Puppetry of the Penis: The Ancient Art of Genital Origami (2003) Review

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(More customer reviews)PUPPETRY OF THE PENIS was an unexpected hot ticket in London and New York--a fifty minute comedy act that involves to two men who give a new meaning to the phrase "show and tell" by stripping buck naked and twisting their genitalia into, well, object d'art. So to speak. And this DVD offers the show before a live audience, so you can sit in on the twisting and pulling in an up-close and personal sort of way.
This sounds a lot more bizarre than it really is, as any man who ever spent part of their teenage years in the highschool locker room can tell you. Yes: it really is teenage boy humor, and Austrailian comics Simon Morley and David Friend have snatched it out of the locker room and plunked it on stage for all the world to see. There's "the boomerang," "the eye," "the Loch Ness Monster," "the baby bird," and a host of other penis impersonations--all of which are good for a giggle and some of which are downright hilarious.
Although the show is done in the nude, it isn't in the least erotic, so if that's what you're looking for you had better go some where else. And in truth, this is a show that probably works much better on stage, where there it no doubt has an "in your face" factor that leads the audience to embarrassed hilarity--and indeed, the camera spends almost as much time on audience reaction as on the performers.
Now, this is never going to make any one's short list of "must own live comedy shows." After all, the material will only stretch so far... but taken in the right spirit, it is quite amusing, and it might be the perfect video for that next party you're thinking about giving--just imagine the possibilities! The DVD package also includes a documentary on the creation of a second PUPPETRY OF THE PENIS performing company, which is also amusing in a bizarre sort of way, and a small booklet that will let viewers follow along at home if they are so inclined. An entertaining bit of fluff.
GFT, Amazon Reviewer

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The most talked-about comedy event of the millenium is now on DVD!!!Intrepid Australian penis puppeteers Simon Morley and David Friend have taken the world's stages by storm, creating a runaway comedy hit unlike any other. They've performed their unique repertoire of "genital origami" for stunned, impressed and amused crowds around the world.Make no mistake: there are no sock puppets in this show!PUPPETRY OF THE PENIS beings where "The Full Monty" ends: with Morley and Friend presenting the Ancient Art of Genital Origami through more than 40 astounding "penis installations," including such crowd pleasers as The Pelican, The Windsurfer, The Eiffel Tower, The Loch Ness Monster, and the duo's signature creation, The Hamburger. SPECIAL FEATURES -"Cockstars" 60 minute bonus featurette -Multi camera live performance -5.1 Dolby Surround Sound-PCM Stereo -Interactive Menus -Instant Chapter Access to Skits -Multi page instructional book

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Jimi Hendrix - Live at Woodstock (1999) Review

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(More customer reviews)Jimi Hendrix at Woodstock is disputabily the greatest concert ever given. I am an avid Hendrix fan and was elated to see this DVD. This is by far the best DVD I have and shows Hendrix at his greatest. Izabella is revolutionary, Fire is rock solid, Red House is great (Jimi broke his high E string), his Woodstock Improvisation is incredible and his Star Spangled Banner is priceless. That being considered, it deserves 5+ stars.
Although Expericnce Hendrix has done a great job releasing material since they won Jimi's legacy a few years ago, this DVD, contrary to the CD version, was disappointing in its length. There are many songs missing. I owned the CDs first and will list my disappointments: (1) I desperately wanted to hear and see all of Message to Love and Hear my Train a Comin', two of Jimi's new songs as he broke away from the Experience. (2) I also wanted to see Spanish Castle Magic, Foxy Lady, Hey Joe and Lover Man, all not included on the DVD. (3) The order of the songs was jumbled on the DVD and I wanted to see the actual chronological order of the songs. (4) Many of Jimi's comments, some pretty interesting (a la those before Izabella for those who own the CDs), were totally cut out. (5) If it replaced another of the aformentioned left-out songs, I really did not need to hear Larry Lee being backed up be Jimi on Jam Back at the House. Considering they cut out Larry Lee's other songs from the CD I was amazed that this one even made it.
I guess I wanted a DVD identical to the CDs, which is not what this is. However, this is a must for any fan of rock music in general, but I felt I had to voice my completist complaints. Without a doubt, a must have.

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Charlie Rose with Anjelica Huston; Nan Goldin, Elisabeth Sussman &Luc Sante; Tracy Chapman (December 17, 1996) Review

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(More customer reviews)Nice interview standard Charlie Rose style: frank, enjoyable and to the point. The best part was with Nan Goldin who was and still is as the unique prolific artist that began her career in the 70's.

