Showing posts with label best. Show all posts
Showing posts with label best. Show all posts

Wednesday, January 23, 2013

My Bloody Valentine (1981) Review

My Bloody Valentine (1981)
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Remember those heady days in the late 1970s and early 1980s when films like "Halloween" and "Friday the 13th" attained stellar success at the box office, resulting in a slew of holiday themed copycats? Movies like "April Fool's Day," "My Bloody Valentine," and "Graduation Day" arrived on the scene and dropped off the radar just as rapidly. Thanks to the appearance of DVD players, these films are reappearing with a disturbing rapidity. Unfortunately, the movies aren't much better than they were when they first came out. This is especially true for Paramount's release of the 1981 slasher film "My Bloody Valentine." At the time, Paramount demanded a mountain of cuts from director George Mihalka in order to avoid a dreaded 'X' rating for graphic violence. That's acceptable for a theatrical release, but a DVD version should reinsert all of the gory footage. Well, this release is the boring old 'R' rated version, and to make matters worse Paramount technicians included nothing else with the movie: no stills, no commentaries, no behind the scenes stuff, and no trailers. Get with the program, Paramount! The customer who will buy this movie on DVD is a genre fan; they want to see all of those gory killings you lopped off with indifference.
"My Bloody Valentine" takes place in a little mining town called Valentine Bluffs. We don't really know the location of the town, but the accents of the some of the characters hint at a Canadian setting somewhere near Quebec. Some years before a terrible mining accident resulting in the deaths of several miners caused Harry Warden to snap. Warden went on a killing spree through the town on the night of the Valentine's Day dance. Ever since then, the authorities in Valentine Bluffs banned parties on Valentine's Day, ever mindful of Harry Warden's threat to wreak bloody havoc on the town if they held another dance. Harry Warden, for the record, was one of the survivors of the mining accident, an accident caused by negligence on the part of two of the supervisors. After his murderous spree, Warden ended up in an insane asylum and the town slowly forgot his grim threats.
Now it's the present (or at least 1981), and the mineworkers want to have another holiday party. The authorities, which include a neurotic mayor and a police chief who looks like Steve McQueen from a distance, are willing to go along with the idea of a celebration. Then the valentines start showing up, one of which contains a bloody human heart. The mayor and police chief initially try to keep the threat hush-hush, but a few more murders persuade them to cancel the dance. The young people in town throw a fit, deciding that they will still have a party but hold it at the mine instead. You can guess what happens from this point on: bodies drop like flies as a madman in mining gear (gas mask, helmet, black clothing, and pickax) works his way through the group of bubbleheads. As the chief desperately attempts to track down the whereabouts of Harry Warden, a group of especially idiotic partygoers head down into the mine for a few yucks. The last twenty minutes of the film take place in the darkly atmospheric mine, as the killer picks off several of the kids in the quarry. There's a twist ending that achieves only a moderate level of interest, and then the whole thing ends.
"My Bloody Valentine" is a major rip off of other slasher films. This movie even has its own version of "Crazy Ralph" from "Friday the 13th" in the form of a testy bar owner who continually spouts stories about Harry Warden and the foolishness of throwing another party. You just know this guy is going to get his, and he does, but I kept wondering how he got any business. Who wants to go to a place where the proprietor keeps talking about gruesome murders? The other characters fall into typical slasher movie typecasting as well: the two guys fighting over the girl, the ineffective police chief and mayor who try to ignore the warning signs until it's too late, and the omnipresent killer. When it comes to original and engaging characters, "My Bloody Valentine" doesn't offer much except stereotypes with bad haircuts. Horror movie buffs should take note of Ray Sager's name (as first assistant director) in the credits: Sager played Montag the Magnificent in H.G. Lewis's "The Wizard of Gore."
At first, the gore seems to promise that "My Bloody Valentine" is a step above your typical slasher film. The heart in the box is gruesome, but after that initial shocker the movie steps back into rather banal exercises in the sauce department. The heavy handed editing is to blame here, as nearly every murder that takes place either happens completely off camera (the idea of it!), or cuts away before the serious bloodletting starts. There are places where you can discover what Paramount removed to get that all-important 'R' rating, and it's obvious that this film would have been much better if we could have seen the full effect of the killer's actions. A boiled face, a hook through the head, and a body in a laundromat dryer sound great on paper, but the execution suffers horribly because we never get the full, grotesque effect. It's the equivalent of watching a Richard Pryor concert with all of the profanity bleeped out. I pray Paramount comes to their senses and finally releases this film, along with the first eight "Friday the 13th" movies, in uncut formats. "My Bloody Valentine," as it stands now, falls squarely into the "rent, not buy" category: an interesting film with great promise, but an ultimate failure due to circumstances beyond the control of the cast and crew.

