Showing posts with label interracial romance. Show all posts
Showing posts with label interracial romance. Show all posts

Friday, March 29, 2013

Love Song (2000) Review

Love Song  (2000)
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I remember when i first saw this on Mtv..this movie was i think one of the best Mtv tv movies that mtv made.
this movie is a modern day love story....A young, privileged medical student (Monica Arnold-R&B singer Monica) finds herself torn between a fellow med student who has won her father's approval and a struggling blues musician (Christian Kane- known for lindsey on Angel) who has won her heart. i want this movie to come out on DVD come on paramount mtv release it on DVD.

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Tuesday, January 1, 2013

The Bodyguard (Full Screen Edition) (1992) Review

The Bodyguard (Full Screen Edition) (1992)
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When this movie first came out the critics panned it mercilessly and frankly I just can't understand why. I thought it was fabulous. Kevin Costner plays an ex-Secret Service agent hired to protect a spoiled, difficult to get along with diva receiving death threats. Whitney Houston portrays the spoiled starlet to perfection. The chemistry and interplay between Houston and Costner was electric. The music in the movie was also great.
There are really some key elements that made this movie extremely good. First, I thought the acting was top notch by all involved. The supporting cast really played their characters well, as did the stars. Secondly, the editing was outstanding. The movie and plot move along at a fast pace. There is not a dull moment in the entire movie. And finally, the plot was plausible (for the most part) and the mystery - who is the hit man - slowly reveals itself. Having watched the movie several times, there a several foreshadowings.
Overall I found it a most entertaining movie both as a mystery, a thriller, and love story.

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She's safe now. Safe from hordes of screaming, grasping fans. Safe from demanding kooks who pop up unexpectedly. Safe from the unknown killer stalking her every move. She's in the arms of The Bodyguard. Starring Kevin Costner and Whitney Houston and featuring songs from the #1 soundtrack album (including Houton's hits "I Will Always Love You" and "I Have Nothing"), The Bodyguard has it all: Suspense. Thrills. Romance. Peril. Passion. And the shining brilliance of two great stars. In her spectacular film debut, Houston plays Rachel Marron, a music/movie superstar at her peak. Fans want to see her, hear her, touch her. But one wants to kill her - and that's where security expert Frank Farmer(Costner) comes in. Farmer is a professional who never lets his guard down. Rachel's glamorous life often puts her at risk. Each expects to be in charge. What they don't expect is to fall in loveDVD Features:Production NotesTheatrical Trailer


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Monday, November 26, 2012

Constellation Review

Constellation
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"Constellation," which begins in 1940's Alabama, tells the tale of a secret, forbidden love between a black woman named Carmel and a white soldier named Bear, whose romance is cut short when he is shipped overseas to fight in the war. Flash forward fifty years to the funeral of Carmel - who never married after breaking up with Bear - which serves as the pretext for all the principal people in her life to gather together to air out their grievances and to thrash out the personal relationship problems that have haunted them all their lives. The participants include her emotionally distant brother and his two ex-wives; her two adult nieces and their respective men folk; and Bear himself, who, despite the fact that the two of them were kept apart all their lives by the restrictions of a racist society, has decided to pay not only for the services, but to put all these people up in one of the swankier hotels in Huntsville, Alabama.
Though there are a goodly number of insightful, touching moments in "Constellation," the movie probably would have been more effective had the screenplay (by director Jordan Walker-Pearlman) not tried to cram so many different characters into such a relatively short space of time (the movie runs barely over an hour and a half). Yes, I understand that the theme of the movie is all about how we form "constellations" with the people who are most important to us in life, but speaking strictly in narrative terms, much too often, the genuinely compelling travails of one character are shunted aside to make room for the far less interesting problems of another. Moreover, the romantic relationship between Carmel and Bear, which is supposed to function as the emotional cornerstone of the movie, is never made all that convincing. We are TOLD that these two people are in love with each other, but we aren't made to FEEL it. In addition, Aunt Carmel is portrayed as such a wise and ethereal earth-mother presence even after death that she is essentially robbed of her own individuality and humanity as a character.
Still, there is much that is good in the movie, starting with the performances of Billy Dee Williams, as a man incapable of making emotional connections with the people in his life, and Rae Dawn Chong, as the daughter who has the most trouble dealing with this reality. They are ably abetted by Lesley Ann Warren, Zoe Saldana, Melissa De Souza, and Hill Harper. The movie also boasts a flavorful soundtrack, filled with an eclectic mixture of musical styles, ranging from classical to hip hop to spiritual. The Huntsville setting also provides a refreshing change for audiences weary of seeing New York, Los Angeles and Chicago constantly being recycled in film after film, as if they were the only urban centers moviemakers had to choose from.
The movie does lay its message on a bit thickly towards the end, employing heavy-handed speech-making and rather obvious symbolism to get its points across. It really doesn't need to go to all that effort, since the viewers could probably figure the themes out on their own given half a chance.
Yet, although "Constellation" is a decidedly mixed bag as far as family and social dramas go, it has enough elements of quality to make it worth checking out.

