-based comedy, though, is to show just how extreme and ridiculous racist thinking and behavior really is. Some people won't "get it," of course, and they will probably think Chappelle's Show is one of the most offensive things they have ever witnessed - and that's OK. The majority of viewers, I believe, will "get it" and will join me in an extended laugh-fest that lasts throughout all twelve episodes of Season One as well as the bonus materials included in this DVD offering.
Among the gut-bustingly funny stuff you will find in Chappelle's Show Season One are the antics of crack addict Tyrone Biggums (including a visit to a drug awareness day at an elementary school), Chappelle-ized scenes from hit films such as Roots and The Matrix, a news report detailing the profound aftereffects brought about by the paying of reparations for slavery, "Great Moments in Hookup History," a "Real World" episode featuring one really white guy living with five crazy African-Americans, a hard-hitting documentary detailing the racism of famous animal performers, a documentary covering great inner city gang wars of the 1980s, an interracial episode of Trading Spouses, numerous Chappelle-ized television ads, Ask a Black Dude features with comedian Paul Mooney, a hilarious look at the international Player Hater Ball, and of course a lot of crude jokes about drugs and bodily functions. The only bad thing about these episodes is the fact that they are sometimes rather short. Chappelle featured rap and hip-hop musical guests on each show, but those segments are not included on nine of the twelve episodes you get here (and it's only a half-hour show to begin with).
The comedy is a little uneven at times. A few skits never really catch fire and are thus forgettable, but the vast majority of the material here will have you rolling in the aisles. Even the kind of toilet humor that normally isn't that funny will have you in stitches because Chappelle just keeps going to the well so many times that he makes it funny despite itself.
Five of the episodes come with audio commentary by Dave Chappelle and the show's co-creator Neal Brennan (who is white, by the way), as does the extra 29-minute feature of bloopers and deleted scenes. I was actually a little disappointed by the audio commentary; it was informational but not as funny as I had expected. The bloopers and deleted scenes were also less than hilarious - but I realized long ago (thanks to Dick Clarke and Ed McMahon) that bloopers really aren't very funny much of the time. All these extras are just icing on the cake, though, as the twelve episodes of the show more than make this Season One collection worth the money. Heck, it's worth it for just the blind, black white supremacist feature by itself.

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CHAPPELLE'S SHOW:SEASON 1 - DVD Movie

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Saturday, February 11, 2012

Mike Epps: Under Rated & Never Faded Review

Mike Epps: Under Rated and Never Faded
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Mike Epps is a comedian you can watch over and over again. This video also introduced Doug E Fresh at the beginning of the show which was great because he is an old school hip star who I love. If you like good comedy this is the one one for you.

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Studio: Uni Dist Corp (music)Release Date: 11/10/2009Run time: 70 minutesRating: Nr

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Friday, October 21, 2011

Cooley High (1975) Review

Cooley High (1975)
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Never has a movie made me laugh so hard, as well as providing me with feelings of nostalgia and heartwarming sentiment. COOLEY HIGH (1975) features laugh-out-loud moments by the dozen, as well as containing many moments of reflective, poignant beauty.
The story here takes place in Chicago, 1964, and revolves around a poet named Preach (played by Glynn Turman), basketball player Cochise (played by Lawrence-Hilton Jacobs), their other buddies, and what goes on in the day-to-day lives of these teens in urban life. We witness the boys frequently cutting class, stealing food, hopping buses and trains, chasing after girls, shooting dice, getting into fights, and all other sorts of typical teen shenanigans. The aforementioned outline may sound a bit redundant for a film (or maybe it could be due to the poor description I've given), but the aforementioned aspects are integrated into a unified whole, and in a compelling way. So, in the end, things work very nicely. If there's one fault I can think of (though it doesn't bother me, but may bother others), is that the storyline moves a bit fast, and many may wish that some of the scenes (or certain aspects of the film) would have been fleshed out more.
Amidst all of the wildness, Preach meets a lovely girl named Brenda (played by Cynthia Davis), and develops a relationship with her. This is one of the few aspects of the film to soften up what otherwise may have been just a brash comedy.
While Preach, Cochise and the boys all took lighthearted pleasure in lying, cheating and stealing -- it all seemed to catch up with them in the end, as a result of one wild ride in a stolen car. And later, a simple misunderstanding leads up to the tragic finale.
Before I close this review, I'm going to list a few of my favorite funny scenes:
(1). Preach and gang visit the zoo after cutting class. One of the guys decides to defend - and get friendly with - a Gorilla, after the rest of the gang were teasing it. What happens next is pretty foul, so I won't mention it here, but let's just say it had me laughing like a maniac.
(2). Broke and unable to afford money for the boys to see a movie, Preach and Cochise decide to pretend to be undercover policemen, and hassle two female prostitutes - making them believe they're going to be arrested. The ladies beg to be let off the hook, but Cochise decides to take a bribe - for money, of course.
COOLEY HIGH is a fantastic film. It could provide many with dozens of belly-laughs, as well as a tear or two. It's a beautiful portrait of life (the ups and downs of it), love and friendship. Viewers in their middle ages will find this film to bring back fond memories of their youth. It can also make some viewers come to the realization that certain qualities in this film are sorely lacking in the vast majority of today's cinema. Features actor Garret Morris, and excellent backing music by classic R&B artists like The Temptations, Stevie Wonder, The Four Tops, Diana Ross & The Supremes and countless others.