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Item Name: My Bloody Valentine; Studio:Lions Gate

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Thursday, November 15, 2012

American Pie - Band Camp (Unrated Widescreen Edition) (2005) Review

American Pie - Band Camp (Unrated Widescreen Edition) (2005)
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Pay no mind to the reviewers who haven't actually seen this movie and are criticizing because the original cast isn't in this, because it's actually a worthy addition to the series.
It has more HEART than any on the movies in the series and UNLIKE AMERICAN WEDDING (which was more of a sequel to JACKASS than AMERICAN PIE), remembered that American Pie was a popular series because of the SEX and not the gross out jokes. Although it did manage to get some of those gross out jokes in there.
Really, the only thing that keeps this movie down is the fact that they weren't given a very big budget. For the amount of money that they had to make this, I think they did a very good job and the mostly original cast managed to be funny, relatable, appealing and should be commended for delivering a worthy addition to the series.
The movie revolves around Stiffler's brother Matt, played by Tad Hilgenbrink, who is trying to live up to his brothers reputation by making a peeping Tom video while being forced to go to Band Camp as a punishment for tormenting the Band.
The Band's leader, Elyse, played by Arielle Kebbel, was also a nice addition to the American Pie women. She's fun to watch with her innocent smile and budding sexuality.
The women are attractive too. Although they had small parts, Rachel Veltri and Carla Alaponte are stunners.
The story is sort of typical, but surprisingly had a lot of nice twists that weren't typical. Some nice surprises and a nice wrinkle of an ending.
After American Wedding spent nearly its entire 103 minutes doing gross out jokes that were more typical of JACKASS than the original American Pie, it was really refreshing to see Band Camp return the series to its true form and explore the hilarious side of teen sex with all its immaturities and vulnerablilities.
Band Camp is a worthy edition to my DVD collection.

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Get ready for the wildest, most hilarious slice of American Pie ever! This time around, the bad-boy antics of Stifler’s younger brother Matt get him sentenced to a summer at…Band Camp! Join the fun as the outrageous Stifler tradition lives on in this uproarious romp filled with gorgeous camp counselors, hilarious hidden cameras and a late-night encounter with a certain musical instrument. Co-starring "Jim’s Dad," Eugene Levy, and an irresistible cast including a pair of Playmates, it’s a Pie-style party you’ll never forget.

