Showing posts with label great movie. Show all posts
Showing posts with label great movie. Show all posts

Tuesday, March 19, 2013

Harry Potter Years 1-3 (2002) Review

Harry Potter Years 1-3 (2002)
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I was very disappointed in this boxed set. The movies, of course, are great but this boxed set was a big rip off. The only reason I didn't return it was because I promised someone my original copies of the first two movies. I already own the first two Harry Potter movies in their beautiful cardboard slipcovers. I was expecting this boxed set to have some continuity. Instead all they did was put the third movie (in a plastic case!) in a fancy box with the first two movies in their original (cardboard!) packaging. If you already own the first two movies do not waste your money buying this set. Just buy the third movie. You can always find your own box to put them in. If you want a boxed set, wait five or six years until all of the movies are released and buy it then. Maybe the packaging will be better. Yes Wolf, the third movie is in a plastic slip case not the nicer cardboard slipcase.

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The Harry Potter Collection is a set of Years 1-3, including each of the three 2-disc sets of Harry Potter 1, Harry Potter 2, Harry Potter 3.

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Tuesday, June 19, 2012

Harold & Kumar Go to White Castle (Extreme Unrated Edition) (2004) Review

Harold and Kumar Go to White Castle (Extreme Unrated Edition) (2004)
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I just got through watching this movie and I have to say that "Harold and Kumar Go to White Castle" is one of the greatest films ever made. You read that right. There have been other reviews on this site comparing "Harold and Kumar" to Cheech and Chong films, "American Pie", etc. All those people miss the point. Yes, this movie is about young people and, yes, this movie is about stoners, but, strictly speaking, those things are incidental. "Harold and Kumar Go to White Castle" is a classic and this movie is a classic because this movie "gets it"; it "gets it" like no other movie in the history of filmdom has ever gotten it. From the moment these two brilliant potheads see an advertisment on TV for White Castle they are on a quest, a quest for burgers. They go through a series of escapades involving racist cops, stolen marijuana, jailbreaks, junkyard freaks, Doogie Howser stealing Harold's car and so on and so on, each episode more insane than the last and everything screamingly funny. And through it all they persevere because they're on a quest. You see, "Harold and Kumar" is unique in the history of film because it understands that the point of cruising ... is cruising itself!!!! In what other country in the world can you hop onto an Interstate and then, 45 minutes later, you can buy these cheap little burgers with the little onions on them, 6 for $2.99 plus fries and a soda? Only in America!!! That's what the American Dream is all about: White Castle Burgers!!!! The point of the journey ... is the journey itself. There is so much sage wisdom in this movie: that "the universe has a tendency to balance itself out" (not unlike the Hindu principle of Karmic realignment?), that what a man wants is that feeling of satisfaction when he gets what he most desires (said by Harold while observing their two Jewish friends fulfilling their own quest at Hot Dog Heaven) or Kumar's observation that their parents came to this country because they were poor and oppressed ... and hungry. I'm not Asian, and I couldn't care less if Harold is Korean and Kumar is Indian; personally, I found Harold and Kumar to be two of the most quintessentially American characters I've ever encountered in a movie. And that's the genius of this film: this movie realizes that being an American isn't about race or ethnicity: being an American is a state of mind. I truly believe "Harold an Kumar Go to White Castle" will go down as one of the classics of cinema. And, no, I was not stoned when I wrote this.

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In the year's funniest comedy, two guys on a quest to satisfy their cravings for burgers find themselves on a hilarious all-night adventure as they run into one screwy obstacle after another. DVD Features:Audio CommentaryDVD ROM FeaturesDeleted ScenesFeaturetteInterviewsMusic VideoOther:Spansh Subtitles!


