The Alphabet Killer Review

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(More customer reviews)I'll admit, I have a morbid fascination with serial killer movies. They harness a raw energy that is almost overwhelming. There is often a strange connection with the victims, the detectives, and sometimes even the killers themselves(or is it just me?). Plus there is a stark fear generated by recognizing a pattern and watching people struggle to prevent further mayhem.
THE ALPHABET KILLER is a pretty well-crafted, fictional tale. It's derived from some unsolved murders that took place in Rochester, NY, during the early 70's. A few young girls with matching initials would turn up dead in nearby towns that were spelled with the same first letter (i.e. Carla Castille in Churchville, Wendy Walsh in Webster).
A female detective(Eliza Dushku) is on the case, and she quickly becomes obsessed with cracking it. Actually, she's the one that starts to crack. She gets completely consumed, the mystery eats at her mind as she starts talking to herself and hallucinating (same thing happens to me when I watch reality TV shows).
Anyway, the movie takes a pretty dramatic shift early on when this woman loses control and attempts suicide. She is diagnosed with scizophrenia and admitted to a mental hospital.
Several times throughout this movie, we're shown the visions that this crazy woman sees--ghastly dead children that constantly haunt her. This is done for shocking effect, but I thought it was completely overdone. Kinda seemed like a ripoff of a Japanese ghost story film.
The story then proceeds as the police are completely baffled by the subsequent Alphabet murders. The mentally unfit cop is put back on the case, possibly due to her past romantic relationship with the chief. And of course, crazy is not something you can just sell on amazon.com.
Director Rob Schmidt does a decent job at mounting suspense. This film attempts to be dark, but doesn't completely succeed. It is interesting as a psychological descent into madness. I thought the cast did a very solid job. This has no gore or reenactment of the murders themselves, so some might get bored. Worth a rental.

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A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations. Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.

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Dollhouse: Season One (2009) Review

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(More customer reviews)...this show is *actually* GOOD. What I mean is that Dollhouse is not good simply because Whedon fans worship at the shrine of Whedon and therefore cannot be trusted to tell you the real deal. In a lot of ways, it's a shame that this show was so hyped from the beginning, because it didn't get a chance to gradually develop a fanbase in its own right, but was instead touted as a show sustained merely by Whedon fans. While I admit to being a Whedon fan, which compelled me to watch it even through some shaky episodes, here's the scoop:
In the beginning of the show, what we learn is that a woman named Caroline (Eliza Dushku) has agreed (or was coerced) to download her personality into cyber storage, and some shady organization rents her body out to the highest bidder for various "engagements." We see that these engagements can involve sexual fantasy (hence the dubbing "cathouse" by the critics), or perhaps something that requires personality-combo platters in order to complete some sort of high risk, spy-type mission. A lot of negative reviews here refer to the first five episodes. And, yes, the first five establishing "mission of the week" episodes are surfacy and disconnected, but it's really the journey of the series arc (and character growth) that will ultimately make for some passionate tv. (And though these first five episodes were not the highlight of the season, there are some gems of ideas in there. For instance, one episode pays homage to Cornell's short story "The Most Dangerous Game", which is based on quite a chilling concept.)
Now that we've got the darned hype out of the way, let's talk about the show, as it evolves in Episode 6. (Incidentally, the theme of episode 6 is very similar to the unaired pilot episode on the dvd release, which was awesome, and epitomizes Joss's idea of the show - excellent). Now instead of just seeing the sexual fantasy episodes in terms of some hokey emporer's club cathouse (which, let's face it, is something that already exists out there for the kind of money these clients are paying), we start to see the NEEDS that these fantasies fulfill in the clients. And here's the thing: even though we do not approve of what they're doing, we start to sympathize with, and in some cases even begin to care about, these clients. And here is one place where we begin to see the brilliance and fascinating challenge that this show presents, and will continue to present, to its viewers (bring on Neuromancer!).
This is a show that lives and thrives in a very gray area - it's unclear who the heroes might or might not be, and this is shaping up to be a nuanced, character-driven ensemble show (with an extremely talented cast). At its heart, this is a show about the identity of "self" without memory. About science and ethics. About exposing our darkest human fantasies, and exploring the root of the needs that create them. The show is not just about the "dolls," but is also about the clients - WHY do they need a fake person to save them? And what could have possibly compelled these "dolls" to have given away their memories in the first place? And then there's the dollhouse itself...why does it exist? Who are these people that babysit and program the dolls - what's their story?
The extras on this dvd set are worth buying, especially the unaired thirteenth episode, "Epitaph One". Without giving too much away, it's a little like CLOVERFIELD meets THE MATRIX meets SERENITY, Dollhouse style. The commentaries are great - Joss has much to say about episode 6 and a very conspicuous not much to say about episode 1 ("oh, look, people are pretty, and I'm hungry right now"), which is exactly what you'd expect, especially given how amazing the unaired pilot episode was.
All in all, this show is a little bit ALIAS (except replace awesome disguises with personalities), a little bit BATTLESTAR GALACTICA (except replace "Cylon" with "doll"), a little bit LOST (except replace "island" with "dollhouse"), and a lot Whedon (exploring the essence of humanity and individual identity through grandiose metaphor). Assuming that the show is allowed to breathe and grow into its full potential, we're in for even more thought-provoking, heart-breaking, butt-kicking entertainment. Trust me, you don't want to miss out on the ride!
**Addition to review**
While the actors who were less well known (to me) on this show were all outstanding, here are some highlights:
Season 1:
Eliza Dushku (Buffy the Vampire Slayer, Angel, Tru Calling)
Tahmoh Penikett (Battlestar Galactica)
Amy Acker (Angel, Alias)
Other guest stars you may recognize from Firefly, Buffy, and Dr. Horrible's Sing Along Blog
Announced (by Fox press release) for Season 2:
Summer Glau (Firefly, Terminator: The Sarah Connor Chronicles)
Alexis Denisof (Angel, Buffy the Vampire Slayer)
Jamie Bamber (Battlestar Galactica)
Keith Kerridine (Dexter)

