Showing posts with label interracial romance bwwm. Show all posts
Showing posts with label interracial romance bwwm. Show all posts

Friday, March 29, 2013

Love Song (2000) Review

Love Song  (2000)
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I remember when i first saw this on Mtv..this movie was i think one of the best Mtv tv movies that mtv made.
this movie is a modern day love story....A young, privileged medical student (Monica Arnold-R&B singer Monica) finds herself torn between a fellow med student who has won her father's approval and a struggling blues musician (Christian Kane- known for lindsey on Angel) who has won her heart. i want this movie to come out on DVD come on paramount mtv release it on DVD.

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Thursday, July 5, 2012

Lakeview Terrace (2008) Review

Lakeview Terrace (2008)
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Don't think for one second that director Neil LaBute and screenwriters David Loughery and Howard Korder didn't know what they were doing. "Lakeview Terrace" is not merely a disturbing thriller about a black cop that hates his neighbors for being an interracial couple; it's an intelligent, thought-provoking examination of race relations in general, strengthened by its atypical cinematic approach to racism. How different would the reaction to this film be if the roles were reversed, if it told the story of a racist white cop that hated his black neighbor? It would most likely be ignored, because goodness knows we've seen such movies before. "Lakeview Terrace" is refreshing in its willingness to look at things from a largely unseen perspective, which in turn gives the audience more to think about. What a mature turn for LaBute, who completely missed the mark with his God-awful 2006 remake of "The Wicker Man."
It should be noted here that Lakeview Terrace, a suburb of Los Angeles, is where Rodney King was beaten and arrested by the police in the spring of 1991. This is obviously not a coincidence on the filmmaker's part, and neither is the fact that the story is ambiguous in its social commentary. Essentially, LaBute expects up to make up our own minds about who's right and who's wrong. Granted, it seems pretty clear-cut throughout the film; LAPD officer Abel Turner (Samuel L. Jackson) goes to great lengths to destroy the lives of his new next-door neighbors, and he does so because the husband, Chris Mattson (Patrick Wilson), is white and the wife, Lisa (Kerry Washington), is black. Turner begins slowly, dropping a series of subtle hints. His security lights, for example, come on in the middle of the night, and they shine directly into the Mattsons' bedroom. As the film progresses, his hostility escalates into full-blown psychological warfare.
I'm making this sound far too simple. Turner is not merely an evil man; as both a cop and a single father, he's seen his fair share of injustice. To elaborate would give too much away, but rest assured, he has very definite reasons for hating his neighbors, for wanting to not only get them out of Lakeview Terrace, but also to drive a wedge between them. Chris and Lisa are introduced as a lovey-dovey couple happy to be first-time homeowners. But it isn't long before tensions begin mounting. Example: Chris is hesitant to start a family even though Lisa is eager. He has legitimate reasons for wanting to wait; they just moved in, after all, and they need time to settle into their new lives. In spite of this, one can't help but believe it has nothing to do with settling in. While not directly stated, it may, in fact, have to do with raising biracial children. This, as it turns out, is a source of tension between Chris and Lisa's father, Harold (Ron Glass), who never seems to address his son-in-law without a great deal of effort.
Is it possible that Chris and Lisa were never meant to be together? Did they fall in love for all the wrong reasons? Again, none of this directly stated. But considering the way they're now treating each other, it seems very likely that they're rethinking some of the decisions they've made. Lisa thinks their biggest mistake was moving to Lakeview Terrace, not just because their neighbor is unfriendly, but also because she's away from her family and her friends. Chris, determined to prove himself as both a husband and a man, refuses to leave the neighborhood. This paves the way for the film's last twenty minutes, which, on the surface, unfolds in much the same way as an ordinary thriller. Below the surface lies miscommunication, grief, and a lifetime of hard feelings, none of which make it easy to determine who represents good and who represents evil. I say this because, when the climactic final battle between Chris and Turner begins, we immediately see that both men are pointing guns at each other.
The most interesting moments in "Lakeview Terrace" occur within the first ten minutes, when Turner and his children meet at the breakfast table. His young son, Marcus (Jaishon Fisher), comes downstairs wearing a Lakers jersey. Turner wants him to take it off because it displays the number twenty-four, which is Kobe Bryant's number. He's made it abundantly clear that from now on, they're giving all their support to Shaq. Why? Is it because of Bryant's highly publicized extramarital affair? Immediately afterwards, he scolds his fifteen-year-old daughter, Celia (Regine Nehy), for not using correct English. Is he encouraging his children to be the best they can be, or is he controlling them because improper speech reminds him of someone he hates?
While these questions are never answered, they still add a tremendous amount of depth to the story, solidifying Turner as a man holding a grudge against the world. I have no doubt that some audiences will see things from his point of view; when life hurts you a few too many times, hatred is completely understandable. On the same token, I'm sure that many will have no sympathy for him at all. Some will see him as a heartless monster preying on an innocent couple. Both arguments are valid. You should take them into consideration when watching "Lakeview Terrace," a taut, suspenseful human drama that will make you uncomfortable no matter what side you take. My hope is that it will start a line of communication. If it doesn't lead to peace, then maybe it will lead to an understanding. Of all the things noticeably absent from "Lakeview Terrace," a line of communication is the most important.