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Sunday, June 17, 2012

Terminator Salvation (Director's Cut) (2009) Review

Terminator Salvation (Director's Cut)  (2009)
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The director's cut runs approximately 3 minutes longer, and inserts a few new scenes, but no major plot points. This is NOT the major unrated cut that McG has referred to in past interviews, where he suggested that 30-40 minutes of additional footage would be added. We'll probably see that in a future edition.
Here are the major differences between the theatrical version and the director's cut (spoilers follow).
1)In the opening action scene, when John Connor is leading his unit into the flooded underground Skynet base, a T-1 terminator (nice touch from T3) suddenly appears behind them. His men destroy it before it can do any damage. I'm glad this scene was cut; it inadvertently breaks the tension too quickly.
2)When John pulls his little "frogman stunt", he is seated before the Resistance Command generals, and General Ashdown (Michael Ironside) berates John. Ashdown says, "I don't believe in prophecy, not when one can re-write the future", pulls out his gun and points it at John's head. I liked this scene, because it illustrates John's present and minor role in the Resistance, especially with Command being skeptical of his "predictions".
3)Blair Williams/Moon Bloodgood's topless scene; really just a side shot as she washes herself in the rain in a non-sexual manner, and Marcus glances at her briefly.
4)Marcus/Blair Williams/redneck fight; the action is a little longer, and a little more brutal. Marcus stabs one of the attackers with a screwdriver, and we see the impact, as well as the victim painfully removing the screwdriver. Also, Marcus uses another one of the attackers as a human shield against another's shotgun blast.
5)Marcus/Blair Williams campfire scene is slightly longer with additional dialogue between the two.
6)Captured humans at Skynet; when one of the prisoners attempts an escape and is shot, we see the bullet impacts.
7)John Connor's speech to fellow Resistance members to not obey Ashdown's orders to attack is extended with a few sentences about his mother. I liked this scene, not sure why they cut it. It ties T2 in, and shows the impact of Sarah Connor. (Is this where Christian Bale had his stage lights tantrum?)
8)Marcus/T-800 fight scene is slightly longer, shows Marcus getting pummeled a bit more by the T-800. Also, John tries to revive Marcus an additional time, before collapsing in exhaustion.
I would like to add that I enjoyed Terminator 4; much better than the campy T3, and just a shade under T2. The action was definitely there, and McG included a lot of thoughtful touches from the past movies, e.g. photograph of Sarah Connor, the origin of John's scars, John's like for Guns N'Roses, Sarah Connor's taped voice recordings (actually Linda Hamilton's voice), use of and of course the Arnold cameo. Who can say no to Michael Ironside? What I didn't like was Blair Williams' geisha makeup which she wore during air combat. It made no sense, and was probably one of the deleted portions. Bryce Dallas Howard was believable as Kate Connor, but her screen time was too short. Hopefully, a future cut will show more of her relationship with John.
Some have said that Christian Bale's performance was wooden, or that John Connor's role was overshadowed by Sam Worthington's role as Marcus Wright. I disagree with both counts; Bale played Connor as he should have been; grizzled, scarred, gruff. Given that we know so much already about the future and John's role from prior Terminator movies, it makes sense to have another character portray the center protagonist role. I also liked the idea of the audience first seeing John as a minor Tech-Com officer, steadily rising through the ranks and gaining influence.
Additionally, the movie's opening and closing scenes had a poetic touch to it, which I appreciated. Marcus begins the film about to be executed, giving his body to a cybernetic program. The film ends with the same shots of needle plungers being depressed, albeit for a different reason. Marcus leaves the world as a cyborg, but giving his body to a human cause.
I did have one concern about the movies; how come the Arnold T-800 didn't die when John Connor shot the molten steel onto its head? Turns out there's a perfectly scientific explanation (McG consulted a metallurgist).
Here's McG's answer: "There are different characteristics of molten steels, and that was an earlier steel process after it had been separated from the coke. We went over this with a metallurgist, discussing which metals burn at which degrees. And also, if it had stayed on [the T-800], perhaps it would've melted him, but it was frozen quickly enough by the [liquid nitrogen]. Plus, we make the transition from the molten metal to the cooling property so quickly -- as a function of the T-800 being on [John] Connor -- that it wouldn't have had time to melt the existing titanium exoskeleton in time."
In conclusion, if you're a diehard Terminator fan, go ahead and pick up this version. Otherwise, wait for the (hopefully) longer extended cut.

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In the aftermath of Judgment Day and the machine takeover, resistance leader John Connor (Christian Bale) must counter Skynet’s plan to terminate mankind. Rallying his underground street fighters for a last, desperate battle, he realizes that to save the future he must rescue his own father Kyle Reese (Anton Yelchin). But the most shocking discovery comes with the arrival of Marcus Wright (Sam Worthington), a mysterious loner from the past who challenges Connor with an impossible choice and leads them both on a brutal journey into the heart of the enemy.

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Thursday, May 17, 2012

Million Dollar Baby (Two-Disc Widescreen Edition) (2005) Review

Million Dollar Baby (Two-Disc Widescreen Edition) (2005)
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Hillary Swank (Margaret Fitzgerald), who proved her athleticism in her first major role, The Next Karate Kid, demonstrated it again, pummeling a heavy bag with a power left on which I wouldn't want to be on the receiving end. She's very convincing in this movie - both as a young woman from humble beginnings who wants to make a better life for herself, and as a boxer. In Million Dollar Baby, she returns to the visceral emotional range that left us so deeply moved in Boy's Don't Cry.
Clint Eastwood (Frankie Dunn), who has proved himself repeatedly, has perhaps turned in the best performance of his career. At times irascible, intellectual, mournful, instructive, reflective, passionate - in every manifestation, he reaches you. He was brilliant.
And Morgan Freeman is, well, Morgan Freeman. As the narrator of the story, and an actor within it, he lends a soft-spoken touch that ameliorates some of the film's darker elements. He also lent the film a certain amount of boxing sagacity, as he spoke in non-technical and sometimes quasi-technical terms of the basics of boxing.
This film ain't no Rocky. It has an intelligence and compassion that Rocky (and virtually every boxing film ever made, save perhaps Raging Bull) couldn't think to have. Beyond that, it actually has better fight sequences. More often than in most boxing films - certainly the very poor choreography of the Rocky fight sequences - the punches looked and felt real, or as real as "fake" can make them.
Margaret introduces herself to Frankie after a fight and asks him to train her. He turns her down flat, saying that he doesn't train girls. Given her pluckiness, she appears at his gym the next day, punching a heavy bag with all of the skill, style and fluidity of Pinocchio. Finally he agrees to train her ("finally" takes a while, and watching it come to fruition, the subtle changes in Eastwood's character, is a real treat to watch), and soon she is ready for her first fight.
Here's the only similarity to Rocky: she turns out to be a natural, with a wicked left hook and overhand right (at least that I could see) and is knocking out all of her opponents in the first round. Some might think that this is, perhaps, a bit much. However, in the sport of women's boxing, such a thing isn't uncommon. PLEASE don't think that I'm saying women are not good boxers or don't have the same abilities that men do. It's simply that the increasing popularity of the sport hasn't quite yet led to the kind of talent that exists in men's boxing (although, frankly, talent on that side isn't exactly at it's apex). Her superiority over lesser opponents isn't unheard of.
There's so much more I want to say about this film, because from this point forward it moved from being one of the best films of the year - purely on the strength of the writing, and the performances of Swank and Eastwood in particular - to one of the best films I've seen in several years. I'm so grateful that reviewers didn't give away the ending. I'll just say that the ending is layered with surprises, and that it's been a very, very long time that I haven't seen a single cell phone being used (how annoying is that, even with all of the polite requests and warnings?), and also seen so many in the theater remain in their seats long after the movie ended.
It's a brilliant, brilliant film, the kind that makes me want to go back and change the number of stars I've given most movies that I've reviewed, simply so that this 5 star review means more. I recently gave Sideways, Closer, and Finding Neverland 5 stars, and while they are all very, very worthy films - I'd like to give this one six.

