Showing posts with label suspense. Show all posts
Showing posts with label suspense. Show all posts

Sunday, March 31, 2013

Poirot - The Movie Collection, Set 1 (The ABC Murders / Death in the Clouds / The Mysterious Affair at Styles / One, Two, Buckle My Shoe / Peril at End House) (1998) Review

Poirot - The Movie Collection, Set 1 (The ABC Murders / Death in the Clouds / The Mysterious Affair at Styles / One, Two, Buckle My Shoe / Peril at End House) (1998)
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Up to now, Acorn Media has been issuing the David Suchet Poirot episodes like this: the shorter ones were only on video tape, the longer ones (running at 103 minutes) were only on DVD. With, I am sure, pleas from non-DVD owners, Acorn Media has made available on both formats a box set of five of the longer entries and calls it

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This is a collection of 5 feature-length episodes of the Poirot mysteries: The ABC Murders; Death in the Clouds; The Mysterious Affair at Styles; One, Two, Buckle My Shoe, and Peril at End House. "The ABC Murders" - This is the episode that star David Suchet calls his favorite. Belgian sleuth Hercule Poirot is challenged by an alphabet-obsessed murderer who announces his next victims through a series of letters addressed to Poirot himself. "Death in the Clouds" - A ruthless blackmailer is killed on board an airborne plane filled with likely suspects. "Mysterious Affair at Styles" - The Cavendish household is wrought with tension due to the marriage of John Cavendish's widowed mother to a suspicious younger man. When the tension turns deadly, Poirot and Hasting unite to solve the case. "One, Two, Buckle My Shoe" - Further adventures of Agatha Christie's brilliant Belgian sleuth. "Peril at End House" - A flying ace plays a pivotal role in a case in which Poirot and Hastings swim through a sea of red herrings to arrive at the truth.

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Wednesday, January 23, 2013

My Bloody Valentine (1981) Review

My Bloody Valentine (1981)
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Remember those heady days in the late 1970s and early 1980s when films like "Halloween" and "Friday the 13th" attained stellar success at the box office, resulting in a slew of holiday themed copycats? Movies like "April Fool's Day," "My Bloody Valentine," and "Graduation Day" arrived on the scene and dropped off the radar just as rapidly. Thanks to the appearance of DVD players, these films are reappearing with a disturbing rapidity. Unfortunately, the movies aren't much better than they were when they first came out. This is especially true for Paramount's release of the 1981 slasher film "My Bloody Valentine." At the time, Paramount demanded a mountain of cuts from director George Mihalka in order to avoid a dreaded 'X' rating for graphic violence. That's acceptable for a theatrical release, but a DVD version should reinsert all of the gory footage. Well, this release is the boring old 'R' rated version, and to make matters worse Paramount technicians included nothing else with the movie: no stills, no commentaries, no behind the scenes stuff, and no trailers. Get with the program, Paramount! The customer who will buy this movie on DVD is a genre fan; they want to see all of those gory killings you lopped off with indifference.
"My Bloody Valentine" takes place in a little mining town called Valentine Bluffs. We don't really know the location of the town, but the accents of the some of the characters hint at a Canadian setting somewhere near Quebec. Some years before a terrible mining accident resulting in the deaths of several miners caused Harry Warden to snap. Warden went on a killing spree through the town on the night of the Valentine's Day dance. Ever since then, the authorities in Valentine Bluffs banned parties on Valentine's Day, ever mindful of Harry Warden's threat to wreak bloody havoc on the town if they held another dance. Harry Warden, for the record, was one of the survivors of the mining accident, an accident caused by negligence on the part of two of the supervisors. After his murderous spree, Warden ended up in an insane asylum and the town slowly forgot his grim threats.
Now it's the present (or at least 1981), and the mineworkers want to have another holiday party. The authorities, which include a neurotic mayor and a police chief who looks like Steve McQueen from a distance, are willing to go along with the idea of a celebration. Then the valentines start showing up, one of which contains a bloody human heart. The mayor and police chief initially try to keep the threat hush-hush, but a few more murders persuade them to cancel the dance. The young people in town throw a fit, deciding that they will still have a party but hold it at the mine instead. You can guess what happens from this point on: bodies drop like flies as a madman in mining gear (gas mask, helmet, black clothing, and pickax) works his way through the group of bubbleheads. As the chief desperately attempts to track down the whereabouts of Harry Warden, a group of especially idiotic partygoers head down into the mine for a few yucks. The last twenty minutes of the film take place in the darkly atmospheric mine, as the killer picks off several of the kids in the quarry. There's a twist ending that achieves only a moderate level of interest, and then the whole thing ends.
"My Bloody Valentine" is a major rip off of other slasher films. This movie even has its own version of "Crazy Ralph" from "Friday the 13th" in the form of a testy bar owner who continually spouts stories about Harry Warden and the foolishness of throwing another party. You just know this guy is going to get his, and he does, but I kept wondering how he got any business. Who wants to go to a place where the proprietor keeps talking about gruesome murders? The other characters fall into typical slasher movie typecasting as well: the two guys fighting over the girl, the ineffective police chief and mayor who try to ignore the warning signs until it's too late, and the omnipresent killer. When it comes to original and engaging characters, "My Bloody Valentine" doesn't offer much except stereotypes with bad haircuts. Horror movie buffs should take note of Ray Sager's name (as first assistant director) in the credits: Sager played Montag the Magnificent in H.G. Lewis's "The Wizard of Gore."
At first, the gore seems to promise that "My Bloody Valentine" is a step above your typical slasher film. The heart in the box is gruesome, but after that initial shocker the movie steps back into rather banal exercises in the sauce department. The heavy handed editing is to blame here, as nearly every murder that takes place either happens completely off camera (the idea of it!), or cuts away before the serious bloodletting starts. There are places where you can discover what Paramount removed to get that all-important 'R' rating, and it's obvious that this film would have been much better if we could have seen the full effect of the killer's actions. A boiled face, a hook through the head, and a body in a laundromat dryer sound great on paper, but the execution suffers horribly because we never get the full, grotesque effect. It's the equivalent of watching a Richard Pryor concert with all of the profanity bleeped out. I pray Paramount comes to their senses and finally releases this film, along with the first eight "Friday the 13th" movies, in uncut formats. "My Bloody Valentine," as it stands now, falls squarely into the "rent, not buy" category: an interesting film with great promise, but an ultimate failure due to circumstances beyond the control of the cast and crew.

