Showing posts with label vampire. Show all posts
Showing posts with label vampire. Show all posts

Saturday, March 23, 2013

NEW From Dusk Till Dawn - From Dusk Till Dawn (blu-ray) (Blu-ray) Review

NEW From Dusk Till Dawn - From Dusk Till Dawn (blu-ray) (Blu-ray)
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I was very pleased with the picture and sound quality on this title. I have had the past 2 standard dvd releases, and neither were very impressive. First off......this film does not look perfect. So a 4 star review is pretty accurate, maybe a 4.5 at best. But.....it looks so much better than the standard dvd release. Simply put, this title looks about as good as it is going to get.
The picture quality is very nice indeed. There are minor specs of dirt from start to finish. These blemishes do not look bad. This film should look a bit grainy and a little rough. I highly doubt that a film of this caliber will ever get a million dollar restoration frame by frame. The opening scene looks great, the desert looks very sharp and bright. The picture somewhat resembles No Country For Old Men in the open country. The colors are super bright and sharp. The details really come through on this Blu title. The skintones are right on the money. The closeups show off great detail, the whites are super clean and the blacks hold up very well when the scenes are shot inside for the last half of the movie. There are lots of different colors displayed in this title. All look very nice and crisp. Overall this title exceeded my expectations on picture and sound.
The sound really rocks! Very good surround sound effort. All speakers get involved with this action movie. Lots of shootouts and explosions to keep a good 5.1 sound system working hard. The subwoofer gets it's fair share also. Once the action kicks in, the speakers get a lot of work. The voices come out crisp and clean. The shootouts really rock. The rear speakers are used often for great surround effects. The music sounds great to boot! Overall product review is a very, very good one. If you were dissappointed with the standard dvd release.....this will make up for that poor release. Easily worth the upgrade if you are a fan of this flick. A fun vampire/action movie!
One important note: As of 12/02/08, this title is only availible from Amazon CANADA.

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Wednesday, February 6, 2013

House of Dark Shadows (1970) Review

House of Dark Shadows  (1970)
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To those of you spending your days bewitched by the misadventures of Tabitha and Timmy on "Passions," there are those of us who are here to remind you of "Dark Shadows," the cult soap opera hit that ran from 1966-71. The Gothic soap was floundering in the ratings when the character of vampire Barnabas Collins (Jonathan Frid) was introduced. Producer/Director Dan Curtis provided this 1970 introduction to the wonderful world of "Dark Shadows," so late comers could get up to speed. Barnabas is freed from his crypt after nearly 200 years by a thief stealing treasure and returns to the family home Collinwood pretending to be a distant English cousin who just happens to be named for the infamous "ancestor." Barnabas discovers that the family governess, Maggie Evans (Kathryn Leigh Scott) is the spitting image of his former love Josette, who killed herself when she learned he had become a vampire. Meanwhile, the family physician Dr. Julia Hoffman (Grayson Hall) learns of Barnabas' true identity and develops a treatment that will reverse the curse. Able to walk in daylight again, Barnabas plans on marrying Maggie. Unfortunately, Dr. Hoffman has fallen in love with Barnabas and sabotges the treatments, which results in quite a bloodbath.
"House of Dark Shadows" certainly stands on its own if you have never seen the soap opera, although the effort to give everyone in the cast some screen time does get in the way from time to time. For those who remember the show, it is nice to see Louis Edmonds, Nancy Barrett, Joan Benett and the others again. The script by Sam Hall and Gordon Russell is actually quite innovative, coming up with some new twists for the love triangle while working in notions of reincarnation and scientific approaches to curing vampirism. At the heart of the film is Frid's portrayal of Barnabas Collins, which offers considerably more depth to the character than we were getting at the time from Christopher Lee's Dracula in all those Hammer films.

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Friday, January 25, 2013

After Dark Horrorfest 8 Films to Die For (Borderland / Unearthed / Tooth and Nail / Crazy Eights / Nightmare Man / The Deaths of Ian Stone / Lake Dead / Mulberry St.) Review

After Dark Horrorfest 8 Films to Die For (Borderland / Unearthed / Tooth and Nail / Crazy Eights / Nightmare Man / The Deaths of Ian Stone / Lake Dead / Mulberry St.)
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I haven't seen these actual DVDs so I can't comment on the quality of the transfer or how badly they chopped the pan-and-scan. (And keep in mind that most of the films, with the notable exception of the two bigger-budget flicks, look like the directors were prepared for them to be chopped for TV presentations.)
This assortment is all over the map. I reviewed all the films in detail on my blog (the bit maelstrom) but of course those are just my opinions. I've noticed people have wildly different reactions to all the films. So whereas I was very favorably impressed by "Borderland" and thought "Lake Dead" would've been stale in the '70s, you might have the exact opposite reaction.
A short capsule:
The Unearthed: A small group of people is terrorized by a monster. High point: Lots of great outdoor shoots of southwestern desert. Low point: The actual monster. It's a CGI mess. It was about as convincing as "Large Marge" from "Pee Wee's Big Adventure".
The Deaths of Ian Stone: A man is repeatedly killed, and reborn into new life situations by mysterious demonic creatures. High point: Effective SFX and a deliciously evil performance by Jaime Murray. Low point: A "Buffy"/"Angel"-esque/superhero feel to the ending.
Borderland: Surprisingly taut thriller about some American boys who run afoul of an evil Mexican cult/drug cartel. High point: Sean Astin as the movie's Dennis Hopper. Low point: Based on a true story. Also, torture porn.
Lake Dead: Inbred hillbilly psychos terrorize college-age city kids trying to collect inheritance. High point: No shocking twists and turns to upset those of a delicate constitution. Low point: They're dead serious about this.
Mulberry Street: Brooding, atmospheric tale of New York taken over by wererats. High point: Strong characterization, film treatment radiates a claustrophobic, humidity, feels like summertime in a slum. Low point: 28 Days Later Youse Guys.
Tooth and Nail: Campy post-apocalyptic survival story. High point: A lot more humor than your average post-apocalyptic film and it can't ALL be accidental, can it? Low point: As badly thought out as every other post-apocalyptic thriller. Also, a lot of the humor probably IS accidental.
Nightmare Man: Man tries to check crazy wife who believes she is possessed by demonic spirit into hospital. Car trouble ensues, adjoining cast of college-age students end up holed up with crazy lady in isolated cabin where murder and mayhem ensues. High Point: Fairly brisk treatment of topic. Some might be surprised by ending (I wasn't). Low point: Still pretty constrained by ideas that were old when Sam Raimi did them in Evil Dead.
Crazy Eights: Relatively "big budget" cast (Frank Whaley, Dina Meyer, Gabrielle Anwar, Traci Lords) return with childhood friends to the asylum/laboratory/habitrail where they were raised. High Point: Good editing highlights the good acting. Low Point: Unfocused story makes the whole thing feel static.
There ya have it folks. I watch these things so you don't have to, folks. But most of the movies have something to recommend them, though I'd be hard-pressed to say that about "Lake Dead". That and the very professional, not low-budget at-all feeling "Unearthed" struck me as particularly boring.
Suggested serving: Get together with 6-10 of your similarly deranged friends and buy the set between you for the cost of a movie ticket each. Hold your own "After Dark" film festival (with popcorn! and hookers! In fact, forget the movies and the popcorn.)

