Showing posts with label disaster. Show all posts
Showing posts with label disaster. Show all posts

Friday, January 11, 2013

The Canyon (2009) Review

The Canyon (2009)
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In "Open Water" (2003), a pair of scuba divers (who were also a couple) got stranded in the middle of the ocean and found themselves imperiled by a school of sharks. Well, in "The Canyon", we have a newly-married couple stranded somewhere in the Grand Canyon and hunted by wolves. It's basically a survival-type drama with some twists, but on the whole is quite formulaic. What makes this watchable (though more as a rental and not a purchase) is the acting, which I thought was quite alright, considering this is a low-budget indie flick. The story centers around Nick (Eion Bailey) and Lori (Yvonne Strahovski) who are a pair of newly-weds and eager for adventure (well, Nick mainly) - Nick's idea of a perfect honeymoon is to explore the deepest recesses of the canyon via muleback. Unfortunately, Nick did not have the foresight to apply for a permit for their excursion and the pair decide to take on the proffered services of a grizzled old guide Henry (Will Patton).
Will Patton makes the initial part of this movie quite watchable with his dry humor and vast knowledge of the canyon - he really is quite a hoot to watch in his role as guide. Unfortunately, his role is rather shortlived, and it is left to Nick and Lori to carry the rest of the movie through as the stranded pair are forced to rely on their wits to stay alive and make it out of the canyon, even as tragedy and danger stalk them in the form of a pack of determined wolves. Eion Bailey's Nick is quite average in his role as the smart ass new husband who uses his persuasive skills in getting Lori to agree to his adventure - a plan that seems doomed from the beginning considering his lack of planning and foresight.His character as such is hard to empathize with. Lori as portrayed by Yvonne Strahovski has more of a screen presence and manages to convey a wider range of emotions convincingly and had me rooting for her all through the movie. The highlight of this movie is actually the gorgeous cinematography of the canyon - simply breathtaking. On the whole, this is basically a been-there-done-that sort of survival drama, and I'd recommend it as a rental at best.

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Honeymooners Nick and Lori head off to the Grand Canyon for adventure and time alone together. Upon arriving, they hire Henry as their guide, who seems to have his own idea about the outdoor excursion. When tragedy strikes, the newlyweds must fend for themselves. Discovering they areprey being hunted by something orsomeone, they desperately fight forsurvival to escape the canyon alive.

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Wednesday, August 1, 2012

The Poseidon Adventure (1972) Review

The Poseidon Adventure (1972)
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Timed to coincide with the big-screen remake "Poseidon," 20th Century Fox Home Entertainment are releasing 2-disc special editions of two classic star-studded disaster movies, including the 1972 original "The Poseidon Adventure" starring Gene Hackman, Ernest Borgnine, Shelley Winters and Roddy McDowell among a crew of 15 Academy Award winners. Produced by the legendary Irwin Allen (who made a career in the 1970s of turning out big-budget disaster movies) the movie, based on a novel of the same name by Paul Gallico, tells the story of the aging liner Poseidon, which is hit by a 90-foot tidal wave that knocks her over on her final voyage from New York to Greece.
Featuring impressive special effects for its time and excellent performances from its cast, the movie manages to rise above a trite script and corny dialogue as they travel through an upside-down world, into the bowels of the ship in the hope of rescue from above.
Perhaps the main attraction of this movie is the sets, which effectively create a world turned on its head that leaves passengers walking on the ceilings of a maze of passageways and falling into what was just seconds before the roof of a giant ballroom. The movie proved to be a smash hit in 1972 and itself garnered nine Oscar nominations.
The movie was previously released on DVD as a relatively bare-bones effort, an oversight which has been corrected here in what is a virtual embarrassment of riches for those of us who love to scour through the special features of those shiny discs. Alongside two audio commentaries, one featuring director Ronald Neame and a second with cast members Pamela Sue Martin, Stella Stevens and Carol Lynley are ten all-new featurettes that include a retrospective by the cast and crew and the AMC Backstory that looked behind the making of the movie. The longest of these short documentaries by far is the Backstory presentation that clocks in just short of a half-hour at 25:08 and details not just the fight by Allen to bring the novel to the screen, but also on-camera interviews with the likes of Roddy McDowell, Sheila Metthews Allen and Stella Stevens.
Fox apparently was reluctant to finance the $5 million picture and tried to kill the movie even after work had started on it. It was up to Allen to raise half of the budget, something he managed when he interrupted two rich friends playing cards at the neighboring country club who said "Yes, but let us get back to the game." The two men subsequently became even more wealthy.
The shortest documentary "Turning over the ship" on the effects shots in the picture is a mere 2:26.
The other documentaries cover such elements as the song "The Morning After," the religious themes of the movie, how some of the scenes were created and a featurette, which this DVD shares with "The Towering Inferno," on writer Stirling Sillipant.
Even given its short length at 6:27 is the featurette "The R.M.S. Queen Mary" which gives a fascinating history of the liner which served not only as a location for exterior shots of the "Poseidon" and the design of the ship, but also in the genesis of the idea for the novel. Apparently Gallico had taken a trip on the Queen Mary in the 1950s when it had been hit by a large wave. Tilting slightly plates and glasses went flying until the ship righted itself. Years later as Gallico sat down to write a novel the memory came back to him.
Perhaps the most famous shot of the movie is of the character Terry falling from a table into the glass ceiling below. This stunt was performed by actor Ernie Osatti, who was asked to do it so the movie could say that a number of the stunts had been performed by the actors themselves. This is recounted by Osatti in the 4:09 documentary "Falling up with Ernie."
Of the two commentaries the solo effort by Neame is the most involving with the director commending his cast for spending virtually an entire movie being "damped down" with hoses before practically every shot. Neame also reveals that he was "terrified" when he heard that Gallico would be seeing the movie because he had not stayed faithful to the novel, but was relieved to find out that the novelist loved the film.
Neame also explained the use of the "title" on the front of the movie which would seem to a casual observer to be a spoiler. As the movie opens we learn from a blurb on the screen that "only a handful of survivors" made it through the capsized ship. As Neame tells us, this was included as a means of holding the audiences attention through the first 20 minutes of the picture as we are introduced to the impressive cast with the audience trying to figure out who will survive.
The second cast commentary by Martin, Stevens and Lynley has, strangely enough, more periods of silence as the three seem to become involved in watching the movie unfold. It is also more anecdotal in nature. Stevens, for example, recounts getting into trouble recently for having her picture taken with the model of the ship (which apparently is on display at the maritime museum in Long Beach, Calif.), until it was learned she had appeared in the movie.
The three also talk about the casting and even mention how they had expressed an interest in making cameo appearances in the new movie, a notion which was met with no enthusiasm by the studio.
Perhaps the most interesting special feature is also the most unusual, an interactive feature that allows the viewer to follow the escape through schematics of the ship as they watch the movie. With a boat graphic in the lower right corner of the picture as a prompt, a screen comes up that shows the viewer where the survivors are, the path they took to get there and who is left. The schematic is based (as the movie and book were also) on the R.M.S Queen Mary.
Rounding out the DVD is a 10-minute archival 1972 promotional feature on the movie, two teaser trailers and the theatrical trailer, three storyboard comparisons and the transcription of an article that appeared in an edition of "American Cinematographer" with selectable images that take the viewer to image galleries.