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Item Name: My Bloody Valentine; Studio:Lions Gate

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Tuesday, January 15, 2013

Midsomer Murders: Barnaby's Casebook (2001) Review

Midsomer Murders: Barnaby's Casebook (2001)
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Imagine Saint Mary Mead. Squared. Then add some extra blood and mayhem.
That about describes the setting of "Midsomer Murders," a morbidly witty British mystery series based on Caroline Graham's novels. And "Midsomer Murders: Barnaby's Casebook" brings together the the next round of seventeen cases in this cozy, dark little county, drawing from the fourth, sixth, seventh and eighth seasons of the series. It's a great half'n'half combo of police procedural and cozy mystery.
Snotty society beauty Melissa Townsend is receiving some threatening letters, apparently because of the death of a tenant that stemmed from her neglect. Then she's found stabbed with a syringe filled with animal tranquilizers. Chief Inspector Tom Barnaby (John Nettles) starts investigating the murder, especially the possible involvement of Melissa's best friend (and a bit more), a drunk driving case, and secret blackmail. And more murders, of course.
From there on, Barnaby and his assistant, Detective Sergeant Gavin Troy (Daniel Casey), are forced to investigate all sorts of crimes -- a group of bell-ringers that are being bumped off, a prestigious boarding school with a deadly secret, a farmer's wife's apparent suicide, a vibrant but obnoxious widow's murder, a bizarrely complex murder tied to a mental hospital, a dead body found during an art class, an investor found dead in a river, and an old-as-dirt feud between two halves of a Midsomer town, which may hold the key to a series of deaths on the set of new movie "The House Of Satan."
Then Troy receives a promotion, and does one last case with Barnaby: a gentle recluse in the woods is implicated in the murder of his late tormentor. Enter DS Scott (John Hopkins), a rather cocky new guy who arrives just in time for a deadly class reunion, a Celtic solstice ritual that turns deadly, the death of a barman, a pagan ritual involving a dead curate, and a literary festival disrupted by some seedy goings-on... including murder. Then there's the Christmas special, "Ghosts of Christmas Past" -- Barnaby's holidays are interrupted by a string of deaths in the Villiers family, nine years after aspiring magician Ferdy Villers killed himself.
Honestly, I think Miss Marple would feel right at home in Midsomer County -- such a pretty, homey, sunshiney place, full of kindly spinsters, farmers and aristocrats of varying stripes, from skanky to down-to-earth. The whole thing is set in the various villages in this county, which is picturesque, lush, and full of farms, cute little English villages, opulent manorhouses, and little brick cottages.
So of course, there are gruesome murders, plotting and tawdry secrets hidden in every corner; several spill out in every episode, and only some of them have to do with the main murder (some are red herrings, and some are side crimes). Every now and then they have a dud episode (such as the horrendously preachy "Straw Woman"). But the writers keep a funny edge in the stories, such as Barnaby being confronted by an impending vacation ("Joyce, it looks as if these people are sitting on top of an elephant"), or and some clever dialogue ("Well, gettin' blown up's got to be a bit tragic").
And these cops are pretty believable detectives. John Nettles is absolutely wonderful as the kindly, middle-aged cop with a brain like stainless steel, whose nice sedate family is a relief from all the Midsomer weirdos. And Daniel Casey is solid as his younger, brasher assistant -- and his departure from the show is handled in a believable but touching manner. Hopkins isn't quite as likable as Scott, mainly because Scott is kind of a jerk at first, but he starts fitting in a bit better soon.
Most of the villagers are played by excellent actors as well, no matter how weird their characters are. Slightly loopy historians, crazy old ladies and nasty little schoolboys are only a few, with actors such as Lucy Punch, Hugh Bonneville, Angela Thorne, Amanda Root, and "Lost's" Henry Ian Cusick as a slimy rich boy. And Jane Wymark and Laura Howard round off the cast as Barnaby's very understanding wife and daughter.
"Midsomer Murders: Barnaby's Casebook" is a big, solidly-written chunk of British coziness, with murder and scandal in every episode, and some new transitions for the homicide division.

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As seen on A&E and The Biography ChannelWHAT EVIL LURKS BEYOND THE WELL-TRIMMED HEDGES OF MIDSOMER...The cozy villages of Midsomer County reveal their most sinister secrets in these contemporary British television mysteries. The smash hit series stars John Nettles (Bergerac) as Detective Chief Inspector Tom Barnaby, a dogged investigator and devoted family man, unflappable in the face of the macabre crimes and eccentric characters he encounters on the job.Inspired by the characters of novelist Caroline Graham, these 17 mysteries see the promotion of Barnaby s earnest assistant, Sergeant Troy (Daniel Casey, The Wingless Bird), and the arrival of his brash replacement, Sergeant Dan Scott (John Hopkins, Love in a Cold Climate). Guest stars include Hugh Bonneville, Gemma Jones, Honor Blackman, John Standing, Freddie Jones, Susan Wooldridge, Phoebe Nicholls, Stella Gonet, and Henry Ian Cusick.THE MYSTERIES INCLUDE: Tainted Fruit, Ring Out Your Dead, Murder on St. Malley s Day, Market for Murder, A Worm in the Bud, A Talent for Life, Death and Dreams, Painted in Blood, A Tale of Two Hamlets, Birds of Prey, The Green Man, Bad Tidings, The Fisher King, Sins of Commission, The Maid in Splendour, The Straw Woman, Ghosts of Christmas Past, DVD SPECIAL FEATURES INCLUDE John Nettles interview, essays by star John Nettles and co-creator Betty Willingale, Midsomer map, production notes, Caroline Graham biography, and cast filmographies.Plus two exclusive bonus discs: Map of Midsomer Murders, a behind-the-scenes documentary hosted by John Nettles, and Super Sleuths, a documentary about the show s first decade. Set contains 19 discs (including bonus programs); approx. 28 hours. Mysteries previously released on DVD as Sets Four, Six, Seven, and Eight, the original U.K. broadcast order.

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Saturday, January 12, 2013

Another Woman's Husband (2000) Review

Another Woman's Husband (2000)
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Lisa Rinna and Gail O'Grady become best friends..not realizing that they share the same man! Both women perform very well in this movie...I have been a big fan of both of them since Melrose Place and NYPD Blue. Sally Kirkland also does a great job in this movie as Gail O'Grady's mother. This movie is filled with so many different ingredients: intrigue, lessons on overcoming fears, and it helps one become stronger in believing inside what can truly make your life happy. I've seen it a few times, and enjoy it more each time.