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Sunday, December 30, 2012

Buffy the Vampire Slayer - The Complete Fourth Season (1997) Review

Buffy the Vampire Slayer - The Complete Fourth Season (1997)
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In Season Three of "Buffy the Vampire Slayer" Joss Whedon and the show's writers proved that the series could survive Buffy killing Angel. For Season Four the task was to prove that "BtVS" could survive losing Angel, Cordelia, and Wesley, who were spun off into their own film noir vampire detective series. The surprising success of their effort is displayed in "Buffy the Vampire Slayer: The Complete Fourth Season," a season that is more impressive with each viewing.
When last we left our heroes most of them had just survived graduating from high school. Now Buffy (Sarah Michelle Gellar), Willow (Alyson Hannigan), and Oz (Seth Green) are off to UC-Sunnydale while Xander (Nicholas Brendon) tries to survive in the real world and Giles (Anthony Stewart Head) twiddles his thumbs in his apartment. Instead of the "high school is hell" idea, the underlying symbolism of the season is now the brave new world of college. Buffy has moved out of the house to live in the college dorm (surprising), but with somebody other than Willow (more surprising), and is trying to move beyond Angel (sad, but not surprising). After a dalliance with Parker Abrams (Adam Kaufman), the personification of that horrible "transition" person your friends always warned you about after your first big breakup, Buffy hooks up with clean-cut Iowa farm boy Riley Finn (Marc Blucas), charming psychology graduate assistant by day, Initiative super-soldier by night.
By now we are familiar with the double-story arc structure of a "BtVS" season. For Season Four the first half story arc has to do with the mystery of the Initiative, while the second half is the confrontation with Adam. More importantly, there are several monumental character changes inspired by the desire to keep a couple of actors and the decision of another cast member to leave. Wanting to keep James Marsters around, the idea of putting that bloody chip in Spike's head, neutering the vampire when it comes to putting the bite on human beings, was a masterstroke (and, dare I say, surprising). Suddenly, Spike is a de facto Scooby. Meanwhile, with Emma Caulfield sticking around as Anya, she becomes the show's comic relief in place of her boyfriend Xander. Then, when Seth Green left the show to concentrate on films, what we thought was an offhanded comment in "Doppelgangland" suddenly comes to fruition for Willow when she meets Wicca wannabee Tara (Amber Benson). All of these changes end up having much more significant impacts on the show than the addition of Riley Finn as Buffy's new love interest.
Season Four begins with a lot of interpersonal issues, from trouble with dorm mates ("Living Conditions") to getting dumped ("The Harsh Light of Day," "Wild at Heart"), before getting caught up in the mystery of all those soldier types running around the campus in the dark ("The Initiative"). Buffy and Riley finally discover the truth about each other in the landmark episode "Hush," the only episode ever to earn Joss Whedon a well deserved Emmy nomination for Best Writing of a Drama (insert outrage over snubs of "The Body" and "Once More With Feeling" here, please). The second half of the season finds Riley learning to work with Buffy ("Doomed") and Buffy enjoying working with the Initiative ("A New Man") before Professor Maggie Walsh (Lindsay Crouse) tries to kill her ("The I in Team") and her stitched together uber-demon Adam (George Hetzberg) breaks free and sets up the final confrontation ("Primeval").
Ultimately, the strength of a season is judged by the episodes that are essentially off the main story arcs. For Season Four this means a Halloween episode with one of the best punch lines ever ("Fear, Itself"), the great Buffy and Faith mind-switch ("This Year's Girl" and "Who Are You?"), the discovery that the coolest and most important in the world is Jonathan Levenson ("Superstar"), and the hilarious insanity of Willow's wish list ("Something Blue"). Of course on that last episode once again the joke is on us as the alternative reality give us a preview of what is to come down the road. One of the most unique aspects of this season was that the climatic battle with the year's big bad happens in the penultimate episode and the season finale, "Restless," serves as an actual epilogue as Buffy and friends encounter the First Slayer (Sharon Ferguson), and sets the stage for significant develops to come.
The fact that Season Two ended with the greatest episode ever of "Buffy the Vampire Slayer" in "Becoming, Part II," when Buffy has to kill Angel to save the world, obscures the fact that on balance Season Three and Season Four were both stronger seasons overall. The operatic finales might not reach the same heights, but the lows are higher and the on average score is higher. The worst episode of Season Four is probably the season premier, "The Freshman," which suffers because like all first episodes in a season of "BtVS" the goal is to have Buffy rededicate herself to being the Slayer so that new viewers can feel like they understand the gig. If anything, Season Four reaffirms that the strength of this show is character development and not just vampire slaying.
Final Comment: It is nice to see that the extras for Season Four contain twice as many commentary tracks as we have been privy to for each of the previous three collections. In a perfect world it would be great if all of the episodes had commentary, provided by shifting tag-team combinations of writers and actors, in the tradition of the very early episodes of "Farscape" on DVD, but I have long had the feeling that the cast of "BtVS" is rather intimidated by the encyclopedic knowledge of the show enjoyed by its fan base.

