Showing posts with label chick flick. Show all posts
Showing posts with label chick flick. Show all posts

Saturday, March 16, 2013

Harlequin Romance Series - Diamond Girl - Vol 10 Review

Harlequin Romance Series - Diamond Girl - Vol 10
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Claire Barnard has been working as a paralegal for Denny Montana for four years (a playboy lawyer) and caters to his every whim, but he just sees her as reliable Claire. Until one day Dennys older brother (tall, dark) Regan appears in the office, determined to oversee the sale of the Montana Napa Hills vineyard. Regan immediately notices the fact that Claire is the driving force of his brothers' law firm, transforms Claire into a welldressed beauty (what some makeup and a new hairstyle can do!) and tells Claire of his plan to bring her and Denny together. For him it is business - he needs Denny distracted from estate agent Margot so he can convince Denny of his own ideas regarding the vineyard deal - but soon Regan is attracted to Claire himself.
I really liked this romantic movie. It is based on a Diana Palmer movie, but is actually quite different from the book. I believe some DP-fans were outaged about it, but hey, it is a 1998 movie and the book is an oldfashioned 80's romance novel with the overbearing hero and the little mouse/secretary heroine. I for one am happy they made Claire a paralegal with a mind of her own. She is no little mouse, has humor and I liked the chemistry between Joely Collins (Claire) and Regan (a yummy Jonathan Cake). This is romance as you read it in a romance novel, so I recommend it to all romantics. It is a 'Harlequin presents' movie, and I think this one is the best!

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Friday, January 25, 2013

Straight From the Heart (2003) Review

Straight From the Heart (2003)
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I'm more of an "Aliens" sort of girl than a romance fan, but I have to admit to absolutely loving this movie. I guess I'm just a sappy romantic at heart. This film's been airing on the Hallmark Channel, and I find myself watching it over and over, to the point where I came here to find out if it was on DVD. Thank goodness it is!
I particularly appreciated the cinematography and settings, and well... okay. I really appreciated Andrew McCarthy in his jeans. :) As a mustang adopter and advocate, I can't say that the depiction of mustangs and the BLM (called the "DLM" in the film) is really terribly accurate, but I'm EXTREMELY gratified to see a film even approaching the question of wild horse management in such a positive way. (Of course, when it comes to training mustangs, I wouldn't try this at home; while we see Tyler using some pretty decent training methods, he's also working with a domestic quarter horse rather than a range-fresh mustang; the real thing doesn't tend to go that fast or easy. ;))
I think they did a nice job of making the characters both believable and likeable, and the various conflicts and situations actually make sense, unlike too many films where things could just be resolved if the characters would stop behaving like morons. :) Andrew McCarthy does a really nice job as a gruff cowboy type... and he certainly sits a horse well, too.

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Item Name: Straight from the Heart; Studio:Good Times Video

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Tuesday, January 1, 2013

The Bodyguard (Full Screen Edition) (1992) Review

The Bodyguard (Full Screen Edition) (1992)
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When this movie first came out the critics panned it mercilessly and frankly I just can't understand why. I thought it was fabulous. Kevin Costner plays an ex-Secret Service agent hired to protect a spoiled, difficult to get along with diva receiving death threats. Whitney Houston portrays the spoiled starlet to perfection. The chemistry and interplay between Houston and Costner was electric. The music in the movie was also great.
There are really some key elements that made this movie extremely good. First, I thought the acting was top notch by all involved. The supporting cast really played their characters well, as did the stars. Secondly, the editing was outstanding. The movie and plot move along at a fast pace. There is not a dull moment in the entire movie. And finally, the plot was plausible (for the most part) and the mystery - who is the hit man - slowly reveals itself. Having watched the movie several times, there a several foreshadowings.
Overall I found it a most entertaining movie both as a mystery, a thriller, and love story.

