Ocean's 11 (1960) Review

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(More customer reviews)OCEAN'S 11 is a real time-capsule classic. The ultimate "heist" movie, starring The Chairman of The Board, Dino, Sammy, Joey, Peter, and the rest of The Rat Pack, this one is worth seeing just to watch "the boys" hanging out together and getting into trouble.
The late Fifties All-Adult ambience of Vegas is priceless, as is the hep cat cool which just oozes off the screen. Let's face it: How many men could get away with calling the President of the United States "Chickee Baby"? Well, Frank called JFK precisely that. Even Bill Clinton was never that swingin'!
The storyline is a standard potboiler involving a group of old Army buddies setting up the biggest theft in American history, five Vegas casinos. Frankie ain't doin' no singin', and the film's a bit slow moving in spots. They're playing it a little too straight and serious,and there are less laughs than chuckles, and no sex, but the film was a product of it's times (1960) and still had to get past the censors in those days. Peter Lawford is over the line as a forty year old Mama's Boy trying for the Big Score.
No matter how good the Clooney remake is, he won't touch this one at all...There's only one Rat Pack!
Call this an addendum:
After seeing the Clooney release of OCEAN'S 11, I decided to add a few more thoughts. Well, the new movie is ALMOST better---more action and more pacing, better scriptwriting. In short, a technically superior film in most ways, which is marred by the one thing you can't put a price tag on---the chemistry.
Although Clooney is grand (he swanks across the screen like a Bond villain on vacation), Brad Pitt is appropriately and irreverently serious, and Carl Reiner is outrageously funny, the "new crew" can't replicate the charisma of the Rat Pack.
Although the Eleven in both films are con artists and thieves, they are the antiheroes we all dream of. At the end of the original, you feel for the "bad guys," who, after all, ain't really that bad ("Coo-coo, baby!"). The remake hardly introduces most of the Eleven, and you don't really give a Rat's Pack whether most of them get away with it or not. They're only props.
Julia Roberts is curiously flat, colorless, and dried up as Danny Ocean's wife (where in the original, Angie Dickinson was undeniably THERE in what was a really very minor role). Andy Garcia is an evil presence as the "good guy" casino owner.
Both films are worth your time. The one has what the other lacks. In short, if computer imnaging could ever morph the original actors into the remake, this might just be the best film ever made.

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Frank sinatra and his rat pack prove how to win in las vegas: rob the casinos. Special features: two trailers sinatra family archive photos subtitles in english french spanish portuguese japanese chinese thai and korean. Feature-length audo commentary by frank sinatra jr. And angie dickinson.Studio: Warner Home VideoRelease Date: 09/26/2006Starring: Dean Martin Peter LawfordRun time: 127 minutesRating: Nr

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The Maiden Heist Review

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(More customer reviews)The prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story - Christopher Walken, Morgan Freeman and William H. Macey - are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.
Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.
The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

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Their plan wasn't exactly a work of art. It was a stroke of genius. But now the perfect crime is turning into a perfect disaster in this madcap comedy featuring Academy Award winners Morgan Freeman, Christopher Walken, Marcia Gay Harden and Academy Award nominee William H. Macy. Charles, Roger and George are the very picture of honest security guards. But when they learn their favorite artworks are being sent to another museum, they concoct a plan to switch the real masterpieces with fakes. All goes well until a mistake forces these first-time thieves into a last-minute escapade in the comedy caper that proves you're never too old to have some new fun.

