Showing posts with label joss whedon. Show all posts
Showing posts with label joss whedon. Show all posts

Wednesday, March 6, 2013

Dark Angel: The Complete Series Review

Dark Angel: The Complete Series
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I wasn't sure what to expect as apparently I missed out on the series when it aired in Australia a few years back. Originally I was in two minds whether to buy the set or not and was only looking at it because Jensen Ackles was in it. Then I saw that Michael Weatherly was one of the lead characters with Jessica Alba and decided to purchase both seasons. I was not disappointed at all. The first season set up the big picture of genetically altered humans and followed through on Max's journey to find out who she was. The writers didn't deviate from the 'plan' in season one at all and there wasn't an episode that I didn't like. Season Two mainly concentrated on the transgenics which were released from Manticore and to the main cast added Joshua (Kevin Durand) and Alec (Jensen Ackles). Just loved the way that each episode panned out with a special story about some of the 'mutant' transgenics. Once again the writers stuck to the 'plan' and mainly concentrated on the transgenics story and once again I was not disappointed by any episode. The finale was excellently done by the writers. I would recommend this TV Show to anyone who likes a bit of sci-fi. Some people didn't like it, but mostly I just couldn't stop watching the series until I had finished it.

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Sunday, December 30, 2012

Buffy the Vampire Slayer - The Complete Fourth Season (1997) Review

Buffy the Vampire Slayer - The Complete Fourth Season (1997)
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In Season Three of "Buffy the Vampire Slayer" Joss Whedon and the show's writers proved that the series could survive Buffy killing Angel. For Season Four the task was to prove that "BtVS" could survive losing Angel, Cordelia, and Wesley, who were spun off into their own film noir vampire detective series. The surprising success of their effort is displayed in "Buffy the Vampire Slayer: The Complete Fourth Season," a season that is more impressive with each viewing.
When last we left our heroes most of them had just survived graduating from high school. Now Buffy (Sarah Michelle Gellar), Willow (Alyson Hannigan), and Oz (Seth Green) are off to UC-Sunnydale while Xander (Nicholas Brendon) tries to survive in the real world and Giles (Anthony Stewart Head) twiddles his thumbs in his apartment. Instead of the "high school is hell" idea, the underlying symbolism of the season is now the brave new world of college. Buffy has moved out of the house to live in the college dorm (surprising), but with somebody other than Willow (more surprising), and is trying to move beyond Angel (sad, but not surprising). After a dalliance with Parker Abrams (Adam Kaufman), the personification of that horrible "transition" person your friends always warned you about after your first big breakup, Buffy hooks up with clean-cut Iowa farm boy Riley Finn (Marc Blucas), charming psychology graduate assistant by day, Initiative super-soldier by night.
By now we are familiar with the double-story arc structure of a "BtVS" season. For Season Four the first half story arc has to do with the mystery of the Initiative, while the second half is the confrontation with Adam. More importantly, there are several monumental character changes inspired by the desire to keep a couple of actors and the decision of another cast member to leave. Wanting to keep James Marsters around, the idea of putting that bloody chip in Spike's head, neutering the vampire when it comes to putting the bite on human beings, was a masterstroke (and, dare I say, surprising). Suddenly, Spike is a de facto Scooby. Meanwhile, with Emma Caulfield sticking around as Anya, she becomes the show's comic relief in place of her boyfriend Xander. Then, when Seth Green left the show to concentrate on films, what we thought was an offhanded comment in "Doppelgangland" suddenly comes to fruition for Willow when she meets Wicca wannabee Tara (Amber Benson). All of these changes end up having much more significant impacts on the show than the addition of Riley Finn as Buffy's new love interest.
Season Four begins with a lot of interpersonal issues, from trouble with dorm mates ("Living Conditions") to getting dumped ("The Harsh Light of Day," "Wild at Heart"), before getting caught up in the mystery of all those soldier types running around the campus in the dark ("The Initiative"). Buffy and Riley finally discover the truth about each other in the landmark episode "Hush," the only episode ever to earn Joss Whedon a well deserved Emmy nomination for Best Writing of a Drama (insert outrage over snubs of "The Body" and "Once More With Feeling" here, please). The second half of the season finds Riley learning to work with Buffy ("Doomed") and Buffy enjoying working with the Initiative ("A New Man") before Professor Maggie Walsh (Lindsay Crouse) tries to kill her ("The I in Team") and her stitched together uber-demon Adam (George Hetzberg) breaks free and sets up the final confrontation ("Primeval").
Ultimately, the strength of a season is judged by the episodes that are essentially off the main story arcs. For Season Four this means a Halloween episode with one of the best punch lines ever ("Fear, Itself"), the great Buffy and Faith mind-switch ("This Year's Girl" and "Who Are You?"), the discovery that the coolest and most important in the world is Jonathan Levenson ("Superstar"), and the hilarious insanity of Willow's wish list ("Something Blue"). Of course on that last episode once again the joke is on us as the alternative reality give us a preview of what is to come down the road. One of the most unique aspects of this season was that the climatic battle with the year's big bad happens in the penultimate episode and the season finale, "Restless," serves as an actual epilogue as Buffy and friends encounter the First Slayer (Sharon Ferguson), and sets the stage for significant develops to come.
The fact that Season Two ended with the greatest episode ever of "Buffy the Vampire Slayer" in "Becoming, Part II," when Buffy has to kill Angel to save the world, obscures the fact that on balance Season Three and Season Four were both stronger seasons overall. The operatic finales might not reach the same heights, but the lows are higher and the on average score is higher. The worst episode of Season Four is probably the season premier, "The Freshman," which suffers because like all first episodes in a season of "BtVS" the goal is to have Buffy rededicate herself to being the Slayer so that new viewers can feel like they understand the gig. If anything, Season Four reaffirms that the strength of this show is character development and not just vampire slaying.
Final Comment: It is nice to see that the extras for Season Four contain twice as many commentary tracks as we have been privy to for each of the previous three collections. In a perfect world it would be great if all of the episodes had commentary, provided by shifting tag-team combinations of writers and actors, in the tradition of the very early episodes of "Farscape" on DVD, but I have long had the feeling that the cast of "BtVS" is rather intimidated by the encyclopedic knowledge of the show enjoyed by its fan base.