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She's safe now. Safe from hordes of screaming, grasping fans. Safe from demanding kooks who pop up unexpectedly. Safe from the unknown killer stalking her every move. She's in the arms of The Bodyguard. Starring Kevin Costner and Whitney Houston and featuring songs from the #1 soundtrack album (including Houton's hits "I Will Always Love You" and "I Have Nothing"), The Bodyguard has it all: Suspense. Thrills. Romance. Peril. Passion. And the shining brilliance of two great stars. In her spectacular film debut, Houston plays Rachel Marron, a music/movie superstar at her peak. Fans want to see her, hear her, touch her. But one wants to kill her - and that's where security expert Frank Farmer(Costner) comes in. Farmer is a professional who never lets his guard down. Rachel's glamorous life often puts her at risk. Each expects to be in charge. What they don't expect is to fall in loveDVD Features:Production NotesTheatrical Trailer


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Tuesday, October 23, 2012

Here on Earth (2000) Review

Here on Earth (2000)
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Here on Earth is a wonderful movie. This movie, while watching it makes you realize just how precious your life can be. The movie is about a girl who works at a diner, and her long time friend who is always there for her. Enter a high school boy who comes from a highly sophisticated world of money and likeliness. An accident forces the wealthy kid(played by Chris Klien) to stay and help repair the accident, along with Sams best friend Jasper(played by Josh Hartnett). Both are attracted to Sam(played by Leelee Sobieski), but during the halfway point of the movie, Sam realizes that her time on earth is but short. Her parents watch out for her, and Jasper does too. Sam has an instant attraction to Kelley(Chris Klien), and so does he for her. Drama ensues between the two boys and Sam is trying to cope with her illness she is facing while not giving up so easily as others do. She lives her life to the fullest and the line that can get to you is when she says "some people live their whole life and never fall in love. And i've lived my life, and I fell in love". In the end, when all is said and done, the viewer will realize just how precious life can be and just to enjoy your life, before your time on earth is gone forever. I recommend watching this movie because it is a sad look at the ultimate choices we make when we are faced with life altering choices and the strengths it takes to live each waking moment to the fullest and appreciate what life has to and can offer you. Thank you!

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Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after

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Waiting to Exhale (1995) Review

Waiting to Exhale (1995)
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Depending on who you are, Terry McMillan's 1992 novel "Waiting to Exhale" is either a blessing or a dreaded curse. McMillan's third novel about four African American women struggling to attain stability, identity, and normalcy in Phoenix was praised in some circles for giving contemporary Black women a much-needed voice. But in other circles, mostly male, "Waiting to Exhale" was ripped to shreds as a spiteful and ungrounded damnation of Black men as philanderers, deadbeats, and no-good-dooers. It also made McMillan the biggest literary target of criticsm since Alice Walker unleashed her novel "the Color Purple." But whatever your take on the book is, the film adaptation won't likely change your stance, as it stays overall faithful to the book. Director Forest Whitaker does a respectable job bringing to life these characters: Savannah (Whitney Houston) is the buppie still in search for Mr. Right; Bernadine (Angela Bassett) just got dumped by her husband of 11 years for a white woman; Robin (Lela Rochon) is the ditzy bimbo still trying to shake off her no-good ex, and Gloria (Loretta Devine) is the full-figured owner of a successful hair salon. The best performances, hands down, are Bassett and Devine, who make the best impressions, and they help keep the film moving at a good pace. The script, co-written by McMillan, is crisp with enough funny one-liners and a story compelling enough to keep the viewer interested. But there are flaws. Whitney Houston struggles in her role as Savannah; her performance is wooden and forced, and when paired against a seasoned pro like Bassett, she flat out crumbles. A more relaxed approach to the material would have helped. Also, memo to Black filmmakers: drop the swishy gay hairdresser stereotype! It's tired, done a million times before, and, frankly, is grossly out of touch with reality. That aside, it's not often that a movie successfully adapts a novel as well as this one, and "Waiting to Exhale," warts and all, merits a B in my school of cinema.