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Often called 'the black American Graffiti'but with "far more vitality and more variety" (The New York Times), Cooley High takes a nostalgic, poignantand hilariously funnylook at black teen life in 1960's Chicago.It's 1964. JFK has just been assassinated. Martha & The Vandellas, Little Stevie Wonder and The Four Tops rule the airwaves. And two high school students discover themselvesand the taste of freedomfor the first time. Preach (Glynn Turman), aserious-minded writer, and his best friend Cochise (Lawrence-Hilton Jacobs), a basketball hero headed for college, are best friends at Cooley High. Together they cut classes to go to the zoo, crash parties, put the hustle on some hustlers and dream about getting out of their impoverished, rough neighborhood. But when an innocent joy ride makes them the targets of two vengeful hoods, their alreadyuncertain futures seem even further out of reach. Featuring a "well-handled mix of comedy and dramawith a soundtrack of Motown gold" (Blockbuster Entertainment Guide) and a "universal appeal"(Los Angeles Times), Cooley High is "the best American comedy so far this year" (Village Voice)!

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Monday, August 29, 2011

A Raisin in the Sun Review

A Raisin in the Sun
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This recent ABC production was erratic; I'd like to see if the DVD restores several of the key passages that were cut out, including the memorable speech Beneatha gives to Asagai about what inspired her to become a doctor--in fact, the vital heart-to-heart Act III conversation between these two, which ought to run about 10 minutes, gets boiled down to 5 minutes! (Compare this sequence with the one featured in the superb AMERICAN PLAYHOUSE dvd, in which Beneatha and Asagai have a heated debate about the power of one person to make a difference and the future of Africa, and you'll see that a great deal of social conscience, and relevance to our own post 9/11 world, was sacrificed).
Repeatedly, the edits that were made in what I saw in the broadcast were puzzling. The decision to have Mama visit her drunk son at The Green Hat is dubious; in the play, Hansberry characterizes Lena Younger as a Christian woman who despises liquor and the nightlife of the Southside. The decision to show the whole family visiting the dream house in Clybourne Park is a cop-out--in the play, Lena is the only one to have seen the property, which makes Walter's anger and feeling that his dream has been "butchered" palpable. The Murchison-Beneatha relationship gets short-changed as well--where's the tense 2nd date scene, in which she spurns his crude advances and sees him as a churlish, shallow fool? I also disagree with the producer's decision to have Travis remain in the room for many scenes--what made the original play great was the fact that Travis never gets to see his parents bicker, which is why he idolizes his father, who seems can do no wrong. Thus, some dramatic irony gets lost.
Then, there is the truly odd decision NOT to have Beneatha adopt a full Afro (did the producers fail to see why Hansberry chose this simple yet powerful symbol in her original production???)--this abridgement was inexcusable. Consequently, the ABC production makes Beneatha look like an "assimilationist", despite her protests. What an absolute blow to the characterization of Beneatha, especially given how talented the actress here is.
The lead actors, with one notable exception, were quite good-- I was impressed with how Ruth and Asagai were developed, and I think Bill Nunn was superb in a minor and pivotal role as the naive Bobo. It's a shame this production doesn't include the comical nosey neighbor, Mrs. Johnson, who refers matter-of-factly to a newspaper story about the violence African-Americans face for moving into the suburbs. Indeed, the imminent threat the Youngers face for making such a bold move is watered down in this ABC production.
Lastly, anyone familiar with Hansberry's play should see that Sean P-Diddy Combs really drops the ball in the crucial "Pride" speech--he looks and sounds anemic compared to the riveting performances previously given by Poitier and Glover. The catharsis of his reversal, his rejection of Lindner's buy-out, just wasn't there.
(As a side note, the broadcast ran for three hours, and yet the actual film was just a little over 2 hours--couldn't ABC done the right thing and avoided such a crude abridgement of the dialogue, especially in Act III, and the jarring commercial breaks?)
Would I show this production to my high school students? Yes, but only in bits and pieces given the fact that the production deviates significantly from the original play. Students I've spoken to have expressed mixed reviews about this latest rpoduction.
Teachers, do the right thing and go with the AMERICAN PLAYHOUSE production instead, which is theatre at its finest and true to the spirit and intent of Hansberry's play.

