Showing posts with label martin sheen. Show all posts
Showing posts with label martin sheen. Show all posts

Saturday, December 29, 2012

Apocalypse Now - The Complete Dossier (Two-Disc Special Collector's Edition) (1979) Review

Apocalypse Now - The Complete Dossier (Two-Disc Special Collector's Edition) (1979)
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I'm a hardcore Apocalypse Now fanatic, and this, the original version of the film, is what made me one, several years ago. Reviewers like to debate endlessly over which version is better, this or the Redux. Personally, I like both, but I find this original version to be more surreal, relentless, and, to quote another reviewer, more "dangerous." The fact is, Coppola used different shots and edits in the Redux, in some cases diluting the surreal impact of the original. Plus the characters Kilgore and Kurtz come off more strongly in the original; sure, we get to see more humanity from Kilgore in the Redux, but his exit in the original is much more memorable, much better than the "tossing megaphone into the air" antics as shown in the Redux. And Kurtz is a more powerful Evil One in the original version, not much more than a shadow.
What gets me is that, in the press releases that came out with Redux, Coppola claimed that he no longer considered the 1979 version of Apocalypse to be "unusual." He felt that, today, it comes off as a rather ordinary film. So he integrated an extra 50 minutes into the movie, to make it more unusual. The thing is, the Redux is, if anything, MORE normal than the original. After all, you get more character development, a romantic subplot, etc; all the things the unusual (and unique), original version lacked. The very lack of these things is what gives the original such a mysterious, dangerous edge. There is no levity in the original, no stealing of surfboards, no Playmates for the PBR crew. Only the dark jungle, and the mission.
If it's true that Coppola wanted to make the original version even more unusual, then I wonder why he chose to add the Plantation sequence and the Playboy Bunnies escapade. Having seen the Work Print, I know that there is a wealth of material Coppola could've used. Bizarre? Unusual? How about a scene in which Martin Sheen's Willard, trapped in a bamboo cage, writhes in pain as the montangnards (and Kurtz's American soldiers) dance and chant around him, as they sacrifice a pig? Or how about Willard, still in the cage, being questioned by Kurtz, who tells Willard that he's as weak as his "colleagues in Washington?" Or how about possibly the most bizarre scene of all: Dennis Hopper's Photojournalist being shotgunned to death by Scott Glenn's character Colby?
Coppola could have used any or all of these scenes to make a truly "unusual" film, one that would successfully create a darker film. If anything, the extra scenes in Redux lighten the film's mood. Coppola could have even improved on the end of the movie. That's one thing that's always bothered me about Apocalypse Now. Willard's hired to murder Kurtz; when he finally does, all he has to do is just walk into Kurtz's temple, take out one guard, and then get to hacking at Kurtz. It comes off as so easy, you wonder why the Army even bothered hiring Willard. This problem is solved in the Work Print, which features Willard taking on a host of guards, including one grisly scene in which he spears an American guard who cowers behind a young, Vietnamese boy. Now, if you ask me, that's more "unusual" than a bunch of French people arguing politics at the dinner table! But unfortunately, Coppola has chosen not to use these scenes, in either official version of the film.
I don't intend to mislead, though. I think the Redux is fine, a five-star movie. It expands on the broader themes of Apocalypse Now, but at the same time lessens the impact of the movie itself. After having watched the Redux a few times, I popped the original in for the first time in a few years. I was amazed at how the film seemed so different than the Redux, so much more psychedelic and surreal. Even the fades and images shown in the beginning and the end are different in the original, more disturbing. And that's the main difference between the two versions: the original is much more disturbing.
I'll finish with another quote, taken from the web. Which director do you think is better, the Francis Coppola of 1976/1979, or the Francis Coppola of 2001? Of these two very different directors, whose vision would you be more willing to trust?
1/27/09 update: Six years ago I also had a review for the "Redux" DVD here on Amazon. Somehow it's been removed from the site -- it seems Amazon has combined the reviews for the original Apocalypse Now DVD release with the reviews for the "Redux DVD" release. And since Amazon has a policy that a reviewer can only post one review per item, it appears that my "Redux" review got the boot. I've rescued it from oblivion via a Google cache search; please see the Comments section, below, for the review.

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Nominated for 8 Academy Awards, this classic and compelling Vietnam War epic stars Martin Sheen as Captain Willard, who is sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American Colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost.Also stars Robert Duvall, Laurence Fishburne, Dennis Hopper and Harrison Ford.

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Wednesday, May 23, 2012

The Little Girl Who Lives Down the Lane (1976) Review

The Little Girl Who Lives Down the Lane (1976)
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The Little Girl Who Lives Down the Lane (Nicolas Geesner, 1976)
I find myself more willing to forgive a film for not sticking to its literary roots when I've seen the film first, and such is the case with The Little Girl Who Lives Down the Lane. It's hard to believe it's been almost thirty years since I first saw this film, but it is; when I rented it last weekend on a nostalgia trip, I found that it's lost none of its brilliance over time.
Much of that has to do with the performances of the two principals, Jodie Foster (fresh off her success in Taxi Driver) and Martin Sheen (three years after Badlands, three years before Apocalypse Now). Foster plays a thirteen-year-old girl menaced by pedophile Sheen, but takes care of herself quite nicely in that regard (in fact, Foster's character here might have been the poster-child for what is known today as empowerment). There's a subplot going on about Foster's mysterious father, whom no one ever sees, and a related coming-of-age one about her falling in love with the nephew of a member of the local constabulary. All of it is handled quite nicely, and while things are rushed, they're done as well as they can be; chalk it up to Laird Koenig adapting his own novel for the screen. It's almost enough to forgive the large gaps those who have read the book will notice, and Gessner's almost amateurish handling of the passage of time (it seems almost as if Foster and the nephew, played by Diary of Anne Frank/Return to Horror High star Scott Jacoby, go from wary acquaintances to lovers overnight, since Jacoby does nothing to show the passage of weeks except add snow to the scene; he must not have ever lived in Cleveland, where snow on Halloween may be uncommon, but does happen now and then).
Highly underrated atmospheric suspense. A must-see for Jodie Foster fans. ****