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In Lakeview Terrace, a young couple (Patrick Wilson and Kerry Washington) has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their interracial relationship. A stern, single father, this tightly wound LAPD officer (Samuel L. Jackson) has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly harassing to the newlyweds. These persistent intrusions into their lives ultimately turn tragic when the couple decides to fight back.

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Saturday, May 26, 2012

Die Another Day (Widescreen Special Edition) (2002) Review

Die Another Day (Widescreen Special Edition) (2002)
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The second DVD of "Special Features" doesn't have near as much as the regular release on DVD. The packaging says this DVD has the "Ministry of Propaganda" with original trailers, TV Spots, and Radio Communications.
NEWS FLASH: IT DOESN'T !!!
How annoying !

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When his top-secret mission is sabotaged, James Bond (Pierce Brosnan) finds himself captured by theenemy, abandoned by MI6 and stripped of his 00-license. Determined to get revenge, Bond goes head-to-head with a sultry spy (OscarÂ(r) winner* Halle Berry), a frosty agent (Rosamund Pike) anda shadowy billionaire (Toby Stephens) whose business is diamonds but whose secret is a diabolical weapon that could bring the world to its knees! Bristling with excitement and bursting with explosivespecial effects, Die Another Day is an adrenaline-pumping thrill-ride with "stunts and non-stop action [that] will astonish you" (Jeffrey Lyons, WNBC-TV)!*2001: Actress, Monster'sBall

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Friday, December 30, 2011

Guess Who (2005) Review

Guess Who (2005)
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I haven't seen a movie like this for years. It is full of comedy and you will keep laughing if you have a good sense of humor with open mind. The reason that many people here have given negative points is because it deals with the subject which makes many people uncomfortable, but as I said that if you watch this movie with open mind, you will definitely love it. The story is about a black girl (Zoe Saldana) who is in love with a white boy (Ashton Kutcher) and wants to announce their engagement on her parent's 25th marriage anniversary. Her dad (Bernie Mac) won't approve the white guy, not because he is a racist, but also uncomfortable about his daughter's relation with him. The movie is all fun, can be watched with family and as said before will keep everyone laughing.
Bernie Mac's character as Percy Jones is awesome, and he the one character you will keep watching the movie for. Ashton Kutcher, is all right and improvement in his acting is evident. Other actors are ok. Overall, this movie should not be missed, and please...don't take the jokes in the movie seriously.

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When Theresa (Zoe Saldana) brings fiance Simon Green (Ashton Kutcher) home for her parents' 25th wedding anniversary, she's neglected to mention one tiny detail - he's white. Determined to break his daughter's engagement, Percy Jones (Bernie Mac) does everything he can to make Simon feel "apart" of the family, from running his credit report to locking him in the basement at night. But when Percy gleefully exposes Simon's most embarrassing secret, it leads to an outrageous series of comic complications that only goes to prove that with a dad like Percy Jones, father doesn't always know best.