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Buffy begins college feeling completely overwhelmed. But once the monsters show up, it’s just like old times. Then she strats dating Riley, a handsome commando battling the same monsters. He’s part of a secret organization called The Initiative and Buffy is all too happy to join the team. But she soon suspects The Initiative may be more dangerous than the monsters they are supposed to be battling . . .

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Tuesday, December 4, 2012

Buffy The Vampire Slayer - The Complete First Season (1997) Review

Buffy The Vampire Slayer - The Complete First Season (1997)
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For a first time screenwriter, Joss Whedon's "Buffy the Vampire Slayer" was a good effort for a feature film. I thought for sure the series was going to tank. When I started watching halfway through the first season, I quickly found that I was wrong. "Buffy" simply blossoms on television. I've been hooked ever since.
For the first time, Whedon has provided us with all the terrors of high school (remember those?) in a horror genre setting. Not only that, but he provides a confident, cool FEMALE character to trounce the bad guys. Whether you're a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as uncomfortable as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As quick with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you're cliquish Cordelia (Charisma Carpenter). And in the end, the more unpopular you were - possibly the more important you were to your teenage community.
Mix in your favorite teacher (or librarian) played by Anthony Stewart Head (who should play "Doctor Who" after he's done with "Buffy") to be the requisite horror genre British pseudo-scientist, and Buffy's single mom (Kristine Sutherland) and you're all set to go with the most intelligent sci-fi TV series possibly written for this age group. (The next closest thing being the intelligent, yet non-sf "Freaks & Geeks".)
I'm not kidding. It's amazing how quickly these characters grow in the first season and their responses remain true to life despite the extraordinary situations they're thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that "Buffy" is most of what he's been doing for the last five years.
As far as what you get in this box set, you're in for a treat. This is the full first season, not just the half previously released on VHS; including the season finale "Prophecy Girl" - where we see just how heroic Buffy really is, despite her adolescence and fear of death. Also present throughout the series are teenage issues of emotional/sexual conflict ("Teacher's Pet") and problems with acceptance ("The Pack"). Specific highlights also include Whedon's commentary for the two part premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte).
Remember, Buffy's not JUST about vampires. In fact I think it's safe to say that vampires are secondary to the emotional undercurrent of the show, if not a particular episode's plot. Forget "Felicity" and shove off of "Dawson's Creek", this is the one for the adults.

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INTO EACH GENERATION A SLAYER IS BORN. Now you can own the entire first season of BUFFY THE VAMPIRE SLAYER. All 12 classic episodes are available for the first time in this exclusive 3-disc collector’s edition.From "Welcome to the Hellmouth," "The Harvest" and "Angel" to "Nightmares," "Out of Mind, Out of Sight" and "Prophecy Girl," these Season One episodes are a must for every true Buffy fan.

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Sunday, December 2, 2012

Buffy the Vampire Slayer - The Complete Fifth Season (1997) Review

Buffy the Vampire Slayer - The Complete Fifth Season (1997)
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Hi there, I own this slim boxed set and it has:
6 DVD in 3 boxes (i've shared images of this)
subtitles and spoken in spanish, english and french
It also contains closed Caption.
No cuts from the original boxed set. IT'S THE SAME!!! but in other package.

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After an unsettling encounter with the Dracula, Buffy asks Giles to once again be her Watcher. Luckily he agrees, for Buffy is about to face mortal problems far more threatening than the undead: the sudden appearance of a sister named Dawn, her mother’s mysterious illness and Spike’s undying devotion. Then an undefeatable demon appears, forcing Buffy to turn to an ancient Spirit Guide who tells her that love is her greatest gift — and power.

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Wednesday, November 14, 2012

Buffy the Vampire Slayer - The Complete Second Season (1997) Review

Buffy the Vampire Slayer - The Complete Second Season (1997)
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The second season continued one what was successfully started in the first season. The second season is a lot more ambitious (remember, the first season only had twelve episodes, unlike the rest which had 22).
The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition.
This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed.
My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me
For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence).
The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.

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THE CHOSEN ONE HAS ONLY JUST BEGUN... Now you can own the entire second season of BUFFY THE VAMPIRE SLAYER. All 22 classic episodes are available for the first time in this exclusive 6-disc collectorÂ's edition.From Â"When She Was Bad,Â" Â"SurpriseÂ" and Â"Innocence,Â" to Â"PassionÂ" and Â"Becoming, Part OneÂ" and Â"Becoming, Part Two,Â" these Season Two episodes are a must for every true Buffy fan.

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Sunday, November 11, 2012

Fright Night Part II (1989) Review

Fright Night Part II (1989)
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I have bought a few cheapie $3.99 DVD movies. Though the picture was far from great, thery were no worse than VHS picture quality. I recently bought Fight Night Part II on DVD for $10.99 and the picture quality is atually worse than the VHS that I have! What the hell happened! Don't get me wrong, I'm glad that Artisan Entertainment is digging and releasing some old classics from their vaults, but if your going to release them like this then don't bother! This is by for the worst from Artisan. Bride of Re-Animator, Waxwork, and Lair of the White Worm were disappointents because of the poor picture quality, no widescreen formats, and lack of supplemental material, but Fright Night Part II takes the cake as their worst release! MGM may be getting lazy too and only releasing their titles only in Full Screen format, but at least their movies have good picture quality! Artisan needs to shape up or get out! Artisan should sell the rights of their older movies to Anchor Bay Entertainment so they could be properly released!