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Twenty-five years after she witnesses her brother's drowning death, and despite her successful career as a psychologist, Laurel (Lisa Rinna) turns to a local swimming instructor for help in conquering her paralyzing fear of the water. For Susan (Gail O'Grady), the pool is her salvation, the only place she's ever felt confident and successful. As Susan helps Laurel tackle her phobia, the two begin developing a bond. As the student learns to swim, the teacher learns to confront her own lifetime of troubles. The two share a special friendship created by trust and openness. They experience the ultimate test in friendship when they find out that they also share something else: the same man. Based on a true story. DRAMA. 91 Minutes.

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Friday, January 11, 2013

The Canyon (2009) Review

The Canyon (2009)
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In "Open Water" (2003), a pair of scuba divers (who were also a couple) got stranded in the middle of the ocean and found themselves imperiled by a school of sharks. Well, in "The Canyon", we have a newly-married couple stranded somewhere in the Grand Canyon and hunted by wolves. It's basically a survival-type drama with some twists, but on the whole is quite formulaic. What makes this watchable (though more as a rental and not a purchase) is the acting, which I thought was quite alright, considering this is a low-budget indie flick. The story centers around Nick (Eion Bailey) and Lori (Yvonne Strahovski) who are a pair of newly-weds and eager for adventure (well, Nick mainly) - Nick's idea of a perfect honeymoon is to explore the deepest recesses of the canyon via muleback. Unfortunately, Nick did not have the foresight to apply for a permit for their excursion and the pair decide to take on the proffered services of a grizzled old guide Henry (Will Patton).
Will Patton makes the initial part of this movie quite watchable with his dry humor and vast knowledge of the canyon - he really is quite a hoot to watch in his role as guide. Unfortunately, his role is rather shortlived, and it is left to Nick and Lori to carry the rest of the movie through as the stranded pair are forced to rely on their wits to stay alive and make it out of the canyon, even as tragedy and danger stalk them in the form of a pack of determined wolves. Eion Bailey's Nick is quite average in his role as the smart ass new husband who uses his persuasive skills in getting Lori to agree to his adventure - a plan that seems doomed from the beginning considering his lack of planning and foresight.His character as such is hard to empathize with. Lori as portrayed by Yvonne Strahovski has more of a screen presence and manages to convey a wider range of emotions convincingly and had me rooting for her all through the movie. The highlight of this movie is actually the gorgeous cinematography of the canyon - simply breathtaking. On the whole, this is basically a been-there-done-that sort of survival drama, and I'd recommend it as a rental at best.

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Honeymooners Nick and Lori head off to the Grand Canyon for adventure and time alone together. Upon arriving, they hire Henry as their guide, who seems to have his own idea about the outdoor excursion. When tragedy strikes, the newlyweds must fend for themselves. Discovering they areprey being hunted by something orsomeone, they desperately fight forsurvival to escape the canyon alive.

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Thursday, January 10, 2013

Son of Kong (1933) Review

Son of Kong (1933)
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Following hot on the heels of the classic monster love story "King Kong",whose central character is often referred to as the eight wonder of the world, this continuation story filmed and released the same year and featuring some of the same cast and settings certainly had its work cut out for it. While it could never top its famous "parent", there is much that is of interest in this effort and for sheer atmosphere alone it is miles ahead of any of the numerous King Kong followup movies that have been released over the years. "Son of Kong", continues the story of Carl Denham (Robert Armstrong), from one month after King Kong's demise at the top of the Empire State Building and one of its most interesting elements is that it reveals some progression in his character in that he now can see that taking Kong out of his own environment was a mistake. This sequel is played in a far more light hearted manner but there is still enough action to satisfy those that enjoyed the classic "King Kong". Benefiting from being filmed just after "King Kong", "Son", also boasts the same general look and feel to it in particular in the scenes taking place back on Skull Island. In "Son of Kong", we encounter another kind of ape to the noble Kong, in his white haired son who seems to have an almost sentimental side to his character but who still has that strong bond towards humans just like his father possessed in the earlier film.
"Son of Kong", begins during the fallout from Carl Denham's disastrous exhibition of King Kong in New York which resulted in numerous deaths and untold damage when Kong broke loose and went on a rampage in the city. Short of money and besieged by reporters and writ servers Carl sees that his only hope is to escape New York on one of the boats sailing to the far East. Work in transporting cargo is fairly lean however and when the boat docks at a small South Seas Island there doesn't promise to be much else on the horizon. While on the island Carl encounters Hilda (Helen Mack), a singer in her father's second rate travelling tent show. After a performance Helen's father is killed in a drunken fight with Helstrom (John Marston), who held the original map that led to Skull Island. In a desperate effort to leave the island before the authorities track him down he spins a tale of a great treasure that was buried on Skull Island just behind Kong's Great Wall. With no better prospects dawning Carl and the Captain (Frank Reicher),decide to travel again to Skull Island and find this treasure. Taking the untrustworthy Helstrom along despite their misgivings about him they also find that they have an unexpected extra passenger in Hilda who has stowed away on board to be with Carl. However it's not smooth sailing on the journey to Skull Island as Helstrom stirs up trouble with the crew who mutiny and send off the Captain, Carl, Helen and Willie the Chinese cook (Victor Wong) in a life boat . However when Helstrom tries to take command the crew throw him overboard and he joins the others who land on Skull Island. Once on the island the team encounter a white haired ape trapped in quick sand. Freeing him Kong Jr. as he is dubbed immediately takes on the responsibility for looking after the group on the island. He does battle to ward off attacks by a large bear and a number of assorted other dinosaurs. The group eventually find the inner temple where in actual fact a treasure is hidden but just as they are preparing to leave a massive earthquake erupts and the island begins to collapse into the sea. Trying to leave the others behind and save himself Helstrom meets a horrible end courtesy of one of the creatures in the lagoon and while the rest of the party make it out onto the ocean Kong Jr. and Carl are trapped on what is left of the Island. As the water level rises Kong's son in one final act of sacrifice holds Carl up above the water til he is picked up by the group. With that Kong Jr. sinks below the waves to his own death. Apart from that sad note all ends happily for Carl and Helen who look forward to a new life together thanks to Kong Jr saving all of their lives.
Admittedly "Son of Kong", can't compare with its predecessor in terms of characterisation and general excitement and it does at times have the feel of a rushed sequel to it. However there is a great deal to enjoy in this effort. The idea of creating a white furred ape to succeed the dark haired Kong on Skull Island is an interesting one and the "personalities", of the two creatures are vastly different which makes watching these two films in succession a worthwhile experience. Robert Armstrong and Helen Mack (who obviously is replacing the famed Fay Wray as the romantic lead in this effort) have a good chemistry and what both might lack in real screen charisma they more than make up for in their earnest playing. The film boasts some of the great qualities from the first film, for example Wills O'Brien's exceptional dinosaur animation most obviously displayed in the battle between Kong Jr. and the cave bear and scene of the charging Styracosaurus just after the group arrive on Skull Island. Kong Jr's animation is for the most part a continuation of the previous brilliant work achieved by Wills O'Brien in "King Kong". Because Kong Jr. is played in a much more light hearted manner the creature is not perhaps as memorable a character however he has some very enjoyable moments on screen such as when he unintentionally comes across Carl and Helen in an intimate moment and backs off with an embarrassed expression on his face. Performances by the human leads as a whole are fairly exceptable. Robert Armstrong and Helen Mack deliver good performances under the often trying circumstances they find themselves in. Helen Mack as the embattled female lead naturally has to compete with the memory of Fay Wray in the original Kong movie but she has a sweet, endearing quality to her playing in particular in the scenes where her father is murdered. John Marston as the villian Helstrom, who predictably gets his just reward for his treachery also delivers an interesting performance. With its short running time (around 70 minutes), "Son of Kong", is of course not strong in deep character or story development however that in a way works in its favour as it keeps the proceedings moving along at a fast rate.
I always view "Son of Kong", as its own individual work and try not to match it up against the far more memorable "King Kong". Smaller in almost all ways than its predecessor it still is an enjoyable action film that still contains some of the best monster stop motion animation to come out of the 1930's. Kong Jr. is an endearing creation so in some ways calling him a monster seems inappropriate. What I admire the most about this little film is the great expertise on display in the stop motion sequences and the great atmosphere of Skull Island. In many respects this work was years ahead of their time long before computers were capable of working their miracles and they pay great homage to Wills O'Brien and his expert team of animators. Try and catch King Kong's comical white haired son some time soon in "Son of Kong", as a visit to Skull Island and its mysteries is always enjoyable.