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Some little girls can be murder! Thirteen-year-old Rynn (Foster) is a gifted prodigy who lives in a big old house with her reclusive father...all alone. Or does she? When Rynn's nosy landlady and a lecherous neighbor (Sheen) begin to susupect that this little girl is hiding a dark and dangerous secret, Rynn is determined to preserve her isolated existence at any cost - and stop those vicious rumors dead in their tracks!

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Monday, April 16, 2012

Hearts of Darkness - A Filmmaker's Apocalypse (1991) Review

Hearts of Darkness - A Filmmaker's Apocalypse (1991)
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Subtitled, "A Filmmaker's Apocalypse", this 1991 film is a documentary about the making of "Apocalypse Now", the 1979 film based on Joseph Conrad's "Heart of Darkness". Set in Vietnam, it is the story of a captain, Martin Sheen, and his crew's mission to find and kill an insane colonel, Marlon Brando, who had created his own kingdom deep in the Jungle. On the way, everyone is touched with the evil around them. This summer I saw the re-edited version of the film and have been intrigued by it ever since. When I heard about this "Hearts of Darkness" I just HAD to see it.
The filming of Apocalypse Now was supposed to take just sixteen weeks at a budget of $13 million. It wound up costing more than $30 million, much of it put up by Francis Coppola himself, and took almost three years to get to the public. Coppola' wife Eleanor and their three children went along on location in the Philippines. She was interested in making a documentary and shot a lot of behind-the-scenes footage, even secretly recording private conversations she had with her husband about the film. The authenticity of the experience really comes through, as everyone involved with the production seemed to go a little bit insane.
Coppola had serious doubts throughout and we hear his words of despair as he thinks he's making a bad movie. We see the terrible typhoon that destroyed all the sets and realized that the helicopters that were being used for the shooting were actually property of the Philippine government who kept calling them away to fight a real disturbance that was going on just ten miles away. We see shots and scenes that never made it into the original film (although much of it eventually made it into the 2001 "Redux" version). We see and overweight Marlon Brando who insisted on being filmed in shadows. And we are right there to watch the filming of the scene in which Martin Sheehan has a mental breakdown. In order to do this he became bleary-eyed drunk, cut his thumb on a mirror and used the blood as part of the scene. The intensity is chilling and when, a short time afterward, he has a life-threatening heart attack at the age of 36, we're all there to see him as he is given first aid.
Now, years later, some of the actors are interviewed about their experiences. We learn that they did a lot of drugs during many of the scenes - acid, speed, marijuana, alcohol, which certainly added to the authenticity as well as the craziness of the whole production. Robert Duval talks about how his famous line "I love the smell of napalm in the morning was improvised. And the whole cast talks about how they improvised a massacre scene. Laurence Fishburne was only 14 when the film was made, a real coming-of-age experience for him. But this very stirring film portrait belongs to Francis Coppola. We get to meet him as a very imperfect human being doing his best to create an art form out of the script, changing it constantly as he went along, and eventually turning out a small masterpiece which went on to be nominated for eight academy awards.
I give this video my highest recommendation. It is a "must" for movie buffs. And an essential education for anyone involved in filmmaking itself. Don't miss it!

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Hearts of Darkness: A Filmmaker’s Apocalypse is an engrossing, unwavering look back at Francis Ford Coppola’s chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director’s wife, with revealing interviews with the cast and crew, shot 10 years later.

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Tuesday, March 6, 2012

The American President (1995) Review

The American President (1995)
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Everyone knows this is a terrific movie! Those of us who are also DVD fans have waited a couple of years for this to appear on DVD. What a let down!! Rob, where are you man!!!
This a poor transfer with lots of artifacts and someone trying too hard to sharpen the image. To make matters worse this disc has very limited extras. Ok, it's out so let's move to the "collector's edition" so Warner can get a few more bucks and we can get a disc more worthy of this great movie!!

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The world's most powerful man has met his match! Michael Douglas is the widower President wooing environmental lobbyist Annette Bening in this romantic hit by Rob Reiner.DVD Features:Interactive MenusProduction NotesScene AccessTheatrical Trailer


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Wednesday, March 30, 2011

Wall Street (Insider Trading Edition) (1987) Review

Wall Street (Insider Trading Edition) (1987)
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My dvd is NOT widescreen as advertised on the case. It may not look all that bad to a first time viewer but to anyone who has seen it widescreen, stay away from this edition. It looks stretched and "old". As a matter of fact, everyone should stay away from this edition. There is no reason in this day and age to release a classic film below quality standards.

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Feel the need for greed with the Wall Street Insider Trading Edition, featuring an all-new scrolling trivia track chronicling the financial, political and cultural events of the freewheeling ’80s and more! Michael Douglas received the 1987 Best Actor Academy Award® for his powerful performance as Gordon Gekko, a financial wizard who lures an ambitious young stockbroker (Charlie Sheen) into the illegal, lucrative world of corporate espionage in this gripping morality tale about the American dream gone wrong.

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