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Based on the play that inspired a generation, A Raisin in the Sun tells the story of a family living and struggling on Chicago's South Side in the 1950s. A fiercely moving portrait of people whose hopes and dreams are constantly deferred, A Raisin in the Sun was the first play written by an African American woman to be produced on Broadway. The classic, still-relevant story now will be showcased in this totally new television movie adaptation. Sean Combs reprises the role which brought him critical acclaim in the highly anticipated, special three-hour television movie adaptation of the award-winning Broadway revival. Joining him is the cast of the award-winning production, including Emmy and Tony Award winner Phylicia Rashad, four-time Tony Award winner Audra McDonald, Tony Award nominee Sanaa Lathan, plus ER star John Stamos.

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Saturday, July 23, 2011

Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) (2010) Review

Tyler Perry's Why Did I Get Married Too (Widescreen Edition) (2010)
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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila's ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn't believe her husband, Marcus, can be faithful now that he's a celebrity television newscaster. Dianne and Terry's relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.
The truth of the matter is that I have mixed feelings about this movie. Am I glad I saw it? Yes! This is one movie I wouldn't mind seeing again (if only to watch Shelia). Did I expect something different? Yes and no. Did I enjoy the movie? Yes, I'd have to say that I did. The truth is that it is just a different type of movie. The first movie examined how individuals dealt with the problems in their marriages; the good, the bad and the ugly. And in the first movie, they all had better relationships and a greater understanding of each other as people. Now, the second movie addresses what happens when a relationship breaks down (literally) and how we as human beings learn to cope with the change, hardships and difficulties. See, not bad, but different.
I feel the mark of a good movie is when you forget you are watching it, and you get drawn into the story. And let me assure you that this will happen. I will admit that this movie had a lot packed into it, but it gives you a fresh look on how these characters have changed, or not changed, over the three years since the first movie. It is a very emotional ride at times, but it all pays off when Shelia embarrasses Marcus, or when Troy stands up for his wife, and Janet's character really shows her other side.
The location for the reunion was absolutely beautiful, and get to see the conversations between the men and the women (in individual groups) and then see how the stories match up as the movie continues beyond the weekend get-a-way. There really is no need to describe the story any further because each person will experience it differently. Personally, I thought the movie began a bit slowly, however when it got to the end, I was happy for the slow parts it gave me time to catch up. Overall: if you like Tyler Perry movies, you should see this movie. It is worth the ride, very enjoyable.

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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.

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Wednesday, July 13, 2011

Chris Rock: Kill the Messenger (2008) Review

Chris Rock: Kill the Messenger (2008)
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Chris Rock is not just a comedian. He doesn't just tell jokes (anymore). He's a truly smart guy that sees the world for what it is...and then shares his view of it with you. And the world is clearly a very very funny place.
Political views. Racial views. Religious views. Social views. His views on plain old common sense....Whether you agree with his views or not, he'll make you laugh. He might even make you mad with some of his views...but that's the point. Oh, you mean the stuff you agree with is funny, but the stuff that you don't agree with isn't??? C'mon!
Rock's 2008 HBO special Kill the Messenger is Chris Rock at his best. Some of the act does seem familiar just because (most of us?) now know his routine so well after so many fine years. You have his previous HBO specials: from "Big *** Jokes" 14 years ago when he used to simply "tell jokes", to his breakthrough specials starting in 1996 that established Rock for the unique style and delivery that he is now famous for {Bring The Pain (1996), Bigger and Blacker (1999), and Never Scared (2004)}. And of course you also have years and years of TV and movies to go with his signature HBO persona.
So, while some of the act may seem a bit familiar, rest assured that the subject matter is fresh. The only annoyance (albeit a slight annoyance) with the Kill the Messenger performance is the 3-venue video splicing presentation. In other words, you'll see Rock start a joke in New York, but then finish it in London or South Africa (not necessarily in that order); this splicing effect was distracting for me, but may not bother you.
So do go ahead and hit the buy button for a night of laughs if you didn't have the good fortune to catch this on HBO. One other word of caution is that the material is very timely. When the DVD is finally released in early 2009, some of it will actually be dated...mostly the pre-election stuff.