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"I DON'T TRAIN GIRLS", trainer Frankie Dunn growls. But something's different about the spirited boxing hopeful who shows up daily at Dunn's gym. All she wants is a fighting chance. Clint Eastwood plays Dunn and directs, produces and composes music for this acclaimed, multi-award-winning tale of heart, hope and family. Hilary Swank plays resilient Maggie, determined not to abandon her one dream. And Morgan Freeman is Scrap, gym caretaker and counterpoint to Dunn's crustiness. Grab your dreams and come out swinging.DVD Features:DocumentariesFeaturetteInterviews


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Wednesday, May 2, 2012

My Cousin Vinny (1992) Review

My Cousin Vinny (1992)
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Subtly employing the city mouse/country mouse theme, MY COUSIN VINNY is a light-hearted courtroom comedy. While it occasionally stoops to some stereotyping, the movie doesn't do so mean-spiritedly. In any event, both sides get equal skewering.
Vinny Gambini, brilliantly portrayed by Joe Pesci, is a Brooklyn boy who has finally passed the Bar (after repeated failures) and now finds himself defending his nephew and his nephew's friend against murder charges in the Bible Belt. Along with his too beautiful fiancee, played by Academy Award Winner Marissa Tomei, Pesci investigates the southern style of life, as he fathoms southern courtroom procedures and tries to get some sleep. The resulting clash of cultures is sometimes predictable, but honestly, is very inventive for the most part.
The comedy of the court room scenes is heightened by the late Fred Gwynne who plays the presiding judge. His by-the-book habits and short-fused temper are a perfect foil to Vinny's laconic style. It is their interaction that feeds most of the cultural clashing. But there is also a clash of the sexes that underlies the film, as Vinny stubbornly refuses the help of his fiancee. This confrontation is also highlighted in the courtroom when the DA refuses to believe that she could possibly be considered an expert in automechanics, even though her brothers, her father, her uncles, and just about everyone else in her family are expert mechanics. (The DA becomes convinced in a wonderful cross-interview scene.)
MY COUSIN VINNY was both critically well-received and a huge box-office success. There's a reason for that: it is a well-written, well-directed and perfectly acted comedy that stands up well even after repeated viewings. See it for yourself and you'll understand why, too.

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Two carefree pals (Ralph Macchio and Mitchell Whitfield) traveling through Alabama are mistakenly arrested, and charged with murder.Fortunately, one of them has a cousin who's a lawyer - Vincent Gambini (Joe Pesci, Lethal Weapon 3, Home Alone), a former auto mechanic from Brooklyn who just passed his bar exam after his sixth try.Vinny's never been in court - or in Alabama - and when he arrives with his leather-clad girlfriend (Marisa Tomei in her Oscar® winning Supporting Actress performance), to try his first case, it's a real shock - for him and the Deep South!

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Tuesday, April 24, 2012

Ice Age (2-Disc Special Edition) (2002) Review

Ice Age (2-Disc Special Edition) (2002)
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Another re-release for "Ice Age" (this is the third counting the single disc edition of the film) to coincide with the sequel, this edition essentially is the previous two disc edition with some minor features added that don't make it any more worthwhile to pick up. The DVD ROM printables and "Scrat's Frozen Facts" appear to be the newest features on this set. Most of the featurettes are recycled from the previous edition.
No issue with the transfer per se since it is a digital cartoon this edition appears to be from the same source as the previous edition. Should you upgrade? Not if you have the previous two disc edition but if you have the single disc edition and you want the extras, this is the way to go. Sound is crystal clear with nice use of 5.1 effects.
The DVD ROM printables and "Scrat's Frozen Fun Facts" an interactive feature that can be accessed during the film appear to be the newest features on this set. The latter has behind-the-scenes clips you the film in various stages of production while also including comments from experts on natural history discussing the what scientist believe the world was like then. Most of the featurettes are recycled from the previous edition. Otherwise the commentary tracks, deleted scenes and just about everything else is imported from the previous two disc edition of the film. There's also theater money that can be presented for "Ice Age 2".
If you purchased the previous two disc set of this movie, I'd take a pass on this one. There's no improvement in this edition vs. the earlier two disc set in my mind.

