Showing posts with label brooklyn. Show all posts
Showing posts with label brooklyn. Show all posts

Friday, March 15, 2013

Infamous Times - The Original 50 Cent Review

Infamous Times - The Original 50 Cent
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INFAMOUS TIMES: THE ORIGINAL 50 CENT (2005)
directed by Froi Cuesta
approx. 1 hour 15 minutes
By now its old news that Queens rapper Curtis Jackson named himself after Brooklyn stick up kid "50 Cent" a.k.a. Kelvin Martin. This DVD tries to give some context for the crime ridden Fort Greene projects where Martin got his reputation. Brooklyn in the 1980s was a dangerous place and Mr. Martin provided some of that danger. We are told that this is a man who would rob drug dealers and pimps. A criminal even in the criminal underworld, Kelvin Martin alienated most of his friends by the end of his life and seems like an unlikely figure to admire.
Like other DVDs made for a rap audience, this movie romanticizes Kelvin Martin's violent exploits. This is a problem with America in general these days, that "underdogs" are expected to be lawless animals who don't know any other way. Martin's friends and family are interviewed throughout and others close to him provided personal letters and photos to piece together his story. His friends talk about his "career", from his early days stealing jewelry to his time in Riker's to his later stint in the military. His girlfriend talks about his "softer side" and says he didn't bring his criminal life to their relationship. We hear from his daughter who never got to know her father since he was gunned down. Some faces hip hop fans will recognize are DJ Scratch from EPMD and legendary producer Eric B. who both knew the young Martin. An interesting section of the movie is where people discuss why they think he got the name "50 Cent". Standing at just over 5 ft., its likely that he simply got the name because he was a short dude. One theory I hadn't heard is that while in jail he encountered the Five Percent Nation and later put a materialist spin on it.
The sections with rapper Curtis Jackson are thankfully short. They interview some of his former associates and Jackson himself. They discuss the controversy over Jackson's "Ghetto Qua'ran". Of course this is the track where he basically "names names" of all the major NYC criminals from his youth and led to a "renewed interest" in these men by the NYPD. One name mentioned was "Slim" a.k.a. Chaz Williams who was Jackon's manager and is interviewed on this DVD. Another name was "Supreme" a.k.a. Kenneth McGriff, supposedly the inspiration for the movie 'NEW JACK CITY' and "business associate" of the Murder Inc. label, who Jackson was feuding with. All of this is also covered in the book 'QUEENS REIGNS SUPREME'.
Kelvin Martin, despite being close to his family, was not a respectable person even by street criminal standards. At one point, one of Martin's friends tells the story of when he had to remind Kelvin that he was breaking the "codes of the streets". Martin responded "F%ck those codes". Maybe this is the message Curtis Jackson is trying to send by recording the type of music he does. Jackson says he named himself after the original 50 Cent because "he's the same type of person".
I will say that the production value of this DVD is much higher than most other rap-related DVDs. There are graphics and re-enactments and the sound levels are mostly listenable throughout. There is also a followable structure throughout and best of all, no yelling doofuses hogging for camera time. The DVD also includes brief segments on such glamorous topics as Brownsville Brooklyn's Blood street gang (which includes footage of a pitbull fight) and Vernon, NY strip club "Sue's Rendezvous" (which states that the lowest amount the dancers make is $50,000).
At the end of the movie, Curtis Jackson promises to keep Kelvin Martin's name alive. This movie is good for what it is, but why not a DVD on somebody like Frederic Morrow?

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A powerful music-driven video magazine chronicling the nation s most reputed street figures, notorious neighborhoods and the alluring frills of the fast life, this explicit exposé goes behind the stereotypes typically associated with legendary hustlers to uncover the true tales of pain and betrayal that all too often destroys their lives and, most times, finds them dead or in jail. Volume one of The Infamous TimesTM has already shipped platinum to major retail outlets throughout the U.S. and is on pace to quickly become one of the best selling urban DVD s to date. Running 120 minutes, the main feature of this landmark series tells the true story of Kelvin50 CentMartin, a cold-blooded crook who, armed with an arsenal of weapons, robbed, killed and extorted many of Brooklyn s biggest hustlers at the height of New York s brutal crack cocaine epidemic and from whom the multi-platinum rap superstar, Curtis50 CentJackson, borrowed his moniker. This is the true story of the legend who inspired the biggest name in rap.