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Monday, October 31, 2011

The Score (2001) Review

The Score (2001)
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Aren't heist movies great? Warm and familiar like a comfy old armchair, they are one of the oldest and (if done well) most enjoyable film genres around. You can sit back at the movie theatre with your popcorn in one hand or at home in front of the TV with a beer, safe in the knowledge that some craggy, world weary old thief set on retirement will be persuaded to do one last job, with a rookie understudy whom he doesn't trust, on a job which you just know wont go as smoothly as planned.
The Score is no different in that respect in that it stars Robert De Niro as a craggy old world weary thief, persuaded to take on one last high risk job before retiring. Ed Norton plays the rookie understudy scamming his employers by posing as Brian, a man with a disability and learning difficulties. Of course Robert De Niro's character Nick, always works alone and doesn't trust anybody but he is persuaded by his camp bloated old fence, Max (Marlon Brando) to work with Jack (Ed Norton). You see Max (Brando) is in up to his eyeballs in gambling debts and is likely to be forcibly shuffled off this mortal coil unless he comes up with the money, Jack (Norton) is working on the inside and Nick (De Niro) is the only man with the knowledge and the skills to get the job done.
Like most heist movies it's a bit of a slow burn build up, it's all about building up the tension until showtime. Inevitably there are a few scares along the way and Director Frank Oz (yes that's right Yoda, or at least the voice of Yoda) does a decent job in building up the tension. Of course one of the great draws of this movie is Frank Oz's coup in getting Brando, De Niro and Norton all on screen at the same time in the same movie. Brando was in his day was considered to be the world's greatest living actor, a mantle De Niro has carried for the past 20/25 years. Edward Norton is not far behind and is generally considered by many (including myself) to be the greatest actor of his generation on the back of great films (American History X, Fight Club) and great performances (Primal Fear, Rounders, Keeping The Faith, The People Versus Larry Flynt, Everybody Says I Love You). Robert De Niro is of course reliably good but not at his brilliant best and it is Ed Norton in the dual role of Jack and Brian who has the meatiest part and adds some energy and vitality to the whole production. Marlon Brando's role however, is something of an oddity. It's not much more than a cameo and its something that he could do in his sleep, which is just as well because it looks like that's exactly what he did.
If there are any criticisms to be levelled at The Score it has to be on the basis that it really is a by the numbers crime caper and lacks none of the originality or vitality of something like Reservoir Dogs and nor does it really take full advantage of its AAA list cast. The opening sequences whilst interesting, perhaps lack the action and intensity you might wish, although they do serve as an insight into Jack's MO (he always works outside the country, he always plans meticulously, doesn't take chances and is never greedy). That said The Score is enjoyable first and foremost for its excellent cast and the opportunity to see them share screen time. Secondly the last forty minutes of the movie where we eventually get to witness the heist are excellent; the heist is great edge of your seat stuff and there are plenty of unexpected twists and turns and an excellent climax. Ultimately though, you are left with the feeling that you've seen this all before and done better. It's more like that trusty old arm chair, warm and comfortable rather than new and exciting. That said it's an enjoyable yarn. Good rather than great BUT still well worth a watch.

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Aging thief pulls off one more heist at the urging of an upstart thief.Genre: Feature Film-DramaRating: RRelease Date: 24-JUN-2003Media Type: DVD

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Sunday, October 9, 2011

Boiler Room (2000) Review

Boiler Room (2000)
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I am a Stockbroker with 15 years of experience. I began my career working for a firm that was like the firm portrayed in the film in many respects. In fact, I have heard this film was based on a firm that ended up merging with the one I worked for.
The film provides a very accurate portrayal of a Small Cap firm from the late 80s to early 90s. For example, the recruitment process was perfect. You didn't need a resume, you didn't need an education and they didn't want people who already had licenses. They wanted raw recruits that didn't know anything and they made money on the testing process.
After you passed the test, you received no training, you got a list (any way you could) and cold called until you opened an account on what they told you to buy. If you didn't open accounts within a month you were out. In the film, they cut off Riblisi's tie as a right of passage. In my firm, the first time you did $1000 in commissions in a single day they cut off your tie.
Other things are realisitic as well; the fact that the firm has positions in the stocks that they sell and there is extra commission at certain moments, the Brokers all know every word of the movie- Wall Street, that they have big houses or apartments with no furniture, they drink and get into scrapes as a group, that all happened at my firm.
There are many more examples of parallels between the firm in the movie and the experiences of the main characters and my own real life experiences. This movie may seem outrageous or over the top to some, but, it is as accurate as a movie about this subject could be.

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BOILER ROOM - DVD Movie

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