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Whitney Houston and Angela Bassett star in this funny and touching film about four women who find strength through their rare and special relationship. Savannah, Bernadine, Robin and Gloria are all searching for the Real Thing: true love. Bernadine thought she had it, until her husband left her for another woman. Savannah and Robin are successful in business but their love lives are bankrupt. And divorcee Gloria is getting back in the game by flirting with her new, very eligible neighbor. Based on Terry McMillan's best-selling novel, and featuring the #1 smash hit "Exhale (Shoop Shoop)," "Waiting to Exhale" is the film you and your friends have been waiting for! Original score by Kenneth "Babyface" Edmonds.

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Friday, October 19, 2012

Beautiful (2000) Review

Beautiful (2000)
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Beautiful, adj. 1. Having beauty; delighting the senses and mind. 5. The ideal of beauty.
So says Webster, and given that, Mona Hibbard of Naperville, Illinois does not embody that quality on the inside. Mona has had a drive to be beautiful and from her pre-teen years, has worked hard, getting her teeth straightened, going to a grace school, and befriending Ruby, who has learned to sew from her grandmother. From watching beauty pageants on TV, she herself enters a beauty pageant and wins for best costume. The trouble is, her parents are far from supportive, and she herself shuts them out of her life. Her mother keeps saying she's getting aggravated from her behaviour, and even when Mona gets a consolation medal reading "participant," she merely says that she didn't get anything. On the other hand, the egocentric Mona's no angel either. She has a room with posters full of beauty pageant memorabilia, and a sign on the door reading "knock first" When her mother asks her if she wants some pizza, Mona refuses to answer because her mother didn't knock first.
Years later, Ruby and Mona are firm friends. Ruby and her grandmother still help make costumes for Mona, who still has the same dream, and will do anything to get it. In one scene smacking of black humour and slapstick, she sabotages a rival's equipment when that girl steals Mona's routine and is lucky enough to go first. This has grave ramifications later on, which I won't reveal. However, when Mona discovers she's pregnant, it's bad news, because women who are mothers or legal guardians are disqualified from entering the Miss American Miss competition. But she's so desperate to prove herself beautiful, she has Ruby pose as the mother of her child, a girl named Vanessa, while she becomes her own child's aunt. This helps her win Miss Illinois, which makes her a contestant for Miss America Miss pageant. In the meantime, there are the expected public appearances to promote her.
However, fate plays a cruel trick on Ruby, leaving Vanessa in Mona's care, something neither is chuffed about. Mona sees her own daughter as A) an inconvenience, and B) someone to take photos of her to mold her image as a caring, heroic, role model. But what makes a real role model? Mona's "campaign slogan" is "empowering America's youth for a brighter America." A pity she doesn't embody that ideal toward her own soccer-loving seven year old daughter.
In Mallrats Joey Lauren Adams played the smarter advice-giving girlfriend to Claire Forlani. As Ruby, Adams is the hard-working, grounded, patient friend who works hard to help Mona reach her goal even to the extent of being the mother to Vanessa, and treating her like a real mother would, making this her best role since Chasing Amy. Hallie Kate Eisenberg (Vanessa) is quite the delight here as the very insightful girl who ends up being more mature and abler than her birth mother. Indeed, when she asks Mona how come she looks so much like her, it's more than just physical appearance, but more on personality. One only has to look at the way Mona's own mother treated her to see how Mona treats Vanessa, with lack of sympathy, support, and as somewhat of an inconvenience. Her other question to Mona, "where do I belong?" is something that Mona herself is struggling with, to belong somewhere. Adams and Eisenberg really make this movie worth it.
Actress Sally Fields' feature film directorial debut was much panned by critics, and perhaps it's Minnie Driver's character, who isn't that likeable until the final twenty minutes or so of the movie. All the same, one is aggravated by her egotistical self-centered behaviour, while at the same time wanting her to not only grow up, as Ruby tells her in a moment of exasperation, but to be, in the words of Webster, to become beautiful.