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In this sequel to "King Kong," Kong's exhibitor takes off on a cruise, ends up back on Kong's island, and make friends with the adorable Little Kong.

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Wednesday, December 26, 2012

The Alphabet Killer Review

The Alphabet Killer
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I'll admit, I have a morbid fascination with serial killer movies. They harness a raw energy that is almost overwhelming. There is often a strange connection with the victims, the detectives, and sometimes even the killers themselves(or is it just me?). Plus there is a stark fear generated by recognizing a pattern and watching people struggle to prevent further mayhem.
THE ALPHABET KILLER is a pretty well-crafted, fictional tale. It's derived from some unsolved murders that took place in Rochester, NY, during the early 70's. A few young girls with matching initials would turn up dead in nearby towns that were spelled with the same first letter (i.e. Carla Castille in Churchville, Wendy Walsh in Webster).
A female detective(Eliza Dushku) is on the case, and she quickly becomes obsessed with cracking it. Actually, she's the one that starts to crack. She gets completely consumed, the mystery eats at her mind as she starts talking to herself and hallucinating (same thing happens to me when I watch reality TV shows).
Anyway, the movie takes a pretty dramatic shift early on when this woman loses control and attempts suicide. She is diagnosed with scizophrenia and admitted to a mental hospital.
Several times throughout this movie, we're shown the visions that this crazy woman sees--ghastly dead children that constantly haunt her. This is done for shocking effect, but I thought it was completely overdone. Kinda seemed like a ripoff of a Japanese ghost story film.
The story then proceeds as the police are completely baffled by the subsequent Alphabet murders. The mentally unfit cop is put back on the case, possibly due to her past romantic relationship with the chief. And of course, crazy is not something you can just sell on amazon.com.
Director Rob Schmidt does a decent job at mounting suspense. This film attempts to be dark, but doesn't completely succeed. It is interesting as a psychological descent into madness. I thought the cast did a very solid job. This has no gore or reenactment of the murders themselves, so some might get bored. Worth a rental.

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A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations. Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.

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Thursday, December 13, 2012

Abandoned (2010) Review

Abandoned (2010)
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Imagine waking up and taking your boyfriend to the hospital for a routine procedure, only to find out that an hour later he turns up missing. Not in the computer system, not on the grid at all. Pretty devastating, wouldn't it be?The final movie filmed by the late Brittany Murphy, Abandoned, comes packed with quite the punch. From one twist to another, we chase after Mary who's being chased by hospital administration- to name a few, who think she's lost her mind. She's leading to believe that her boyfriend Kevin, Dean Cain, has gone missing and not a single employee believes her. When Detective Franklin, Jay Pickett, steps in to investigate he finds more than he bargained for. After a day of thinking this super blond psycho fits the bill, he gives up his efforts to help her only to later find the answers to solve the puzzle.
This bone tingling suspense thriller will put viewers at the edge of their seats, chomping at finger nails and picking at those loose fibers on the cushions in the couch! Miss Murphy will be greatly missed, however this movie is sure to go down in the history of Cinema for the excellence in its dramatic prose.
Rest In Peace, Brittany. This movie serves her fans some closure, if you will, and shall be included as part of her wonderful Filmography

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Mary Walsh delivers boyfriend Kevin to a hospital for routine outpatient surgery. But when Mary returns to take him home, he's mysteriously vanished. An administrator can find no record of him, and a police search turns up nothing. Increasingly frantic, Mary's taken to staff psychiatrist Dr. Bensley, who pronounces her unstable. Now she must not only find her missing boyfriend, but prove her own sanity as well. When a stranger informs her he knows Kevin's whereabouts and demands a $10 billion ransom, she has one hour to comply and her boyfriend's life hangs in the balance. Forced to embezzle the money from the bank where she works, Mary soon discovers the shocking truth behind the disappearance. Now time is running out and she must take matters into her own hands to save herself.