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Item Name: Constellation; Studio:20th Century Fox

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Wednesday, July 11, 2012

Save the Last Dance 2 Review

Save the Last Dance 2
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Paramount and MTV have released Save The Last Dance 2. The direct to DVD release arrives in stores October 10th. Izabella Miko stars in the film as Chicago native Sarah. She arrives in New York to attend Julliard with a firm love of hip-hop and a love of ballet. Shortly after arriving at Julliard she meets Miles. Miles is all about hip-hop and he takes an interest in Sarah and provides her with creative stimulation both inside and outside of the classroom. He is a Julliard drop out who now teaches at the school. Sarah isn't the greatest dancer in the world, but her mixture of classic ballet moves and modern hip-hop dance bring her fans, especially at the club when she wins a dance off up against the clubs hottest female dancer. Nightlife aside, Sarah has to keep up with a demanding ballet program all in efforts to become a prima ballerina. On top of that, her ballet teacher has a strong dislike of hip-hop culture. The "poignant, heart wrenching" aspect of the film comes with Sarah on a mission to find out why Miles dropped out of Julliard. She just can't understand why someone would give up on a Julliard education.
Save The Last Dance 2 is an entertaining film, although the storyline isn't as poignant or well written as the original film. Certain elements of the film will remind a true film buff of the 80's dance film Girls Just Want To Have Fun The Movie. Take Save The Last Dance 2 for what it's worth, 82 minutes of home entertainment. The film includes a hip-hop flavored soundtrack and a guest appearance from R&B sensation Ne-Yo. One thing I noticed is several times the actresses native accent slips through in a few scenes. Izabella Miko is a Polish native who moved to the United States to pursue a ballet career, so she is no stranger to the ballet world.
Save The Last Dance 2 is rated PG-13. As for the rating, there isn't much harsh language but there is a rather intimate bedroom love scene between the two lead characters which was pretty unnecessary.

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Continuing the story of the original film, Sara (Izabella Miko) follows her dream and becomes a student at Juilliard.As she is excels and becomes a star pupil, Sara becomes torn between her love for traditional ballet and her passion for the urban street rhythms of hip-hop, complicated further by her new love, hip-hop musician Miles (Columbus Short). When pushed to make a choice, will she follow the path of the tried and true or will she take a risk and dance into uncharted territory?