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If I rated the movie alone, I'd give it five stars.Unfortunately, I have to warn anyone who wants to buy this DVD format from Artisan.I own over 150 DVD's and I've never come across such a sad excuse for a DVD.The picture quality is HORRIBLE!If you look closely, you can see that it was taken from a tape source, and not the original.Plus, Artisan claims on the back of the box that it is formatted from its "original" aspect ratio, and that it was shot in full screen.That is a blatant lie.It was shot in letterbox widescreen, just as the first film was.You can even tell when you watch it that it has been cropped to death, and at certain moments the screen moves from right to left to catch what's missing.The audio is 2.0 Dolby surround, which is fine.However, when you turn the volume up to hear the more quiet parts of the film, you hear tape hiss.Beware of Artisan releases on DVD.Their transfers are usually like this.I have a few other older films released by them, and they're pretty poor in the quality department.It is a great film however, and is worth having no matter what.I guess this DVD is better than not having it...Almost.

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Tuesday, September 18, 2012

Underworld (Unrated Extended Cut) (2003) Review

Underworld (Unrated Extended Cut) (2003)
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Boiled down to the fine little dish of steak tar-tar that it is, "Underworld" is the answer to the two horror flick questions you had as a kid:
1)If Dracula and the Wolfman went mano a mano and fang-to-claw, which one would do the thrashing?
2)If Dracula and the Wolfman checked into a cheap motel, got roaring drunk on a case of Night Train, and had a baby, what would it look like?
You get the answer to #1 early and often, which is pretty much what this Transylvania Station is all about. And by the end of "Underworld" you get #2 as well---and trust me, when it's hopping about like an ugly green Mini-Hulk (right down to its one-size-fits-all-monster trunks) you'll wish you hadn't.
You want to know what you're getting when you lace up your thigh-high attitude boots and strap on that trenchcoat for a little midnight fun in Len Wiseman's uber-stylish little monster mash "Underworld"?
Think West Side Story: only here, instead of the Jets and the Sharks angling for a rumble on the other side of the tracks, we have Vampires and Werewolves. Oh, and in "Underworld" nobody breaks into song. Both sides just want to rumble, and the girls just wanna have fun. In the meantime, while not the sharpest stake in the vamp-hunter kitbag, "Underworld" finds its groove, and serves up a bloody two hours of unabashed techno-cool that drinks you dry, trashes the apartment and howls at the moon.
We get dropped into the middle of a war that Celine (the impossibly tasty Kate Beckinsdale)---our supple full-body-suit clad vampiric Death Dealer and narrator---tells us has been "raging for centuries."
On one side of the tracks: the sneering, brutally hip Euro-trashy leather-trenchcoat & hip-sunglasses wearing uber-high-maintenance Vampires. They have posh high-rent neo-Victorian digs, drive around the streets in Jaguars and Maseratis, and have managed to switch up the silver bullets in their glocks and MP-5 submachine guns for something more lethal: liquid silver nitrate, which makes it tougher for their hairy buddies to pull the bullets out. Advantage: Vampires.
On the other side of the tracks: the Salvation Army surplus-wearing tear-your-scalp-off-and-wear-it Werewolves---erm, I mean Lycans, short for Lycanthropes. The Lycans are strictly low-rent, hang out together in what looks like an abandoned public lavatory, and take a bath once every full moon whether they need it or not. Whereas their blood-sucking cousins from the East Side look like they'd be hanging at crazy underground raves when they're not boring each other to tears talking like the Merovingian, the Lycans are strictly the mosh-pit set. Oh, and from what I could tell, there's not a single werewolf girl. C'mon guys---haven't ya heard of "Ginger Snaps"? Bummer. Advantage: Vampires.
That said, the boys have been pumping the rent money they've saved up into super-science research, giving them bullets that encase super-photoelectric magnesium charges (perfect for giving that oncoming vamp a little taste of Club Med sunlight). They also have the upper hand in figuring out how they can mix the bloodlines, bringing the war between Vamp and Lycan to an end. Advantage: Lycans.
And finally, mixing it up with our fanged-kissin' cousins, we have perplexed med student Michael Corvin (played by the annoying Scott Speedman who cashes a check) stalked by Lycan heavies and tagged by Selene, who wants to know why the werewolf army is so eager to get their hands on him.
And that, pretty much, is "Underworld": two hours of movie built around jaw-droppingly gorgeous set-pieces and bouts of total war between locked-and-loaded squads of Things that go Bump in the Night.
Just a note: you'll want to get the Unrated Extended DVD: it fleshes things out, beefs up some supporting characters, and ends with an extended battle sequence---and it's loaded down with plenty of extras you can sink your fangs into.
Plus, the sleeker transfer shows off Wiseman's technical mastery in spades. Wiseman uses sound-stages and CGI to anchor the film's look, and tethers all of it to the fog-shrouded cobbled streets and ancient alleys of Prague: the City itself takes on a bleak and brooding character. The movie looks gorgeous: whether it's the gloomy red-velvet and dark mahogany halls of the mansion, the sleek, sterile Underground, or the industrial ruins of the Lycans, Wiseman and cinematographer Tony Pierce-Roberts make every scene tell. The sequence where a locomotive full of vampire diplomats chugs into a deserted rail-station---with the baying of werewolves in the distance---is jaw dropping.
"Underworld" also gets the most out of its talented stable of actors. There are three centers of gravity in the film: Beckinsdale, who doesn't need her bodysuit to command her lines (though I'm glad she wore it). The Lycan overlord Lucien (the gifted Welsh actor Michael Sheen) steals every scene he's in, and brings complexity and command to a role that could have been a throwaway in lesser hands. Finally, there's the Vampire King Viktor, played by the great Bill Nighy (who also played Shaun's Jag-loving stepdad in "Shaun of the Dead"). Nighy is a kind of demonic embodiment of immortal Puritan rage, and acts like a champ through all that make-up.
Even the supporting actors turn in strong roles: Shane Brolly (Kraven) whines and pouts and lisps and turns in a convincing performance as a spineless worm; Sophia Myles (Erika) comes off as a naughty little vampire cat-girl; Kevin Grevioux owns this film and puts the smack down as Uber-Werewolf Raze; and Hungarian actress Zita Gorog rocked my world---without uttering a single line.
In the end, this batwinged black-lipstick wearing looker of a flick charged into the goth club of my choice, served me an extra-bloody steak tartar , smacked me around, bought me drinks, and talked Shakespeare after. Would a Lycan by any other name be just as hairy?