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Buffy begins college feeling completely overwhelmed. But once the monsters show up, it’s just like old times. Then she strats dating Riley, a handsome commando battling the same monsters. He’s part of a secret organization called The Initiative and Buffy is all too happy to join the team. But she soon suspects The Initiative may be more dangerous than the monsters they are supposed to be battling . . .

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Wednesday, December 19, 2012

Titan A.E. (Special Edition) (2000) Review

Titan A.E. (Special Edition) (2000)
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I went to see "Star Wars: The Phantom Menace" the second day it came out,(and boy was I dissapointed) during the previews I saw a small teaser trailer for this film with Cale speaking while the Titan escapes the Earth's destruction. I expected that Titan A.E. would be an all-CG film ala "Antz" or "Toy Story" so I was curious. Later on I discovered that it would be a hand drawn animated film combined with CG animation and effects. I grew even more curious, but I was a serious anime fan, and after seeing great stuff like "Akira," "Bubblegum Crisis" and "Ghost in the Shell" I was convinced that I would never see anything the least bit close of quality come out of the U.S., I was in for a huge surprise.
Titan A.E.(in which I went to see the first day of it's release) turned out to be an awesome experience that was just as exciting as any anime I've seen. First of all the animation was simply incredible, the characters were the normal, well-drawn Don Bluth character designs which were good, but the real star was the CG effects and animation that blended with the hand-drawn animation even BETTER than the anime,"Blue Submarine No. 6" did. Plus, it was nothing like anything I've seen out of an American animated movie. No comic sidekicks(which is symbolized in one early scene in a comically violent scene) intense kick-ass music that perfectly complements the tense action and DOESN'T degenerate into a dumb musical. And it contains a number of awesome, visually spectacular action scenes. From the fast- paced chase scene involving spherical hydrogen trees to the final chase at the Ice Rings of Tegrin(Cale's chase with the Wake Angels was an awe-inspiring moment), Titan A.E. is a far cry from anything that Disney has put out. But cynical and angry critics and moviegoers buried Titan A.E. and just saw it as a "cartoon." Which is a real tragedy, cause Titan A.E. deserves a lot more recognition than it's getting.
Overall, I really think people should appreciate this film for what it's trying to be, a mature animated film that is really targeting teenagers and tries to avoid the "Disney" syndrome. Titan A.E. isn't really a movie for children, it can be violent and has content that reaches the PG-13 rating.(which I find even more refreshing) But overall, I can't wait for this wonderful movie to come out on DVD, and I hope that Fox puts plenty of effort into it and provides it with lots of extras. If you just leave your cynicism at the door you will discover an awesome film. Titan A.E. is one of the best (and underated) films of the year, that's even better than Disney's "Dinosaur". American Animation would take a turn for the better if there were more films such as this( and "The Iron Giant" which suffered the same fate.) But unfortunately after the results of the last two movies, that doesn't seem very likely...