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Point Blank (1967) Review

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(More customer reviews)Leave it to John Boorman to combine the stylized storytelling of French New Wave with American film noir in "Point Blank". This fascinating, challenging movie was made in 1967 when the film world was in the embrace of experimental film. Although it's quite different from "Blow Up", the storytelling style is just as stylized and unique. Lee Marvin plays Walker a criminal cheated out of $93,000 from a robbery of a mob like syndicate on Alcatraz by his best friend Reese(John Vernon). Participating in the heist/murder is Walker's young wife who has been having an affair with Reese. After getting the money, Reese shoots his friend, takes his wife and leaves him for dead on Alcatraz.
With the help of a mysterious benefactor (Keenan Wynn), Walker tracks down Reese exacting revenge in pursuit for what he's owed. When his wife commits suicide, Walker seeks out her sister Chris (Angie Dickinson)in hope of luring Reese out of hiding. From there this convoluted mystery spins more threads than director John Boorman knows what to do with but, surprisingly, he keeps the story from getting too tangled up.
Boorman and director Steven Soderbergh ("Ocean's 11", "Solaris", "Sex Lies and Videotape")provide a fascinating commentary track on the making of the movie. Boorman recalls that originally Lee Marvin wanted Peggy Lee for the role that Dickinson plays. While he went with Boorman's decision of Dickinson he wasn't very nice to his co-star which worked particularly during the scene where Dickinson starts hitting Marvin. Dickinson hit Marvin so hard he had bruises the next day but the actor stoically took the hits and the camera kept rolling. Boorman also discusses the stylized approach he uses in shooting the film including a sequence in Walker's deceased wife's apartment that where the body disappears in an almost dream like sequence, the furniture disappears and Marvin's clothes change. The studio was so concerned when it saw the first cut of this sequence it hired a psychologist to come talk to the director.
Featuring a stunning transfer from Warner Home Video and a nearly perfect brand new print of the film, "Point Blank" looks sharp with vivid colors. The mono soundtrack with some of its unusual sound effects (the sound of Walker's feet providing a percussive element to one sequence in particularly)also sounds remarkably clear. There's also a two part promo featurette "The Rock" which focuses on the shooting of the movie on Alcatraz (it was the first movie shot there since the prison closed in 1963 and had been turned into a state park). Using San Francisco, Santa Monica and Los Angeles as a backdrop, the film features stunning cinematography. If Don Siegel had watched the French New Wave prior to making some of his noir laced thrillers, this is what it might have looked like.
Remade with Mel Gibson as a more traditional looking thriller called "Payback", "Point Blank" features Marvin in one of his most stoic, powerful and grim performances. His character of Walker leaves a trail of dead bodies without remorse or regret in pursuit of what is rightfully his. Unlike a lot of films that incorporated the surreal touch of the French New Wave (such as Truffaut's "Shoot the Piano Player" or any of Goddard's films), "Point Blank" has aged remarkably well with Boorman's stylized use of sets, camera set ups, flasbacks, etc. suggesting what's really going on inside of Walker's head. There's also a suggestion that maybe Walker didn't survive (particularly during the last sequence)and that "Point Blank" represents the dying delusion of a man thirsting for revenge. A marvelous film filled with many, many levels, this classic thriller does not have a straight forward narrative so if you're expecting a realistic film noir or story, you should look elsewhere.

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The Taking of Pelham One Two Three (1974) Review

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(More customer reviews)Of all the gritty, realistic police dramas of the 1970's, "The Taking of Pelham 1-2-3" stands out as the best of a very good lot. Released during the low-point year of NYC history in 1974, "Pelham" is argueably the most real-life look at New York and New Yorkers one can get without actually visiting the big town. The plot concerns the hijacking of an IRT subway train by a gang of four men, led by the coolheaded Robert Shaw (Jaws, Black Sunday). The late Walter Matthau shines as Lt. Zach Garber of the NY Transit Police who, over a two-way radio, has to deal with the terrorists unbelievable demands. The writing in this movie crackles with smart-mouthed NY urgency. The acting, photography, editing, and music MUST have all been created by native NYers. Even the 18 passengers who are taken hostage in the lead car of the #6 train look like they stepped off the street and into the IRT without missing a beat. You wanna hijack me just before rush hour? Go ahead, but I'm not ganna make it easy for you, punk! Many other NY movies (Serpico, Dog Day Afternoon, French Connection) have overshadowed this gem, but do yourself a favor and buy it, especially in the DVD version, which gives the viewer a panorama of a NYC that has faded into history.