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A dialogue with actor/director Angelica Huston. Huston discusses her directorial debut with the film Bastard Out of Carolina.Curator Elisabeth Sussman, author and cultural critic Luc Sante and photographer Nan Goldin discuss the new exhibit of Goldin's photography at the Whitney Museum of Art entitled, Nan Goldin: I'll Be Your Mirror.Finally, three-time Grammy Award-winner folksinger Tracy Chapman discusses her rise to fame and her new album New Beginning
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

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L.A. Ink: Season 1 (2007) Review

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(More customer reviews)A year or so back I had no clue who the h**l Kat Von D was. One of my friends liked her show and her love for tattoos. So I decided to look her up online and to my surprise...wow! Her work is very in depth and awsome! I don't have cable so I am not able to watch her television show. When I saw The First Season was coming out on dvd, I had to have it! I didn't buy it when it first came out due to issues.
Recently I went over my friends house and she has cable and we were watching it. The show is awsome! Recently my set arrived in the mail and I have been watching it since then. You get to see a little in-depth look into her personal life along with her love for tattoos. Her JOB! Tattooing is not an easy job...as it is shown on the show. Kat and her posse are very good at their work and are very great artists!
Great Reality T.V. Show!!! Not full of bulls**t!!!
Problems are:
This dvd set says on the box Season 1 Vol. 1. I dont get why? Too much confusion here! I looked on many websites online and it lists 13 episodes for Season 1. This set includes 13 episodes which makes the entire first season. So why do they have it say "Season 1 Vol.1?
The 3 dvds in this set are not in your regular dvd case. No regular case...no slim cases. They are kept in cardboard sleeves. WTH! So everytime you take out a disc to watch it will get scratched. So why would you want to buy dvds that will get scratched each time you want to watch it? When I took out each disc to inspect them, they had light scratches. Light scratches "who cares" some may say? I care! I spent my money on a dvd set that should last a while, not a year. It says that the dvd companies are cheap with releasing television dvd sets!! I believe it's a sneeky ploy. They make them cheap, so then when it messes up people will keep buying the sets over and over again.
Also if you like your dvds to have awsome extras...this set doesn't have them!

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Playing by her own rules, Kat lives a fast-paced, rebel lifestyle. Hers is a life of freedom: she sets her own schedule, picks her clients, sleeps late and parties all night. For her shop to be a success, Kat will need to learn how to balance her lifestyle and her business while managing a colorful staff of renowned artists. LA Ink will offer a rare glimpse into an LA that is seldom seen, through the eyes of a true insider.

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I'm Still Here (2010) Review

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(More customer reviews)Madness or high-concept performance art? "I'm Still Here," the faux documentary about actor Joaquin Phoenix, is likely to baffle and divide its audience. When Phoenix decided to quit acting, and seemingly hygiene, to pursue his passion of becoming a rap star--his friend and brother-in-law Casey Affleck was there to follow and film the inevitable fall from grace. There was rampant speculation from the get-go about the legitimacy of the endeavor (especially as it was all being filmed), but the longer the debacle played out--the less it seemed to matter. Fake or real, the damage was being done. Now, almost two years later, to have the entire experience and film declared a ruse seems the ultimate act of futility. Who, exactly, is the joke on? And to what purpose?
"I'm Still Here" covers all the trappings of a celebrity life in descent. Drug use, prostitutes, public intoxication, brawling and a "star" desperate to be taken seriously despite his best efforts to act a fool--we've seen the act before in countless narrative films and fictionalized biographies. We get a repeat of the infamous Letterman interview, the concert performance that became a YouTube sensation, and the incident where Phoenix attacked a concert goer. We also get to see moments of celebrity intervention--Edward James Olmos tries the spiritual approach while Ben Stiller tries to get Phoenix back to work. Much of the film is about a scramble to get into the music industry. Phoenix aggressively pursues P. Diddy, the film's most inspired performance, who is mainly just concerned about getting paid. Now that's real! And it all concludes on a rather ridiculous "arty" note which has got to be satirical.
Affleck has maintained that this is his brother-in-law's best performance. The problem is--I don't know if I believe him, I don't know that I care, and I don't know if it matters? At some point, you have to ask yourself "what's the point?" As near as I can figure, the only analysis has "I'm Still Here" as a discussion on the nature of reality and/or the nature of celebrity. On either account, is it relevant and necessary? When it was declared "I'm Still Here" was a hoax, that really doesn't change much of the on-screen content. Phoenix deconstructed his life on camera and those bad acts were put in the film. Even if some of the private incidents were staged (who knows? who cares?), the public behavior earned Phoenix notoriety as a drug addled buffoon. So whether he was living the life depicted or "acting" like he was living the life depicted, there isn't much real difference. What's that say about reality? Not so sure. And with celebrity meltdowns almost a monthly occurrence, does a "fake" one merit much interest? Not so sure.
The alternate option, and the one I tend to gravitate towards, is that it's all really quite meaningless in the long run. I think Affleck's "truthful" revelation while the film was in limited release was meant to fuel interest and debate. Duh? Fine, then, let's set a different set of standards. As a fictional experiment, I still think the film and its topic play out too often in real life to be particularly revelatory here. In terms of entertainment, I'd make the same argument. At best, I'd say that "I'm Still Here" is a fascinating excursion in self-indulgence both by Phoenix and Affleck. Whether that's enough will depend on your interest in the pair. I was mildly interested when all is said and done. KGHarris, 10/10.