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A reluctant young hero holds the key to the future of mankind in the palm of his hand in this eye-popping, sci-fi adventure. In the year 3028 the Drej, a vicious alien race, has destroyed earth. Fifteen years later a young man named Cale learns he possesses a genetically encoded map to the Titan, a spaceship that holds the secret to the salvation of the human race. With the Drej in hot pursuit, Cale blasts off withthe crew of the Valkyrie in an attempt to find the Titan before the Drej destroy it - and with it, mankind's last chance for a home of their own. Featuring an all-star voice cast that includes Matt Damon and Drew Barrymore and an edgy, out of this world soundtrack, Titan A.E. is an intergalactic thrill ride for a new generation.

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Tuesday, December 4, 2012

Buffy The Vampire Slayer - The Complete First Season (1997) Review

Buffy The Vampire Slayer - The Complete First Season (1997)
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For a first time screenwriter, Joss Whedon's "Buffy the Vampire Slayer" was a good effort for a feature film. I thought for sure the series was going to tank. When I started watching halfway through the first season, I quickly found that I was wrong. "Buffy" simply blossoms on television. I've been hooked ever since.
For the first time, Whedon has provided us with all the terrors of high school (remember those?) in a horror genre setting. Not only that, but he provides a confident, cool FEMALE character to trounce the bad guys. Whether you're a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as uncomfortable as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As quick with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you're cliquish Cordelia (Charisma Carpenter). And in the end, the more unpopular you were - possibly the more important you were to your teenage community.
Mix in your favorite teacher (or librarian) played by Anthony Stewart Head (who should play "Doctor Who" after he's done with "Buffy") to be the requisite horror genre British pseudo-scientist, and Buffy's single mom (Kristine Sutherland) and you're all set to go with the most intelligent sci-fi TV series possibly written for this age group. (The next closest thing being the intelligent, yet non-sf "Freaks & Geeks".)
I'm not kidding. It's amazing how quickly these characters grow in the first season and their responses remain true to life despite the extraordinary situations they're thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that "Buffy" is most of what he's been doing for the last five years.
As far as what you get in this box set, you're in for a treat. This is the full first season, not just the half previously released on VHS; including the season finale "Prophecy Girl" - where we see just how heroic Buffy really is, despite her adolescence and fear of death. Also present throughout the series are teenage issues of emotional/sexual conflict ("Teacher's Pet") and problems with acceptance ("The Pack"). Specific highlights also include Whedon's commentary for the two part premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte).
Remember, Buffy's not JUST about vampires. In fact I think it's safe to say that vampires are secondary to the emotional undercurrent of the show, if not a particular episode's plot. Forget "Felicity" and shove off of "Dawson's Creek", this is the one for the adults.

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INTO EACH GENERATION A SLAYER IS BORN. Now you can own the entire first season of BUFFY THE VAMPIRE SLAYER. All 12 classic episodes are available for the first time in this exclusive 3-disc collector’s edition.From "Welcome to the Hellmouth," "The Harvest" and "Angel" to "Nightmares," "Out of Mind, Out of Sight" and "Prophecy Girl," these Season One episodes are a must for every true Buffy fan.