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SELENE, A BEAUTIFUL VAMPIRE WARRIOR, IS ENTRENCHED IN A WAR BETWEEN THE VAMPIRE & WEREWOLF RACES. ALTHOUGH SHE IS ALIGNED WITH THE VAMPIRES, SHE FALLS IN LOVE WITH MICHAEL, A WEREWOLF WHO LONGS FOR THE WAR TO END.

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Tuesday, September 11, 2012

Mirrors 2 (2010) Review

Mirrors 2 (2010)
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Beneath the gore, the violence, and the destructive behavior of the characters lies a decent ghost story. It is a story that has been told before, but those who rent or buy a film like this one don't necessarily watch it for originality. This film delivers in terms of atmosphere, and the actors do a fairly good job.
Nick Stahl is good as the leading man, a young security guard who has experienced a tragic car accident. The accident kills his fiancee, but he is brought back to life by paramedics. His wealthy father (William Katt) gives him a security job at the Mayflower, a large building that he owns, hoping that he can get back on his feet and put the tragedy behind him. Once he begins working, however, he begins to have visions of a ghost girl in the mirrors of the building's basement, and with the help of the girl's sister (Emmanuel Vaugier), they search for clues as to what happened to her.
The film pulls no punches; it is exactly what you would expect, which is a combination of "Stir Of Echoes" and the first "Mirrors." The film is graphic at times, but does not rack up a huge body count. Christy Romano, the girl from Kim Possible, appears in the film also, and she is....shall we say...all grown up now. All in all, a formulaic but entertaining film, and something about it just draws you in. I found myself engaged until the film's ending. 3.5 stars.

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Tuesday, August 21, 2012

Buffy the Vampire Slayer (1992) Review

Buffy the Vampire Slayer (1992)
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Joss Whedon was so upset with the way things were going on the set of the movie, for which he wrote the screenplay but over which he exercised no artistic control, that he walked off the set. Indeed, this is a very hard movie to watch today after the TV series. I did, in fact, moderately enjoy the movie when it first came out. I actually appreciated and enjoyed the absurd tension contained in the title, an airhead bimbo cheerleader called upon to be her generation's vampire slayer. But viewed today, the movie isn't terribly successful, and is in fact made much worse by the genius of the television series. It isn't just a question of Sarah Michelle Gellar being more appealing in the title role than Kristy Swanson (though SMG's much smaller stature increases the paradox of a tiny girl beating up large, supernaturally strong vampires) or the movie missing all the familiar characters of the show; the movie is almost completely devoid of its own style, look, and feel. Although the TV series started off on a tiny budget, it instantly had a compelling look and visual style that the movie completely lacks. Furthermore, on TV they managed a coolness and hipness that the movie never comes close to. Unfortunately, the series has pretty much reduced the movie to a curio.
Many talk of the movie falling short of Joss Whedon's vision in writing the original script. Actually, overall the plot isn't too terribly different. Buffy doesn't burn down the gym at the end in the movie as Whedon wrote, but while there are many stylistic differences, many of the main plot elements were retained. I find the main difference between the movie and the series to be in the "how" they tell the story rather than the "what" in the story. Cleverness and intelligence permeates the TV show; the movie is nearly entirely devoid of those qualities. Take the death of vampires. In the movie, they get staked and simply fall down. In the TV series, they explode, which is not merely a spectacular special effect used to great purpose, but, as Joss Whedon mentions on the DVD commentary, leaves less clean up as there are not bodies. Also, in the movie, there isn't anywhere near the emotional depth that one finds in the series.
Another part of the problem with the movie is the casting. Kristy Swanson isn't bad except when compared to Gellar, but Donald Sutherland is just dreadful. He plays his part as if he were a cartoon character, with a degree of camp that subtracts considerably from his humanity. In fact, the performances are almost uniformly awful. Not just Sutherland, but Rutger Hauer (someone I have loved in many other movies, especially in his Dutch films) and Paul Reubens create one almost unwatchable scene after another. David Arquette is at his worst here as well. In fact, the vampires are both poorly conceived and horribly executed, in contrast to the TV series. Many have noted the number of performers in supporting roles who later became well known, such as Ben Affleck, Natasha Gregson Wagner, and Hillary Swank (not to mention Stephen Root, who memorably played Milton the stapler guy in OFFICE SPACE)
On top of all this, the thing that set the TV show apart from most other forms of popular entertainment was the degree to which it allowed for deep interaction among the various character, something made virtually impossible by the short format of a film (and something that in the long run should prove to be television's innate superiority over film, if it can ever overcome the resistance of television network execs to produce art rather than vehicles for selling airtime for commercials--my fear is that BUFFY could be an exception rather than a harbinger of things to come).
In short, while not an awful movie, the movie version of BUFFY THE VAMPIRE SLAYER is not the masterpiece the television series is.

