Showing posts with label gothic. Show all posts
Showing posts with label gothic. Show all posts

Tuesday, September 18, 2012

Underworld (Unrated Extended Cut) (2003) Review

Underworld (Unrated Extended Cut) (2003)
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Boiled down to the fine little dish of steak tar-tar that it is, "Underworld" is the answer to the two horror flick questions you had as a kid:
1)If Dracula and the Wolfman went mano a mano and fang-to-claw, which one would do the thrashing?
2)If Dracula and the Wolfman checked into a cheap motel, got roaring drunk on a case of Night Train, and had a baby, what would it look like?
You get the answer to #1 early and often, which is pretty much what this Transylvania Station is all about. And by the end of "Underworld" you get #2 as well---and trust me, when it's hopping about like an ugly green Mini-Hulk (right down to its one-size-fits-all-monster trunks) you'll wish you hadn't.
You want to know what you're getting when you lace up your thigh-high attitude boots and strap on that trenchcoat for a little midnight fun in Len Wiseman's uber-stylish little monster mash "Underworld"?
Think West Side Story: only here, instead of the Jets and the Sharks angling for a rumble on the other side of the tracks, we have Vampires and Werewolves. Oh, and in "Underworld" nobody breaks into song. Both sides just want to rumble, and the girls just wanna have fun. In the meantime, while not the sharpest stake in the vamp-hunter kitbag, "Underworld" finds its groove, and serves up a bloody two hours of unabashed techno-cool that drinks you dry, trashes the apartment and howls at the moon.
We get dropped into the middle of a war that Celine (the impossibly tasty Kate Beckinsdale)---our supple full-body-suit clad vampiric Death Dealer and narrator---tells us has been "raging for centuries."
On one side of the tracks: the sneering, brutally hip Euro-trashy leather-trenchcoat & hip-sunglasses wearing uber-high-maintenance Vampires. They have posh high-rent neo-Victorian digs, drive around the streets in Jaguars and Maseratis, and have managed to switch up the silver bullets in their glocks and MP-5 submachine guns for something more lethal: liquid silver nitrate, which makes it tougher for their hairy buddies to pull the bullets out. Advantage: Vampires.
On the other side of the tracks: the Salvation Army surplus-wearing tear-your-scalp-off-and-wear-it Werewolves---erm, I mean Lycans, short for Lycanthropes. The Lycans are strictly low-rent, hang out together in what looks like an abandoned public lavatory, and take a bath once every full moon whether they need it or not. Whereas their blood-sucking cousins from the East Side look like they'd be hanging at crazy underground raves when they're not boring each other to tears talking like the Merovingian, the Lycans are strictly the mosh-pit set. Oh, and from what I could tell, there's not a single werewolf girl. C'mon guys---haven't ya heard of "Ginger Snaps"? Bummer. Advantage: Vampires.
That said, the boys have been pumping the rent money they've saved up into super-science research, giving them bullets that encase super-photoelectric magnesium charges (perfect for giving that oncoming vamp a little taste of Club Med sunlight). They also have the upper hand in figuring out how they can mix the bloodlines, bringing the war between Vamp and Lycan to an end. Advantage: Lycans.
And finally, mixing it up with our fanged-kissin' cousins, we have perplexed med student Michael Corvin (played by the annoying Scott Speedman who cashes a check) stalked by Lycan heavies and tagged by Selene, who wants to know why the werewolf army is so eager to get their hands on him.
And that, pretty much, is "Underworld": two hours of movie built around jaw-droppingly gorgeous set-pieces and bouts of total war between locked-and-loaded squads of Things that go Bump in the Night.
Just a note: you'll want to get the Unrated Extended DVD: it fleshes things out, beefs up some supporting characters, and ends with an extended battle sequence---and it's loaded down with plenty of extras you can sink your fangs into.
Plus, the sleeker transfer shows off Wiseman's technical mastery in spades. Wiseman uses sound-stages and CGI to anchor the film's look, and tethers all of it to the fog-shrouded cobbled streets and ancient alleys of Prague: the City itself takes on a bleak and brooding character. The movie looks gorgeous: whether it's the gloomy red-velvet and dark mahogany halls of the mansion, the sleek, sterile Underground, or the industrial ruins of the Lycans, Wiseman and cinematographer Tony Pierce-Roberts make every scene tell. The sequence where a locomotive full of vampire diplomats chugs into a deserted rail-station---with the baying of werewolves in the distance---is jaw dropping.
"Underworld" also gets the most out of its talented stable of actors. There are three centers of gravity in the film: Beckinsdale, who doesn't need her bodysuit to command her lines (though I'm glad she wore it). The Lycan overlord Lucien (the gifted Welsh actor Michael Sheen) steals every scene he's in, and brings complexity and command to a role that could have been a throwaway in lesser hands. Finally, there's the Vampire King Viktor, played by the great Bill Nighy (who also played Shaun's Jag-loving stepdad in "Shaun of the Dead"). Nighy is a kind of demonic embodiment of immortal Puritan rage, and acts like a champ through all that make-up.
Even the supporting actors turn in strong roles: Shane Brolly (Kraven) whines and pouts and lisps and turns in a convincing performance as a spineless worm; Sophia Myles (Erika) comes off as a naughty little vampire cat-girl; Kevin Grevioux owns this film and puts the smack down as Uber-Werewolf Raze; and Hungarian actress Zita Gorog rocked my world---without uttering a single line.
In the end, this batwinged black-lipstick wearing looker of a flick charged into the goth club of my choice, served me an extra-bloody steak tartar , smacked me around, bought me drinks, and talked Shakespeare after. Would a Lycan by any other name be just as hairy?