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Thursday, July 5, 2012

Lakeview Terrace (2008) Review

Lakeview Terrace (2008)
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Don't think for one second that director Neil LaBute and screenwriters David Loughery and Howard Korder didn't know what they were doing. "Lakeview Terrace" is not merely a disturbing thriller about a black cop that hates his neighbors for being an interracial couple; it's an intelligent, thought-provoking examination of race relations in general, strengthened by its atypical cinematic approach to racism. How different would the reaction to this film be if the roles were reversed, if it told the story of a racist white cop that hated his black neighbor? It would most likely be ignored, because goodness knows we've seen such movies before. "Lakeview Terrace" is refreshing in its willingness to look at things from a largely unseen perspective, which in turn gives the audience more to think about. What a mature turn for LaBute, who completely missed the mark with his God-awful 2006 remake of "The Wicker Man."
It should be noted here that Lakeview Terrace, a suburb of Los Angeles, is where Rodney King was beaten and arrested by the police in the spring of 1991. This is obviously not a coincidence on the filmmaker's part, and neither is the fact that the story is ambiguous in its social commentary. Essentially, LaBute expects up to make up our own minds about who's right and who's wrong. Granted, it seems pretty clear-cut throughout the film; LAPD officer Abel Turner (Samuel L. Jackson) goes to great lengths to destroy the lives of his new next-door neighbors, and he does so because the husband, Chris Mattson (Patrick Wilson), is white and the wife, Lisa (Kerry Washington), is black. Turner begins slowly, dropping a series of subtle hints. His security lights, for example, come on in the middle of the night, and they shine directly into the Mattsons' bedroom. As the film progresses, his hostility escalates into full-blown psychological warfare.
I'm making this sound far too simple. Turner is not merely an evil man; as both a cop and a single father, he's seen his fair share of injustice. To elaborate would give too much away, but rest assured, he has very definite reasons for hating his neighbors, for wanting to not only get them out of Lakeview Terrace, but also to drive a wedge between them. Chris and Lisa are introduced as a lovey-dovey couple happy to be first-time homeowners. But it isn't long before tensions begin mounting. Example: Chris is hesitant to start a family even though Lisa is eager. He has legitimate reasons for wanting to wait; they just moved in, after all, and they need time to settle into their new lives. In spite of this, one can't help but believe it has nothing to do with settling in. While not directly stated, it may, in fact, have to do with raising biracial children. This, as it turns out, is a source of tension between Chris and Lisa's father, Harold (Ron Glass), who never seems to address his son-in-law without a great deal of effort.
Is it possible that Chris and Lisa were never meant to be together? Did they fall in love for all the wrong reasons? Again, none of this directly stated. But considering the way they're now treating each other, it seems very likely that they're rethinking some of the decisions they've made. Lisa thinks their biggest mistake was moving to Lakeview Terrace, not just because their neighbor is unfriendly, but also because she's away from her family and her friends. Chris, determined to prove himself as both a husband and a man, refuses to leave the neighborhood. This paves the way for the film's last twenty minutes, which, on the surface, unfolds in much the same way as an ordinary thriller. Below the surface lies miscommunication, grief, and a lifetime of hard feelings, none of which make it easy to determine who represents good and who represents evil. I say this because, when the climactic final battle between Chris and Turner begins, we immediately see that both men are pointing guns at each other.
The most interesting moments in "Lakeview Terrace" occur within the first ten minutes, when Turner and his children meet at the breakfast table. His young son, Marcus (Jaishon Fisher), comes downstairs wearing a Lakers jersey. Turner wants him to take it off because it displays the number twenty-four, which is Kobe Bryant's number. He's made it abundantly clear that from now on, they're giving all their support to Shaq. Why? Is it because of Bryant's highly publicized extramarital affair? Immediately afterwards, he scolds his fifteen-year-old daughter, Celia (Regine Nehy), for not using correct English. Is he encouraging his children to be the best they can be, or is he controlling them because improper speech reminds him of someone he hates?
While these questions are never answered, they still add a tremendous amount of depth to the story, solidifying Turner as a man holding a grudge against the world. I have no doubt that some audiences will see things from his point of view; when life hurts you a few too many times, hatred is completely understandable. On the same token, I'm sure that many will have no sympathy for him at all. Some will see him as a heartless monster preying on an innocent couple. Both arguments are valid. You should take them into consideration when watching "Lakeview Terrace," a taut, suspenseful human drama that will make you uncomfortable no matter what side you take. My hope is that it will start a line of communication. If it doesn't lead to peace, then maybe it will lead to an understanding. Of all the things noticeably absent from "Lakeview Terrace," a line of communication is the most important.

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In Lakeview Terrace, a young couple (Patrick Wilson and Kerry Washington) has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their interracial relationship. A stern, single father, this tightly wound LAPD officer (Samuel L. Jackson) has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly harassing to the newlyweds. These persistent intrusions into their lives ultimately turn tragic when the couple decides to fight back.