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Monday, November 19, 2012

Ghetto Freaks/Way Out (1970) Review

Ghetto Freaks/Way Out (1970)
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Something Weird's typically garish sleeve design and sensationalistic copy don't really do these two topical films justice. In fact, in the case of WAY OUT (1967), based on a stage play by reformed junkie John Giminez (who also plays a role in the film), it would seem history itself has also not done the film justice, consigning it to the dustbin of reformed junkie pictures until Something Weird rescued it from an undeserved oblivion.
Though ostensibly the second feature on Something Weird's double bill, WAY OUT is actually the more important film cinematically and perhaps historically, utilizing as it does a largely Puerto Rican cast of real-life former heroin addicts who, surprisingly, are extremely capable performers. Their experiences clearly inform the characters they play, and while we're only given small hints about the kind of socio-economic conditions that might lead a young man (or woman) to start mainlining (the dingy New York boroughs in which the film was shot are a fairly obvious visual clue), we're spared no grisly detail of the chronic addiction cycle experienced by them once they do, and the lives and families they often destroy.
This is a film that would probably stand up to inclusion in the Criterion Collection, not so much for what it "says" (heroin is bad; nothing new there) but for how it dared to say it with an amateur cast in 1966, a time when most exploitation pictures dealing with drugs adopted one of two crackpot philosophies: a) junkies and hippies are evil and only the law, the government or the church can stop them (in films made by conservatives); or b) junkies and hippies are pacifist heroes, screwed over by the law, the government, the clergy or all three (films made by liberals). WAY OUT has no such agenda beyond illustrating in often graphic detail the day-to-day existence of the addict, the circle of lowlifes he must traverse in search of another elusive "fix", and the people he hurts on his way down.
This is raw meat for 1966, often downright painful to watch and never preachy until the heartfelt coda where the performers all break character, confess that Jesus saved them, and march down the street in unison belting out a gospel tune! Yes, this is, at its heart, a Christian film, though one probably made more with neighborhood rehabilitation clinics and missions in mind than grindhouses or drive-ins or even churches. Where "churchy" pictures, then as now, tended to be downright laughable in their conservative moralizing and wrongheaded portrayals of sinners of all imaginable stripes, WAY OUT doesn't look down on its lost souls. It simply shows you how they live, the bleak, almost microcosmic worldview they embrace, how they hurt, and how difficult it really is to break the vicious cycle. Remove the invitation to Christ from the last five minutes and this is still a harrowing journey, and the fact that it's not enacted by a cast of famous Hollywood method actors slumming for awards makes it all the more believable.
Though director Irwin S. Yeaworth (better known for THE BLOB and the 4-D MAN, but a Christian filmmaker before and after his dalliances with sci-fi) is no longer with us, many in the cast and crew still are, as is Yeaworth's wife Jean, who served as co-writer and music supervisor on the picture, which makes one pine for some kind of audio commentary that would enlighten us about the production of what it probably the first realistic anti-drug picture to headline an ethnic minority cast.
The other film in this two-fer is GHETTO FREAKS, retitled from the original LOVE COMMUNE and SIGN OF AQUARIUS after some clever distributor inserted an incongruous two-minute sequence of a black shaman leading a bizarre love cult ritual. Surrounding that dopey sequence is the episodic tale of a group of hippie pals protesting, panhandling, consuming and loving their way through an ugly Cleveland winter while sharing a run-down pad. Into their free-for-all comes a sweet young thing from the suburbs who doesn't take long to dig their vibe, imbibe their goodies and get it on with their leader (Paul Elliot). Along the way they're hassled by the police for unlawful public assembly, and frowned upon and argued with by Cleveland's blue collar conservative element that wishes they'd just get jobs, haircuts and baths. Eventually, Elliot's former drug dealer bosses squeeze him to rejoin the circuit, and his refusal leads to tragedy, placing GHETTO FREAKS squarely in the second philosophical category of drug films I mentioned above: the hippie stoner as harmless hero, bullied by society above and the "real" vermin below.
More a series of vignettes than a cohesive plot, GHETTO FREAKS moves like molasses - most sequences run longer than necessary, but two of them are verite gold: one sees the cast panhandling FOR REAL on the streets of Cleveland, recorded covertly from some distance away; the other sees them debating their very existence with an arguably "real" working class stiff in a public square, filmed both from afar and by a "news camera" flitting about the crowd. As with nearly every other sequence in the film, both of these doses of realism overstay their welcome in hindsight, but their fascinating time capsules while they play out.
Something Weird goes a little light on the extras this time around, with five sensationalistic trailers for other junkie films of the period and a short classroom scare film, in color, called NARCOTICS: THE INSIDE STORY, which explains the dangers of drugs and exalts the virtues of being young, white, beautiful and frolicking on the beach. Good times.

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Hanging out at a late-sixties rock club, stoner-freak Sonny watches as a wealthy mother tries to "rescue" her daughter from the corrupting hippie environment. Acting quickly, Sonny slips the girl the address of his nearby House of Hippies and, moments later, she's taking her first LSD trip and having group sex on the floor! Sonny then shows her the joys of panhandling and the thrill of protesting in the park before some drug dealers remind everyone that reality really sucks.... Originally released as both Sign of Aquarius and Love Commune, this stoned-out slice of hippie life -- filmed in Cleveland of all places -- was rereleased as Ghetto Freaks courtesy of a bogus blaxploitation ad campaign and the addition of two minutes of new footage featuring the black leader of a kinky love cult. Plus: From Irvin S. Yeaworth, the director of The Blob, 4D Man and Dinosaurus, comes Way Out, an intense and surprisingly affecting story of Puerto Rican drug addicts in the Bronx. Frankie and Jim are best buddies who enjoy getting high until their addiction to heroin forces them to burrow through a harrowing underworld of fellow junkies, crime, and violence where their only goal is "to get that fix, get that fix...." With a cast comprised entirely of real-life former addicts -- who break character at the end to provide a startling and hopeful coda -- "this is a crazy Way Out world which squares just won't believe...."