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They came... they thawed... they conquered the hearts of audiences everywhere in the coolest animated adventure of all time! Heading south to avoid a bad case of global frostbite, a group of migrating misfit creatures embark on a hilarious quest to reunite a human baby with his tribe. Featuring an all-star voice cast, including Ray Romano, John Leguizamo and Denis Leary, ICE AGE is "a pure delight" (New York Daily News) for all ages!

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Sunday, April 22, 2012

The Covenant (2006) Review

The Covenant (2006)
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Heterosexual director Renny (DIE HARD 2, DEEP BLUE SEA) Harlin has inexplicably slipped over to the other side with his boy-band-of-witches saga, THE COVENANT. He has taken a bunch of Aberzombies, put them in some sort of prep school and given them supernatural powers, forced them to join the swim team, and thrown a few disposable girls in for good measure. And at no point does the plot of the film or the acting interfere with the camera's view of said Aberzombies' abs.

This tale of the "Sons of Ipswitch", the gifted descendants of the founding fathers of Salem, moves along fairly briskly, with some decent effects and fun stunt work, but first and foremost, the real object of the film is to linger lasciviously upon the admirable assets of young, unironically-named Steven Strait. Seriously - the witchcraft, spiders, explosions, raves, and everything else take humble second-stage to loving shots of Strait rocking a tanktop, Strait rocking a tight v-neck t-shirt, Strait wearing a Speedo. We haven't seen male body-worship on this scale since Ryan Reynolds battled evil spirits that threatened to keep him wet and shirtless for Amityville Horror's entire running time.
Strait plays Caleb, a member of an elite band of underwear models who have gone undercover as witches at a prep school in Massachusetts. (You know, so as not to attract attention). Aside from Caleb, there's the long-haired one, the blonde one, and another one who evades description entirely, to the point that it's impossible to identify him in any group scenes. The Metrosexual trickle-down has apparently left our high schools populated by an army of pomade-enhanced, cap-sleeved man-boys who are so self-approvingly pretty that the girls in their lives can do very little to distract them from their vaguely homoerotic navel-gazing. (Whereas DAZED & CONFUSED presented teen angst in a haze of pot smoke, here it is clouded by an overabundance of Axe Body Spray.)
The plot of the film was summed up well enough in the commercials (and is ultimately too mind-numbingly simplistic to get into) -- the important thing is that in this teen witch story, the witches are the popular kids. Rather than your typical "supernaturally enhanced underdog" story (CARRIE, THE CRAFT ), here we watch four rich, white boys who clearly dominate their school and also happen to enjoy a gift that allows them to perform magic. But, watching these kids get everything they want is not nearly as compelling as watching someone who actually NEEDS this power to get back at their enemies or overturn the status quo.
The overwhelming homoeroticism of THE COVENANT includes a scene where Caleb and his best bud Pogue are talking on the phone, and both are shirtless, lying in bed, and drenched with sweat. We seriously expected the words "MEET LOCAL GUYS!" to flash across the top of the screen. There's also some locker room action featuring buns galore and a gay-baiting incident where another young man gets called a "fag" by a different long-haired boy (seriously, it's so hard to tell these guys apart...) and the young man beats his tormenter down - without actually denying the accusation. (Interestingly enough, he even makes reference to looking at the kid's manhood.) At another point an evil Aberzombie pins Caleb to the floor and kisses him on the face roughly -- In a FEAR NO EVIL kind of way, only with far more attractive men involved.
So if you are looking for a satisfying all-male companion piece to the excellent teen-witch thriller THE CRAFT, keep waiting. This isn't it... If - however - you are looking for a warm-up to wet your guests appetites as they arrive for All-Male Porno night, look no further - Renny Harlin has done an admirable job.

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In 1692, in the Ipswich Colony of Massachusetts, five families with untold power formed a covenant of silence. One family, lusting for more, was banished, their bloodline disappearing without a trace. Until now.

Four young students at an elite private school who are descendants of the original families who settled in Ipswich Colony in the 1600s, are bound by their sacred ancestry and special powers. When the body of a dead student is discovered after a party, secrets begin to unravel that threaten to break the covenant of silence that has protected their families for hundreds of years.


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Tuesday, April 17, 2012

The Road Warrior (1982) Review

The Road Warrior (1982)
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I'm saying "finally" because we've finally received a version of the Road Warrior that looks outstanding! The picture looks the best I've ever seen and while the sound isn't as great in terms of bass reproduction, it still sounds very clear, just a tiny bit lackluster. Several of the scenes have a bit of softness to them probably due to age but I'd say about 95% of the film looks crystal clear. There aren't many extras other than an introduction by film critic Leonard Maltin and a filmmaker commentary. A bit lacking in the extras department but the commentary is informative enough for film enthusiasts and fans of the film. It'd be nice to get a retrospective documentary one day on this classic.
At the end of the day, the movie is delivered in an above average presentation and definitely worth a peek in HD.