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The directorial debut of Oscar nominated actor Casey Affleck, I'm Still Here is a striking portrayal of a tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix. With remarkable access, I'm Still Here follows the Oscar nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musicians. Sometimes funny, sometimes shocking, and always riveting; the film is a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

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This Is Elvis (Two-Disc Special Edition) (1981) Review

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(More customer reviews)This is Elvis is a Documentary that traces the life of Elvis from his early days in Tupelo and Memphis, his audition for Sam Phillips at Sun records, his first rush of fame, his early TV apperances, the contraversy over his performing style, his army years and his first meeting with Pricilla, his movie years, his 1968 comeback, his touring years in the 1970, up to his death in 1977. This is elvis combines actual footage of Elvis with reenactments with actors representating him at 11, 23, and 42 years old. It is narrated by Ral Donner, an Elvis impersonator who sounds excatly like him. Also other people in Elvis life, including former girlfreind Linda Tompson and road manager Joe Espisito, also provide narration.
As noted in previous reviews, you do get to see upstairs at Graceland, as well as how it looked when Elvis died. Scenes from his early TV apperances, including the Milton Berle performance that caused a scandal as well as the "above the waist" performance on Ed Sullivan. Concert scenes from his 1968 show, Thats the way it is, Aloha from Hawaii, and from his last filmed show in 1977, are here as well. The 1977 show has never been on DVD, manily because Elvis was in bad health and it was just seven weeks before his death. Still he sings a good verison of My Way.
This DVD set will include the original Theactral version from 1981, and the version that has been on VHS that had more footage. As noted in a review, Elvis does make some off color remark to his friends about a woman he had been with the night before, in the home verison, Ral Donner overdubed something less off color. Also the theatracial verson, in the 1977 concert, had the version of Are You Lonesome Tonight, where Elvis fouls up the spoken part of the song saying plus tax etc. In the home version, it is replaced with Love Me.
Thanks to The Elvis Presley Estate for finally releasing this on DVD. It is a must for all Elvis fans, young and old.

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THIS IS ELVIS:SPECIAL EDITION - DVD Movie

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The Maiden Heist Review

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(More customer reviews)The prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story - Christopher Walken, Morgan Freeman and William H. Macey - are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.
Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.
The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

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Their plan wasn't exactly a work of art. It was a stroke of genius. But now the perfect crime is turning into a perfect disaster in this madcap comedy featuring Academy Award winners Morgan Freeman, Christopher Walken, Marcia Gay Harden and Academy Award nominee William H. Macy. Charles, Roger and George are the very picture of honest security guards. But when they learn their favorite artworks are being sent to another museum, they concoct a plan to switch the real masterpieces with fakes. All goes well until a mistake forces these first-time thieves into a last-minute escapade in the comedy caper that proves you're never too old to have some new fun.