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Sunday, December 2, 2012

Buffy the Vampire Slayer - The Complete Fifth Season (1997) Review

Buffy the Vampire Slayer - The Complete Fifth Season (1997)
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Hi there, I own this slim boxed set and it has:
6 DVD in 3 boxes (i've shared images of this)
subtitles and spoken in spanish, english and french
It also contains closed Caption.
No cuts from the original boxed set. IT'S THE SAME!!! but in other package.

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After an unsettling encounter with the Dracula, Buffy asks Giles to once again be her Watcher. Luckily he agrees, for Buffy is about to face mortal problems far more threatening than the undead: the sudden appearance of a sister named Dawn, her mother’s mysterious illness and Spike’s undying devotion. Then an undefeatable demon appears, forcing Buffy to turn to an ancient Spirit Guide who tells her that love is her greatest gift — and power.

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Wednesday, November 14, 2012

Buffy the Vampire Slayer - The Complete Second Season (1997) Review

Buffy the Vampire Slayer - The Complete Second Season (1997)
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The second season continued one what was successfully started in the first season. The second season is a lot more ambitious (remember, the first season only had twelve episodes, unlike the rest which had 22).
The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition.
This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed.
My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me
For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence).
The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.

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THE CHOSEN ONE HAS ONLY JUST BEGUN... Now you can own the entire second season of BUFFY THE VAMPIRE SLAYER. All 22 classic episodes are available for the first time in this exclusive 6-disc collectorÂ's edition.From Â"When She Was Bad,Â" Â"SurpriseÂ" and Â"Innocence,Â" to Â"PassionÂ" and Â"Becoming, Part OneÂ" and Â"Becoming, Part Two,Â" these Season Two episodes are a must for every true Buffy fan.

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Monday, October 15, 2012

Dollhouse: Season One (2009) Review

Dollhouse: Season One (2009)
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...this show is *actually* GOOD. What I mean is that Dollhouse is not good simply because Whedon fans worship at the shrine of Whedon and therefore cannot be trusted to tell you the real deal. In a lot of ways, it's a shame that this show was so hyped from the beginning, because it didn't get a chance to gradually develop a fanbase in its own right, but was instead touted as a show sustained merely by Whedon fans. While I admit to being a Whedon fan, which compelled me to watch it even through some shaky episodes, here's the scoop:
In the beginning of the show, what we learn is that a woman named Caroline (Eliza Dushku) has agreed (or was coerced) to download her personality into cyber storage, and some shady organization rents her body out to the highest bidder for various "engagements." We see that these engagements can involve sexual fantasy (hence the dubbing "cathouse" by the critics), or perhaps something that requires personality-combo platters in order to complete some sort of high risk, spy-type mission. A lot of negative reviews here refer to the first five episodes. And, yes, the first five establishing "mission of the week" episodes are surfacy and disconnected, but it's really the journey of the series arc (and character growth) that will ultimately make for some passionate tv. (And though these first five episodes were not the highlight of the season, there are some gems of ideas in there. For instance, one episode pays homage to Cornell's short story "The Most Dangerous Game", which is based on quite a chilling concept.)
Now that we've got the darned hype out of the way, let's talk about the show, as it evolves in Episode 6. (Incidentally, the theme of episode 6 is very similar to the unaired pilot episode on the dvd release, which was awesome, and epitomizes Joss's idea of the show - excellent). Now instead of just seeing the sexual fantasy episodes in terms of some hokey emporer's club cathouse (which, let's face it, is something that already exists out there for the kind of money these clients are paying), we start to see the NEEDS that these fantasies fulfill in the clients. And here's the thing: even though we do not approve of what they're doing, we start to sympathize with, and in some cases even begin to care about, these clients. And here is one place where we begin to see the brilliance and fascinating challenge that this show presents, and will continue to present, to its viewers (bring on Neuromancer!).
This is a show that lives and thrives in a very gray area - it's unclear who the heroes might or might not be, and this is shaping up to be a nuanced, character-driven ensemble show (with an extremely talented cast). At its heart, this is a show about the identity of "self" without memory. About science and ethics. About exposing our darkest human fantasies, and exploring the root of the needs that create them. The show is not just about the "dolls," but is also about the clients - WHY do they need a fake person to save them? And what could have possibly compelled these "dolls" to have given away their memories in the first place? And then there's the dollhouse itself...why does it exist? Who are these people that babysit and program the dolls - what's their story?
The extras on this dvd set are worth buying, especially the unaired thirteenth episode, "Epitaph One". Without giving too much away, it's a little like CLOVERFIELD meets THE MATRIX meets SERENITY, Dollhouse style. The commentaries are great - Joss has much to say about episode 6 and a very conspicuous not much to say about episode 1 ("oh, look, people are pretty, and I'm hungry right now"), which is exactly what you'd expect, especially given how amazing the unaired pilot episode was.
All in all, this show is a little bit ALIAS (except replace awesome disguises with personalities), a little bit BATTLESTAR GALACTICA (except replace "Cylon" with "doll"), a little bit LOST (except replace "island" with "dollhouse"), and a lot Whedon (exploring the essence of humanity and individual identity through grandiose metaphor). Assuming that the show is allowed to breathe and grow into its full potential, we're in for even more thought-provoking, heart-breaking, butt-kicking entertainment. Trust me, you don't want to miss out on the ride!
**Addition to review**
While the actors who were less well known (to me) on this show were all outstanding, here are some highlights:
Season 1:
Eliza Dushku (Buffy the Vampire Slayer, Angel, Tru Calling)
Tahmoh Penikett (Battlestar Galactica)
Amy Acker (Angel, Alias)
Other guest stars you may recognize from Firefly, Buffy, and Dr. Horrible's Sing Along Blog
Announced (by Fox press release) for Season 2:
Summer Glau (Firefly, Terminator: The Sarah Connor Chronicles)
Alexis Denisof (Angel, Buffy the Vampire Slayer)
Jamie Bamber (Battlestar Galactica)
Keith Kerridine (Dexter)