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In a post-nuclear war world, Gibson plays Max, a lone adventurer who drives the roads of outback Australia in an endless search for gasoline. His opponents include Lord Humungus, and they battle over a tiny band of civilized survivors and their horde of fuel.Genre: Feature Film-Action/AdventureRating: RRelease Date: 3-FEB-2004Media Type: DVD

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Monday, April 16, 2012

Hurricane Season (2008) Review

Hurricane Season (2008)
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Hello all, well I must say that this movie was REALLY good... WHY you ask well let me tell you...:)
Ok, This movie shows you that people can work through almost anything if not anything... It also shows that some folks pain causes them to to act out in hurtful ways..yet God being God always sends someone to pull you OUT of that pain so you can LIVE again!!!
5 BIG STARS!!!!!!!!!LOVED IT!!
PS
Its a all star cast.. Alot of nice young actors!!!

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Based on real events, amid the wreckage of Hurricane Katrina, a Louisiana high school basketball coach pulls together a team of kids from previously rival schools and leads them on a patch to the state championship. Stars: Forest Whitaker (The Last King of Scotland), Bow Wow (The Fast & the Furious: Tokyo Drift), Isaiah Washington (“Grey’s Anatomy”), Lil Wayne (rap star), Taraji P. Henson (The Curious Case of Benjamin Button)

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Tuesday, March 27, 2012

Loving Annabelle (2006) Review

Loving Annabelle (2006)
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This movie is fantastic. You don't really realize how great it is until after its over though. It is a great story. A Catholic Boarding School teacher falls in love with her female student. That's right, it is about lesbians and homosexuality. However, if you are just looking for "lesbian action" don't waste your time with this, its not a sex movie. If on the other hand, you are mature enough to handle such a plot, you'll love it. So after an hour of the student pursuing the teacher and the teacher being wary and afraid to be with her.....well I can't tell you how it ends. What I will say, though, is why it is so great. It does not openly debate, discuss, or point out anything about homosexuality being right, wrong, good, or evil. What it instead does is tell a wonderful tale of romantic, yet forbidden pursuit, and no matter what your stance is on homosexuality in general, you cannot help but hope for a happy ending, and get wrapped up in this love drama. After the movie is over, you think of how bittersweet the story is and poor this and at least that and then it hits you - You have been focusing on love, passion, heartache, and beauty....but NOT about Straight or Gay relationships. That's the beauty of this film. It captures you into a world of pure love drama and you forget that it is about a controversial subject at all. Regardless of your stance in this controversy, all you can focus on while watching is a love story between two human beings. Watch it, you'll love it.

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Rising star Erin Kelly (Waking Madison) is Annabelle, a precocious Senator's daughter who falls for her Catholic school teacher, Simone (Diane Gaidry, The Dogwalker).After Simone is assigned to control the rebellious student, she instead finds herself drawn into Annabelle's world. As their attraction builds, the two women must cope with the reactions of those around them. Writer-Director Katherine Brooks unveils this smoldering tale of forbidden love with intelligence, wit and sensitivity.

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Friday, March 23, 2012

Ghost Whisperer: The Fifth Season (The Final Season) Review

Ghost Whisperer: The Fifth Season (The Final Season)
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I know this hasn't come out yet (I'm sure it will be as bittersweet as any other end of a series DVD), but I just wanted to prelude its release with a plea to other fans of this show. Maybe if we buy the DVD's right away it will show CBS that they made a HUGE mistake. If sales were through the roof maybe they would realize their mistake and try to pick it up again. This happened when they cancelled Angel, only everyone involved had moved on to permanent jobs already (Bones, Supernatural). Jennifer Love is just doing small movies and guest spots right now, the writers are developing new projects, but maybe it's not too late. This just sucks. Why are network people so stupid? If you go buy the numbers and not by the fan output and desire you are not really seeing the true popularity of a show. How many people have a Nielsen box anymore? This crap that they pull is the reason why I watch the shows on DVD instead of TV. But I'm Canadian so it's not like my ratings count anyway.
Shuffling the time slots every few months, changing days to see if it will go up against another network's most popular show, showing re-runs for 3 or 4 weeks every few new episodes.... Just stand behind your show and leave it alone and you'd really see how popular it is you business school morons. I don't think we'll ever see a network hold onto a show for 10 years again... gone are the days when a show like Friends or Seinfeld can fluctuate in ratings but still stay until THEY want to leave. I miss the days when TV didn't disappoint me on a daily basis. We're really not all as stupid as you think we are Hollywood, we're getting tired of your crappy movies, re-makes of EVERYTHING that has ever made money in the past and your cheap reality TV shows. Just tell me Medium isn't next!

Rant over.

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Melinda Gordon (Jennifer Love Hewitt) has a gift - she can communicate with earthbound spirits or ghosts who cling to the living because they have unfinished business in our world preventing them from "crossing over" or going into the light. Inspired in part by the work of famed medium James Van Praagh and of Mary Ann Winkowski, a real-life communicator with earth bound spirits, GHOST WHISPERER explores the spiritual side of life and death. Melinda navigates between the dead and the living with her sometimes chilling, sometimes heart-rending and sometimes amusing actions as an intermediary between the ghosts and those they haunt. Although she is very good at being an intermediary she never publicizes this gift instead is known around town as a newlywed and the owner of the successful antiques store, Same As it Never Was. Firefighter Jim Clancy (David Conrad), Melinda's husband, knows that being an intermediary between the living and dead can take an emotional toll on his wife and worries that he might not be able to protect her as well as he would like. Melinda has also recently revealed her gift to new friend and employee, Delia Banks (Camryn Manheim), a single mom of teenager Ned Banks (Christoph Sanders). Melinda fears what the consequences might be of drawing Delia into this unconventional world, as Delia, unlike her son Ned, is a bit skeptical of Melinda's gift - although she loves Melinda unconditionally as a friend. Melinda has also shared her secret with Eli James (Jamie Kennedy), a psychology professor at Rockland University, who is a unique individual - he has the gift of hearing ghosts, but not seeing them. For her part, Melinda accepts her unique abilities as a blessing and sometime curse, but always helps her clients, alive or dead, find emotional closure. Currently in its fourth season, Ghost Whisperer plunges into new territory by literally rocking the foundations of the series with a new mythology - Love Transcends Death.