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Wednesday, November 7, 2012

Northern Exposure - The Complete Sixth Season (1990) Review

Northern Exposure - The Complete Sixth Season (1990)
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With some of the original air dates in debate:
1.) Dinner at Seven-Thirty
Original Air Date: September 19, 1994
Joel drinks orange juice from Ed's refrigerator, but it is actually a healing potion for body aches.
2.) Eye of the Beholder
Original Air Date: September 26, 1994
Ed busts an insurance scam; Maggie donates a family heirloom for a charity auction; Maurice donates a case of "turned" red wine.
3.) Shofar, So Good
Original Air Date: October 3, 1994
Rabbi Schulman plays the ghostlike character in "A Christmas Carol"; Maurice holds the annual fox hunt.
4.) The Letter
Original Air Date: October 10, 1994
Maggie discovers a letter she wrote to herself when she was a teen; Shelly learns the fallacy of chain letters; and Chris meets the new town barber.
5.) The Robe
Original Air Date: October 17, 1994
Shelly meets the devil; Ed works with Joel to prove himself to Johns Hopkins School of Medicine; and Chris becomes a ventriloquist.
6.) Zarya
Original Air Date: October 31, 1994
Marilyn tells a story about Russian treaty negotiations.
7.) Full Upright Position
Original Air Date: November 1, 1994
Joel and Maggie board a plane bound to Russia; Maurice brings his young cousin into his business; Chris gets inside electricity.
8.) Up River
Original Air Date: November 14, 1994
Joel goes to Manonash; Chris remodels his trailer; Ruth-Anne surrenders to love.
9.) Sons of the Tundra
Original Air Date: November 28, 1994
New doctor, Phillip Capra and his wife, Michelle, come to Cicely. Holling wants to join Sons of the Tundra; Ed sees the future.
10.) Realpolitik
Original Air Date: December 12, 1994
Maggie is elected Mayor; Dr. Capra plays a round of golf with Joel; Marilyn buys a dog.
11. The Great Mushroom
Original Air Date: January 4, 1995
Maggie goes to Manonash; the Capras entertain house guests; and Ed discovers a cure for shingles.
12.) Mi Casa, Su Casa
Original Air Date: January 11, 1995
While house-sitting, Ed throws an outlandish bash on Maurice's dime; Marilyn goes to Manonash. Shelly and Holling look for their first house.
13.) Horns
Original Air Date: January 18, 1995
Joel is free from his "imprisonment"; Maurice produces Cicely Water, which affects the town's people in strange ways.
14. The Mommy's Curse
Original Air Date: February 1, 1995
Maggie's mother brings her boyfriend to town; Walt works for Ruth-Anne at the store; Holling and Dr. Capra hang out together.
15.) The Quest
Original Air Date: February 8, 1995
Joel and Maggie search for the Jeweled City of the North; Chris sues Dr. Capra; and Michelle Capra writes a review of the Brick.
16.) Lucky People
Original Air Date: February 15, 1995
Dr. Capra has a shocking realization; Cicely celebrates Founders Day; and Maurice buys gifts for Holling's daughter.
17.) The Graduate
Original Air Date: March 8, 1995
Chris earns his Master's degree; Maggie purchases the local movie house; a young man claims to be Holling's son.
18.) Little Italy
Original Air Date: March 15, 1995
Dr. Capra discovers "Little Italy"; Ruth-Anne is on NPR's "All Things Considered."
19.) Balls
Original Air Date: March 22 1995
Cicely has a bowling team; Ed quits working for Maurice. Lester Haines makes Ed an offer.
20.) Buss Stop
Original Air Date: April 12, 1995
Michelle Capra directs the play "Bus Stop."
21.) Ursa Minor
Original Air Date: May 3, 1995
Ed adopts a bear cub; Maggie walks in on Chris using lucid dreaming; Maurice is upset about Cicely's population decline.
22.) Let's Dance
Original Air Date: May 10, 1995
Officer Semanski has feelings for Cal Ingraham; Dr. Capra insults Mrs. Whirlwind.
23.) Tranquility Base
Original Air Date: May 17, 1995
Finale: The cast of characters go to Maurice's Tranquility Base. Michelle gets lost in the woods; Maurice asks Barbara to marry him; Iris Dement's song, "Our Town" is the vocal backdrop for a wonderful montage.