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Blonde, bouncy Buffy (Kristy Swanson) is your typical high school cheerleader-- her goal is to "marry Christian Slater and die" and nothing gets in her way when it's time to shop.But all that changes when a strange man (Donald Sutherland) informs her she's been chosen by fate to kill vampires.With the help of a romantic rebel (Luke Perry), Buffy is soon spending school nights protecting L.A. from Lothos, the Vampire King (Rutger Hauer), his sidekick. Lefty (Paul Ruebens) and their determined gang of bloodsuckers.It's everything you'd expect from a teen queen in the Valley.

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Friday, August 10, 2012

Bleach Uncut Box Set: Season 4, Part 1 - The Bount (2009) Review

Bleach Uncut Box Set: Season 4, Part 1 - The Bount (2009)
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According to Merriam-Webster, filler is "a substance added to a product (as to increase bulk, weight, viscosity, opacity, or strength)."
Well, it's not a precise description, but it does explain the function of anime filler: episodes not based on the manga it springs from. And "Bleach Uncut Box Set: Season 4, Part 1 - The Bount" anime begins an entire arc not based on Tite Kubo's manga, although it still manages to be pretty suspenseful, funny and action-packed.
The day after the gang's return to the living world, Orihime is suddenly sucked into a vast replica of the Hell Gate, by a doppelganger of her brother. Her kidnappers are the mysterious Ririn, Kuroudo and Noba -- and they quickly lure Ichigo, Uryu, Chad and Renji on a series of bizarre games. First it's a chase around town, then a surreal maze in the local museum. Finally, they're brought back to school, where they must uncover who the imposter among them is... or everyone will vanish.
It turns out that these three weirdos are all working for an old friend, to prepare Ichigo and Co. (plus Rukia and Renji) for a massive fight against the immortal soul-sucking Bounts. The Bounts have recently started consuming living human souls, and for some reason they are also allied with a rogue Soul Reaper named Maki Ichinose. What's more, their cruel leader Jin Kariya wants to get his hands on Uryu, for a secret plan to do... something.
Filler episodes in anime are usually pretty bad -- at the very least, they bend the characters into doing and saying odd things. For the most part, "Bleach Season 4 Part 1" avoids that tendency -- there's still plenty of weird individual powers, sword fights and bloody action, as well as duels between floating fire creatures, snakes, living waterspouts, metal spiders and little flying eyeballs with teeth. The Bounts, they have some mean powers.
But the story is hampered by an over-reliance on flashbacks (is this "Bleach" or "Lost"?), and the story sometimes slows to a crawl. The dialogue is still plenty of fun ("You guys are checking each other out!") and there's plenty of comic relief (Ichigo trying to find a toy that satisfies Ririn). And the writers spin up some intriguing backstory for the treacherous Maki Ichinose and the Bounts -- they're not very scary or imposing compared to Hollows or Aizen, but they'll do for a filler arc.
Ichigo and his amazing abs (you could grate cheese on them!) make a good return in this arc, but he seems to have lost some key brain cells -- he's a smart guy, yet he doesn't know that blowing up a fire extinguisher and leaping down an elevator shaft might not be a good idea? Still, our orange-haired hero remains a likable protagonist who emanates hardcore determination to protect his buddies.
Uryu is explored in detail, struggling with his recent loss of powers, and the knowledge that he is now a burden and a danger to his superpowered friends. And the writers do a good job with the supporting characters -- Chad, feisty Renji, strong-willed Rukia and quirky Orihime ("I remember there was tea!"). The Bounts aren't really explored much yet, but the three mod-souls are fun characters: Ririn is a rather shrill little bird-girl, Kuroudo a flamboyant bunny purse (yes, Rukia DOES love him), and Noba is a little ninja turtle who is almost as quiet as Chad.
"Bleach Uncut Box Set: Season 4, Part 1" provides a pretty solid introduction to "Bleach's" first filler arc, and despite some flaws, it's still pretty fun to watch. Just be prepared to fast-forward sometimes.

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Saturday, August 4, 2012

Vampires (1998) Review

Vampires (1998)
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Vampires is one of my all time favorite movies, but to be fair, I could not give it five stars. However, I think anyone who likes horror, vampire movies or spaghetti Westerns MUST see this film at least once.
Vampires has almost everything it needs to be a truly great horror flick -- and it is good enough that I've been obsessing over owning the video ever since it left the theaters. It has great performances -- James Woods, of course, can always make me cringe, laugh or melt with startling ease, and it looks like he had a lot of fun with his role as obsessed vampire slayer Jack Crow. Supporting cast was solid, direction was crisp and snappy, the camera work was wonderful, costuming and props were cool (love the slayers' tools and Valek's coat!), and Carpenter's score suits what's going on onscreen perfectly.
Ironically, two of the best performances in the flick -- Thomas Ian Griffith as Valek, a genuinely scary and sensual vampire badguy, and Sheryl Lee as Katrina, a nascent vampire being used by the slayers to track Valek down -- had the least to work with where the script is concerned. Neither were given enough lines, but managed to do more with expression, tone and body language to make their characters believable than many people could have done with ten times that amount of dialog and screen time. Griffith especially was given short shrift in this department, but still manages to terrify and enthrall.
Vampires is also daring. Jack Crow (many of whose lines Woods improvised, to great effect) is absolutely uncompromising -- tough, flawed, mean, hot-tempered, and nearly as vicious as his quarry. He's the kind of person who will literally do whatever it takes to get the job done, and that's hard to look at at times. And no, he's not a nice guy. He's not PC (thank GOD!), which apparently irritated a lot of movie critics when Vampires came out. In fact, Jack Crow is a real bastard. He's also the only kind of person who would actually have the guts, and the bloodthirst, and the near suicidal singlemindedness, to actually go and hunt vampires. He's not here to charm us or even spare our feelings; he's here to save our butts. He's unnervingly fun to watch.
So, too, is his archnemesis, Jan Valek, who is right up there among my top ten Favorite Movie Badguys. Valek grabs the insipid, "vampires as lonely, romantic figures bemoaning their lost humanity and constantly falling in love with mortals they can never be with" image that has infected the vampire mythos of late and rips the living $^%$%^$@# out of it. He's a cold, scheming, vicious, arrogant, merciless, occasionally sadistic killer to whom humans are either tools, or food. He doesn't give interviews. He doesn't romance women who bear a resemblance to his lost love. He doesn't go clubbing or get embroiled in human politics or keep human 'pets'/servants. He is every inch the intelligent, cunning predator, completely alienated from human kind, and is undeniably a threat. He's also disturbingly alluring, which in a strange way just makes him even more frightening. And, like Crow, he doesn't do things halfway. Piss him off, he'll seduce your woman, tear all your friends apart and chase you down no matter how fast you run or how far you go. The movie illustrates this with a gory directness which is both disturbing and refreshing.
Ok, so that's what Vampires has going for it. Here's what it is lacking: real studio backing and funding. I don't know who dropped the ball on this one, but Vampires definitely needed a bigger budget. It needed to be about half an hour longer for character development's sake, the effects needed cleaning up in a few places, and the scriptwriter needed to be taken to a deserted area and had a gun held to his head til he revised out the cornier lines ("Unstoppable unless we stop him"?!? "I'll snap your neck like a twig"?!? Come ON!) and put in about three or four more revisions to even out the general story pacing, fix some of the dialog and GIVE KAT AND VALEK MORE LINES AND SCREEN TIME! :).
Sony/Largo/whoever also screwed up where promotion is concerned. There was almost NO advertising of Vampires once the movie actually came out, even though it was #1 nationwide its first week in theaters. The planned second soundtrack (with Marilyn Manson, etc) was to my knowledge never released, nor was there a 'book of the film', a 'making of' or any posters, etc. created besides the movie poster version you see on the front of the video box. Hello?!? Vampires made it to #1 for that week pretty much on its own merits. With some real support from its studio and distributor it could have done a lot better and also been a better movie.
Just my $0.02.