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Monday, January 28, 2013

The Siege (1998) Review

The Siege (1998)
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The Siege tells a hypothetical story about terrorist attacks on New York City by Islamic fundamentalists, and how an FBI department led by Special Agent Hubbard (Denzel Washington) tries to stop them. A CIA agent (Annette Bening) is also involved, and refuses to cooperate with the FBI, at least at first. When the attacks continue and the FBI and police are unable to stop them, President Bill Clinton imposes martial law and U.S. Army units under General Devereaux (Bruce Willis) occupy and isolate Brooklyn and round up all the young Arab men and place them in an internment camp. This leads to several consequences and to a final showdown that will not be revealed here.
The Siege was controversial already in 1998 when it was released: the American-Arab Anti-Discrimination Committee and the Council on American-Islamic Relations both protested strenuously and said the movie was offensive and discriminatory. After the 9/11-2001 terrorist attacks on the United States it can be seen that the movie was in some ways prescient: it practically predicted terrorist attacks on New York by Islamic fundamentalists, a fatal lack of cooperation between the FBI and the CIA, and the imposition of measures that reduced civil liberties for average Americans.
In fact, the key conflict in The Siege is not the conflict between the terrorists and the law enforcement agencies. The key conflict is an ideological one: On one hand there are those who believe that all possible means, including the use of torture and the detention and isolation of suspects with no access to legal process, can be necessary responses to a terrorist threat. On the other hand there are those who believe that use of torture and the reduction of civil liberties can never be justified, and that if one resorts to these measures then one has handed victory to the terrorists.
It is the emphasis of this ideological conflict that makes The Siege so thought provoking and leads me to award it five stars.
Others have panned The Siege as being too anti-military, claiming that the imposition of martial law is farfetched and the U.S. military depicted as too inhumane. Here it must be pointed out that in the hypothetical situation presented in The Siege there was an on-going series of terrorist attacks with no end in sight, a far different situation than that experienced on 9/11-2001.
It's interesting to note that the script for The Siege was written by Lawrence Wright, who later, in 2006, wrote a book, The Looming Tower: Al-Qaeda and the Road to 9/11, and won the Pulitzer Prize for it. This book is also highly recommended.
A few words about DVD extra material. The first DVD release (2000) includes a 13-minute special feature "The Making of The Siege", which is fairly interesting but nothing very special. There is a newer DVD release (2007) subtitled "Martial Law Edition" which includes two additional special features, "The Siege: Taking New York" and "The Siege: Freedom is History". Unfortunately I haven't seen this edition yet.
Highly recommended, at least if you want more than just action and drama and enjoy thought-provoking stories.
Rennie Petersen

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When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make it's bloody mark on the streets of New York, it's up to FBI special agent Anthony "Hub" Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Together, they face explosive danger at every turn when they team up towage an all-out war against a ruthless band of terrorists.

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Tuesday, October 30, 2012

Do the Right Thing: The (The Criterion Collection) (1989) Review

Do the Right Thing: The (The Criterion Collection) (1989)
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In only his third film, Spike Lee created a classic that is both socially relevant and artistically accomplished. By focusing the actions at one location in one day, this film reminds us that race relation cannot be improved if we don't improve the way each one of us interacts with everyone else. The film's finale is notable for its echos of real events that occurred not long before the film was made, and its prescience of events to follow. It is an unforgettable movie scene that shows how intolerance can victimize everyone. Nevertheless, the apocalyptic vision of the final scene did not sit well with some critics. Is it a call to end violence or to start violence, they asked. In the film Lee seems to say there are no easy answers.
Somewhat overlooked is the fact that the film also makes keen observations of lives of American black underclass, especially in the portrayals of the "cornermen". Their exchanges are as amusing as they are trenchant in commenting the state of affairs of lower-class blacks.And through them, Lee takes the uncompromising position that sometimes the underprivileged can also be victims of their own mentalities.
Also, Lee subtlely shows the many faces of racial intolerance. While Sal's son Pino overtly hates blacks, and Buggin' Out is overtly intolerant of whites, but is the attitude of Sal himself really conducive towards racial harmony? Does he have a desire to get to know his neighbors, or does he simply want to "have no trouble with these people", as he puts it? By leaving this aspect ambiguous, Lee makes us think just what IS the right thing to do...
Despite all the criticisms against him, I believe Lee tackled the difficult subject as intelligently as any director could have done.
The Criterion DVD contains most of the supplements in the Criterion laserdisc released in 1995 -- audio commentaries, cast meetings and screen tests, 'Making Of' documentary. New supplements include Lee's press conference at the '89 Cannes festival, video interview with editor Barry Brown, "Fight the Power" music video, and a video segment showing the filmmakers re-visiting the Bed-Stuy neighborhood.
The DVD's video quality is characterized by deep, rich, saturated colors which cinamatographer Ernst Dickerson so brilliantly captured in order to create a feeling of overwhelming heat (literally and figuratively). There is a Dolby Digital 2.0 audio track (Prologic-decodable to surround), and a PCM stereo track that actually sounds brighter and crisper than the DD track.

