Showing posts with label joaquin phoenix. Show all posts
Showing posts with label joaquin phoenix. Show all posts

Friday, October 5, 2012

Two Lovers Review

Two Lovers
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Leonard Kraditor (Joaquin Phoenix) struggles with depression after his fiance leaves him. The movie opens with Leonard attempting suicide. That night he meets Sandra (Vanessa Shaw)-a sweet, affable, loving girl. A short time later he runs into Michelle (Gwyneth Paltrow)-a drug addled, promiscuous, party girl who loves a married man. Sandra wants to take care of Leonard and Leonard wants to take care of Michelle.
In his relationship with Michelle, Leonard is the strong one, the good one. In his relationship with Sandra, he continues to be the weak man from his past-the guy that needs gentle understanding. It's no wonder he pines for Michelle even though she's going to lead him down the path of self destruction. But every lover wants the chase.
I loved this movie and am frankly surprised by the bad reviews. Two Lovers may be subtle and a bit slow for some, but I found it nuanced and charming. At times in my life I've been the sunny party girl in love with the wrong man, the depressed lover pining for a an ex, and the sweet affable girl who could utter such lines as "if you don't want me, it's ok. I mean a lot of guys don't want me." Everyone should find at least one character in this film they can relate to. Highly recommended.

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Set in the insular world of Brighton Beach, Brooklyn, TWO LOVERS is a classic romantic drama, with Joaquin Phoenix giving a raw and vulnerable performance as Leonard, a charismatic but troubled young man who moves back into his childhood home following a recent heartbreak. While recovering under the watchful eye of his parents (Isabella Rossellini and Moni Monoshov), Leonard meets two women in quick succession: Michelle (Gwyneth Paltrow), a mysterious and beautiful neighbor who is exotic and out-of-place in Leonard's staid world, and Sandra, the lovely and caring daughter of a businessman who is buying out his family's dry-cleaning business. Leonard becomes deeply infatuated by Michelle, who seems poised to fall for him, but is having a self-destructive affair with a married man. At the same time, mounting pressure from his family pushes him towards committing to Sandra. Leonard is forced to make an impossible decision between the impetuousness of desire and the comfort of love or risk falling back into the darkness that nearly killed him.

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Wednesday, July 18, 2012

I'm Still Here (2010) Review

I'm Still Here (2010)
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Madness or high-concept performance art? "I'm Still Here," the faux documentary about actor Joaquin Phoenix, is likely to baffle and divide its audience. When Phoenix decided to quit acting, and seemingly hygiene, to pursue his passion of becoming a rap star--his friend and brother-in-law Casey Affleck was there to follow and film the inevitable fall from grace. There was rampant speculation from the get-go about the legitimacy of the endeavor (especially as it was all being filmed), but the longer the debacle played out--the less it seemed to matter. Fake or real, the damage was being done. Now, almost two years later, to have the entire experience and film declared a ruse seems the ultimate act of futility. Who, exactly, is the joke on? And to what purpose?
"I'm Still Here" covers all the trappings of a celebrity life in descent. Drug use, prostitutes, public intoxication, brawling and a "star" desperate to be taken seriously despite his best efforts to act a fool--we've seen the act before in countless narrative films and fictionalized biographies. We get a repeat of the infamous Letterman interview, the concert performance that became a YouTube sensation, and the incident where Phoenix attacked a concert goer. We also get to see moments of celebrity intervention--Edward James Olmos tries the spiritual approach while Ben Stiller tries to get Phoenix back to work. Much of the film is about a scramble to get into the music industry. Phoenix aggressively pursues P. Diddy, the film's most inspired performance, who is mainly just concerned about getting paid. Now that's real! And it all concludes on a rather ridiculous "arty" note which has got to be satirical.
Affleck has maintained that this is his brother-in-law's best performance. The problem is--I don't know if I believe him, I don't know that I care, and I don't know if it matters? At some point, you have to ask yourself "what's the point?" As near as I can figure, the only analysis has "I'm Still Here" as a discussion on the nature of reality and/or the nature of celebrity. On either account, is it relevant and necessary? When it was declared "I'm Still Here" was a hoax, that really doesn't change much of the on-screen content. Phoenix deconstructed his life on camera and those bad acts were put in the film. Even if some of the private incidents were staged (who knows? who cares?), the public behavior earned Phoenix notoriety as a drug addled buffoon. So whether he was living the life depicted or "acting" like he was living the life depicted, there isn't much real difference. What's that say about reality? Not so sure. And with celebrity meltdowns almost a monthly occurrence, does a "fake" one merit much interest? Not so sure.
The alternate option, and the one I tend to gravitate towards, is that it's all really quite meaningless in the long run. I think Affleck's "truthful" revelation while the film was in limited release was meant to fuel interest and debate. Duh? Fine, then, let's set a different set of standards. As a fictional experiment, I still think the film and its topic play out too often in real life to be particularly revelatory here. In terms of entertainment, I'd make the same argument. At best, I'd say that "I'm Still Here" is a fascinating excursion in self-indulgence both by Phoenix and Affleck. Whether that's enough will depend on your interest in the pair. I was mildly interested when all is said and done. KGHarris, 10/10.