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Monday, March 12, 2012

High Fidelity (2000) Review

High Fidelity (2000)
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It's hard to explain to someone who hasn't seen High Fidelity, or even someone who's just seen it once, how incredibly good it is. Take first the phenomenal John Cusack, who seems to make any film he appears in twice as watchable. Is there a more underrated leading man in this decade? I doubt it.
Then take into account the amazing support, knowns and unknowns - Cusack's sister Joan, Tim Robbins, Jack Black, etc. - even Zeta-Jones isn't half bad. Consider too the script, which is surprisingly faithful to Nick Hornby's (very good) book, and gives equal measure to comic and tragic relief.
Fianlly, the soundtrack. Can there be any greater song to sum up Rob Thomas (John Cusack's) final revelation after the film ends than Stevie Wonder's I Believe? No. High Fidelity is the complete package - funny, touching, well-acted, scripted, directed, scored for, and unbelievably true to life.
And for all those sad Englishmen writing in to complain that the movie should have been set in Britian - get real. I thank you.

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From the guys who brought you GROSSE POINTE BLANK comes the absolutely hilarious HIGH FIDELITY. John Cusack (BEING JOHN MALKOVICH) stars as Rob Gordon, the owner of a semi-failing record store located on one of the back streets of Chicago. He sells music the old-fashioned way -- on vinyl, with two wacky clerks, the hysterically funny rock snob Barry (Jack Black) and the more quietly opinionated underachiever Dick (Todd Luiso). But Rob's business isn't the only thing in his life that's floundering -- his needle skips the love groove when his longtime girlfriend Laura (newcomer Iben Hjejle) walks out on him. And this forces him to examine his past failed attempts at romance the only way he knows how! For a rocking fun time, give HIGH FIDELITY a spin. It's sure to make your all-time top five list for comedies -- with a bullet.

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Sunday, February 26, 2012

The Negotiator (1998) Review

The Negotiator (1998)
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Someone is embezzling money from the police department, and when Danny Roman is accused of the deed, he ends up taking several hostages within the department when things escalate and get out of hand. Danny has lost confidence in everyone in his own department, so he requests hostage negotiator Chris Sabian to help negotiate, and help prove his innocence. As the situation gets to a critical level, pieces of the puzzle start to fall into place. This is a very intense emotional suspense movie. Samuel Jackson and Kevin Spacey turn in phenomenal performances. This thrill a minute film is a definite must see.

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This film centers on a former FBI hostage negotiator who, after being framed for murder, tries to clear his name by taking several people hostage in order to uncover the guilty party.

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Saturday, February 11, 2012

Shattered Glass Review

Shattered Glass
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This is a superb directorial debut by Billy Ray, who also wrote the script for this engrossing film. It tells the true story of how one journalist, Stephen Glass (Hayden Christiansen), a star journalist for the self-styled, in-flight magazine for Air Force One, "The New Republic", bamboozled his editors for years with bogus stories. This was to have a devastating impact on a magazine that was well-respected in the political community.
The film is a riveting study of a pathological liar who had the need to be the center of attention. For years, Stephen Glass had regaled his colleagues with journalistic feats, only to have them eventually discover that they were mere mumbo jumbo, as few of them had little more than a grain of truth to them. Stephen Glass is portrayed as a slightly obnoxious, self-deprecating character, who binds his colleagues to him through his smarmy, somewhat ingratiating. personality.
Michael Kelly (Hank Azaria) is the first editor of "The New Republic" with whom Stephen Glass worked. When Kelly finds something questionable in one of the stories submitted by Glass, Stephen is able to explain it away, and the incident is glossed over. When Kelly is fired by the publisher, Chuck Lane (Peter Sarsgaard) takes over under difficult circumstances, as the staff is loyal to Kelly and resentful of Lane. Still, Lane perseveres, occasionally crossing swords with Stephen Glass.
All comes to a head when a reporter from another publication questions the veracity of one of Stephen's stories. An inside investigation by an anguished and angry Chuck Lane clearly shows that Stephen's story is not fact based but, rather, an elaborate deceit, false from beginning to end. Stephen's journalistic house of cards comes tumbling down around him, rocking the integrity of The New Republic. Chuck Lane is placed in the difficult position of exposing the full breadth of Stephen's journalistic perfidy, which ended up being widespread.
The cast of the film is excellent overall, though I did find that Hayden Christiansen's portrayal of Stephen Glass paints him as too obvious a liar. I found it a tad difficult to believe that his colleagues gave him as much credence as they did. Chloe Sevigny contributes a fine performance as fellow journalist, Caitlin Avey, who was one of Stephen's bamboozled friends.
Hank Azaria gives a fine portrayal of popular editor Michael Kelly, which shows that he can handle serious dramatic roles as adeptly as he handles comedic ones. The stand out performance, however, is that of Peter Sarsgaard, whose understated, poignant portrayal of Kelly's replacement, the beleaguered, unpopular Chuck Lane, is sensitive yet very powerful and complex.
The DVD has first class audio and visuals, as well as an excellent audio commentary by both the director and Chuck Lane. It also has a must see 60 Minutes interview with Stephen Glass, which took place about five years after the events in the film. It is well worth seeing.
All in all, this is an outstanding film that will keep the viewer riveted to the screen. It is one that is well worth having in one's personal film collection. Bravo!