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Friday, July 20, 2012

Night Watch (2006) Review

Night Watch (2006)
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Others are those wizards, sorcerers, witches and shapechangers among us, locked in combat between those dedictaed to the Light and Dark. Generals Gesen and Zavulon command the forces of Others dedicated to Light and Darkness, respectively. On a bridge, the two armies meet, and a truce is struck to prevent to annihilation of all Others in that combat. Both sides wait for the birth of an Other whose choice of sides will decide the end to their struggle.
In 1992, Anton, a mild mannered man, meets a modern witch in her apartment to have her cast a spell to retun his lost love to him. She warns him that his love is now pregnant with another man's child, and that this child will constantly draw Anton's love back to the other man, unless it is also destroyed. However, the witch will only attempt to destroy the child if Anton agrees to accept the responsibility of that act. In the botched process of casting the spell to destroy the unborn child, he awakes to the uneeen world around him, becoming an Other.
In 2004, Anton has chosen the Light side, and is hunting vampires and other Dark siders in Moscow, using his special Gift as a Seer. Ironically, he lives next door to a vampire, and they share a wary but friendly relationship. Interestingly, the Light is in the habit of providing special licenses to Dark siders, allowing them to kill/feed/convert/etc., but each side polices the activities of the other to make certain that the Truce is never broken. During an intervention, Anton kills the vampire lover of a young girl, recently "turned", saving a young boy in the process, but effectively violating the peace. He also encounters Svetlana, something "much worse than a vampire", but who is wholly unaware of her role in apocalyptic events about to unfold.
This unique film brings a Russian artistic and cultural approach to a story that seems straight out of a graphic novel. While the story itself may not be unique, seeming pretty much standard Gaiman or Vertigo fare, the production is stunning. The director uses camera angles, and incorporates photographic and artistic elements I've never seen, and the effect is enthralling. It's not a film based on big pyrotechnic explosions and gunfire, and the Special Effects aren't totally up to Dreamworks standards, but the film is a lush portrait of the struggle between good and evil, as well as the tendency of each walking those paths to cross over to the others point of view, that puts recent films of similar theme (Underworld 1/2, Constantine, Van Helsing) in 2nd place.

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Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day, the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, try to control them and limit their outrage.

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Thursday, July 19, 2012

Ultraviolet (Unrated, Extended Cut) (2006) Review

Ultraviolet (Unrated, Extended Cut) (2006)
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The Amazon review stated, "As an overdose of eye candy, Ultraviolet can be marginally recommended as the second-half of a double-feature with Aeon Flux. Both films are disposable adolescent fantasies featuring an ass-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI."
My question is, "Is there a problem with this?"
Ultraviolet was a fun 'comic book movie' with a touch of Anime feel, a touch of 'Brave New World' and a very interesting blending of CGI that was (in my opinion) not "low budge" but quality controled to straddle the line between the comic book world and the 'live action world. A reasonable "graphic novel" plot... lots of action... nice parody twist on the "guns... lots of guns" bit in Matrix... plot doesn't drag... action doesn't slow down... minor moralizing (just enought to stay true to the genra)... sheesh... what's not to like?
It ain't "Gone wiht the Wind"... but then... wasn't intended to be... If ya' like you're comic-book movies to be comic-book movies you'll love "Ultraviolet"... if ya' want something deep and meaningful... watch "Lord of War"...

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Milla Jovovich (Resident Evil, The Fifth Element), Cameron Bright (X-Men 3), Nick Chinlund (The Legend of Zorro) and William Fichtner (The Longest Yard) star in this theatrical set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.