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The directorial debut of Oscar nominated actor Casey Affleck, I'm Still Here is a striking portrayal of a tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix. With remarkable access, I'm Still Here follows the Oscar nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musicians. Sometimes funny, sometimes shocking, and always riveting; the film is a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

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Wednesday, May 30, 2012

Ladder 49 (Widescreen Edition) (2004) Review

Ladder 49 (Widescreen Edition) (2004)
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First and foremost, this is a drama, not an action film, about firefighters, with the focus on one firefighter in particular. The film tells the story about the life this one firefighter, whose life is revealed in flashback, when he finds himself in a bit of difficulty while fighting a fire and engaging in a rescue. That singular moment in time is grounded in the context of his life as a firefighter. While the film may be said to be somewhat formulaic and predictable, it does not take away from the fine acting, the great fire fighting sequences, and the poignant and funny moments that occur throughout the film. In many ways it is reflective of life itself, with some highs and lows, as well as a ready, steady core of reality in which all is grounded.
The firefighter who finds himself in a quandary is Jack Morrison (Joaquin Phoenix), a firefighter at a Baltimore firehouse. The viewer sees Jack in his rookie days as he is initiated into the brotherhood of firefighters and begins the bonding process with his fellow firefighters, whereby they become "family". Some of those bonding scenes are quite funny, especially the one involving his initial meeting with the then Captain of the firehouse, Mike Kennedy (John Travolta). Others are quite serious and poignant, as the dangers of the job are brought home to the viewer, especially when Jack loses a member of the brotherhood that is near and dear to him. The film shows, as the years go by, Jack's progression through the ranks from rookie to respected firefighter. It is clear that it is a job that he loves, despite the ever present danger to life.
As the viewer sees Jack's professional life unfold, the viewer also catches glimpses into Jack's personal life, from the moment that he meets his future wife, Linda (Jacinda Barrett), to the moment of their wedding and the birth of their children, with the wife and children also becoming part of the larger firefighter family or brotherhood. The film also shows the tremendous pressure and stress that a firefighter's job can have on one's spouse and children with their ever present concern for the safety of that beloved firefighter. After all, firefighters go where others dare not, simply so that others may live. The film shows how firefighters and members of their families cope with this ever present sword of Damocles that hangs over their respective heads.
Joaquin Phoenix, who is one of the finest young actors of his generation, gives a low key, but poignant, performance as the salt of the earth kind of guy who wants to do the best that he can for those whom he loves, in a job that he loves, with those with whom he loves working. He gives a quintessential portrayal of a working class guy for whom firefighting and family are concepts at the central core of his being. John Travolta gives a humorous and, at times, affecting performance as Mike Kennedy, the firefighting official who clearly is not above playing a practical joke on his firefighters but who pulls out all the stops to ensure that none are left behind when fighting a fire. Jacinda Barrett is effective in the role of Linda, the concerned wife who does her best to allay her fears and, over time, become supportive of her husband's chosen career. The rest of the supporting cast is equally effective in their respective roles.
This is a film that those who would like to sneak a peek into the life of a firefighter will appreciate. It will certainly let the viewer see the everyday types of situations that may confront a firefighter, as well as enable the viewer to discern why firefighters form such close relationships with each other. After viewing this film, a viewer can certainly walk away with an understanding as to why firefighters are such a unique brotherhood and why they bond as they do. It takes a special person, indeed, to walk into a towering inferno. This film does firefighters proud, and my hat is certainly off to firefighters everywhere. It is with good reason that we, in The Big Apple, call our firefighters New York's bravest.