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The hottest day of the year explodes onscreen in this vibrant look at a day in the life of Bedford-Stuyvesant, Brooklyn. Featuring a stellar ensemble cast that includes Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Robin Harris, Samuel L. Jackson, Bill Nunn, Rosie Perez, and John Turturro, Spike Lee's powerful portrait of urban racial tensions sparked controversy while earning popular and critical praise. Criterion is proud to present Do the Right Thing in a new Director Approved special edition.

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Friday, October 5, 2012

Two Lovers Review

Two Lovers
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Leonard Kraditor (Joaquin Phoenix) struggles with depression after his fiance leaves him. The movie opens with Leonard attempting suicide. That night he meets Sandra (Vanessa Shaw)-a sweet, affable, loving girl. A short time later he runs into Michelle (Gwyneth Paltrow)-a drug addled, promiscuous, party girl who loves a married man. Sandra wants to take care of Leonard and Leonard wants to take care of Michelle.
In his relationship with Michelle, Leonard is the strong one, the good one. In his relationship with Sandra, he continues to be the weak man from his past-the guy that needs gentle understanding. It's no wonder he pines for Michelle even though she's going to lead him down the path of self destruction. But every lover wants the chase.
I loved this movie and am frankly surprised by the bad reviews. Two Lovers may be subtle and a bit slow for some, but I found it nuanced and charming. At times in my life I've been the sunny party girl in love with the wrong man, the depressed lover pining for a an ex, and the sweet affable girl who could utter such lines as "if you don't want me, it's ok. I mean a lot of guys don't want me." Everyone should find at least one character in this film they can relate to. Highly recommended.

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Set in the insular world of Brighton Beach, Brooklyn, TWO LOVERS is a classic romantic drama, with Joaquin Phoenix giving a raw and vulnerable performance as Leonard, a charismatic but troubled young man who moves back into his childhood home following a recent heartbreak. While recovering under the watchful eye of his parents (Isabella Rossellini and Moni Monoshov), Leonard meets two women in quick succession: Michelle (Gwyneth Paltrow), a mysterious and beautiful neighbor who is exotic and out-of-place in Leonard's staid world, and Sandra, the lovely and caring daughter of a businessman who is buying out his family's dry-cleaning business. Leonard becomes deeply infatuated by Michelle, who seems poised to fall for him, but is having a self-destructive affair with a married man. At the same time, mounting pressure from his family pushes him towards committing to Sandra. Leonard is forced to make an impossible decision between the impetuousness of desire and the comfort of love or risk falling back into the darkness that nearly killed him.

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Monday, June 11, 2012

Spike Lee Joint Collection (Clockers/ Jungle Fever/ Do the Right Thing/ Mo` Better Blues/ Crooklyn) (1989) Review

Spike Lee Joint Collection (Clockers/ Jungle Fever/ Do the Right Thing/ Mo` Better Blues/ Crooklyn) (1989)
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This would be a steal at twice the price. I don't know what possessed Spike Lee to offer five of his best movies at such a low price. Do the Right Thing is a brilliant movie, capturing both the rhythms and tensions of Lee's beloved Brooklyn, which he would return to time and again. Lee is at his best when avoiding the polemics and sticking to character-driven movies. Jungle Fever and Mo' Better Blues stand out in this regard, because they are first and foremost about people. Jungle Fever introduced the great Samuel L. Jackson, as well as launched Wesley Snipes in an intense social drama which revolves around an inter-racial love affair. Jackson stole most of the scenes however as the drug-addled brother who simply couldn't get his act straight no matter how hard he tried. Mo' Better Blues exposed Lee's love for jazz. Moody and atmospheric, with Denzel Washington delivering a solid performance, the film tries to recapture the spirit of the Harlem Renaissance. Clockers was his crime drama with plenty of tension. Crooklyn revolved mostly around amusing family disputes, with Alfre Woodard as a strong mother figure. It was probably the least satisfying of the five, but fun to watch just the same. Lee embelishes his movies with such rich cinematic color, and offers numerous fascinating camera angles such as his now famous walking scenes in Jungle Fever. Not since Gordon Parks, had someone done so much for black cinema, rescuing it from the blaxploitation films of the 70's.

