Showing posts with label michael douglas. Show all posts
Showing posts with label michael douglas. Show all posts

Monday, April 2, 2012

Solitary Man (2010) Review

Solitary Man (2010)
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The film follows Michael Douglas as he comes to grips, or doesn't, with his age and the fact that his personal life as passed him by. The movie begins with Douglas receiving the news that he needs some test performed on his heart because his doctor has some concerns. Time then flashes forward six years, where Douglas is now divorced with a daughter in her early 30s (played expertly by Jenna Fischer), a grandson who is five, and a girlfriend (Mary Louise Parker) who he is using for her father's power. Hints are dropped that Douglas was involved in some sort of scam that caused him to lose his extremely profitable business and threw him into a scandal that destroyed his reputation. The rising action begins when Douglas must escort his girlfriend's daughter to his alma mater for the weekend. While in Boston, Douglas makes a terrible decision that threatens to unravel whatever life he has left.
Though this film received little attention, I thought that it was absolutely excellent and worth an Oscar nomination (being that they're handing them out willy nilly now). Susan Saradon plays Douglas' ex and does so expertly with just the perfect amount of anger, pity, and old love. Douglas plays the philandering 60+ year old who still thinks he's 20 perfectly. The end of the movie leaves people guessing, but can also be used as a conversation starter and had me thinking about the film long after I left the theater.

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Ben (Michael Douglas) once ruled a car-dealership empire vast enough to fuel a glossy Manhattan lifestyle and endow a library at an East Coast university. But by the time he arrives at the college with his girlfriend’s daughter, Allyson (Imogen Poots), who is a prospective student, his world has collapsed around his ears. A business scandal has cost him his income and his marriage to Nancy (Susan Sarandon). His ever-present lust for every passing attractive woman threatens to take what little Ben has left. Even his new relationship with Jordan (Mary-Louise Parker) oscillates with tension. When Ben takes Allyson to tour the school, his motives are more than mixed.

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Tuesday, March 6, 2012

The American President (1995) Review

The American President (1995)
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Everyone knows this is a terrific movie! Those of us who are also DVD fans have waited a couple of years for this to appear on DVD. What a let down!! Rob, where are you man!!!
This a poor transfer with lots of artifacts and someone trying too hard to sharpen the image. To make matters worse this disc has very limited extras. Ok, it's out so let's move to the "collector's edition" so Warner can get a few more bucks and we can get a disc more worthy of this great movie!!

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The world's most powerful man has met his match! Michael Douglas is the widower President wooing environmental lobbyist Annette Bening in this romantic hit by Rob Reiner.DVD Features:Interactive MenusProduction NotesScene AccessTheatrical Trailer


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Wednesday, February 15, 2012