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Mona is determined to win the Miss American Miss contest, even if it means cheating or concealing the fact that she has a daughter.Genre: Feature Film-ComedyRating: PG13Release Date: 2-SEP-2003Media Type: DVD

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Monday, September 24, 2012

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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Saturday, September 22, 2012

Picture This Review

Picture This
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I saw the premire of this movie and although it is girl likes jock, popular girl declares Jock hers and tries to kill girl socially. It was a really cute father daughter (or parent letting go) movie. As a HS guaduite, I thought this was a great movie to watch with my mom, and i was right. Shes been having seperation issues, like Ashley's Dad, and it was a fun movie to watch and connect with. Even my teenage brother thought it was a hilarious movie, watching all the things Ashley has to go through. From phone punking her Dad to convincing an audience to pretend to be a DVD movie.
I thought it was a really good movie!
Great job Ash!
Oh one more thing I really liked about it is the main character stayed true to herself. She didnt let the guy use her.

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A high school girl is invited to a party by the most popular boy in school -- only trouble is, she's grounded!

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Tuesday, August 21, 2012

Buffy the Vampire Slayer (1992) Review

Buffy the Vampire Slayer (1992)
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Joss Whedon was so upset with the way things were going on the set of the movie, for which he wrote the screenplay but over which he exercised no artistic control, that he walked off the set. Indeed, this is a very hard movie to watch today after the TV series. I did, in fact, moderately enjoy the movie when it first came out. I actually appreciated and enjoyed the absurd tension contained in the title, an airhead bimbo cheerleader called upon to be her generation's vampire slayer. But viewed today, the movie isn't terribly successful, and is in fact made much worse by the genius of the television series. It isn't just a question of Sarah Michelle Gellar being more appealing in the title role than Kristy Swanson (though SMG's much smaller stature increases the paradox of a tiny girl beating up large, supernaturally strong vampires) or the movie missing all the familiar characters of the show; the movie is almost completely devoid of its own style, look, and feel. Although the TV series started off on a tiny budget, it instantly had a compelling look and visual style that the movie completely lacks. Furthermore, on TV they managed a coolness and hipness that the movie never comes close to. Unfortunately, the series has pretty much reduced the movie to a curio.
Many talk of the movie falling short of Joss Whedon's vision in writing the original script. Actually, overall the plot isn't too terribly different. Buffy doesn't burn down the gym at the end in the movie as Whedon wrote, but while there are many stylistic differences, many of the main plot elements were retained. I find the main difference between the movie and the series to be in the "how" they tell the story rather than the "what" in the story. Cleverness and intelligence permeates the TV show; the movie is nearly entirely devoid of those qualities. Take the death of vampires. In the movie, they get staked and simply fall down. In the TV series, they explode, which is not merely a spectacular special effect used to great purpose, but, as Joss Whedon mentions on the DVD commentary, leaves less clean up as there are not bodies. Also, in the movie, there isn't anywhere near the emotional depth that one finds in the series.
Another part of the problem with the movie is the casting. Kristy Swanson isn't bad except when compared to Gellar, but Donald Sutherland is just dreadful. He plays his part as if he were a cartoon character, with a degree of camp that subtracts considerably from his humanity. In fact, the performances are almost uniformly awful. Not just Sutherland, but Rutger Hauer (someone I have loved in many other movies, especially in his Dutch films) and Paul Reubens create one almost unwatchable scene after another. David Arquette is at his worst here as well. In fact, the vampires are both poorly conceived and horribly executed, in contrast to the TV series. Many have noted the number of performers in supporting roles who later became well known, such as Ben Affleck, Natasha Gregson Wagner, and Hillary Swank (not to mention Stephen Root, who memorably played Milton the stapler guy in OFFICE SPACE)
On top of all this, the thing that set the TV show apart from most other forms of popular entertainment was the degree to which it allowed for deep interaction among the various character, something made virtually impossible by the short format of a film (and something that in the long run should prove to be television's innate superiority over film, if it can ever overcome the resistance of television network execs to produce art rather than vehicles for selling airtime for commercials--my fear is that BUFFY could be an exception rather than a harbinger of things to come).
In short, while not an awful movie, the movie version of BUFFY THE VAMPIRE SLAYER is not the masterpiece the television series is.