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Sunday, March 18, 2012

Jungle Fever (1991) Review

Jungle Fever (1991)
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One of Spike Lee's best films, "Jungle Fever" comments more on race relations in America, than on the subject of adultery. Spike is all over the place with his take on male/female relationships, the devastation wrought on a family and the Black community by crack cocaine, the "color line" in the Italian community and interracial relationships. But he seems to pull it all together to make a powerful film and one of the best of the '90s.
The acting is terrific with the standout performance being Samuel L. Jackson's as Gator, Wesley Snipes ill fated brother. He's charming, comical and evil all at once. And Wesley showed his range as an actor through his performance as Flipper, the "good son," who has a momentary lapse in character and has an affair with his secretary, Annabella Sciorra. All the performances are great and the actors get you to care about the characters they present. Wesley's performance came after the strong work he did as Nino Brown in "New Jack City" and I don't remember an actor "flippin' the script" on the movie going public like that, going from evil to good, in one year in a long time.
You could look at Flipper and Angie as symbols of Black and White America, trying to come together and the obstacles we face as a nation when we don't deal with the issue of race honestly. Something we're still going through. This film also deals with our dishonesty with dealing with the drug problem too, and this is where Spike deserves credit. No one is left unexamined by this tale of life and there are no happy endings either from Gator being murdered by his father, to Flipper and Angie breaking up.
I love how Spike begins and ends the movie. Spike shows in the beginning a couple, obviously in love, in Wesley and Lonnette Mc Kee, (in a strong, small supporting role as Drew) that leads you to believe nothing could tear them apart. When you get to the end, Wesley and Lonnette are trying to make a go at it, but through Lonnette's tears, you see she's just going through the motions, hoping to put away the pain through the lovemaking. When she tells him "he better leave now," you can tell the hurt she's experienced can't be "loved away" like he'd like.
Critics of this film usually state Spike should have stuck to telling one story. What must be said is that while Spike explores a range of contemporary issues in this film, he has made a film of power and emotion, that definitely draws an opinion out of you, one way or another. An underrated, overlooked masterpiece.

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This critically acclaimed film from Spike Lee explores the provocative consequences of interracial relationships. Black architect Flipper Purify (Wesley Snipes) begins an affair with his working-class Italian secretary (Annabella Sciorra) which causes them to be scrutinized by their friends cast out from their families and shunned by their neighbors in this moving view of inner-city life. Featuring an original soundtrack by Stevie Wonder Jungle Fever stars a talented cast including Spike Lee Ossie Davis Ruby Dee Samuel L. Jackson Lonette McKee John Turturro and two-time Academy Award winner Anthony Quinn.Starring: Wesley Snipes Annabella Sciorra Spike Lee Anthony Quinn Samuel L. Jackson John Turturro Ossie Davis Ruby Dee Lonette McKee Frank Vincent Halle Berry Tim Robbins Brad Dourif Queen LatifahDirected by: Spike Lee

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Friday, December 30, 2011

Guess Who (2005) Review

Guess Who (2005)
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I haven't seen a movie like this for years. It is full of comedy and you will keep laughing if you have a good sense of humor with open mind. The reason that many people here have given negative points is because it deals with the subject which makes many people uncomfortable, but as I said that if you watch this movie with open mind, you will definitely love it. The story is about a black girl (Zoe Saldana) who is in love with a white boy (Ashton Kutcher) and wants to announce their engagement on her parent's 25th marriage anniversary. Her dad (Bernie Mac) won't approve the white guy, not because he is a racist, but also uncomfortable about his daughter's relation with him. The movie is all fun, can be watched with family and as said before will keep everyone laughing.
Bernie Mac's character as Percy Jones is awesome, and he the one character you will keep watching the movie for. Ashton Kutcher, is all right and improvement in his acting is evident. Other actors are ok. Overall, this movie should not be missed, and please...don't take the jokes in the movie seriously.

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When Theresa (Zoe Saldana) brings fiance Simon Green (Ashton Kutcher) home for her parents' 25th wedding anniversary, she's neglected to mention one tiny detail - he's white. Determined to break his daughter's engagement, Percy Jones (Bernie Mac) does everything he can to make Simon feel "apart" of the family, from running his credit report to locking him in the basement at night. But when Percy gleefully exposes Simon's most embarrassing secret, it leads to an outrageous series of comic complications that only goes to prove that with a dad like Percy Jones, father doesn't always know best.

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