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Recipient of 39 Emmy nominations and winner of the Emmy and Golden Globe Awards for Outstanding Drama Series, Northern Exposure comes to an offbeat and inspirational conclusion. For this final season, newcomer Dr. Phil Capra (Paul Provenza) joins Dr. Joel Fleischman (Emmy nominee Rob Morrow), Maggie (Emmy nominee Janine Turner), Chris (Emmy nominee John Corbett) and the rest of the quirky citizens of Cicely, Alaska. Digitally restored for optimum picture quality, this must-own five-disc set includes all 23 beloved episodes and over 30 minutes of never-before-seen deleted scenes. See the finale of this groundbreaking, heartwarming adventure that's as stunning as the Northern Lights themselves!

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Sunday, October 7, 2012

Everwood: The Complete Third Season Review

Everwood: The Complete Third Season
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First, I have to point out that I'm reviewing Season Three of EVERWOOD. The other three reviews appear to be of Season Two. My only guess is that at some point Amazon had this listed as Season Two and changed it.
I'm giving Season Three five stars even though I don't think it was quite as good as the previous two seasons. This could be a perception issue, but Season Three seemed to be slightly melodramatic, slightly more inclined to milk dire situations, a bit more inclined to do "very special episodes." I also found myself getting more irritated with characters than before. Ephram's meltdown after finding out about why Madison left town was hard to take at times. And while one of the appeals of the show was its willingness to present Andy Brown as a protagonist with feet of clay, in Season Three he simply makes too many bad decisions and involves himself in too many family crises of his own making.
Still, the show continued to be a superior family drama. While it bordered on soap opera at times, it usually corrected itself and kept the story moving in significant ways. Why doesn't this qualify as soap opera? The latter never really goes anywhere. One of the more important scholarly studies of the genre is entitled STORIES WITHOUT END. Each story arc in a way establishes a reset and season after season the characters simply waffle around, never really going anywhere significant. There is a certain arbitrariness to anything that happens to any of the characters and a sense that just about anything could happen to any of them, and that any soap opera character is capable of changes that in real life would be incompatible with the rest of their life history. But in EVERWOOD only certain behaviors are open to Andy or Harold or Amy or Ephram. In a soap opera if a character engages in quite extreme behavior is simply belongs to the genre, it is part of its charm. But if characters in a family drama go too far it is perceived as a fault.
I like also that the show is willing to go to some places that make us feel conflicted. The newly arrived Jake Hartman becomes involved with Andy's next door neighbor Nina, even as we know that Nina is in love with Andy and Andy comes to realize that he has some feelings for Nina. Andy has a romantic involvement that is intense and highly improper. We are surprised often, disappointed frequently, and pleased occasionally. I didn't like everything that happened in Season Three, but the mark of a character driven drama like this is that you come to care for the characters and what happens to them. In most instances that comes to trump plot, which is secondary.
There were some nice guest appearances in Season Three, including Anne Heche in a multi-arc appearance, though my favorite was an uncredited cameo by Treat Williams's HAIR co-star John Savage as a heavily bearded but appreciative patient in the season finale.
Season Three has not yet been announced on DVD, but Greg Berlanti has hinted that the chances are good that we will see the final two seasons. Much of the hold up has been music. They had to change a great deal of the music in the first two seasons and comparable changes are taking place with additional seasons. I tend to be pretty tolerant of these kinds of changes. I'm a practical realist. NORTHERN EXPOSURE would never have appeared on DVD if the music hadn't been changed. ALLY MCBEAL took far longer to debut on DVD because it took so long to clear the licensing (probably the only show that had specific music integral to the show is a different Greg Berlanti creation, ELI STONE). But ALLY MCBEAL is going to sell a heck of a lot of copies than EVERWOOD. The only chance that EVERWOOD has of coming out on DVD is for it to cut its costs as much as possible. So, I think there is a good chance that all four seasons of EVERWOOD will appear on DVD, but I also think it inevitable that most of the music will be changed. And I think that is OK.