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Blonde, bouncy Buffy (Kristy Swanson) is your typical high school cheerleader-- her goal is to "marry Christian Slater and die" and nothing gets in her way when it's time to shop.But all that changes when a strange man (Donald Sutherland) informs her she's been chosen by fate to kill vampires.With the help of a romantic rebel (Luke Perry), Buffy is soon spending school nights protecting L.A. from Lothos, the Vampire King (Rutger Hauer), his sidekick. Lefty (Paul Ruebens) and their determined gang of bloodsuckers.It's everything you'd expect from a teen queen in the Valley.

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Monday, July 9, 2012

Legally Blondes (2008) Review

Legally Blondes (2008)
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Legally Blondes is a really good movie. Granted it's not as good as the original Legally Blonde movie but hey it's still really good.
This movie is about Elle Woods twin cousins (Annabelle and Isabelle Woods) who come to town from the UK. Their father just got a teaching job in California. Elle Woods does NOT make an appearance in the film BUT she is talked about a lot in the film. In fact the twins and their dad stay in Elle Woods house and there are a lot of paintings of Elle Woods and Bruiser displayed in the house. The girls go to the same Prep school as Elle so they are well known by the principal and not well liked by her and some of their classmates. One of the girls gets accused of cheating (I think it is Isabelle) so Annabelle and their friends have to present a case and evidence to prove that Isabelle is innocent. Watch the movie to see if the girls and their friends can save the day.
There are some similarities about the Legally Blonde movies and the Legally Blondes movie. Elle, Annabelle, and Isabelle all love pink, they all have chihuahua's as pets (in fact Elle buys her cousins the dogs), and all three movies involve law type cases.
Legally Blondes is aimed towards kids and teens but I am a young adult and I found it to be a really good movie. It had a really good storyline and the acting was good as well.

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LEGALLY BLONDES - DVD Movie

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Saturday, June 30, 2012

Bring it On: Fight to the Finish (2009) Review

Bring it On: Fight to the Finish (2009)
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I know what a lot of people are thinking, OMG, another freakin' bring it on movie. First of all: The franchise is really a trilogy (1,3,5), 2nd: Give this one a chance, you will be surprised. There were new lines that are repeatable, mostly spoken by the Character Gloria. These movies do present an element of cheese, but let's face it, that is what makes them fun. You aren't watching these with the intent in finding a new oscar contender. As soon as it was over, I wanted to watch again, something that I would never say about any of the others, except for the original. The movie finally brought it!!!! The music was good as well. I never heard a Christina Milian song in my life, and now I am looking to buy the soundtrack. It was a mixture of the 1st and 3rd movies brought together with a Step Up feel. I loved it an now i will watch it again!

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Christina Milian stars as sassy cheer captain Lina Cruz, whose world is turned upside-down when her family moves from the urban streets of East Los Angeles to the sunny beach town of Malibu. At her new school, Lina clashes with Avery, the ultra-competitive all-star cheer captain, while also falling for Avery’s super-cute brother, Evan. Lina’s always been able to rise to a challenge, but can she create a new all-star squad, beat Avery at the Spirit Championships, and still keep her romance with Evan? Hot music, fierce competition and high-flyin’ fun continue in this all-new movie!