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From Joss Whedon comes a new groundbreaking show starring Eliza Dushku as Echo, an operative in an underground organization that provides hired personas for various missions.

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Wrong Turn (2003) Review

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(More customer reviews)This movie is similar in tone to the recent remake of The Hills Have Eyes and The Texas Chainsaw Massacre. Although not nearly as gory as "Hills", the theme of mutation runs through both. During the opening credits, we see images and newspaper clippings reporting the mutations. This time, however, the mutations are due to good ol' fashioned inbreeding in the mountains of West Virginia, rather than from nuclear fallout.
The movie starts out with a decent scene. After the initial havoc is wreaked, you hear the haunting, maniacal laughter that will follow through the rest of the ride. Our main character, Chris, is running late for an appointment. He takes a "shortcut" and "runs" into a car containing two clueless guys, a redhead and two pieces of fine, stranded @ss. They go looking for a phone and stumble upon a shack that is reminiscent of the house in Texas Chainsaw Massacre: creepy, filthy, full of trash and hidden stashes of gore.. nasty.
This is where we get our first look at the maniac who is responsible for what we have been seeing in the woods. He is deformed and seemingly handicapped, mentally. We soon see, though, that he has two siblings (or friends) that join in on the fun. These three hideous grotesqueries spot the four remaining characters and the hunt is on!
These mutants are twisted. Their actions are as repulsive as they are unexplained. Stan Winston does a wonderful job of creating mutants that are not so freakish as to be ridiculous, but that are unsettling enough to make you cringe. You will very quickly despise these mutant characters for their lack of reason and unquenchable thirst for innocent blood.
The movie achieves a good level of suspense, with some good scares and a few nasty scenes. I will say that it turned out to be better than I was expecting it to be and for anyone who enjoyed "The Hills Have Eyes" or "The Texas Chainsaw Massacre" (not that this movie actually compares to TCM), you should at least check this movie out. The ending was not as strong or freaky as it probably should have been, but the movie is worth seeing.
The DVD includes a few very short featurettes.

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An indescribable nightmare begins when a group of young friends is stranded on an isolated road deep in the Appalachian hills of West Virginia, with no hope of rescue. Desperate and fearing for their lives, the horror surges as they find themselves relentlessly pursued by a force of evil beyond their imagination! Featuring a hip ensemble of up-and-coming young stars, this blood-curdling epic is a shock-a-minute horror rush that will leave you screaming for more!

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Bring It On (Widescreen Collector's Edition) (2000) Review

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(More customer reviews)If you want to laugh and enjoy yourself, I recommend Bring It On. With a superb cast, catchy lines, and a fully developed plot, this movie is great! Kirsten Dunst stars as Torrance Shipman, the ditzy but loveable high school senior who is newly elected team captain of her high school cheerleading team. But when a replacement cheerleader, Missy Pantone, walks in to the Toros' cheerleading squad (hilariously portrayed by Eliza Dushku), she shows Torrance that the team's cheers are ripped off from the East Compton Clovers, and you can believe that the Clovers are fed up with the stealing. Torrance, horrified that her cheerleading career has been a fake, makes an effort to be original, but the result is a humiliating performance at a competition. Torrance is comforted by love interest Cliff Pantone (played by hottie Jesse Bradford), Missy's REALLY cute twin brother, and a romance begins. As the movie leads up to the UCA Nationals competition, the Clovers and Toros fight for the win. Who will it be? Well you better watch it for yourself. Bring It On is a refreshing change from the immature sick sex movies (i.e. American Pie?) and it instead is fresh, bright, witty, and very funny. I recommend Bring It On to anyone. Hey, even my dad enjoyed it!

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BRING IT ON - DVD Movie

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