A Perfect Murder (1998) Review

A Perfect Murder (1998)
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For the record, "A Perfect Murder" is a remake of "Dial M for Murder," Alfred Hitchcock's maliciously clever but hopelessly stagebound adaptation of the popular play by Frederick Knott. But it is great deal more fun to view the new movie as a sequel to "Wall Street," with Michael Douglas once again in top form as a ruthlessly manipulative financial whiz. Imagine Gordon Gekko just a few years past his prime as a high-flying corporate raider, with a trophy wife who's just beginning to tarnish, and you'll get the idea. The big difference is, this time, instead of extolling the virtues of greed, Douglas' character is willing to consider the benefits of an even deadlier sin.
In "A Perfect Murder," which Andrew Davis ("The Fugitive") has directed from a screenplay by Patrick Smith Kelly, Douglas is Steven Taylor, a Manhattan-based millionaire industrialist who has over-extended himself while playing the international money markets. Worse, he knows that his most prized possession -- Emily (Gwyneth Paltrow), his radiantly beautiful and conspicuously younger wife -- is drifting out of his jealously tight grip.
Right from the start, the audience knows that Emily is having an affair with David (Viggo Mortensen), a broodingly hunky artist who invites her to his fashionably seedy downtown loft for afternoon delights. Trouble is, Steven also knows about the affair. This, too, is made clear very early in the story, as Steven and Emily share a drink in their luxurious apartment before attending a gallery opening. Despite all their polite chit-chat, there is an edge of menace in the air. When Steven abruptly suggests that she wear another dress to the occasion, his words have the unmistakable sound of a command. Not surprisingly, Emily does as she's told.
At the gallery opening, Steven is effortlessly gracious as his wife introduces him to David, whom she identifies as a casual acquaintance. Of course, he's much more than that -- much more, in fact, than even Emily realizes.
After inviting himself to David's loft, Steven reverts to his natural state. He knows that David is an ex-convict who taught himself to paint in prison -- and, more important, has mastered the art of seducing, then robbing, rich women. Sounding very much like a hard-bargaining businessman, Steven wastes little time in making his pitch: He offers David $500,000 to kill Emily. For a few minutes, David rejects the offer. But the money -- coupled with the threat of exposure -- is too tempting to resist.
It would be difficult to say more about what happens next without running the risk of spilling some beans. Even if you've already seen Hitchcock's 1954 original, or one of the many revivals of Knott's play, you are in for a few surprises. Davis and Kelly treat "Dial M for Murder" more as a source of inspiration than a classic worthy of replication. They take the play's basic set-up -- the husband concocts a tricky murder scheme that hinges on the placement of a latchkey and the ringing of a telephone -- but go off in a different, far more intriguing direction.
Perhaps the most striking difference between Hitchcock's film and Davis' update is the casually amoral cynicism that informs "A Perfect Murder." In the 1954 thriller, the wife's lover was a boyishly buoyant mystery writer, affably played by Robert Cummings, while the wife -- played by Hitchcock's favorite leading lady, Grace Kelly -- was a relatively innocent adulteress who generated sympathy while paying for her sins. Even the cuckolded husband, played by Ray Milland, came across as genial rogue who was motivated by love as much as money.
Welcome to the 1990s: In "A Perfect Murder," the lover is a con man with a gift for blackmail, the husband has lust in his heart for his wife's trust fund, and even the wife is a strong believer in enlightened self-interest. You won't feel excessive sympathy for any of these characters as they hatch their plots and counter-plots. In fact, you may think one of them gets off far too easily in the end. But with the lead roles cast so effectively, and the plot twisting so cleverly, you likely will wind up feeling that, unlike Steven, you've gotten your money's worth.

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A powerful Wall Street power broker tries to get his wife's lover to murder her.Genre: SuspenseRating: RRelease Date: 8-FEB-2005Media Type: DVD

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Monday, August 15, 2011

The Game (1997) Review

The Game (1997)
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What happens when you are a powerful multi-millionaire and have everything you ever wanted? While you and I might think this situation is highly desirable, for Nicholas Van Orton, played by Michael Douglas, it is very boring. In fact, you might say that Nicholas is miserable. However, Nicholas' brother Conrad Van Orton, played by Sean Penn, has bought Nicholas a gift for his 48th birthday, an invitation to play "The Game".
From this point forward the movie drags for what seems forever. I was beginning to regret watching this movie. Looking back, though, I now know that this beginning helps us to more fully understand how boring and awful Nicholas' life is, and further provides an excellent contrast with what happens later in the movie.
Nicholas is in a very upscale restaurant when a waitress (Deborah Unger as Christine) spills wine on his shirt. Christine is fired by the restaurant manager and leaves, very upset. Before you can say white rabbit, a waiter rushes by Nicholas' table and drops off a note that tells Nicholas' to follow the girl. Prepare for the roller coaster ride.
Within moments Nicholas finds himself involved with an apparently dying man, then just as quickly he finds he is being chased by the police, and police dogs, and things just get worse and worse. The list of things to which Nicholas is subjected is too long and would leave you with no surprises.
Nicholas tries to figure out how to make all the action and events to which he is being subjected stop. Nicholas can't handle the loss of control. Further, the chaos of his experiences seems to follow no pattern or order. Eventually Nicholas gets back to where he thinks it all began for a showdown with the characters that he has discovered are actors. The ending had me stunned and amazed. You'll have to watch for yourself.
There are several lapses in credibility, but unless you are an obsessive control freak (sort of like Nicholas Van Orton, for instance) you'll likely consider the lapses minor. This movie ultimately is an intelligent thriller that relies on action only when necessary to heighten Nicholas' fears and to pull him deeper into what begins to seem like a deeply nefarious conspiracy. After watching, this movie became one of my favorites, and I've now seen it several times.
The most difficult part of this movie is the relatively slow first part. However, have patience; what you learn in the first part helps you to understand Nicholas and to be drawn more fully into his situation. Sympathy with Nicholas and his situation is highly desirable to fully appreciate the end of the movie. I was sympathetic, and enjoyed this movie. 5 stars for an intelligent thriller that relies on intelligent plot versus guns, fast cars and special effects.