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Sunday, October 14, 2012

Midsomer Murders: Set 14 Review

Midsomer Murders: Set 14
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(if you are shopping for season 14, then I assume you know the basics already; still I am including the show outline in the PS paragraph; hope this helps)
This is such a LOOOOOONG wait, but...I thought I would share a few thoughts on the upcoming episodes: Death and Dust, A Picture of Innocence, They Seek Him Here, and Death in a Chocolate Box (eps 56 thru 59). All four were originally aired on British TV from May 2007 to May 2008. The US Feb 2010 DVD release date means we are more then two years behind. Ghrrrrr.... Still, I believe these episodes are well worth the wait: Barnaby himself becomes a murder suspect (!), MM's trademark inventive murder tools make an appearance (including a guillotine!), and we see the return of Simon, Cully's (Barnaby's daughter's) intended. Alas, Cully's wedding (episode 60) is still a long time coming (according to Acorn, set 15 has a tentative release date of June 2010, and set 16 of Oct 2010; we will have THREE sets, rather then the usual two in 2010!!!).
As excited as I am for season 14, according to Brian Tru-May, the show's executive producer, there are many well known actors interested in guest starring in future episodes, including Michael Caine, Roger Moore, and Johnny Depp (!!!). I hope this great show goes on forever! ;o) Still, no word on who is taking over for John Nettles when he retires...
UPDATE (Feb 10, 2010): Nettles' replacement has been revelaed. I have included the details in Set 16 review.
PS: For those new to this British masterpiece, Midsomer Murders is a long running "who done it", based on the novels of Caroline Graham, starring John Nettles (of the Bergerac fame) as the unflappable Detective Chief Inspector Barnaby. The series is set in the fictional Misomer County, which comprises of many cosy, rural villages, where wealthy and poor alike seem to do each other in at an average rate of three to four bodies per episode. The series has a worldwide following, not in the least due to the creative and macabre ways in which the MM victims are typically dispatched.

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WHAT EVIL LURKS BEYOND THE WELL-TRIMMED HEDGES OF MIDSOMER…
The cozy villages of Midsomer County reveal their most sinister secrets in these contemporary British television mysteries. Inspired by the novels of Caroline Graham, modern master of the English village mystery, the series stars John Nettles (Bergerac) as the unflappable Detective Chief Inspector Tom Barnaby, with Jason Hughes (This Life) as his earnest, efficient protégé, Detective Sergeant Ben Jones. Guest stars include Stephanie Cole, Gareth Thomas, Christopher Fairbank, Richard Hope, Peter Eyre, Chris Barrie, Matthew Marsh, and Clare Higgins.
THE MYSTERIES Death and Dust--The impending marriage of a widowed doctor and a well-to-do divorcée motivates a murder of mistaken identity. Picture of Innocence--In the midst of a “shooting war” between rival camera clubs, someone tries to frame Barnaby--and definitely not for a portrait. They Seek Him Here--Heads roll, quite literally, when a movie crew begins filming an adventure classic set during the French Revolution. Death in a Chocolate Box--A long-buried scandal reemerges to haunt two of Barnaby’s former colleagues, now the managers of a halfway house.

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Saturday, October 6, 2012

Ghost Whisperer: The Complete Fourth Season Review

Ghost Whisperer: The Complete Fourth Season
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I've had an embarrassingly deep affection for Ghost Whisperer since the first episode. I generally like 'edgier', more clever programming, but Ghost Whisperer has always provided the uplifting, inspirational, poignant and just plain entertaining mood-boost that even a cynic like I am found really refreshing!
This season, though, was a crushing disappointment. In what seems like a desperate bid to be 'SHOCKING', the show killed off dull but sweetly supportive Jim...only to transplant him into another body and waste untold amounts of melodramatic screen time on 'Jim is Sam but really still Jim' nonsense that's somehow even stupider than it may sound. This predictable, repetitive melodrama took valuable screen time away from developing the show's ghost stories or actually exploring the spirit world.
Combine this with the introduction of the least appealing regular in this show's history---the vaguely unpleasant Eli, who's like Professor Payne of earlier seasons but without the humor and charm---and you have a season that had even a diehard GW lover like I am ready to give up on the series.
I'd recommend spending your money on earlier seasons, which feature interesting ghost stories and a blend of mood-boosting sweetness and charm that's lacking in this one.

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Friday, September 14, 2012

Jacob's Ladder (1990) Review

Jacob's Ladder (1990)
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I wonder if this movie could be made today - after all, it doesn't have any computer-generated special effects, it demands the viewer's complete attention, and really needs to be seen more than once to appreciate fully the meaning of all of the scenes. Incredible too is that the writer (Bruce Joel Rubin) was working on the filming of this and his more popular movie "Ghost" at the same time. Director Adrian Lynne wisely avoided some of the more sacharrine touches that Rubin had in the original script (such as the view of "Heaven") and added many subtle disturbing elements of his own. The final result is a film that you will think about long after you see it, a man's journey through the bardo state to his final enlightenment. In a way, this is the cinematic equivalent of a Pettersson symphony - an emotional catharsis after the long, dark night of the soul. I'm not ashamed to say that I cry like a baby every time I watch it.
Comparisons with Bierce's "Occurrance at Owl Creek Bridge" and "Carnival of Souls" are inevitable and not out of place, but "Jacob's Ladder" has more layers than either of those and ambitiously takes on the psychological layers of one man's life, the tension between the comforts of home, wife and family and the unfufilled desires he harbors.
There are some violent scenes and very disturbing imagery throughout the movie; after all, it *is* about war, fear, and death. However, none of it is gratuitous, and the use of strobe lighting, quick cuts, and odd camera angles keep the viewer from being able to see anything definite. But don't say you weren't warned....
The DVD's documentary and deleted scenes, along with the director's commentary, will enable the first-time viewer to get a more complete idea of what is happening. I've watched this film at least a dozen times, and never fail to see something new in it each time. Sound and image quality are excellent.
This one isn't for casual viewing; it is *certainly* not a Saturday-night time killer, nor is it a "horror" movie in the standard sense of the term. Still, absolutley my highest recommendation.

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A Vietnam vet, back at home in New York City, finds himself losing his grip on reality, in a horrifying way; only his friend can help him.Genre: Feature Film-DramaRating: RRelease Date: 22-AUG-2006Media Type: DVD