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Four ruthless gunmen hold a speeding New York subway train hostage for a hefty ransom, threatening to kill all the passengers on board.Genre: Feature Film-Action/AdventureRating: RRelease Date: 1-MAY-2001Media Type: DVD

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Ronin (1998) Review

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(More customer reviews)This is one of my favorite movies. Unfortunately, MGM decided to pull a fast one and release a lobotomized Blu-ray version.
First of all, it uses old-school, low bitrate MPEG-2 encoding (so much for the the "superior" picture quality of Blu-Ray).
Fine, I could have lived with that... except for the fact that, as others have mentioned, the Blu-ray release contains absolutely no special features at all! None. Zip. Zilch. Nada. Not even the stuff on the DVD release! WTF!?!?
I suppose MGM will eventually come out with a "Special Edition" Blu-Ray with the missing features, expecting us to also purchase that. No Way!!!
I'm returning this for a refund. I've spent quite a bit of money buying stuff off of Amazon over the years, and this is the first time I'm returning anything. It should tell you how ticked off I am about this.
Also, Amazon really needs to segregate the reviews for the Blu-ray release from the DVD reviews. It's sometimes very difficult to wade through 100s of reviews to find out if the Blu-ray release is worth buying over the DVD release.

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In a world where loyalties are easily abandoned and allegiances can be bought, a new and deadlier terrorist threat has emergedfree agent killers! Featuring "high-octane action" (Gene Shalit, "Today"), a "first-rate cast" (L.A. Daily News) and exhilarating car chases that "are nothing short of sensational" (The New York Times), Ronin is "the real deal in action fireworks" (Rolling Stone) directed by "a master of intelligent thrillers" (Roger Ebert).The Cold War may be over, but a new world order keeps a group of covert mercenaries employed by the highest bidder. These operatives, known as "Ronin," are assembled in France by a mysterious client for a seemingly routine mission: steal a top-secret briefcase. But the simple task soon proves explosive asother underworld organizations vie for the same prize...and to get the job done, the members of Ronin must do something they've never done beforetrust each other!

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The Score (2001) Review

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(More customer reviews)Aren't heist movies great? Warm and familiar like a comfy old armchair, they are one of the oldest and (if done well) most enjoyable film genres around. You can sit back at the movie theatre with your popcorn in one hand or at home in front of the TV with a beer, safe in the knowledge that some craggy, world weary old thief set on retirement will be persuaded to do one last job, with a rookie understudy whom he doesn't trust, on a job which you just know wont go as smoothly as planned.
The Score is no different in that respect in that it stars Robert De Niro as a craggy old world weary thief, persuaded to take on one last high risk job before retiring. Ed Norton plays the rookie understudy scamming his employers by posing as Brian, a man with a disability and learning difficulties. Of course Robert De Niro's character Nick, always works alone and doesn't trust anybody but he is persuaded by his camp bloated old fence, Max (Marlon Brando) to work with Jack (Ed Norton). You see Max (Brando) is in up to his eyeballs in gambling debts and is likely to be forcibly shuffled off this mortal coil unless he comes up with the money, Jack (Norton) is working on the inside and Nick (De Niro) is the only man with the knowledge and the skills to get the job done.
Like most heist movies it's a bit of a slow burn build up, it's all about building up the tension until showtime. Inevitably there are a few scares along the way and Director Frank Oz (yes that's right Yoda, or at least the voice of Yoda) does a decent job in building up the tension. Of course one of the great draws of this movie is Frank Oz's coup in getting Brando, De Niro and Norton all on screen at the same time in the same movie. Brando was in his day was considered to be the world's greatest living actor, a mantle De Niro has carried for the past 20/25 years. Edward Norton is not far behind and is generally considered by many (including myself) to be the greatest actor of his generation on the back of great films (American History X, Fight Club) and great performances (Primal Fear, Rounders, Keeping The Faith, The People Versus Larry Flynt, Everybody Says I Love You). Robert De Niro is of course reliably good but not at his brilliant best and it is Ed Norton in the dual role of Jack and Brian who has the meatiest part and adds some energy and vitality to the whole production. Marlon Brando's role however, is something of an oddity. It's not much more than a cameo and its something that he could do in his sleep, which is just as well because it looks like that's exactly what he did.
If there are any criticisms to be levelled at The Score it has to be on the basis that it really is a by the numbers crime caper and lacks none of the originality or vitality of something like Reservoir Dogs and nor does it really take full advantage of its AAA list cast. The opening sequences whilst interesting, perhaps lack the action and intensity you might wish, although they do serve as an insight into Jack's MO (he always works outside the country, he always plans meticulously, doesn't take chances and is never greedy). That said The Score is enjoyable first and foremost for its excellent cast and the opportunity to see them share screen time. Secondly the last forty minutes of the movie where we eventually get to witness the heist are excellent; the heist is great edge of your seat stuff and there are plenty of unexpected twists and turns and an excellent climax. Ultimately though, you are left with the feeling that you've seen this all before and done better. It's more like that trusty old arm chair, warm and comfortable rather than new and exciting. That said it's an enjoyable yarn. Good rather than great BUT still well worth a watch.