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Monday, April 9, 2012

It Takes Two (1995) Review

It Takes Two (1995)
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This is my favorite Olsen Twins movie, and I'm an adult who can honestly say she enjoys it. I grew up on Full House and have always loved watching those two. They've done a lot of movies, and this one is my favorite. Supported by the charming Steve Guttenberg, the extremely funny Kirstie Alley, and a supporting cast that includes Philip Bosco as the sly and smart butler and Jane Sibbett as Clarice, the snooty, evil-plotting fiance of Guttenberg's character, this movie is sure to please any fan of Mary-Kate and Ashley. So the story goes kind of like this: look-alikes Amanda and Alyssa (Mary-Kate and Ashley, respectively) literally bump into each other while at a summer camp (that Amanda's a camper at and that Alyssa's extremely rich father happens to own). Once the two realize how closely they resemble each other, they hatch a plan to get Alyssa's single dad and Amanda's pretty caseworker romantically involved. Will they succeed, amidst foodfights, canoes falling over, and the interference of the conniving Clarice? This is a fun movie from beginning to end, with lots of visual treats (Andy Tennant Films--Fools Rush In, Ever After, etc.--always seem to have beautiful scenery), funny dialogue, and fantastic characters. There's exactly one slightly objectionable word (spoken by one of the Olsens), but I think only very conservative parents will have a problem with it. This movie is part Parent Trap, part Three Men And A Little Lady, and . . . basically just a really cute movie.

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Two young girls who happen to look identical bump into each other in the woods and decide to swap households so they can play matchmaker to their single parents.DVD Features:Scene AccessTheatrical Trailer


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Saturday, April 7, 2012

Moulin Rouge (Two-Disc Collector's Edition) (2001) Review

Moulin Rouge (Two-Disc Collector's Edition) (2001)
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I must admit that when I first went to see Mouln Rouge in the theaters, I was most reluctant. It looked cheesy to me, but I kept hearing good things about it. So finally I went, and was blown away. This movie, from a writing aspect, breaks no new ground, but visually,it is astonishing. The beautiful thing about film is that the same story can be told over and over in different styles. And Baz Luhrman's style is most definitely unique. The movie pulls you in from it's opening moments, and rarely lets go. I did find the movie slightly over-indulgent at times, as though Baz was throwing certain visual effects in for the sake of throwing them in. But the acting all around is incredible, and the music is absolutely genius. Many may have a problem with what could be describe as a 2 hour music video, but I loved it. It is definitely geared towards the MTV generation, but I think it can be enjoyed by all. All in all, it is the best movie I have seen in a long time.

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A spectacle beyond anything you've ever witnessed. An experience beyond everything you've ever imagined. Behind the red velvet curtain, the ultimate seduction of your senses is about to begin. Welcome to the Moulin Rouge! Nicole Kidman and Ewan McGregor sing, dance and scale the heights of passionate abandon in the year's most talked-about movie from visionary director Baz Luhrmann (William Shakespeare's Romeo + Juliet, Strictly Ballroom). Enter a tantalizing world that celebrates truth, beauty, freedom and above all things, love.

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Monday, March 26, 2012

Legally Blonde 2 - Red, White & Blonde (Special Edition) (2003) Review

Legally Blonde 2 - Red, White and Blonde (Special Edition) (2003)
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The only thing i have to say is that if you didn't like this movie, you must be a brunette!! It's absolutely hilarious! It definately is as good as the first! A must see!!

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When Elle (Witherspoon) discovers that her lovable chihuahua Bruiser's mom is locked in a cruel animal testing facility, she heads to D.C. to fight for animal rights, give Washington a makeover and prove once and for all that America really is the land of the free... and the home of the blonde!