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From Joss Whedon comes a new groundbreaking show starring Eliza Dushku as Echo, an operative in an underground organization that provides hired personas for various missions.

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Tuesday, August 21, 2012

Buffy the Vampire Slayer (1992) Review

Buffy the Vampire Slayer (1992)
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Joss Whedon was so upset with the way things were going on the set of the movie, for which he wrote the screenplay but over which he exercised no artistic control, that he walked off the set. Indeed, this is a very hard movie to watch today after the TV series. I did, in fact, moderately enjoy the movie when it first came out. I actually appreciated and enjoyed the absurd tension contained in the title, an airhead bimbo cheerleader called upon to be her generation's vampire slayer. But viewed today, the movie isn't terribly successful, and is in fact made much worse by the genius of the television series. It isn't just a question of Sarah Michelle Gellar being more appealing in the title role than Kristy Swanson (though SMG's much smaller stature increases the paradox of a tiny girl beating up large, supernaturally strong vampires) or the movie missing all the familiar characters of the show; the movie is almost completely devoid of its own style, look, and feel. Although the TV series started off on a tiny budget, it instantly had a compelling look and visual style that the movie completely lacks. Furthermore, on TV they managed a coolness and hipness that the movie never comes close to. Unfortunately, the series has pretty much reduced the movie to a curio.
Many talk of the movie falling short of Joss Whedon's vision in writing the original script. Actually, overall the plot isn't too terribly different. Buffy doesn't burn down the gym at the end in the movie as Whedon wrote, but while there are many stylistic differences, many of the main plot elements were retained. I find the main difference between the movie and the series to be in the "how" they tell the story rather than the "what" in the story. Cleverness and intelligence permeates the TV show; the movie is nearly entirely devoid of those qualities. Take the death of vampires. In the movie, they get staked and simply fall down. In the TV series, they explode, which is not merely a spectacular special effect used to great purpose, but, as Joss Whedon mentions on the DVD commentary, leaves less clean up as there are not bodies. Also, in the movie, there isn't anywhere near the emotional depth that one finds in the series.
Another part of the problem with the movie is the casting. Kristy Swanson isn't bad except when compared to Gellar, but Donald Sutherland is just dreadful. He plays his part as if he were a cartoon character, with a degree of camp that subtracts considerably from his humanity. In fact, the performances are almost uniformly awful. Not just Sutherland, but Rutger Hauer (someone I have loved in many other movies, especially in his Dutch films) and Paul Reubens create one almost unwatchable scene after another. David Arquette is at his worst here as well. In fact, the vampires are both poorly conceived and horribly executed, in contrast to the TV series. Many have noted the number of performers in supporting roles who later became well known, such as Ben Affleck, Natasha Gregson Wagner, and Hillary Swank (not to mention Stephen Root, who memorably played Milton the stapler guy in OFFICE SPACE)
On top of all this, the thing that set the TV show apart from most other forms of popular entertainment was the degree to which it allowed for deep interaction among the various character, something made virtually impossible by the short format of a film (and something that in the long run should prove to be television's innate superiority over film, if it can ever overcome the resistance of television network execs to produce art rather than vehicles for selling airtime for commercials--my fear is that BUFFY could be an exception rather than a harbinger of things to come).
In short, while not an awful movie, the movie version of BUFFY THE VAMPIRE SLAYER is not the masterpiece the television series is.

