Showing posts with label william h macy. Show all posts
Showing posts with label william h macy. Show all posts

Monday, March 19, 2012

The Maiden Heist Review

The Maiden Heist
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The prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story - Christopher Walken, Morgan Freeman and William H. Macey - are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.
Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.
The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

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Their plan wasn't exactly a work of art. It was a stroke of genius. But now the perfect crime is turning into a perfect disaster in this madcap comedy featuring Academy Award winners Morgan Freeman, Christopher Walken, Marcia Gay Harden and Academy Award nominee William H. Macy. Charles, Roger and George are the very picture of honest security guards. But when they learn their favorite artworks are being sent to another museum, they concoct a plan to switch the real masterpieces with fakes. All goes well until a mistake forces these first-time thieves into a last-minute escapade in the comedy caper that proves you're never too old to have some new fun.

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Sunday, November 20, 2011

Wild Hogs (Widescreen Edition) (2007) Review

Wild Hogs (Widescreen Edition) (2007)
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I am not one to usually write reviews on movies, and I can't stand the people who try to analyze every little aspect of movies and write novels of their opinions instead of just enjoying them for what they are - entertainment!! That being said, I saw this with my mom, and I thought we would fall out of our chairs we were laughing so hard! I LOVE funny movies, and VERY rarely do I see one that makes me laugh this hard, so I just had to write this since the critics were so awful to this movie. Travolta, Allen, Lawrence and Macy are great together, and I didn't know that Ray Liotta (one of my faves!) was in the movie. This just made it even better! The entire movie was excellent - I can't wait to buy the DVD in August!

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Tim Allen, John Travolta, Martin Lawrence and William H. Macy star in Wild Hogs, the hysterically funny comedy about four weekend-warrior friends who decide to rev up their ho-hum suburban lives with a cross-country motorcycle adventure.They don their leathers, fire up their hogs and throw caution and their cell phones to the wind as they hit the open highway.A lot can happen on the road to nowhere, including a run-in with the bad-to-the-bone Del Fuegos, a real biker gang who don’t take kindly to the wannabes.Filled with hilarious misadventures, screwball situations and madcap mayhem, this laugh-out-loud comedy is a movie your whole family will go hog wild over.

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Friday, September 9, 2011

A Civil Action (1999) Review

A Civil Action (1999)
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Sometime in the late 1960's, a hideous act of pollution took place in Woburn, Massachusetts, a small town north of Boston. Over the next fifteen years, twelve people died of leukemia. Eight of those were children. The firm of Jan Schlichtmann, Kevin Conway, James Gordon, and Bill Crowley take on the case on behalf of Anne Anderson, a woman who lost her child to cancer. For her, money isn't the point. All she wants to know is what happened, and for the responsible parties to come over and apologize to her and the other families. Thing is, corporations apologize with money, and if the corporations have deep pockets, it's a case worth taking, so money does indeed become the point in A Civil Action.
Schlichtmann uncovers the culprits, a chemical company, WR Grace and Beatrice Foods, who provide services for a tanning company owned by Riley. With that, he files a lawsuit, the legal equivalent to a declaration of war, and hires a geological team to provide scientific evidence should it come to trial.
Jan then does a couple things that leads to his downfall. One, he gets personally involved. In a news broadcast, he holds up snaps of the Woburn kids who have died. He shows empathy, which is a grave disservice to the legal profession because it clouds his judgment. He says it's like a doctor recoiling at the sight of blood. That leads to his demanding of WR Grace and Beatrice Foods a multi-million dollar settlement, including money for a research foundation, to cover expenses, and to provide for the families for thirty years, which the corporations refuse, which in turn takes the case to trial. He does this without consulting his partners, which doesn't bode well. James Gordon, the accountant, points out that they need to work on other cases to provide a cash flow. Schlichtmann has sunken a million into the Woburn case, and pretty soon, they teeter on the waterfalls of insolvency to the point of mortaging their homes. It's become a source of pride, which has undone many an attorney as opposed to idiot witnesses, lousy evidence, and the hanging judge put together, as Jerome Fasher tells his law class.
Fasher, the attorney for Beatrice, is a statesman-like man of experience, but has a detached air coupled with some eccentricities. Yet he is a clever man, and his observation on the justice system is true, at times sickening. When Schlichtmann tells him he's searching for the truth, he tells him, "You've been around long enough to know that a courtroom's not the place to look for the truth." And he accurately says that the case stopped being about children the moment Schlichtmann filed for action.
The movie is sprinkled with legal commentary from Schlichtmann, which lays out how callous, ugly, and illogical the justice system is. He begins by talking about which types of clients are worth more, i.e. are winning cases. Whites are worth more than blacks, men more than women, a long agonizing death over a quick one. A white male professional in his 40's, in his prime, is worth the most. A dead child is worth least of all. Well, Schlichtmann finds out that children are worth something after all, especially when he imagines an agonizing scene where the LaFierros were taking their son to the hospital and died en route.
While John Travolta's best known for Grease and Saturday Night Fever, A Civil Action proves he can handle serious drama and he turns in one of his best ever performances. However, the real Jan Schlichtmann came to Farmington. He's close to seven feet tall, and in terms of resemblance, could've been played by Richard Gere. As Anne Anderson, Kathleen Quinlan is the other great performer, playing a woman changed through her ordeal into someone who has a tired and sad visage. The scene where Al Love (James Gandolfini), a conscience-stricken tannery employer personally apologizes to her shows that maybe the only real meaningful apologies come from humans, not corporations.
Trials and lawsuits are examples of how corrupt and rotten the legal system and some lawyers are. Is it worth having a system where the first party to come to their senses (i.e. to cut their losses and call for a settlement) is the loser? A Civil Action also shows that despite the need for compassion, it's better to have a lawyer who thinks more with the head than the heart.