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SHATTERED GLASS - DVD Movie

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Monday, January 16, 2012

Bandslam (2009) Review

Bandslam (2009)
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Take a chance on this unexpected gem, do, and never mind that you may have gone "Uh oh!" when you first noticed Vanessa Hudgens's name on the billing (although, okay, I did sneakily like the first HIGH SCHOOL MUSICAL). I walked into BANDSLAM unawares, didn't really know what it was about, and I ended up pleased and tremendously entertained. I guess that's when the taste is sweetest, when you're not expecting too much. BANDSLAM has more in common with NICK & NORAH'S INFINITE PLAYLIST than it does with HIGH SCHOOL MUSICAL.
Gaelan Connell, I haven't seen him before, but he seems a natural at playing the nervous, ill-fitting-in, fumbly role and, somewhere, a threatened Michael Cera has to be biting his fingernails. This kid is also glib enough that he even reminds me of vintage young John Cusack. Connell plays iPod-attached misfit Will Burton who is newly moved to Lodi, New Jersey, and he's actually glad to be in the Garden State, so you get an idea of how miserable his past existence must have been. He now attends Van Buren High School, where he learns that the biggest event is the Bandslam, this annual Tri-State Battle of the Bands (winner gets a record deal).
Will loves Indie rock; he regularly writes to David Bowie in this thoroughly one-way correspondence relationship. Will also happens to be a walking encyclopedia of rock & roll knowledge, and this may or may not have something to do with his being befriended by the very cool and popular ex-cheerleader Charlotte (Aly Michalka, of the pop duo Aly & AJ). Charlotte fronts a lowly garage band, and she dreams of competing on Bandslam, although her band would have to contend with her school's own juggernaut rock group, Ben Wheatly & the Glory Dogs (Ben Wheatly, by the way, is Charlotte's ex). Will, thru no fault of his own, becomes the manager of Charlotte's tiny band. Juuuust a bit out of his depth, he's got eight weeks to get good at this gig before the big Battle of the Bands swings around. For Will Burton, it's time to come out of his shell.
Will also meets Sa5m (Hudgens, branching out from sweetness and light). Sa5m - the "5" is silent - is quirky and brooding and talks a bit like MTV's Daria. Sa5m also has a secret. She and Will become partners in a classroom project, and one of my four best moments in the movie has to do with Will's part of the project. The other three moments? They're all musical numbers and performed by Will and Charlotte's band.
BANDSLAM is a coming-of-age movie and it isn't vanilla or moronic, and you could've knocked me over with a feather when I later realized this was a PG-rated film. But, yeah, looking back, I don't remember any profanity. Or gross-out content or mean-spiritedness for its own sake. Instead there's an emotional weight, a passion for music and an edginess and tons of smart screenplay. There's even possibly the most awkward first kiss in history. There isn't a bad performance, only varying shades of very good and terrific. It helps that there's a complexity to the characters. Gaelan Connell, endlessly relatable, easily carries the film. Aly Michalka comes in and blows me away, and I love that there are different sides to her unpredictable character, and a bite. And she has pipes, stronger than Vanessa Hudgens'. It's hard not to rock out to her rendition of Steve Wynn's "Amphetamine." Meanwhile, Vanessa Hudgens steps a bit out of her comfort zone, and I liked it. I didn't think Hudgens and emo would work, and yet it does.
And Lisa Kudrow is Lisa Kudrow, and that's always a good thing for the movie audience.
It wouldn't have worked so well if the music hadn't been so great. The actors sing the songs and play the instruments, and is it me or does that bass player remind you of a young Stephen King? I love that the little garage band develops its own sound, and "I Can't Go On, I'll Go On" is an absolutely inspired name for a rock band. Cameron Crowe will probably appreciate "I Can't Go On, I'll Go On." John Hughes probably would have liked this movie. I always like it when the nerd makes good.
DVD Special Features: the "Making Of" documentary (21 minutes long); commentary track with Director Todd Graff and actors Aly Michalka, Vanessa Hudgens and, showing up late (he was at the beach), Gaelan Connell; nine deleted scenes with optional director's intro (including Aly Michalka's brief acoustic version of "Amphetamine," the full rendition of Charlotte's ex-boyfriend serenading her with "Pretend," and the cute "Shredding" scene); Honor Society's music video "Where Are You Now"; and Vanessa Hudgens performing "Everything I Own" with the band.

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A new kid in town assembles a fledgling rock band -- together, they achieve their dreams and compete against the best in the biggest event of the year, a battle of the bands.