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Saturday, March 24, 2012

Ghost (1990) Review

Ghost (1990)
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This review refers to the Paramount DVD edition of "Ghost"....
A man is shot and killed. His body dies, but not his spirit. Before leaving this world for the next, he must find a way to warn his lover that she is in impending danger from the culprits. Sound just a little familiar? It should. The idea for this story is loosely based on none other then "Hamlet". This though is not quite as deep or complex as Shakespeare's great tragedy. It is however, a thought provoking, touching story that has a little something for everybody. It's got romance,comedy, mystery and suspense, fantasy, action and most importantly...WHOOPI!
So how does Sam(Patrick Swayze) manage to make contact with his beloved Molly(Demi Moore) after his death? Well he goes through a psychic of course. Not just any psychic though..he finds a medium who's larger than life..Oda Mae Brown(Whoopi Goldberg).
Together, they turn Molly into a believer(along with the audience) and chase down the murderous thugs out to get her.
The action, and suspense will keep you on the edge of your seat, the romance will thrill you and the special effects are dazzling. Whoopi Goldberg is fabulous, and provides the wonderful comic relief in the story, as a con artist who finds herself with a gift to give. She took home an Oscar for Best Supporting Actress for this 1990 film. The film was also honored with the Best Original Screenplay. Swayze and Moore seem like they were made for each other and will have you believing in love ever after.
The DVD presents a nice clear picture in widescreen and the sound gives you the choice of DD5.1 surround or stereo surround. It may also be viewed in French(stereo) and has English subtitles for those needing them. The features include commentary by the Director(Jerry Zucker), and Writer (Bruce Joel Rubin), as well as an informative retrospective on the film(this is where I learned of the "Hamlet" connection).
The film is rated PG-13. There are some scenes of violence and of course there's the very sensuous clay sculpting scene to the tune of "Unchained Melody"(who can ever forget that?!)
If you have already seen this movie, and know it's one that you will watch over and over(and to that I would say "Ditto"), this great DVD is a bargain. If you haven't seen it, it's well worth a try and will keep everybody involved for the entire length of the film.
Go for it and enjoy....Laurie
also recommended:
Along for the Ride
Maxie [VHS]
The Color Purple

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A love story of a man who is killed and comes back with the help of a spiritual advisor to solve his own murder and protect his lover.Studio: Paramount Home VideoRelease Date: 01/04/2005Starring: Patrick Swayze Demi MooreRun time: 126 minutesRating: Pg13Director: Jerry Zucker

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Friday, March 9, 2012

My Girl (1991) Review

My Girl (1991)
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I love MY GIRL. It's about an 11-year-old tomboy named Vada, who is growing up in the 70s. She never met her mother because her mother died when she was born. Vada lives with her widowed father who owns a funeral parlor and the funeral parlor happens to be Vada's home, as well. Vada is obsessed with death because she sees dead people coming into her home every day. Her best friend is a boy named Tommy J. (Macaulay Culkin) who is allergic to just about anything you can think of. Vada is also in love with her school teacher. When Vada's father hires a cosmatologist to put makeup on the dead people (and ends up falling in love with her), Vada soon starts to learn the true meaning of life. This flick also stars Dan Aykroyd as Vada's father, Jamie Lee Curtis as Shelly, the woman Vada's father falls in love with, and newcomer Anna Chlumsky as Vada. This is a great coming-of-age story that is very moving and at the same time, enjoyable and entertaining. With an all-star cast and serpurb acting, MY GIRL is a great movie to watch anytime! I also recommend the sequel, MY GIRL 2, which is just as good. If not, better!