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GAME - DVD Movie

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Monday, July 18, 2011

Falling Down (1993) Review

Falling Down (1993)
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This is a powerful film, but I personally don't look at it as some type of social commentary or condemnation of modern society, although it certainly touches on some of the problems that will always exist among human beings. Falling Down may well have a potent effect on anyone watching it, though. It always leaves me feeling really, really weird because it touches on so many things we all have to put up with each day, presents a monster whom I can't help but sympathize with in some degree, provides us with a hero whose own life is rife with undeserved problems, and runs its course atop a strong undercurrent of sadness. Michael Douglas gives one of his better performances as Bill Foster, an unremarkable man who finds his world torn apart and finally just snaps. He has lost his wife and little girl (which is his own fault); he's lost his job, the one thing that made him feel important; he just wants things to be like they used to be. He doesn't want to sit in traffic with no air conditioning or pay almost a dollar for a little can of soda or see plastic surgeons living the life of Riley while he can't even support his little girl. His journey "home" is an extraordinary one, and the kinds of awful people he encounters on the way do nothing to help his mentality. It's hard not to cheer him on when he manages to effect an escape from a couple of gangsters trying to rob him, but acts such as holding a burger joint up just because they refuse to serve him breakfast after lunch time is, obviously, way out there. No matter what terrible things he does, though, I can't get completely past the fact that he earnestly wants to see his little girl and give her a present for her birthday; in a clearly psychotic way, I find this movie somewhat touching, and that only makes the whole experience more depressing than it already is.
Robert Duvall is indeed quite good as the good cop, Prendergast, pursuing this vigilante on his last day before retirement. His life is no dream either, but of course he handles his own problems in a way quite unlike our man Foster does. His wife is clearly disturbed, made frighteningly burdensome and vulnerable by the death of their own little girl and an earlier wounding of her husband on the job. For her benefit, he took a desk job and is forced to put up with a lot of jokes and insults from his fellow cops, including his own boss. Except for his partner, all of the cops in this film are as unfeeling and cruel as some of the shady characters Foster meets up with during his journey home, and that is to me one of the more disturbing aspects of this film.
One of the things I liked most about Falling Down was its attempt to portray Foster as one very disturbed man and not a stand-in for any type of stereotypical vigilante; one character in particular makes this point quite clearly when, discovering that Foster doesn't actually agree with him in his own twisted, stereotypically extremist mindset, he asks the man just what kind of vigilante he is supposed to be. My own thinking is that Falling Down is not meant to be a warning about a group of potential Bill Fosters festering in the midst of society; instead, by showing us what happens to one man, it is warning us to walk carefully on our own journeys and to be careful to keep our tempers in check even when the world seems to be out to get us. At the same time, it doesn't imply that we should roll over and play dead whenever a problem comes our way, using the character of Prendergast to show us that we can and should stand up for ourselves but only in constructive ways. I really have a lot of conflicting emotions about this film, but the one thing I am sure of is that Falling Down is an unforgettable motion picture well worth seeing.

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A man who has lost his job and his marriage takes a walk through the troubled urban landscape of Los Angeles on a hot, destructive day, with a retiring police officer trying to anticipate the next stop.Genre: Feature Film-DramaRating: RRelease Date: 8-FEB-2005Media Type: DVD

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Friday, May 27, 2011

Beyond a Reasonable Doubt (2009) Review

Beyond a Reasonable Doubt (2009)
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What speaks volumes about the overall quality of this movie is that it was released in only half a dozen movie theaters nationwide, and grossed less than 20k at the box office.
At best it's an average movie with no quality acting, which reflects the fact that only 5% of voters on Rotten Tomatoes actually enjoyed it. The complications that arise with our main character as the movie progresses are predictable, as is the "twist" that occurs at the film's conclusion.
The biggest mystery of this film is how they were able to land Michael Douglas on the cast. Douglas has virtually no real screen time in this movie, which is a major disappointment for those of us who enjoyed his work in movies like King of California, Wall Street and Basic Instinct. No need to wait for the jury to return to the courtoom; my verdict is that it's not worth even a Redbox rental.