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Friday, January 13, 2012

Jeremiah Johnson (1972) Review

Jeremiah Johnson (1972)
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This movie is one of several fascinating historical threads that I have been following since I first saw it as a 12-year old and loved it. First, it is based on the actual life of a mountain man named John Johnston, later changed to Johnson, and known in the West from the mid-1840s as Liver-Eating Johnson (see the book "Crow Killer" published 1958, R.W. Thorp & R. Bunker). I did not know this until recently and assumed it was all fiction. He was a huge man for his time, 6'2" and 240 pounds in his early 20's, had fists the size of baked hams and was best in hand-to-hand fighting with his 16" Bowie knife. Thorp and Bunker based the book on first-person interviews with several mountain men and others who had known of him, including, surprisingly, the famous photographer of the 1870's West, W.H. Jackson (photographer for the Hayden Expedition and famous for the first photograph of Mount of the Holy Cross near Vail, Colorado), but the real detail being furnished by an old mountain man named White-Eye Anderson, who told the story to R.W.T. in 1941 when he was in his 90's. After Johnson's Flathead wife was murdered on the Musselshell in Montana by a band of young Crow braves, Johnson "took the trail" on the entire Crow nation. His calling card, for over 20 years of butchery on the Crows, was to remove the liver of every Crow he killed and eat it. The Crows called him "Dapiek Absaroka". Vardis Fischer, on whose book this movie is based, "borrowed" as well certain scenes from a book written in the 1840's called "Life in the Far West" by George Ruxton, a first-person account of life in and near the Colorado Rockies. This movie does a fine job with a subset of Johnston's life, leaving out his service in the Civil War, and his later life as a town marshal and finally, his death in an old veterans home in Los Angeles. I got the notion that Fischer's book bordered on plagiarism after reading Ruxton, and after reading Crow Killer it seems all Fischer did was change Johnson's name to Jeremiah and slap on a cover with his name on it. The movie also leaves out that Johnson spies, among the pile of bones that was his wife outside the cabin, a round object about the size of an orange - the skull of his unborn baby. He collects the bones of wife and baby and puts them in an iron pot and inters them behind carefully mortised rocks near the cabin; a shrine, his "kittle 'o bones" those closest to him called it (never in his presence) he visits over the years. Will Geer's character, near as I kin figger, is based on a friend of Johnson's named "Bear Claw" Chris Lapp, a man known to say, when presented with grizzly claws his mountain man friends collected for him to make necklaces of, "Great Jehosophat! Pocahontas and John Smith!" The Crazy Woman, one of the most sympathetic characters I have ever seen in a movie, was in real life the wife of John Morgan, a foolish homesteader on the Oregon Trail who quarreled with the wagon master and took off on his own only to be tomahawked and scalped alive by Crows, his daughter raped and scalped alive, and his two young sons killed. Mrs Morgan, having killed several of the Indians with an axe yet driven insane by the loss, lived on the Musselshell and was cared for by Johnson and his fellow mountain men for years. The movie leaves out the little detail that she and Johnson beheaded the Crow corpses and set them on stakes at each corner of the graveyard where she buried her children, the weathered skulls a powerful medicine for the Crows ever after. It was the Crow's deference to this insane white woman living in their midst that finally convinced Johnson to call off his vendetta against them, after having killed nearly 400 Crow warriors. Liver-Eating Johnson's grave (and here I borrow heavily from "Crow Killer") is in a cemetary off of Sepulveda Boulevard (interesting, that. One of Johnson's comrades was a huge black-bearded Hispanic named "Big Anton Sepulveda") in a section called San Juan Hill, row D, 2nd stone from the road reads "Jno. Johnston, Co. H, 2nd Colo. Cav.". Get the movie and enjoy it; it's a true story. Only took me 30 years to find that out.

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Robert Redford has one of his best-ever roles as a 19th century mountain man in a wilderness of harsh elements and hostile Indians. Directed by The Firm's Sydney Pollack. Year: 1972 Director: Sydney Pollack Starring: Robert Redford, Will Geer, Stefan Gierasch DVD Features:FeaturetteProduction Notes


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Sunday, October 2, 2011

The Seventh Sign (1988) Review

The Seventh Sign (1988)
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Amid the various current releases with themes relating to the turn of the millenium and the Apocalypse, The Seventh Sign is a thought-provoking and scary sleeper from a more than a decade before (1988) that's bound for a revival in 2000.
A very pregnant Abby Quinn (Demi Moore) has a disturbing, recurring dream of a Roman soldier (Peter Friedman) striking a condemned Jesus Christ to the ground and demanding, "Will you die for him?" Little does she know the future of the world rests on her answer to the question after the Messiah returns to Earth as David Bannon (Jurgen Prochnow), a mysterious traveling teacher of ancient languages who rents a Venice, California garage apartment from Abby and her husband Russell (Michael Biehn).
Prochnow (Das Boot, The English Patient) puts on such a convincing performance as Christ it's very easy to believe he is indeed the Messiah returned to the present to unleash the wrath of God as he breaks the seals of the Seven Signs. An ethereal musical score by Jack Nitzsche helps set an eerie mood as the plot moves rapidly to a startling and uplifting Judgment Day conclusion. This is one worth watching again and again.

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DEMI MOORE ELECTRIFIES AS A YOUNG WOMAN WHO MUST PREVENT HERUNBORN BABY FROM PLAYING AN OMINOUS ROLE IN THE COMING OF THE END OF THE WORLD.

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