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SELENE, A BEAUTIFUL VAMPIRE WARRIOR, IS ENTRENCHED IN A WAR BETWEEN THE VAMPIRE & WEREWOLF RACES. ALTHOUGH SHE IS ALIGNED WITH THE VAMPIRES, SHE FALLS IN LOVE WITH MICHAEL, A WEREWOLF WHO LONGS FOR THE WAR TO END.

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Friday, July 20, 2012

Night Watch (2006) Review

Night Watch (2006)
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Others are those wizards, sorcerers, witches and shapechangers among us, locked in combat between those dedictaed to the Light and Dark. Generals Gesen and Zavulon command the forces of Others dedicated to Light and Darkness, respectively. On a bridge, the two armies meet, and a truce is struck to prevent to annihilation of all Others in that combat. Both sides wait for the birth of an Other whose choice of sides will decide the end to their struggle.
In 1992, Anton, a mild mannered man, meets a modern witch in her apartment to have her cast a spell to retun his lost love to him. She warns him that his love is now pregnant with another man's child, and that this child will constantly draw Anton's love back to the other man, unless it is also destroyed. However, the witch will only attempt to destroy the child if Anton agrees to accept the responsibility of that act. In the botched process of casting the spell to destroy the unborn child, he awakes to the uneeen world around him, becoming an Other.
In 2004, Anton has chosen the Light side, and is hunting vampires and other Dark siders in Moscow, using his special Gift as a Seer. Ironically, he lives next door to a vampire, and they share a wary but friendly relationship. Interestingly, the Light is in the habit of providing special licenses to Dark siders, allowing them to kill/feed/convert/etc., but each side polices the activities of the other to make certain that the Truce is never broken. During an intervention, Anton kills the vampire lover of a young girl, recently "turned", saving a young boy in the process, but effectively violating the peace. He also encounters Svetlana, something "much worse than a vampire", but who is wholly unaware of her role in apocalyptic events about to unfold.
This unique film brings a Russian artistic and cultural approach to a story that seems straight out of a graphic novel. While the story itself may not be unique, seeming pretty much standard Gaiman or Vertigo fare, the production is stunning. The director uses camera angles, and incorporates photographic and artistic elements I've never seen, and the effect is enthralling. It's not a film based on big pyrotechnic explosions and gunfire, and the Special Effects aren't totally up to Dreamworks standards, but the film is a lush portrait of the struggle between good and evil, as well as the tendency of each walking those paths to cross over to the others point of view, that puts recent films of similar theme (Underworld 1/2, Constantine, Van Helsing) in 2nd place.

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Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day, the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, try to control them and limit their outrage.