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Big Night (1996) Review

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(More customer reviews)This is a beautiful movie on a number of levels. As many reviewers have noted already the Italian cooking and the scenes in the kitchen will have you craving a fine Italian dinner as soon as you finish watching.
Beyond the food this is a fine film with a very touching story involving two immigrant brothers who are extremely close despite their obvious personality differences. The tension between the brothers builds as they attempt to salvage their struggling restaurant business. Primo (Tony Shalhoub)the older brother has an artistic temperment and that applies to his uncompromising approach to cooking and cuisine. His brother,Secondi(Staney Tucci), has more material ambitions and is manipulated by a competing restauratnt owner into an ill-advised attempt to publicise their restaurant by having an elaborate dinner party for singer Louie Prima. Hence the film revolves around preparations for THE BIG NIGHT.
The climax has the conflict between the brothers break out into the open and the film ends with a beautiful sequence in the kitchen where there is a silent reconcilliation.
The story is set in a New Jersey shore town in the 1950's. The period is captured beautifully with big-finned Cadilacs cruising down the main street and the women's fashions are right on the money. The soundtrack is absolutely fabulous with cuts from Rosemary Clooney, Louie Prima and some lesser known Italian recording artists.
Both Shalhoub and Tucci are excellent in thei roles and the supporting cast is very good as well.
Overall I highly reccomend both the film and the soundtrack.

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Primo & Secondo, two immigrant brothers, pin their hopes on a banquet honoring a famous musician to save their struggling restaurant.Genre: Feature Film-DramaRating: RRelease Date: 6-NOV-2007Media Type: DVD

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Maya Lin - A Strong Clear Vision (1995) Review

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(More customer reviews)This documentary film is a unique experience for which it is difficult to find a comparison. On a basic level, the film discusses several projects of artist/architect Maya Lin, a young Chinese-American woman who unexpectedly won the design competition for the Vietnam Veterans Memorial while a Yale student. Her design, a departure from conventional expectations, is now famous, and is the most visited memorial in Washington D.C. Some of the strong feelings that the Vietnam War elicits in people, especially its veterans, is touched upon in moving live scenes at the Memorial and in the controversial hearings that were held in the wake of the design's selection. The experience put Maya Lin in a national spotlight and forced the student to mature very quickly addressing the grievances of veterans and others. In the end, with some minor site additions, the Memorial stood as designed, with the names of all the soldiers who gave their lives in Vietnam etched in its simple, polished, reflective granite. Other works of Maya Lin, including the Civil Rights Memorial in Montgomery, Alabama; the Yale Women's Table; and others demonstrate a similar simplicity and poetry that is both moving and powerful. There are moments in the film, as simple as when the artist is working at her drafting table, that suggest something both beautiful and spiritual, providing a deep insight into the creative process of this noted public artist.

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Studio: New Video GroupRelease Date: 05/27/2003Run time: 83 minutesRating: Nr

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Frida (2002) Review

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(More customer reviews)FRIDA, with Salma Hayek in the title role, is a vibrant celebration of the life of Mexican artist Frida Kahlo (1907-1954), and an unsparing look at her tumultuous, passionate marriage to the Mexican muralist Diego Rivera (Alfred Molina). Another major thread is the involvement of both with the Communist Party. In the latter half of the film, Geoffrey Rush makes an appearance as the exiled Leon Trotsky running from Stalin's death squads.
Hayek's performance is the finest I've seen by an actress so far in 2002. An Oscar nomination is surely in the cards. Though I understand that FRIDA uncovers nothing new about the life of Kahlo not already known by devotees of her work, the film was a total revelation for me who knew nothing about the artist. And Costuming and Make-up built on Hayek's natural appearance to create the spitting image of the real Frida (whose photo I've just seen on the Web).
Visually, the film is a riot of color. I especially liked those scenes where the viewers' eyes are drawn to a brightly costumed Frida set against surroundings colored with contrasting sepia and/or pastel tones.
My only picky-picky complaint about FRIDA is its treatment of Kahlo's physical condition after the horrific 1925 bus accident that left her with multiple fractures of her pelvis, spine, ribs and leg, and which necessitated over 30 follow-up operations in her lifetime. The visual force of her paintings is generated both by her complex emotional life as well as the terrible physical pain she constantly suffered. Yet in the film, between that time she learns to walk again without a crutch and much later when she climbs an Inca pyramid with Trotsky, there's absolutely no hint in Hayek's portrayal that the artist was in any way physically debilitated beyond an inability to bear children. Where was the stiffness of movement, or the inevitable grimaces of pain? At one point, Kahlo is shown dancing with the fluidity of perfect health. As one afflicted with yet only mild arthritis in the lower back, I found this aspect of Salma's characterization perhaps unreal. However, this is a trivial hiccup in an otherwise superb performance.