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Blonde, bouncy Buffy (Kristy Swanson) is your typical high school cheerleader-- her goal is to "marry Christian Slater and die" and nothing gets in her way when it's time to shop.But all that changes when a strange man (Donald Sutherland) informs her she's been chosen by fate to kill vampires.With the help of a romantic rebel (Luke Perry), Buffy is soon spending school nights protecting L.A. from Lothos, the Vampire King (Rutger Hauer), his sidekick. Lefty (Paul Ruebens) and their determined gang of bloodsuckers.It's everything you'd expect from a teen queen in the Valley.

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Sunday, April 15, 2012

Angel: Seasons 1-5 (Collectors Set) (1999) Review

Angel: Seasons 1-5 (Collectors Set) (1999)
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To begin I must confess, the only time I have watched Angel..was after it arrived at my door this week in a cute little package. Don't get me wrong, I am a huge "Buffy" fan and own the Chosen Collection (Seasons 1-7). But because I have only recently started watching Angel, this review is for the boxset itself.
Since, I have the Chosen collection, I cannot help but compare the two. Angel the series comes in a (obviously) box, with 5 separate DVD holders that layer to make the face of our lovely brooding Vamp-hero-person guy. The sturdiness of the DVD holders caught my eye right off, they are much better than those in the Chosen collection (which were basically bonded with a weak adhesive) The box kinda folds apart, when you lift the lid, a panel falls down so you can see all the DVD season holders, the panel that falls down has a color pic of the Angel Cast. (this is similar to the Chosen collection)
The set includes a color-print booklet that outlines each episode with a short description. Each page highlights 3-4 episodes (the same number of eps. on the corresponding disc) and on the opposite page is a breakdown of the chapters in each show.
The most exciting feature (for me) is the letter from Joss Whedon to the "Angel Fan". A full letter comes folded in a blue envelope in which Joss Whedon discusses Angel, they whys and hows, and highlights some of his favorite moments. In comparison to the letter in the Chosen collection, Angel takes the cake.
The set is a bit pricey, but if you don't already have the individual seasons and like me, have been thinking and thinking that you MUST watch Angel in order to feel like a true Buffy-verse fan, then go ahead, indulge yourself! ;)
Though I am technically a new fan (not even through the 1st season yet!), for this past show, it has already made me laugh and cry. Some old and new faces to fall in love with.
So sit back, and let the dark mysterious stranger that is our beloved Angel entertain you, I don't think he will disappoint, he hasn't me yet!