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Academy Award(R) nominated stars Joaquin Phoenix (Best Supporting Actor, GLADIATOR, 2000) and John Travolta (Best Actor, PULP FICTION, 1994) ignite the intense action in this heroic tale of ordinary men with uncommon courage! As part of a tightly knit brotherhood of skilled firefighters, Jack Morrison (Phoenix) grows from inexperienced rookie to seasoned veteran as he faces a dangerous job that makes him a hero to strangers but often shortchanges his wife (Jacinda Barrett -- THE HUMAN STAIN) and kids. Then, when he becomes trapped in the worst blaze of his career, the things Jack holds most important -- family, duty, courage -- come sharply into focus.

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Thursday, April 12, 2012

We Own the Night (2007) Review

We Own the Night (2007)
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WE OWN THE NIGHT is the quote from the lower portion of the badge on the uniforms of NYPD police family Deputy Chief Bert Grusinsky (Robert Duvall) and one of his two sons Capt. Joe Grusinsky (Mark Wahlberg): the other son Bobby (Joaquin Phoenix) did not follow the family tradition of police work but instead is involved in nightclubs - and yes there is a schism of resentment. Bobby has distanced himself further from his family by changing his last name to 'Green', living with a Puerto Rican girl Amada (Eva Mendes), and bonding to a wealthy Russian family who owns the nightclub where Bobby works - a front for a drug dealing business. Writer/Director James Gray ('The Yards' and 'Little Odessa') has a feel for this underbelly of New York City and captures the 1988 mood of life in the city and beneath the city with style. The problem with the story is that it has been done so many times that it is simply stale yesterday's lunch. Two brothers at opposite end of the family spectrum require a major tragedy to bring them together, and to offer any more information to this fairly thin plot would be a disservice to those who plan to see the film.
The cast is strong, partly because each of them has played similar roles countless times and have the ideas down pat. It should be noted that two of the producers of the film are Mark Wahlberg and Joaquin Phoenix, probably a reason the film was made... There are some exciting moments and enough surprises and tense times to keep the adrenaline rolling, the smaller roles are very well cast, and one of the shining attributes of the film is the gorgeous Russian liturgy inspired musical score by Wojciech Kilar. It is not a bad film; it is just too much in the same mold as countless other New York police dramas. Grady Harp, February 08

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What if your own family stood in the way of everything you worked for? Bobby Green (Joaquin Phoenix) has forsaken his name to escape his family and their tradition in law enforcement to pursue his ambitions as a Brooklyn nightclub owner. As he turns a blind eye to the drug dealers around him, he comes face to face with the family he abandoned when his brother (Mark Wahlberg) and father (Robert Duvall) crack down on the club. Now Bobby must choose a side. Is he going to turn informant or will he help run the biggest crime ring in New York history?

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Sunday, October 16, 2011

Signs (Vista Series) (2002) Review

Signs (Vista Series) (2002)
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War of the Worlds had great special effects but drove me crazy with bad character development and irritating, disrespectful kids. I can understand why they were like that, but it grated on me throughout the movie.
Signs, on the otherhand, went the opposite way. Very little special effects, but far better character development. You cared about the people so that when they were under threat, you wanted to jump into the movie and protect them. The overall theme of the movie is that there is a reason for everything--even disabilities and tragedy. This is a very difficult concept to portray and I have to hand it to writer/director Shyamalan for giving us something different than the average "scary UFO" action flick. This movie had true substance and ventured into topics and subjects that the typical Hollywood movie lacks.

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From M. Night Shyamalan, the writer/director of THE SIXTH SENSE and UNBREAKABLE, comes the story of the Hess family in Bucks County, Pennsylvania, who wake up one morning to find a 500-foot crop circle in their backyard. Graham Hess (Mel Gibson) and his family are told extraterrestrials are responsible for the sign in their field. They watch, with growing dread, the news of crop circles being found all over the world. SIGNS is the emotional story of one family on one farm as they encounter the terrifying last moments of life as the world is being invaded. "It's easy for a filmmaker to blow up the world -- but what Shyamalan does is much riskier. He tries to blow our minds. I was engaged by every inch of SIGNS." - Richard Roeper, Ebert & Roeper.

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