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Nominated for six 2002 Academy Awards(R), including Salma Hayek for Best Actress, FRIDA is the triumphant motion picture about an exceptional woman who lived an unforgettable life! A product of humble beginnings, Frida Kahlo (Hayek) earns fame as a talented artist with a unique vision. And from her enduring relationship with her mentor and husband, Diego Rivera (Alfred Molina -- CHOCOLAT), to her scandalous affairs, Frida's uncompromising personality would inspire her greatest creations! Also starring Antonio Banderas (SPY KIDS), Ashley Judd (KISS THE GIRLS), Edward Norton (RED DRAGON), and Geoffrey Rush (QUILLS).

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Fantasia 2000 (2000) Review

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(More customer reviews)This movie is a worthy successor to the original Fantasia movie. The artwork in all the pieces was superb (although, you could tell the art from "The Sorcerer's Apprentice" is old). This movie, as with the original, gave me a greater appreciation of classical music, while entertaining me with impressive visual imagery.
The pieces are as follows:
Beethoven, Symphony #5. A classical piece of music (who can't identify it upon hearing it?) portrayed as a good vs. evil contest.
Respighi, Pines of Rome. Flying whales!! A great piece of music which builds to a fantastic finish. Has some cute moments with a baby whale.

Gershwin, Rhapsody in Blue. Easily the best (and longest) piece in the movie. Done in the drawing style of Al Hirschfeld, a magical tale is told of four people in Depression-era New York. A heartwarming, moving piece.

Shostakovich, Piano Concerto # 2 Allegro Opus 102. A charming piece of music, used to tell the story of the Steadfast Tin Solder. Some of the scenes in this piece may be scary for little kids.

Saint-Saens, Carnival of the Animals, Finale. A (very) short, but very funny piece which answers the age old question: "What happens when you give a flamingo a yo-yo?" I was laughing out loud at this one.

Dukas, The Sorcerer's Apprentice. This is the same piece as from the original 1940 movie. Still worth watching after all these years.

Elgar, Pomp and Circumstance. Donald and Daisy Duck star in this reinactment of the story of Noah's Ark. Fun to watch and enjoyable.

Stravinsky, Firebird Suite. A wonderful story about life, death and rebirth. The piece builds to a wonderful ending, both in the story and in the music. Some of the younger children may be scared by some of the scenes in this piece as well.


Overall, this movie is a wonderful addition to any home video library.

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Three Coins In the Fountain (1954) Review

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(More customer reviews)I must be honest--I bought "Three Coins in the Fountain" because I thought my wife would enjoy it. How right I was ! At the risk of sounding sexist, this 1954 production is definitely a movie aimed at women--and men wanting to impress women--it was probably a great "date flick" !
The plot is quite conventional, standard soap opera fare. Three young and single American women are employed as secretaries in Rome. They are played by Dorothy McGuire, Jean Peters, and--as "the new kid on the block"--Maggie McNamara. Of course, all three find romance, not to mention ever-changing wardrobes and lavish living accommodations. In 1954, secretaries must have made a bundle in Italy ! For gorgeous and seductive Ms. Peters, romance comes in the form of a ruggedly handsome Italian law student, Rossano Brazzi ( later to have Mitzi Gaynor swooning in "South Pacific" ). Young, naive Ms. McNamara attracts the attention of an Italian prince with a womanizing reputation
( Louis Jourdan, a poster boy for charm and sophistication ). She has to wait for much of the film, but Ms. McGuire is finally "noticed" by her stuffy, self-absorbed boss and best-selling author ( Clifton Webb, very badly cast as a romantic lead ). These relationships go through various predictable complications, with the steamy Peters/Brazzi pairing as the most realistic.
However, at this point, we should mention the real star of this film--Italy. Has that country ever been photographed more beautifully than in "Three Coins" ? This is one of the earliest Cinemascope productions, shot on location in colour--the views of Rome, the Italian countryside, and spectacular Venice are breath-taking. I agree with other positive technical reviews of this DVD--the film has been restored to its original glory, and this is a beautiful disc to own.
Of course, the film is still fifty years old, and dated in a number of ways. I still got caught up in it though because of the fabulous scenery and the three leading ladies are certainly attractive--I'm also sure that female viewers won't mind watching those two continental "hunks", Louis Jourdan and Rossano Brazzi !
The title song won an Oscar, and was a big hit for both Frank Sinatra--his version opens the film--and the Four Aces.
So--bottom line--a light, frothy confection from the fifties in a most beautiful package. There is one serious drawback--for us guys, this disc could become very expensive--my wife wants to spend our next holiday in Italy !