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Thursday, July 12, 2012

Bleach Uncut Box Set: Season 4, Part 2 - The Bount Review

Bleach Uncut Box Set: Season 4, Part 2 - The Bount
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Ichigo and his friends have been fighting the Bounts on and off, while trying to keep them from capturing Uryu. Bu the battle becomes a lot more intense in "Bleach Uncut Box Set: Season 4, Part 2" -- this collection brings together the last twelve episodes of the hit anime's first filler arc. It's top-heavy on the action, with loads of freaky dolls, flashy swordfights and enjoyably freaky villains... as well as fewer flashbacks.
The mysterious new dolls -- called "bitto"-- have started sucking the souls from living humans (and yes, I do love that phrase), which increases the Bounts' powers but also acts like a drug to their bodies and minds. When Kariya unleashes them on Karakura's population, Ichigo and his friends charge out to save the day, but quickly find themselves outmatched by the juiced-up Bounts and their dolls. But they have some unexpected allies -- a quartet of Soul Reaper lieutenants have arrived to help them drive back the Bounts.
While Ichigo's little gang recuperates from their fights, Yumichika has discovered the location of the Bounts' hideout, and the four Soul Reaper officers head inside. Obviously things go wrong for them, or this arc would end pretty quickly. Specifically, they run afoul of the bespectacled Ugaki, whose doll turns shadows into deadly weapons, eyeballs and giant hands. When Ichigo and Co. arrive, they are attacked by the same tactics.
In the meantime, Uryu encounters a Soul Reaper from the previous arcs -- Nemu Kurotsuchi, who has come there to give him a very special item that may provide some temporary help in his current trouble. And Ichigo has some shocking discoveries of his own when he finds and attacks the souped-up Kariya -- he learns the true origins of the Bount, and what their ultimate goal is.
While the first half of the Bount Arc was all about introducing the Bounts, the second half is all about the fighting -- our heroes are assaulted by shadow hands, flying eyeballs, dimension-swimming whales, metal spiders, malevolent flowers, ropy tentacles, and occasionally The Pizza Cutter From Hell. It all builds up gradually to a genuinely shocking climax... which is pretty obviously a lead-in for ANOTHER filler arc.
Fortunately this collection doesn't have just action. The writers also wove in some comedy ("FEEL THE POWER OF JUSTICE!" Ichigo bellows when using a magic headband, right before it slams him into a chainlink fence), some mild horror (people turning into dust), and the occasional warm'n'fuzzy moment. And with the advent of the Bounts' soul martinis, they become a LOT more impressive as villains -- now they're not just soul vampires, but crazy hopped-up junkie soul vampires.
The biggest problems: Koga's long, boring flashback about his protege (who is never mentioned again), and one character does something INSANELY contrived at the end of the arc, which is also uncharacteristically selfish, stupid and short-sighted. Even more bizarre, all the characters instantly forgive him.
And Ichigo and his amazing abs has some new problems to struggle with -- his handicapped bankai and his bloodthirsty hollow side. What's more, his devotion to his friends is illustrated when Keigo is attacked by a bitto. Uryu's feelings of helplessness reach a peak when he returns to the place where he previously trained, and we see just how strong the friendship between Rukia and Orihime is.... even if it is a bit too Saved By The Warm'n'Fuzzy Powers of Love.
The Bount arc may be over, but the story of their fight with the Soul Reapers obviously isn't. "Bleach Uncut Box Set: Season 4, Part 2" is a solid filler collection with some flaws, but plenty of slam-bang action and solid writing.

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The battle against the evil Bounts grows wider and fiercer as Ichigo and friends, reinforced by a group of Soul Reapers, try to take the fight to their hideout. But the Bounts have many tricks up their sleeves, and it looks like certain defeat for Ichigo and his comrades. Uryu, who had lost his Quincy powers, is the key to the Bount leader Kariya’s plans for revenge against the Soul Society, as well as the key to his defeat. Will Uryu be able to regain his powers in time to save his friends?

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Sunday, June 10, 2012

Cirque Du Freak: The Vampire's Assistant (2009) Review

Cirque Du Freak: The Vampire's Assistant (2009)
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I will preface my review of this movie by saying that I much prefer Blade, From Dusk til Dawn and Underworld type vampire flicks that all have tons of action, violence and gore in them. Whenever you get into the PG-13 world you are going to get a much more friendly and watered down film with less brutality, violence and language. Reality and financing dictates that the movie studios have to appeal to a broader audience when possible to make enough money to allow the films I mentioned previously.
I am not familiar with the book that this movie is based upon. That being said this was a fun 'teen oriented' vampire movie with no significant violence or gore. This is a PG-13 (unfortunately) flick; you know it's going to be in the vanilla spectrum so don't expect Blade or Underworld. The CGI animation and coloring of John C. Reilly's pet spider was amazing, but then again any quality CGI animation done nowadays should be and usually is amazing. The makeup effects, set design and costumes were well done and give the movie an interesting modern Gothic appearance and feel.
The characters were interesting and I found myself pretty involved in the story. Comparing this film to the wildly successful Twilight films, the two out so far any ways, Cirque is much more interesting. There are no moping or perfect looking Twilight characters and Cirque was just more interesting than both Twilight 1 and 2. I love John C. Reilly and vampire movies so this was my primary motivation for seeing this in the theater. Reilly's character was not in his usual comedic or musical roles so it was good to see him do something completely different. Willem Defoe has a smaller role in this film and plays a very interesting vampire character as well.
All in all this movie is worth seeing and if you are a genre fan it is probably worth owning.

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Welcome to the Cirque Du Freak, a traveling sideshow filled with magical creatures, misunderstood freaks, and the mysterious vampire, Larten Crepsley (John C. Reilly). Drawn to the dark, unpredictable world of the Cirque, 16-year-old Darren (Chris Massoglia) decides to trade in his ordinary life for a chance to become an immortal vampire. As Darren explores his newfound powers and faces unexpected enemies, he’ll find that his existence as a member of the undead is filled with more challenges, suspense and fun than he ever thought possible. Based on the best-selling book series and co-starring Salma Hayek,Josh Hutcherson, Ken Watanabe, and Willem Dafoe, it’s a fast-paced, suspenseful journey critics call, “Imaginative!" (Peter Hall, Cinematical.com)

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