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MY GIRL - DVD Movie

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Friday, March 2, 2012

Uptown Girls (2003) Review

Uptown Girls (2003)
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In terms of the basic plot "Uptown Girls" is totally predictable. Molly Gunn (Brittany Murphy) is a spoiled little rich girl who needs to grow up when she is forced to go out and get a job for the first time in her life. Ray Schleine (Dakota Fanning) is an 8-year-old even littler little rich girl who is not only a hypochondriac and wise beyond her years but who needs to learn how to be a kid. Of course circumstances throw them together when Molly becomes Ray's nanny. There is the comic period of butting heads, the tentative beginnings of friendship, the point at which things blow up big time, and the heartfelt reconciliation. But one of the reasons that formula films like this continue to be made is because more often than not they work. The result is not a great film, but an enjoyable one where the best part of the film is the finale, where between them writers Julia Dahl, Mo Ogrodnik, Lisa Davidowitz and Allison Jacobs come up with a creative way of bringing together major plot elements.
The twist with Molly Gunn is that she is the daughter of a rock 'n' roll legend, guitarist Tommy Gunn. Her parents were killed in a plane crash when she was about Ray's age and she has been living off the residuals. In her apartment there is a shrine in which all of her father's guitars are displayed, including the one on which he wrote his biggest hit, "Molly Smiles," the song that Molly can no longer bear to here. Molly might be spoiled, but she has a kind heart and not a mean bone in her body. When her accountant steals all of her money and disappears she has her friends, Ingrid (Marley Shelton) and Huey (Donald Faison), who stay true and try to help her survive in the real world (I liked not having to do deal with her friends forgetting her now that she is broke). She also likes Neal Fox (Jesse Spencer), the young musician who plays at her birthday party. The only problem is that he is 274 days in his sobriety and wants to be celibate the first year. But he too is inspired by Molly to write a song that becomes a hit.
Ray's mother, Roma Schleine (Heather Locklear) runs a record label, which, of course, signs Neal. This also explains why Ray needs a Nanny and we already know why the kid's attitude has a long procession of nanny's coming and going. But beyond her immaculate room and her preoccupation with germs and disease, Ray has her own father issue: he suffered a stroke and is now a vegetable set up in the library of the apartment. She seldom talks about her dad and she never visits him. To Molly, this is just wrong, but she does not give the obvious speech. Ray is smart enough to know what she would say and Molly bides her time until the time comes to say the right thing. In the counter-part to that scene that comes shortly afterwards, Molly and Ray communicate a whole range of emotions without either one of them even saying a word. Films like this rarely let silence speak so well on the behalf of the characters.
Dakota Fanning was the best thing in "Taken," and after her solid performance in "I Am Sam" it is nice to see her do a more comedic role in this film. Count me in the growing list of those who think she could well be the Jodi Foster of her generation (to wit, she is better than Jodi Foster was at this age and you have the sense that she can make the transition from child star to adult star). Brittany Murphy, who was wasted in "Just Married" and was asked to do something decidedly different in "8 Mile," sinks her teeth into this role. She has the ditzy parts down pat, but it is the honest moments that she shares with both Ray and Roma that she achieves her best grace notes in the film. She should get a lot of opportunities to do more romantic comedies and as long as they have some basis in the real world and do not require her character to go over the top, she should thrive in such roles.
Again, I want to applaud the creativity shown at the end of the film. Coming up with a payoff at the end of a film like this is difficult, because you need something that brings the characters together in a happy ending. What I like about this ending is that it achieves this without the characters involved ever making physical contact, by involving at least a half-dozen key plot elements, and, most importantly, by having the song we have been waiting almost the entire movie to hear be as good as it was supposed to be. When you watch the film a second time pay attention to how the music is set up during the auction scene. There might not be enough new here to make this a great film, but director Boaz Yakin has made "Uptown Girls" a nicely crafted formula film that more than meets our expectations.

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Brittany Murphy (don't Say a Word) and Dakota Fanning (I Am Sam) shine brighter than all the lights of Manhattan in this delightful New York fairy tale. Co-starring Marley Shelton (Never Been Kissed), Donald Faison ("Scrubs") and Heather Locklear ("Spin City"), Uptown Girls will make you laugh, cry and laugh again!Molly (Murphy) is a partying rock 'n' roll princess whose money just ran out. Ray (Fanning) is a fussy nine-year-old girl whose last nanny just ran out. Only Ray's way-too-busy mom (Locklear) could think that hiring Molly would be the perfect setup for both girls. But as this unlikely pair faces everything from control issues (Ray's, of course) to temper tantrums (Molly's, of course), they discover that sometimes your best friend can come from the place you least expect!

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