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A charming romantic comedy about three American roommates working in Italy who wish for the men of their dreams after throwing coins into Rome's magnificent Trevi Fountain.

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The September Issue (2009) Review

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(More customer reviews)...something very important, and that is THE THIRD DISC.
I am not going to review the movie, but the DVD itself. The extra material is superb. It is fantastic actually, and these are for the true admirers of fashion and VOGUE. Could there be even more? Yeah, sure... They could have included the basic bios of the subjects, more pictures, VOGUE through ages, pivotal photos from the magazine archives, even more footage with the fashion designers and models etc. Still, over 90 minutes of extra material is just great.
But you know what is even greater than this version?
The THREE DISC VERSION that Barnes&Noble has to offer.
This elusive third disc in question includes a 25 minutes of footage from the preparation of the legendary Costume Institute Gala. It is just amazing. You get a lot of Anna here, and no Grace actually, however, you get to witness the MET event preparation including the decor, some peacocks, even Naomi Campbell, Cate Blanchett and Michael Bloomberg, and more of Anna being fashion's true 'Eminence Grise'. Her influence is immense, but this third disc truly proves how prominent she is, outside the high walls of VOGUE or the intimidating fashion shows. amazon.com version of the DVD doesn't include this third disc. I suppose the moviemakers and studio did cut a deal with B&N, for an even more special and exclusive release just for them.
I have learned about this edition and got excited. And I went to B&N today, and picked up my copy. It is more expensive than the 2 disc amazon edition -understandably- but so worth it, in my opinion.Disc I:
Movie
Some extra materials
Production photosDisc II:
Extra materials (with Anna Wintour, Grace Coddington, Andre Leon Talley, Thakoon etc.)Disc III:
Footage from Costume Institute Gala preparation/red carpet

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An intimate, funny and surprising behind-the-scenes look at VOGUE’S legendary editor-in-chief Anna Wintour and her team of larger-than- life editors, this is the captivating story of how they create the must-have bible of fashion: THE SEPTEMBER ISSUE. At the eye of this annual fashion hurricane is the two-decade relationship between Anna and Grace Coddington, incomparable creative director and fashion genius. Through them, we see close-up the delicate creative chemistry it takes to remain at the top of the fashion field. Now, with the biggest issue ever hanging in the balance, Anna and Grace confront the runways of Fashion Week, the back rooms of the world’s biggest designers, the high-stakes photo shoots – and each other – as the VOGUE team scrambles to find the perfect look for each page. Director R.J. Cutler delivers this riveting look into the world of fashion that is as fun, fabulous and fast-paced as the world it captures.

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Marie Antoinette (2006) Review

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(More customer reviews)While listening to The Cure's "Plainsong" a few hours ago, a track included in Sofia Coppola's latest feature film, which chronicles the iconic Queen of France, the motion picture really came together for me. "Marie Antoinette" is, undeniably, one of the most polarizing and bold films I have seen to come out of Hollywood in some time and perhaps Coppola's greatest achievement thus far; yes, better than Lost In Translation, folks.
Critics have unfairly attacked it as a celebration of decadent flair over substance, and while I had also shared these censures, I really feel people are misunderstanding the motion picture. Those looking for an accurate explanation of French history will be sorely letdown. I'll come out right now and say it, "There is no beheading!"
"Marie Antoinette" is a much more private and introspective experience. Coppola's focal point here is nothing more and nothing less than the manipulation of adolescence. Though Marie may have been excessive from time to time, there is more to her story than what has always been perceived. She was merely a teenager when she was uprooted and forced into foreign lands that held her, as well as Louis XVI to unattainable standards; their tragic exploitations serve as only more proof of how outdated and senseless the monarchy was. Sofia Coppola's prevailing test, undoubtedly, is to reverberate empathy for this young woman, and despite almost impairing it with a hefty illustration of the character's gluttony, Coppola, in due course, is winning.
Going back to my allusion of The Cure's "Plainsong", the film really works as something of an ill-fated fairy-tale. We know the doomed fate of our heroin, and thanks to Coppola it is a captivating journey, reminiscent of the song, with delicate instances of passion and affection, graciously supplied by Kirsten Dunst and a notable supporting cast, that makes us dread the inevitable conclusion. Wisely, Coppola restrains from placing in a spiteful guillotine scene, which would be absolutely unnecessary after the tender and personal feature it is throughout.
Now onto the feature's vastly-criticized directorial choices, I really think Sofia Coppola has produced the most contemporary period piece since Milos Forman's "Amadeus". From the daring incorporation of 80's New Wave as well as classical music to the energetic cinematography and editing, "Marie Antoinette" is a masterpiece in audaciousness.
The soundtrack is, easily, one of the best I have heard in a while. It actually aids in encapsulating the youthful spirit Coppola wants Marie to have. Those who pay close attention will appreciate the progression in the music and how it depicts the main character's emotions; it begins quite buoyantly and slowly becomes mellower. New Order, The Cure, Bow Wow Wow, The Radio Department, and The Strokes can all be heard during the film.
Even the costumes have a bubbly gaze to them. I know who is going to snag the "Best Set Direction" and "Best Costume Design" Oscars this year. Coppola really takes advantage of the unprecedented access the feature was given to the Palace of Versailles. She utilizes the awe-inspiring splendor of the location through opulent set pieces, colors, and atmospheric outdoor surroundings.
In honor of Marie Antoinette's eerily ironic last words: "Monsieur, I ask your pardon. I did not do it on purpose," Sofia Coppola's newest motion picture is for those yearning a lavish dream about a lost youth, who became something of a scapegoat for the tumultuous events that occurred around her.