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ANGEL SEASON 1 (6 DISCS)
ANGEL SEASON 2 (6 DISCS)
ANGEL SEASON 3 (6 DISCS)
ANGEL SEASON 4 (6 DISCS)
ANGEL SEASON 5 (6 DISCS)


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Wednesday, October 12, 2011

Dr. Horrible's Sing-Along Blog (2008) Review

Dr. Horrible's Sing-Along Blog  (2008)
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So it's nothing short of a miracle that I ran into this webcast musical. I'd never dipped in the pond of Whedon's work and at the time I wasn't a fan of any of the actors, but boy did that change.
I first heard about Dr. Horrible's Sing Along Blog from a couple weekly podcasts that I listened to and everyone loved it, so I gave it a try. I came out of the experience singing the catchy songs for weeks, seeking out the actors' works, and wanting to be a bigger Whedon fan.
The acting is spectacular. Neil Patrick Harris is one of the best actors of his generation and he shows real and refined talent by both singing and acting as Dr. Horrible himself. It's a shame that Nathan Fillion, Captain Hammer, is not an exploding star. Felica Day, too, exhibits fine acting and singing skills and it's hard not to fall in love with her character, Penny.
The Whedon team (+ Mo) do an amazing job of weaving together fine acting, extremely catchy and well-written songs, and witty, yet thought-provoking dialogue in the tragicomedy that is Dr. Horrible's Sing Along Blog and I, for one, cannot wait for more.

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Emmy Award WinnerWinner People s Choice AwardFavorite Online SensationNeil Patrick Harris (How I Met Your Mother) stars as Billy, A.K.A. Dr. Horrible, a budding supervillain whose plans for world domination continually go awry. His two goals: getting accepted into the Evil League of Evil, and working up the guts to speak to his laundromat crush Penny, played by Felicia Day (The Guild). The only thing standing in his way is Captain Hammer, Billy s superhero archnemesis played by Nathan Fillion (Firefly, Castle). With one big score, Billy could get into the E.L.E. and earn the respect of Penny, but only if he can keep her away from the dashing Captain Hammer...