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Aging thief pulls off one more heist at the urging of an upstart thief.Genre: Feature Film-DramaRating: RRelease Date: 24-JUN-2003Media Type: DVD

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Leverage: The Complete Second Season (2009) Review

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(More customer reviews)After the success of their freshman season, the gang from Leverage: The First Season are back and have relocated to Beantown to right the wrongs committed against regular people who have nowhere else to turn. They have all found that after doing good deeds, crime just isn't what it used to be. Whether it's tangling with the Irish mob, dealing with a shady boxing promoter, returning a corrupt investment banker's ill gotten gains, or ensuring that an inheritance goes to the rightful heir, all exhibit the savvy wit and quirkiness that has become the Leverage signature.
Thank goodness for TNT - which produces some of the best dramas on television. With plenty of nail biting action, humor, great music soundtrack, and ripped from the headline stories, the momentum just keeps building. And the chemistry among the cast is first rate, seamlessly adding Jeri Ryan to the cast late in the season when Gina Bellman (Sophie) took a hiatus due to her pregnancy. One of my favorite scenes is in the first episode when hacker Hardison introduces himself and Parker as detectives Costigan and Costello - an homage to the outstanding film The Departed (Widescreen Edition). My only gripe? The seasons are much too short.

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Leverage is a slick and crafty drama following a team of thieves, hackers and con artists who act as modern-day Robin Hoods, standing up for the little guy who has been victimized by the rich and powerful. In this riveting and timely second season, the team takes on corrupt bankers, high fashion, the tabloid media and, most shockingly, an old nemesis from their past!

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The Bank Job (2008) Review

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(More customer reviews)Set in London in the early 1970s, THE BANK JOB is based on real life events. A group of would be criminals is set up by MI5 (or 6, no one can keep them straight) to rob a bank and regain compromising photos of a royal personage. Unfortunately for our gang, not only were the photos in question (which were the "property" of corrupt revolutionary Michael X) kept in a safe deposit box at this bank, but so were the secrets and lies of many famous and infamous people, including the payola ledgers of a porn kingpin and the photo files of a well-placed local madam. Everybody who was anybody, from the cops on the beat up to the Lords of the Realm, was implicated in some scandal by the evidence from this notorious bank robbery.
THE BANK JOB is a fun, exciting, tension-filled romp. These amateur crooks catch more breaks and have more close calls than you would imagine possible. While the film does slightly bog down on occasion, for the most part the pacing builds just the right amount of suspense with these twists and turns of fate. In several places, my heart was actually racing. By the end, our villains are the heroes, and everyone gets what they truly deserve.
I really liked the cinematography of this film. THE BANK JOB actually looks like it was filmed in the 1970s. At one point, I double-checked with my husband to confirm that it was a recent movie. The effect used is very convincing, producing a very authentic look. The ensemble cast was quite good, performing as a cohesive unit, but no individual really standing out.
THE BANK JOB is a great movie for an entertaining evening at home. My husband and I really had a lot of fun. And we got to learn a little history from the 1970s as well.

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