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Academy Award® winner Sofia Coppola directs an electrifying yet intimate re-telling of the turbulent life of history's favorite villainess, Marie Antoinette. Kirsten Dunst portrays the ill-fated child princess who married France's young and indifferent King Louis XVI Jason Schwartzman. Feeling isolated in a royal court rife with scandal and intrigue, Marie Antoinette defied both royalty and commoner by living like a rock star, which served only to seal her fate.

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Born into Brothels (2004) Review

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(More customer reviews)In order to photograph in the red light districts of Calcutta, India, photojournalist Zana Briski lived there for several years. Though many of the residents were wary of her camera, Briski found that the neighborhood children were unafraid and curious. So she began teaching them photography, giving each child a point-and-shoot film camera with which to photograph his or her environment and providing classes on technique and editing. This eventually resulted in international acclaim for the children's photographs and media coverage for Briski's unusual photo classes. "Born Into Brothels" is a documentary of Briski's class of young photographers filmed by Zana Briski and Ross Kaufman about 2 years into the project that has become known as "Kids with Cameras".
The best thing about "Born Into Brothels" is that it allows the children to tell their story in their own words. Zana Briski's class of 8 photographers -who call her "Zana Auntie"- are children of prostitutes, born and raised among the harsh realities of Calcutta's Sonagachi red light district. There are 5 girls: Kochi, Tapasi, Shanti, Puja, and Suchitra, and 3 boys: Manik, Gour, and Avijit, ranging in age from 10 to 14 years, but mostly pre-teens. The documentary is dominated by interviews with the children and by their photographs, with occasional voiceover or footage of Zana Briski. The filmmakers are commendably respectful of the children and their decisions. These kids understand their situations very well and tend to be philosophical about it, yet many of them yearn for opportunities to escape life in the brothel. Interestingly, the kids are not fatherless children of single prostitutes, as I might have expected. Many of their mothers' are married and live with large extended families.
"Born Into Brothels" lets the kids talk about themselves, their families, and their world. We sit in on their photo classes, accompany them on photo field trips to the zoo and the beach, and sympathize with Zana Briski's frustration as she struggles with bureaucracy and prejudice to find boarding schools that will accept children of sex workers. We also see the kids beaming with pride and having some fun as they enjoy international success and a bit of fame in India as well. Zana Briski has obviously done a great deal of work and invested a lot of emotional energy in a project that may change the lives of a handful of children if she is lucky. But even if the kids lives' turn out no different than their parents', photography has broadened their outlook and given them some great experiences. "Born Into Brothels" is an engaging documentary of that process. To learn more or purchase prints, visit www.kids-with-cameras.org .
The DVD (Thinkfilm 2005): There are text bios of Zana Briski and Ross Kaufman. "About the Photographers" includes text bios of the children, which are useful in figuring out who is who.