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Friday, September 7, 2012

24: Season One (2002) Review

24: Season One (2002)
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The show itself is of course magnificent for the most part. Innovative, exciting and very well acted. A landmark in modern TV drama, despite a brief drop -off in quality in some of the late afternoon episodes. The DVD picture quality is wonderfully sharp, and the sound is nicely crisp.
Important to note if you are buying this package having not seen the show before (having heard about it from others but too late to join in watching it on TV) that there are spoilers all over the presentation. the enclosed booklet includes short summaries of every episode and not much else, so don't look at it until you've seen the whole show. Similarly the menus feature clips from the show which is nice to watch if you aren't worried about information being given away, as the clips on the menu for each disc tend to reveal major plot points.
Also, the DVD extras are actually pretty poor. The alternative ending is dull and obviously only shot to keep the true ending secret. The teaser for season 2 comprises only Kiefer Sutherland talking in very vague terms about the general concept of 24, with no real information about the second series.
Worst of all is the fact that the footage on the discs is only the footage that was originally broadcast IN THE US. In the UK the broadcast footage included an extra couple of minutes for each of the episodes 7pm - 12pm. This footage contained scenes that was cut from the US broadcast for adverts, whereas in the UK 24 was shown on the BBC where there are no adverts.
These scenes ranged from nice additions to important points: one cut scene had a major impact on the crucial events in the final episode and another even greatly improved the climactic battle between Jack and the bad guys.
Fox haven't included this footage on the DVD versions in either the UK or the US, meaning that us poor Brits have scenes that we miss and this has led to calls for a recall and replacement with the full footage. For the US viewer, this is actually worse, in that you are never going to see these great scenes. There are no running time issues on DVD, unlike on TV, so why not let those fans willing to pay for the box set have bonus footage integrated into their box sets?
Bizarrely, this doesn't affect the VHS British release of 24, only the DVD, so if you want those extra scenes you'll need a PAL compatible TV and VCR.
Why not drop Fox an email congratulating them on making such a great show and asking for them to include the full footage as was broadcast on the BBC?

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Twenty-four hours of a counter-terrorist agent's attempt to prevent the assassination of a presidential candidate.Genre: TelevisionRating: NRRelease Date: 17-SEP-2002Media Type: DVD

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Sunday, September 2, 2012

Possession (2009) Review

Possession (2009)
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There is so much right with Possession: Sarah Michelle Gellar is beautiful and affecting as Jess; Lee Pace is (psychologically) dark and sexy as Roman who might be Ryan, and Michael Landes is pitch-perfect as Jess's artistic, sensitive and loving husband, Ryan. The premise of a woman confronted with the possibility that the spirit of her beloved, comatose husband might now be residing in the body of her dangerous brother-in-law is outright fascinating and could have been mined for so much more than it is, here. I agree with those who said the alternate ending was better, but even there, Possession suffers from the fact that the directors couldn't decide if they were making a psychological horror film, a supernatural horror film, or a woman-in-danger thriller. They got that they were making a romance, but apparently became confused as to whether Pace or Landes should be the true object of Gellar's affections. Ignore the image on the DVD case which has more to do with the direction that the film should have taken than anything remotely related to the film as it was actually made (including deleted scenes and alternate endings). If you are a fan of any of the three actors, you'll want to see this film in which case you should definitely buy the DVD for the more emotionally satisfying alternate ending as the official ending manages to reassert the supernatural theme at the same time it leaves us in a logical and emotional limbo. If you are a fan of the original Korean film, Addicted, you will likely be disappointed in the westernization of a film with a very neat and unexpected twist at the end. I give this a rating of four primarily for the three leads and the atmosphere and the potential. Sadly, potential that is not quite realized.