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Wednesday, May 23, 2012

The Little Girl Who Lives Down the Lane (1976) Review

The Little Girl Who Lives Down the Lane (1976)
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The Little Girl Who Lives Down the Lane (Nicolas Geesner, 1976)
I find myself more willing to forgive a film for not sticking to its literary roots when I've seen the film first, and such is the case with The Little Girl Who Lives Down the Lane. It's hard to believe it's been almost thirty years since I first saw this film, but it is; when I rented it last weekend on a nostalgia trip, I found that it's lost none of its brilliance over time.
Much of that has to do with the performances of the two principals, Jodie Foster (fresh off her success in Taxi Driver) and Martin Sheen (three years after Badlands, three years before Apocalypse Now). Foster plays a thirteen-year-old girl menaced by pedophile Sheen, but takes care of herself quite nicely in that regard (in fact, Foster's character here might have been the poster-child for what is known today as empowerment). There's a subplot going on about Foster's mysterious father, whom no one ever sees, and a related coming-of-age one about her falling in love with the nephew of a member of the local constabulary. All of it is handled quite nicely, and while things are rushed, they're done as well as they can be; chalk it up to Laird Koenig adapting his own novel for the screen. It's almost enough to forgive the large gaps those who have read the book will notice, and Gessner's almost amateurish handling of the passage of time (it seems almost as if Foster and the nephew, played by Diary of Anne Frank/Return to Horror High star Scott Jacoby, go from wary acquaintances to lovers overnight, since Jacoby does nothing to show the passage of weeks except add snow to the scene; he must not have ever lived in Cleveland, where snow on Halloween may be uncommon, but does happen now and then).
Highly underrated atmospheric suspense. A must-see for Jodie Foster fans. ****

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Some little girls can be murder! Thirteen-year-old Rynn (Foster) is a gifted prodigy who lives in a big old house with her reclusive father...all alone. Or does she? When Rynn's nosy landlady and a lecherous neighbor (Sheen) begin to susupect that this little girl is hiding a dark and dangerous secret, Rynn is determined to preserve her isolated existence at any cost - and stop those vicious rumors dead in their tracks!

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Saturday, March 24, 2012

Blood - The Last Vampire (2001) Review

Blood - The Last Vampire (2001)
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In 1966, the Yokota Air Force Base in Japan is busy with the tense job of supporting the U.S. war effort in Viet Nam. Suddenly, in the surrounding town, several suspicious suicides have been reported and students at the base school are behaving strangely. Enter Saya, a mysterious swordswoman who works for a secret organization dedicated to hunting down Chiropterans - demons who subsist on human blood and are the basis for our legends of vampires. All we know is that Saya is 'The Last Remaining Original' and that her powers are considerable.
Disguised as a schoolgirl, Saya investigates the school and discovers the presence of three of the horrific creatures. In the middle of the school Halloween party, Saya desperately tries to hunt them down and kill them before they can escape or enter hibernation. If unchecked, the creatures could endanger not only those at the base, but the entire war effort.
'Blood' is beautifully made, with a careful blend of three-dimensional CGI work and classical anime illustration. This is an experimental approach that, for the most part, works quite well, heightening the viewer's sense of realism. The film gains its noir effect from very skilled use of light and shadow, and has surprising color range for having very little direct light.
Both plot and characters are minimalist in style. Nothing is allowed to interfere with the steady increase in tension and pace of action. Thus, the feature length film seems to run by like a single episode of other anime. Even so, the work is so atmospheric, and Saya so strong a character that it develops surprising levels of meaning. I picked this up expecting a pleasant vampire concoction, and I feel I got much more than that. Worth looking for.

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BLOOD:LAST VAMPIRE - DVD Movie

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Friday, January 6, 2012

Edward Scissorhands (Widescreen Anniversary Edition) (1990) Review

Edward Scissorhands (Widescreen Anniversary Edition) (1990)
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This wonderful fantasy tale stars Johnny Depp as a not-quite-real teenager who was built by an eccentric inventor. The old man died before he could finish him, so Edward has knife blades where his fingers would be. A well-meaning Avon lady (Diane Wiest) finds him living alone in his crumbling castle, and brings him home to live with her family, which includes daughter Kim (Winona Ryder). Edward is naive and timid, but so sweet and helpful that he soon becomes the darling of the neighborhood. He is smitten with Kim, which angers her bully of a boyfriend (Anthony Michael Hall).
Diane Wiest is perfect as the ditsy and always-cheerful mom. Ryder is convincing as a selfish and spoiled teen. Hall is the villian you love to hate. The star, of course, is Johnny Depp. As Edward, he is painfully shy and lovelorn; his performance is so heart-wrenchingly delicate that you ache for him in every scene. Covered with white make-up and with only a few words of dialogue, Depp proves he is a very talented actor. The wonderful and quite frail Vincent Price, as Edward's loving creator, will surely bring a tear to your eye.
This completely unique film blends comedy, fantasy, and romance to make a sentimental fairy tale that both teens and adults will enjoy. It is a heart-breaker; bring your hankie.
Kona

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Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward.Although Edward had an irresistible charm, he wasn't quite perfect.The inventor's sudden death left him unfinished, with sharp shears of metal for hands.Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family.And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.

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