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A tribute to the resiliency of childhood and the restorative power of art, BORN INTO BROTHELS is a portrait of several unforgettable children who live in Calcutta's red light district, where there mothers work as prostitutes. Spurred by the kids' facination with her camera, Zana Briski, a New-York-based photographer living in the brothels and documenting life there, decides to teach them photography. As they begin to look at and record their world through new eyes, the kids, who society refused to recognize, awaken for the first time to their own talents and sense of worth. Filmmakers Ross Kauffman and Zana Briski capture the way in which beauty can be found even the seemingly bleakest and most helpless of places, and how art and education can empower children to transform their lives.
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

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Andy Goldsworthy's Rivers & Tides Review

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(More customer reviews)For those who are not familiar with Andy Goldsworthy's work, he creates sculptures from nature, using rocks and tree branches and grass and anything else around the location he has chosen. He has decided specifically to create scultpures that will only stand temporarily, as he searches for a better understanding of life, death, and the passage of time. This film does a fantastic job of exploring the creative process and amazing things that can happen when an artist continues to experiment and look for new opportunities. Through this discovery, Goldsworthy passes on to us his philosophy and unique perspective on the world. It is truly a visually beautiful film and worth watching on that merit alone. For those of us who are artists, it is a must-see, both to learn and identify with someone who has a beautiful understanding of the world.

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Wildly praised by the nation's top critics, the smash theatrical hit RIVERS AND TIDES is a mesmerizing, poetic and curiously contemplative portrait of revered Scottish sculptor Andy Goldsworthy, whose long-winding rock walls, icicle assemblages and other intricate, druidic masterpieces are made entirely of materials found in the wild.Gorgeously shot and edited by director Thomas Riedelsheimer, RIVERS AND TIDES is an intoxicating study of the fragile relationship between man, art and nature.

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Speak (2005) Review

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(More customer reviews)"Speak" tells the story of a girl, Melinda Sordino (Kristen Stewart), who made it through the end of the difficult middle school years as one of the popular girls. She does not appear to be conceited or stuck up; she's only just a girl who enjoys the fact that she and her girlfriends are well thought of and the center of the social scene. That all changes for Melinda at a summer party thrown at a friends house where she gets friendly with a popular high school jock only to be shockingly date raped by him. In her shock after the rape, Melinda tries to call the police from the party house, but that just leads to the cops showing up and breaking up the party and getting a lot of Melinda's friends in trouble. Not knowing why Melinda really called the police leads her group of friends, especially her best friend Rachel (Hallee Hirsch) to ostracize her in the way that kids that age lash out at anything that they don't understand and challenges their socially accepted norms. Melinda is also hindered by the fact that her parents, despite clearly loving her, are too caught up in their own issues to recognize that their daughter just underwent a tremendous trauma.
When high school begins that fall, Melinda selectively chooses to remain a mute while enduring the hateful behaviors of her former friends (including Rachel, who is now dating the guy that raped Melinda). Yet, slowly, through finding herself through an art class with and an art teacher (Steve Zahn) that truly inspire her, Melinda manages to recover and find a new sense of self and confidence and even resolution to the events that have plagued her.
"Speak" has all the makings of a typical after school special that is rife with pretentiousness and pat resolutions. Yet, it manages to transcend that genre and make for a truly moving film. The performance of Kristen Stewart and, to a lesser extent, Steve Zahn, is truly remarkable. Zahn is a known quantity in Hollywood and his performance as art teacher, Mr. Freeman, is full of the pathos we've come to expect from him. Stewart, who was only 13 when she filmed this role, is simply stunning. She took a role that actress three times her would find daunting and, not only fulfilled it, but so thoroughly mastered it, that she made it her own.
It's ironic that Stewart played Jodie Foster's daughter in the hit thriller "Panic Room", because she evokes memories of a Jodie Foster from 30 years ago. Stewart has the same physical look and mannerisms and definitely shows the potential to have the same acting talent. I look forward to seeing more films starring Kristen Stewart. I think she will turn out to be a real Hollywood gem and, anyone who has seen "Speak", will remember the exact moment when Kristen Stewart gave notice that she had arrived.

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Based on the award winning novel by Laurie Halse Anderson, "Speak" unfolds a story about Melinda (Kristen Stewart), a smart and spirited high school freshman who retreats into self-imposed silence after she is raped one night at a party. Feeling isolated from her classmates and from her preoccupied mother Joyce Sardnino (Elizabeth Perkins), Melinda retreats further in an attempt to escape the torments of high school. It is only through her work in art class with the help of her compassionate art teacher Mr. Freeman (Steve Zahn) that she begins to reach out to others and eventually finds her own voice and inner strength. A feature debut of director/co-writer Jessica Sharzer, "Speak" resonates with stubborn honesty and sardonic humor as we follow Melinda on her journey from traumatized isolation to a brave and final triumphant disclosure.

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