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Comic superstar and three-time Emmy® Award-winner Chris Rock stars in his fifth solo HBO stand-up performance. Kill The Messenger features Chris Rock from three international performances - at South Africa's Carnival City Casino, Londons Carling Apollo Hammersmith and New York 's legendary Apollo Theater - where he delivers his unique, adults-only take on dozens of social, political and celebrity issues.

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Tuesday, June 14, 2011

On the Downlow Review

On the Downlow
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1. THERE'S SOMETHING HERE THAT DIDN'T SURPRISE ME. In a lot of the scenarios, the straight Blacks had some clue about the DL brothas. One guy said when his girlfriend and he broke up, she screamed, "You like hot dogs anyway!" But yet she later took him back. When one guy came out as bisexual, his military father said, "I had been hearing stories of that." A straight female friend said to one DL man, "I knew that!" The Black community is my own community and I do think that sometimes it's not that brothas are hiding; it's that straights are willing to ignore the facts because they don't want them to be true in the first place. This DL thing is not fool-proof.
2. THERE'S SOMETHING HERE THAT SADDENS ME OR MAKES ME EMPATHIZE WITH STRAIGHT WOMEN. First, one brotha is dancing in sexy rhythm with his girlfriend, then later he comes out to her while his boyfriend is at the same table. The woman asks, "Does this mean this is the end of you and me?" and the DL guy affirms that. The sista bows down her head in sadness. I think a whole bunch of straight female viewers are going to get teary-eyed at this. This woman did not ask that her man be gay. She lost what she thought was a good partner through no fault of her own. The documentary does not pursue the issue further and some may feel that this short-changes her unfairly. But this scene reminds me of Dina Matos-McGreevey's autobiography and Liza Minelli's comments about the legitimate pain of straight women who find out the real deal about their male partners. Perhaps someone could make a documentary about how they suffer too. Those interested in this from a Black woman's perspective may want to read LaJoyce Brookings' autobiography.
3. THERE'S SOMETHING THAT ANNOYED ME. A lot of the people filmed had their faces blurred. The camera purposely used blurry movements so the viewer couldn't see some of the actions taking place by people in the camera's range. The DL brothas speak in low, mumbly tones so you could barely hear what they are saying. From an aesthetic perspective, this may have given a visual imagery to a topic that is meant to be so secret. But if you are a viewer that likes to be given all the facts and have a better chance to come up with your own conclusions, then you may hate a lot of this.
4. MISCELLANEOUS STUFF. Other discussions of DL have implied that DL brothas avoid openly gay men like the plague. The four men here never suggest that being gay and being DL are mutually exclusive. In a lot of ways, "down low" just means "closeted." In "Boundaries of Blackness," Dr. Cathy Cohen said the MSM term is frustrating because MSM often get busy with openly gay men. Remember when J.L. King said to Oprah, "Will & Grace and Queer as Folk don't matter because they concern whites, not blacks!"? Some say that DL brothas get down only intraracially. Some say DL is a response to not just Black homophobia, but also to white gay racism. The legal book "Hybrid" makes mention of this. In other words, DL may come from the thought that "White gays exclude us and Black straights would punish us if they knew the real deal, so this is how we'll negotiate those two things." Here, there seemed to be more interracial action that one might imagine. Don't get me wrong: this wasn't like the infuriating "Brother to Brother" where no Black male couples were present. There are brotha-loving brothas here. It's just that there are more whites here than some may imagine. Finally, I think bisexual activists may have a lot to say about this. These men never suggest that liking men equates to not liking women. They never say, "I'm so proud and excited that others don't know the real me!" They seem to be suggesting that liking men may prevent them from getting with women, so they just keep that side of them under wraps. If there were more acceptance of bisexual males, then maybe DL-ness would not be so widespread.

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In this artful and thought-provoking film, highly regarded experimental filmmaker Abigail Child follows four young African American men in urban Cleveland, Ohio, who all live life on the downlow (the DL).Uncomfortable with being termed gay, as it doesn t correspond with their concept of Black masculinity, the men in this film straddle two seemingly incompatible worlds. Billy claims that the best sex of his life was with the mother of his two children, but he lives with a man. A self-described thug, Ray prefers drag queens. Kerwin desires not only a beautiful woman on his arm, but a man as well. And Antonio, an ex-con who picked up the DL lifestyle while incarcerated, is dating George, whose teenage girlfriend doesn t know that George, too, is on the DL. Together, these men s stories offer a rare window into both the allure and struggle of the DL lifestyle.Interweaving their narratives through candid interviews and intimate cinematography by Arthur Jafa (Crooklyn, Daughters of the Dust), ON THE DOWNLOW offers a penetrating glimpse into a split existence: one life lies on the surface, and another is hidden below.DVD Features: Original Casting Interviews; Trailer; Filmmaker Biography

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