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Monday, July 4, 2011

Buffy the Vampire Slayer: Season 8 Motion Comic (Blu-ray/DVD Combo) Review

Buffy the Vampire Slayer: Season 8 Motion Comic (Blu-ray/DVD Combo)
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This review comes from the perspective of an a) Buffy/Angel fan and b) a non-comic reader-- except for the Angel: After the Fall (aka Angel: Season 6) run.
I bought this set because I wanted to know what became of the characters I spent 7 (12 if you count 'Angel') seasons with. Which is the same reason I bought the printed Angel: After the Fall volumes. I just couldn't get into them all that much. The artwork was interesting, the writing is Whedon-esque and all but the story just didn't hit me. And that's probably mostly due to my hang ups/weaknesses as a comic reader. The non-sequential nature of comics leave me wondering how what I'm reading fits into the overall story. There are side stories, spin-offs, one-offs and time jumps that make the plot hard to follow. I had hoped to avoid some of that confusion with Buffy: Season 8 by going the motion comic route.
The most important thing you need to know about this product is that it only features 19 motion comic "issues." Season 8's printed comic run is 40+ issues. Why this is being promoted as "Season 8" when it's really less than 1/2 of Season 8 is beyond me. There's no reason FOX couldn't have slapped a "Volume One" below the title. Fans and nerds would get it. I mean, it's not like they're ripping us on the content. Each motion comic "issue" runs between 10 and 15 minutes. That's A LOT of Buffy. Nerds have waited months between seasons, years between movies... They can take being told what they're about to buy is only "Volume One."
Once you've swallowed that pill...
The voice actors--Faith being an exception--don't sound anything like the real actors. Worse than that, often they don't try to read the lines the way I believe the writer intended. If even 50% of the cast tried as hard as the actress who played Faith did then I would've been happy. The Xander comes in at a far second. Willow and Andrew miss the mark the most. The Whedon voice, which is on the page, just doesn't shine through. I've found myself rethinking most of the lines as if the actor I know would have said them. It's a bit frustrating and takes an "issue" or two to get used to but rethinking and interpreting how lines should sound is actually a perfect re-creation of reading a comic, right? Not so sure that's a plus to a motion comic with actors, though.
When it comes down to it though, would I rather have the actors from the series or the writers? I'd go writers. And you get `em. These 19 motion issues were written by staff writers Joss Whedon and Drew Goddard. Comic writer and "LOST" alumni Brian K. Vaughn makes his first visit to the Buffyverse in this motion comic. Unfortunately, issues by Buffy/Angel writers Jane Espenson, Steven S. DeKnight, Drew Greenberg and Doug Petrie were not produced or included here as they are from the second half of Season 8. Joss and Co. haven't forgotten the voice and soul of the show--even if the limitations of a comic, a MOTION comic and "fake" versions of our characters don't always allow it to come through.
"'Limitations of a comic?' What are those?" It's tough to tell who's talking sometimes. This is due to both the actors AND the images. While it's a stylistic choice, the artwork is not always detailed enough to figure out who's talking when you don't recognize the voice. It's quite easy to mix up Willow, Dawn, Buffy and random slayer soldiers.
Now, in some ways "limitations" was a poor word choice since there are NO limitations in comics. But some people may not like that. This isn't exactly like the show you know and love. The monsters and situations are bigger and odder. Because we never saw creatures/situations like that on broadcast television, they seem a bit out of place here. It's a different world than the one we knew before. And some of that is actually due to the events in the series finale. So, while it works for the comic medium, you should not expect to see something exactly like you're used to.
In my opinion there are two really involving and satisfying arcs. Arcs where I was able to ignore all the negatives and just get into the story. Oddly, they each contain one of my favorite and least favorite characters from all the Buffy-verse. Character appearance SPOILER ONLY... Those two arcs are Faith's "No Future For You" and "Wolves at the Gate," which features the return of Dracula. He's the character I never liked. I love the last moment of his episode but otherwise found it to be disposable and a wasted opportunity. Here he is funnier and just all-around more interesting than in Season Five's "Buffy vs. Dracula."
EDIT: Since first writing this review, I've read the rest of Buffy: Season 8-- issues 20-40 and 2 one-offs.
It's really a shame they haven't committed to producing the other issues in this format. While the story only gets odder and more divisive among fans, there are 2 or 3 more arcs I'd love to see done this way. But this release does what it's supposed to do. It tells you half(-ish)the story of Buffy: Season 8. It doesn't always make the most sense, the actors aren't always perfect-- and for that matter neither is the source material for Season 8-- but it's an entertaining story starring great characters whose lives didn't stop just because production did.
FOX has done something very stupid with the packaging on this release. Something which I believe was done on the Dollhouse: Season One sets. There is a fairly nice quality artwork slip on the front of the packaging. NOT the Blu-Ray case. The PACKAGING. It's on top of and glued to the shrink wrap. I guess maybe this was a last minute addition? And oh, yeah... the artwork DOES NOT fit inside the Blu-Ray case. The all-around inclusion, placement and size of that artwork is just another nonsensical choice from FOX on this release. A mini version of Buffy: Season 8, Issue #1 is included, though. I'm unsure if it will be included with every release of this set or just the first printing.
If you haven't read the comics, can put up with different voices and want to catch up with characters you loved for seven seasons then this is for you. Just have realistic expectations about what you're getting and think of this as a radio play with pictures-- which, by the way, look great in HD despite the lack of detail provided by the artist. Unfortunately, you must be willing to accept an incomplete release. Had it contained all 40+ issues on 2 or 3 Blu-Rays, then it would be a no-brainer of a "yes." Sadly, the story is incomplete and purchasers should be prepared for a re-release or Volume 2 in the future.

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Proving once and for all that you can’t keep a good Slayer down, Joss Whedon’s Buffy the Vampire Slayer: Season Eight Motion Comic picks up where the smash hit TV show left off! Based on the Dark Horse comic book series, these eye-popping motion comic adventures breathe new life into the Buffyverse for long-time fans and new “watchers” alike.
The Hellmouth may have been destroyed, but the world still needs saving and Buffy Summers is back at her butt-kicking, demon-slaying best to do the job. She’s relocated her base of operations to a castle in Scotland to lead the Scooby Gang, including hundreds of newly activated Slayers scattered around the world to battle the supernatural forces of evil. But in the wake of Sunnydale’s destruction, the U.S. government thinks Buffy and her legions of followers have grown too powerful and are now terrorist threats. Meanwhile, a seemingly unstoppable group of Japanese vampires hatch a nefarious plot, while the biggest, baddest Big Bad of them all, Twilight, is on a mission to destroy every Slayer on Earth!

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