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Spike Lee is one of the most acclaimed and controversial directors of all time. Now five of his most provocative, thought-provoking films are available in one collection. From the breakout hit dramedy DO THE RIGHT THING to the gritty, urban CLOCKERS, Lee peels away life's layers, exposing the ironies, brutalities, rhythms and prejudices of the naked city in this powerful collector's set.

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Wednesday, October 12, 2011

Pride and Glory (2008) Review

Pride and Glory (2008)
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I agree with the other review in that the story line is nothing out of the ordinary. Typical New York good cop, bad cop storyline. This is why I didn't give it four stars but I have to give a lot of credit to the actors especially Collin Farrell. He is brilliant in this movie. I have to say, he nailed his performance to the tee. So the story goes: A family of cops, the dad (Jon Voight (Francis Sr.), his two sons (Edward Norton (Ray),Noah Emmerich (Francis Jr.) and their brother in law (Collin Farrell (Jimmy). They were all after this drug dealer who killed four other cops. Ray was thrown in this wild goose chase only to find out that Jimmy was somehow involved. So Jimmy somehow framed Ray (can't spoil the movie too much), they were in this battle of Ray's words against Jimmy. The ending could've been better but overall, it is a pretty good movie. Worth watching on DVD.

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Edward Norton, Colin Farrell, Jon Voight and Noah Emmerich star in a gritty, tension-packed tale of a multigenerational family of cops facing hard realities and tough choices. Set and filmed in Manhattan's Washington Heights, Pride and Glory draws you into a grippingly raw real world...and into a house divided.

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Wednesday, March 23, 2011

Brooklyn's Finest (2010) Review

Brooklyn's Finest (2010)
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"Brooklyn's Finest" is a remarkably entertaining and well-acted police drama from director Antoine Fuqua, who also directed the also outstanding police drama, "Training Day."
The film focuses on three very different Brooklyn cops over the course of a week. Richard Gere plays Eddie, a hardened veteran just a week away from retirement. He has nightmares, he's separated from his wife, and he's just biding his time until his retirement. Ethan Hawke, the hero of "Training Day, plays a narcotics detective desperate to finance a new home to give a better life to his wife, children, and twins on the way. Don Cheadle plays Tango, an undercover cop, who is so deep undercover that he forgets who he really is, and to make matters worse, he now has to setup a high-level drug dealer who saved his life while he was undercover in prison.
These examples of Brooklyn's Finest are all living on the edge, and they all go over the edge one way or another. The acting from these three is superb. Their performances along with Wesley Snipes as the drug dealer, Brian F. O'Byrne as Hawkes' best friend and partner, Shannon Kane as Eddie's hooker with a heart of gold, and a number of others, make this a very enjoyable, but powerfully sad and tragic film.

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Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooks—as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple subplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.

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Sunday, March 6, 2011

Out for Justice (1991) Review

Out for Justice (1991)
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Director John Flynn followed up Stallone's "Lock Up" with "Out for Justice", Steven Seagal's 4th film. This is another in a succession of guilty pleasure ass kicking films that Seagal started with his debut, '88's Above the Law. You either appreciate this kind of movie or you don't. Anyone expecting Eastwood acting out of Seagal at this point, hasn't been watching his movies. Now, if you know what you're in for: A real psycho is on the loose and Seagal goes after him, kicking the crap out of anyone in his way, then you won't be disappointed. I consider this to be one of Seagal's most entertaining. Plenty of wonderful violence abound, not to mention plenty of outrageously articulated fight scenes (in butcher shops & pool halls!)where Seagal gains little more than a scratch, if that. The plot! - Seagal is cop (surprise!) Gino Felino who "investigates" (aka violently kicks the butts of) all the slime balls who may know the where abouts of Richie Madano (William Forsythe looking fat and sloppy), the fat crack head who killed his childhood friend. Bottom line: Richie is out of control and on that stuff, going around shooting people willy nilly so Seagal sets out to stop him. Does he? What do you think, cool breeze? You'll love that classic intro where Seagal throws a violent pimp through a windshield. What a way to display the film title huh? Besides, any movie where Seagal confronts an animal abuser, kicks him between the legs, then lets his dog pee on him, can't be that bad right?!
*Look for Jerry Orbach, Gina Gershon, Julianna Margulies, Shannon Whirry, & John Leguizamo in small roles.
Also recommended with Seagal:
Above the Law
Under Siege
and for some real fun...
On Deadly Ground
Fire Down Below
Ticker
(these three are priceless in humor alone!)

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No description available for this title.Item Type: DVD MovieItem Rating: RStreet Date: 02/08/05Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: yesRe-Release: noPackaging: Sleeve

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