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High profile lawyer, Martin Hunter (Michael Douglas) has an impeccable record putting criminals behind bars and is a shoo-in for governor in the upcoming election. But when ambitious rookie journalist, C.J. Nicholas (Jesse Metcalfe) begins investigating Hunter for tampering with evidence to secure his convictions, the district attorney’s perfect record is up for scrutiny. Commencing a risky game of cat and mouse with Hunter, C.J. frames himself as a murder suspect to catch the corrupt D.A. in the act. Stills from Beyond a Reasonable Doubt (Click for larger image)



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Saturday, April 16, 2011

Wall Street: Money Never Sleeps (2010) Review

Wall Street: Money Never Sleeps (2010)
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I've worked on Wall Street my whole life. The first film was cut throat Ivan Boseky insider trading and raw greed at its finest. Michael Douglas was simply riveting. I had been waiting for the sequel ever since announced. Going opening day, I was stunned after watching it the first time. Yes, Oliver Stone nails the Collapse of Wall Street in 2008 with the mortgage meltdown. Every character can be parlayed into a real life individual involved in the Bear Stearns and Lehman collapse. But the real story is about second chances in life, fighting for family, doing the right thing, commitment to work and the price paid for loyalty. Shia Labeouf (Jake Moore) is at his best when he sets out on a course of vindictive revenge after James Brolin (Bretton James) causes the "perceived" collapse of Keller Zabel(KZI) and the suicide of his mentor and KZI's leader Lou Zabel.
Michael Douglas (Gordon Gekko) and Shia Labeouf team up given that Jake is engaged to Gordon's daughter Winnie. They embark on path to understand KZI's collapse and to seek revenge, plus make a few dollars along the way for Gordon. Gordon and Jake make a series of "trades" to learn that Bretton James and his firm, Churchill Schwartz, were illegally betting on everything under the Sun to destroy KZI. Oliver Stone's attention to detail is STUNNING. Words won't do justice to the perfection of the each set. You have to know Wall Street to know that on a scale of 1 to 100, he gets a 99 because no one gets a 100. Gordon's real redemption is his name, reputation and a deep love for his family. Jake simply wants to do right by the death of Lou Zabel and persecute those respondsible. Wrap those emotions around a fast paced collapse of Wall Street, and you have a beautiful movie. Vetrans of investing will be amazed, but the film has a broad reach. One can't spoil the detail in the screen writer's brillance, but the lines are wit personified. To be "blamed for all disasters since Nintendo" speaks to taunt tone and wit. Best line of all is Gordon's---"When you stop telling lies about me, I'll stop telling the truth about you." Gordon finally does do right. One shouldn't spoil this film. I titled my review "Love, Life Family...." The last 20 minutes bring together all aspects of any excellent drama. On a personal note given Michael Douglas' condition, I will remember his 2 performances in Wall Stret with deep gratitude and always wish him good health. "Time is the most important thing in life." Well said Mr. Douglas

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Following a lengthy prison term, Gordon Gekko (Michael Douglas) finds himself on the outside looking in at a world he once commanded. Hoping to repair his relationship with his daughter, Winnie (Carey Mulligan), Gekko forges an alliance with her fiancé, Jake (Shia LaBeouf). But Winnie and Jake learn the hard way that Gekko is still a master manipulator who will stop at nothing to reclaim his rightful place at the top of Wall Street.

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Wednesday, March 30, 2011

Wall Street (Insider Trading Edition) (1987) Review

Wall Street (Insider Trading Edition) (1987)
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My dvd is NOT widescreen as advertised on the case. It may not look all that bad to a first time viewer but to anyone who has seen it widescreen, stay away from this edition. It looks stretched and "old". As a matter of fact, everyone should stay away from this edition. There is no reason in this day and age to release a classic film below quality standards.

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Feel the need for greed with the Wall Street Insider Trading Edition, featuring an all-new scrolling trivia track chronicling the financial, political and cultural events of the freewheeling ’80s and more! Michael Douglas received the 1987 Best Actor Academy Award® for his powerful performance as Gordon Gekko, a financial wizard who lures an ambitious young stockbroker (Charlie Sheen) into the illegal, lucrative world of corporate espionage in this gripping morality tale about the American dream gone wrong.

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