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This season, love is in the clear mountain air of Everwood. Back from a troubled summer at Juilliard, Ephram commits himself to his music and to Amy. Andy is drawn to a patient’s wife--and into an ethical dilemma. Dr. Jake Hartman moves to town and starts eating a lot of pancakes, as long as Nina’s serving ’em up. And mousey Hannah Rogers flips over Bright. But don’t expect love to conquer all, especially when the secret Andy kept from Ephram last season comes spilling out. Suddenly, trust is destroyed, lives are turned upside down and the bonds of love--romantic and father-son--are stretched to the breaking point. Andy wanted Everwood to be his family’s home. Now it may be just another place they used to live.

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Thursday, August 16, 2012

William Shakespeare's Hamlet (Two-Disc Special Edition) (1996) Review

William Shakespeare's Hamlet (Two-Disc Special Edition) (1996)
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Part of the genius of Branagh's interpretation of Hamlet is in the use of the techniques of the cinema to enhance the production. Branagh has not condensed the acts like some mass market soup, as was done in Olivier's 1948 Oscar-winning production, or in, say, Zeffirelli's 1989 Hamlet lite starring Mel Gibson (both excellent, though, within their scope), but has kept every word while directing our understanding so that even those only casually familiar with the play might follow the intent and purpose with discernment. Recall that for Shakespeare--the ultimate actor's playwright who wrote with precious few stage directions--interpretation was left to the direction and the actors, an open invitation that Branagh rightly accepts.
The use of flashback scenes of things implied, such as the amorous union of Ophelia and her Lord Hamlet abed, or of a vast expanse of snow darkened with distant soldiers to represent the threat of Fortinbras' army from without, and especially the vivid remembrance in the mind's eye of the new king's dastardly deed of murder most foul, helps us all to more keenly appreciate just what it is that torments Hamlet's soul. I also liked the intense closeups. How they would have bemused and delighted an Elizabethan audience.
Branagh's ambitious Hamlet is also one of the most accessible and entertaining, yet without the faintest hint of any dumbing down or abbreviation. A play is to divert, to entertain, to allow us to identify with others whose trials and tribulations are so like our own. And so first the playwright seeks to engage his audience, and only then, by happenstance and indirection, to inspire and to inform. Shakespeare did this unconsciously, we might say. He wrote for the popular audience of his time, a broad audience, it should be noted, that included kings and queens as well as knaves and beggars, and he reached them, one and all. We are much removed from those times, and yet, this play, this singular achievement in theatre, still has the power to transcend mere entertainment, to fuse poetry and story, as well as the high and the low, and speak once again to a new audience twenty generations removed.
Branagh himself is a wonderful Hamlet, perhaps a bit of a ham at times (as I think was Shakespeare's intent), a prince who is the friend of itinerant players. He also lacks somewhat in stature (as we conceive our great heroes); nonetheless his interpretation of the great prince's torment and his singular obsession to avenge his father's murder speaks strongly to us all. Branagh, more than any other Hamlet, makes us understand the distracted, anguished and tortured prince, and guides us to not only an appreciation of his actions, wild and crazy as they sometimes are, but to an identification and an understanding of why (the eternal query) Hamlet is so long in assuming the name of action. In Branagh's production, this old quibble with Hamlet's character dissolves itself into a dew, and we realize that he was acting strongly, purposely all the while. He had to know the truth without doubt so that he might act in concert with it.
I was also very much impressed with Derek Jacobi's Claudius. One recalls that Jacobi played Hamlet in the only other full cinematic production of the play that I know of, produced in 1980 by the BBC with Claire Bloom as Gertrude; and he was an excellent Hamlet, although perhaps like Branagh something less than a massive presence. His Claudius combines second son ambition with a Machiavellian heart, whose words go up but whose thoughts remind below, as is the way of villains everywhere.
Kate Winslet is a remarkable Ophelia, lending an unusual strength to the role (strength of character is part of what Kate Winslet brings to any role), but with the poor, sweet girl's vulnerability intact. She does the mad scene with Claudius as well as I have seen it done, and of course her personal charisma and beauty embellishes the production.
Richard Briers as Polonius, proves that that officious fool is indeed that, and yet something more so that we can see why he was a counselor to the king. The famous speech he gives to Laertes as his son departs for France, is really ancient wisdom even though it comes from a fool.
Julie Christie was a delight as the besmirched and wretched queen. In the bedroom scene with Hamlet she becomes transparent to not only her son, but to us all, and we feel that the camera is reaching into her soul. She is outstanding.
The bit players had their time upon the stage and did middling well to very good. I liked Charlton Heston's player king (although I think he and John Gielgud might have switched roles to good effect) and Billy Crystal's gravedigger was finely etched. Only Jack Lemon's Marcellus really disappointed, but I think that was mainly because he was so poorly cast in such a role. Not once was he able to flash the Jack Lemon grin that we have come to know so well.
The idea of doing a Shakespearean play with nineteenth century dress in the late twentieth century worked wonderfully well, but I know not why. Perhaps the place and dress are just enough removed from our lives that they are somewhat strange but recognizable in a pleasing way. And perhaps it is just another tribute to the timeless nature of Shakespeare's play. The mirrors in the great hall added to the effect of a vast and indifferent castle environment, and in the scene with Ophelia and Laertes returned tended to magnify the focus.
There is so much more to say about this wonderful cinematic production. It is, all things considered, one of the best Hamlets ever done. Perhaps it is the best. See it, by all means, see it for yourself.