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Jan Schlichtmann is a cynical, high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward, Schlichtmann soon becomes entangled in an epic legal battle ... one where he's willing to put his career, reputation, and all that he owns on the line for the rights of his clients! Also featuring Robert Duvall, William H. Macy, and John Lithgow -- this gripping, widely acclaimed hit delivers edge-of-your-seat entertainment!

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Wednesday, June 29, 2011

Magnolia (New Line Platinum Series) (1999) Review

Magnolia (New Line Platinum Series) (1999)
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There have been many terrific reviews written by other Amazon members that go into great detail about why this film was fabulous or why it worked or didn't. So I won't waste time boiling down all of the stories going on in this film again.
"Magnolia" is a near masterpiece...
The reasons it was a box office dud are too numerous to mention, but they run the gamut from its confusing title -- to the decision to keep superstar Tom Cruise's name in the background -- to the bad-worth-of-mouth recorded by rating services which survey people looking for conventional narratives and resolutions as they walk out of theaters.
I see 50 to 60 films a year (and not for a living), and I avoided "Magnolia" out of fear. Fear of wasting time, more important than wasting money. And another concern was the film's controversial resolution, the critical element that determines the success or failure of most movies with a mass audience. Now that I've seen "Magnolia" on video and have finally been able to philosophically, intellectually and logically string together its elements, there is no doubt that this is one of the most wonderful accomplishments on film ever made. "Magnolia" takes you on a journey whereby a master story teller challenges you to hang onto a breathtaking ride of images, content and music, and find the thread that strings everything, including the last 20 minutes...together in a way that makes coherent sense.
Yes, the point of the movie is that there are things that defy scientific logic. "Magnolia" tackles this premise and applies it to human behavior in a dazzling kaleidescope of aural, verbal and visual montages -- which make it IMPOSSIBLE -- to stop this film to come back to later. You're pulled into the tornado, wondering how's it going to end?
This film is worth BUYING, especially with all of the extras on DVD. But it's also worth "previewing." I won't lie to you. A conventional audience might not like "Magnolia's" structure and its last 20 minutes. But the rest of it is hands down wonderful. I guarantee you will enjoy it. The acting, the story, the dialogue are consistently mesmerizing, from start to finish. I can't guarantee you will agree with the cosmic, unexplainable force that joins everything together in the end. Personally, I would have chosen something less comical -- and saying "frogs falling from the sky" doesn't spoil the point of the movie even though I would have preferred huge hailstones on a July afternoon in California. The controversial decision to visualize what for most of the movie is abstract -- is the root of why I think the film is misunderstood by some -- and hated by others.
Yet I believe "Magnolia" is a fabulous film. Whether you like the film on the whole or not, I guarantee that you won't be bored, which is the curse of all lousy movies. Everything about "Magnolia" is mesmerizing. And if the resolution seems initially a bafflement, if you think about it some more, everything will make sense. You will find that things that seem visibly ridiculous or irrational are no more or less the same as the "unscientific randomness" of human behavior that is TOTALLY PLAUSIBLE.
In sum, see this, rent this, buy this -- but don't dismiss or ignore "Magnolia" -- it's 99 7/8ths the work of a great young master.

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An intriguing and entertaining study in characters going through varying levels of crisis and introspection. This psychological drama leads you in several different directions, weaving and intersecting various subplots and characters, from a brilliant Tom Cruise, as a self-proclaimed pied-piper, to a child forced to go on a TV game show and the pressures he faces from a ruthless father.

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