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Saturday, August 11, 2012

24: Season Six (2007) Review

24: Season Six (2007)
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If one thing's certain by now, it's the fact that people sometimes have starkly different opinions on seasons of '24'...and that's fine. I'm not here to change anyone else's mind overall, I'm merely going to point out -- as I did in my Season Two review -- the specifics (that helps) of what's led to my conclusion. I'll even be fair and make sure that the categories I'm about to discuss cover both positives and negatives.
To be blunt: What we have here is pure '24' -- a consequence-ridden one-day saga of well-developed characters, cleverly-written twists, political conflict, ethical dilemma, and fantastic action.
...But before going further into that, I want to respond to some things I'm hearing by tossing out three points of my own -- each of which address what this season isn't.
-This is not the weakest season (that distinction goes to Season Three, which had a convoluted, underwhelming first half and only became memorable during the second).
-This is by no means the first season to recycle concepts that have appeared before on '24'. A woman under Jack's protection having essential info; someone from the White House deciding to make a tragic human sacrifice; CTU being attacked; Jack going undercover as a bad guy; villains laying in wait to save their leader; the families of terrorists being threatened... Some of these are features that appear again here; all of these are features that have been reused well before Season Six.
-This is not the first season to be split into two story lines and have a latter problem borne of a former; it's simply the first to make the second objective significantly shorter (about six episodes long). I found this to be a refreshing new direction (anyone who claims the writers "ran out of script and improvised" obviously wasn't paying close enough attention; the second story line is foreshadowed about halfway through the first). It's also a direction that was more believable than the idea of stretching out the first story line for as long as possible.
Now then, where this season shines...
CHARACTER:
Four words: Bauer at his best.
"You are not judged by the height you have risen but from the depth which you have climbed" -- Frederick Douglas. What makes Kiefer Sutherland's character most admirable as a hero is up to every viewer to decide for themselves. For me, it's not primarily the remarkable skill and ingenuity he possesses, but the notable endurance and determination he displays no matter how bad things get -- and for Jack, things have been bad indeed. But even when faced with the worst life can throw at him -- two years of softening captivity, the absence of several friends and loved ones, and a torturous experience at the hands of terrorists -- Jack still holds on to some of who he is, which means that no matter how many times you knock him down, he'll keep getting up again.
It seems sometimes like the only person who can really take Jack out of the game is Jack himself, and there's a scene early on in which a distraught Bauer nearly does just that -- only to realize he must endure for one more day. The events that set this moment up (at the end of the fourth hour) are at first questionable, but it becomes apparent that they occur because the writers want, above all, to make a point about Jack -- and this is part of where the show's commitment to character is displayed.
Another highlight this season is the new presence of Vice President Noah Daniels, played excellently by Powers Boothe. I liken Daniels, in some respects, to a modern-day Agamemnon -- a powerful man whose pride can be off-putting, whose methods can be questionable, but also a man who ultimately cares about the land he's in service to and the soldiers under his command. Throughout the day, Daniels often stands in opposition to certain people we've come to sympathize with, but all the while, his arguments remain logical, his patriotism remains prevalent, and a sense of compassion and respect for others begins to stand more and more revealed. This culminates in the creation of one of the show's most entertaining and best-developed characters.
The highly talented Peter MacNicol arrives as Tom Lennox, a similarly-developed cabinet member who also starts off with questionable methods, but becomes a more endearing guy throughout as he labors for the good of the country, works alongside other likable characters, and passes a few moral tests along the way.
A complement to Jack this season is Rick Schroder's Mike Doyle, an experienced tough guy with admirable determination of his own, given depth by his handling of an ethical dilemma and his limited displays of camaraderie and respect toward Jack and other co-workers.
In addition to these nicely handled new characters, this season has some of the few returning favorites that are left, like Bill and Chloe, along with the returns of Karen, Morris, and brief appearances by the Logans. What also works out well is the return of someone who's become a nice nemesis-like figure for Jack.
Last but not least are the arrivals of a few more Bauers this season, which not only sheds some welcome light on Jack's family, but helps to finally reveal a few things about his past (such as how he wound up in law enforcement in the first place).
WRITING:
Among the creative twists this season are a scene where Jack and a partner have to trick a terrorist by means of an auto "accident" (more on this in a moment), and the first time the cunning Philip Bauer outfoxes everyone by taking an unexpected hostage. What I found especially clever was the David Fury-written episode in which there's more to a certain rescue than meets the eye.
The political content -- full of the usual conflicting methods, ethical questions, and even a case of conspiracy -- was well-written, clear, and served as grounds for some of the noted character development above.
'24' isn't a show that's known for being funny, which is what makes the rare moments of humor notable. One of my favorite scenes ever in this area comes this season, when we observe Jack pretending to be an angry driver (while tricking someone), as it's quite a fitting role for him. There's also a nice joke or two from Tom during a sting operation.
ACTION:
The most notable scene of the season in this regard is the final showdown between Jack and Fayed's team. This is probably the greatest action scene since Jack took on the Drazens (with the finale of Season Two being a possible exception). Also notable are the moments with the Doyle-led CTU team against the embassy, Jack playing a neighborhood hero in the fifth episode, and the battles inside CTU.
ROMANCE:
We get to meet the apparent first woman Jack ever loved, Marilyn -- who's been tied to the Bauer family ever since, and raising a son with Jack's brother. The likable bond between she and Jack, as mentioned, helps reveal little tidbits of our hero's past. Also nice is the fact that Bill and Karen have grown significantly closer since we last saw them, while Morris and Chloe's relationship can be enjoyable as well.
Where this season doesn't shine...
CHARACTER:
Well, if one compares the Palmers of today to the Palmers of yesterday -- specifically, the brother-sister duo of Wayne and Sandra to the great David and Sherry...sigh...
Wayne was an enjoyable character in Seasons Three and Five. It feels like he was never really meant to have the role he's given here, though, and one wonders if the writers begin to realize this throughout -- hence their focus on a far more interesting politician in Noah Daniels. Also, the character of Sandra Palmer just doesn't really seem to have a place, and overall, neither of these two can measure up to the standards set by the noble, strong David or the bold and mischievous (but sometimes noble) Sherry.
As a villain, Gredenko is also one of the least memorable (though this is compensated by the presence of his partner Fayed).
WRITING:
(Minor spoilers)
Russian President Suvarov practically playing terrorist while setting deadlines was a low point for me (though it's not much more absurd than the previous season's finale where Jack not only kidnapped a certain someone, but was set free shortly afterward). The situation with Sandra and her friend early on was also dull and lagging.
ACTION:
(Minor spoilers)
After getting the info he wants from someone in the embassy, Jack simply turns and walks toward a door that's got several guards on the other side? What's the obvious outcome here? If you answered "getting knocked senseless for walking into such an obvious danger," you're right. I'm also finding it hard to believe that at this stage, CTU can be physically attacked with such minimal effort (but of course, this sets up some better action to follow).
ROMANCE:
Nadia's triangle doesn't really seem all that significant.
On another note, some of us have wished that the Logans had more screen time this season. It's probably worth noting, however, that the decision not to use them is simply a traditional move on the story's part. This series has, in general, always used characters for as long as they're needed, and sent them away after that -- which is the reason the cast constantly changes.
What hasn't changed, though, in my opinion, is the fantastic work put forth by the cast and crew of this great show. Everything that composes the series is present here, and still done to enjoyable effect. This is fascinating characterization. This is engaging political intrigue. This is well-done action. This is complex drama. This is '24'.

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No Description Available.Genre: TelevisionRating: NRRelease Date: 4-DEC-2007Media Type: DVD

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Thursday, July 26, 2012

The Glass House (2001) Review

The Glass House (2001)
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In THE GLASS HOUSE, murder runs rampant amid the scenic backdrop of Malibu. An accidental dealth leaves two children, Ruby played by Leelee Sobieski and Rhett played by Trevor Morgan, orphans. They are placed into the custody of their neighbors, Trevor and Erin Glass.
Their home has half of its structure made out of glass, a beautiful site, but one where the cold atmosphere clearly shows that life is about to change. Everything the kids do is monitored as no aspect of their lives is private. Somehow, Trevor and Erin seem to be everywhere imaginable, yet seemingly never around. Things really heat up once Ruby finds out about the skeletons in her new guardians' closet.
Although the plotline is fairly predictable, the acting is quite good, and the suspense will give you goosebumps. Leelee Sobieski is wonderful in her role, and Diane Lane and Stellan Skarsgaard play excellent adversaries. GLASS HOUSE also features cameos by Chris Noth and Rita Wilson, completing the cast quite nicely.
Overall, this is a fairly entertaining film that will definately make you flinch in your seat a couple of times. It won't dissappoint.

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Tuesday, July 24, 2012

Flowers in the Attic (1987) Review

Flowers in the Attic (1987)
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In my point of view, if you want to know the real story, read the book! I read the book before I saw the movie and I was VERY disappointed. The movie leaves out all of the feelings and losses of the characters, which is what makes the book amazing.
The story is about four beautiful children (Chris, Cathy, Carrie, and Cory), who are locked away in a room by thier selfish mother, with a filthy attic as their playground. Their cruel heartless Grandmother brainwashes the small children, Cory and Carrie, into thinking that they are "devil's spawn", and they are painfully malnourished. They live each day as if it were a year, sadly awaiting the truths that are to come from their greedy mother.
This book will capture the tears from your eyes, as you feel the trials and triumphs of four helpless children, locked away without care.
I recommend the rest of the dollanganger series from V.C. Andrews, from the escape from the attic; to the return; and thier lives still haunted by the house; and a Pre-quel.
-Petals on the Wind,
-If there be Thorns,
-Seeds of Yesterday,
-and finally, Garden of Shadows.

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Dreams of an inheritance turn into a nightmare for four innocent children who are locked in the deserted north wing of the family mansion, beaten by a vicious grandmother and tormented by a menacing caretaker.Item Type: DVD MovieItem Rating: NRStreet Date: 04/24/01Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: noRe-Release: noPackaging: Sleeve

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