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HAMLET - DVD Movie

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Tuesday, January 24, 2012

Women's Health: Perfect Body Workout Review

Women's Health: Perfect Body Workout
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Oh my gosh! After I tried the other Women's Health dvd's with Amy Dixon as the trainer, (Ultimate Fat Burn & Total Workout in 10), I could not wait for the release of this dvd. The wait was worth it! I don't recommend this video for beginners as it is pretty fast paced and hard core. Amy does a fantastic job of informing the viewer of what the next step will be and giving instructions on the correct form. There is a person there doing modifications also. There is cardio, strength training, core work and a bonus section on yoga stretching.
I highly recommend this video!!!

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Item Name: Women's Health: Perfect Body Workout; Studio:Good Times Video

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Thursday, June 9, 2011

Best in Show (2000) Review

Best in Show (2000)
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Christopher Guest's "Best in Show" is a wildly hilarious satire that pokes fun at people who are overly obsessed with their pets. So obsessed that they would take their pets and put them in a type of "beauty pageant" in order to get awards and recognition. It's funny and unrelenting because you see it as an everyday occurrence in society. People like this really do exist, and that is why it's so humorous. The characters are all out of their minds and are a joy to watch in this very entertaining and unpredictable film.
I had no idea what I was going to experience when I popped this into the DVD player. At first, it didn't seem like anything that would interest me. However, almost every single person I know had seen it and encouraged me to watch it. I'm glad I did give it a chance, because I ended up really liking it. The satire is outrageous and subtle at the same time (something that's VERY difficult to accomplish unless the project is in the right hands). The actors are hilarious and very animated, but at the same time you know that these types of people really do exist! Eugene Levy was my favorite person in the film. He's so subtle and clever when it comes to humor. Overall, everybody was fantastic in their roles.
The DVD has some really cool extras. It has very good picture and sound quality. Extras included are deleted scenes, feature length audio commentary by Christopher Guest and Eugene Levy, theatrical trailer and more. The deleted scenes are pretty interesting to watch. Tons of special features for those who love the extra "bells and whistles."
"Best in Show" is great satirical comedy in top form. Not a wasted second is present in the movie. If you're looking for something a little less ordinary, this may be the choice for you. Christopher Guest has done an excellent job of orchestrating this very entertaining and clever film that gives us 90 minutes of fun and laughs.

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BEST IN SHOW - DVD Movie

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