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Tuesday, November 15, 2011

Volcano (1997) Review

Volcano (1997)
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I've watched this movie dozens of times, the first being at an ampitheater in Indiana on a cold fall day. I hadn't heard of it before but the tickets were free, so I checked it out. Wow! What a movie! I couldn't believe it, the entire time I was sitting on the edge of my seat, I left with no fingernails at all. All the actors were just terriffic, especially Tommy Lee Jones, who just adds flair to any film he's in. I'm not sure where people get off saying that this movie is too fantastical, either. As they say in the film, one day in Mexico a man saw a smoking fissure in his field; the next day there was a volcano growing there. That story is completely true, and it's happened repeatedly throughout the world. Why couldn't it happen in LA, the most geologically unstable major city? That's like saying that an earthquake can never hit New York City because it just can't happen. And as the current quote on the page said, you can't fight nature? The techniques used in Volcano are used constantly in Iceland and Greenland, which are all highly geologically unstable places with many volcanos. Anywho :) off my soapbox, if you've got a second, check this out on a large TV with a huge sound system! And skip that Dante's whatever, Volcano is the bomb... literally.

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Something unspeakably chilling is heating up The City of Angels. Beneath the famed La Brea Tar Pits, a raging volcano pushes to the surface, raining a storm of deadly fire bombs and an endless tide of white-hot lava upon the stunned city. Experience the pulse-pounding thrills as the dream capital of the world erupts into the stuff nightmares are made of.

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Monday, September 26, 2011

Cairo Time (2010) Review

Cairo Time (2010)
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I completely disagree with the previous review. I found the movie delightful. The film brought back many memories of Cairo and Egypt (and Arab men) for me. There is also the experience of a woman traveling alone rather than traveling with a companion or family. I recognized many of the experiences that Juliette had as captured by the exquisite acting of Patricia Clarkson. I had no idea what an excellent actress she is. I especially loved the slow development of the relationship between Juliette and Tarek, played by Alexander Siddig. Hopefully, the film industry will cast Siddig in more romantic leads (if thats what he wants).
The movie did just scratch the surface on several little subplots but it did not get weighed down by them and kept to the theme of friendship and romance developing while a woman waits (unaccompanied) in Cairo. The music was beautiful as well. I recommend the movie (unless you only like action films) and I suggest checking out "The Making of Cairo Time" on Youtube for a little more background on the film and director. (Its an art film and a romance film.)

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A married magazine editor falls for one of her husband's old acquaintances while vacationing in Cairo in this romantic drama from writer/director Ruba Nadda. Juliette (Patricia Clarkson) is a magazine editor who is happily married to Mark (Tom McCamus), a Canadian diplomat. Their kids are all grown up, and they've planned a three-week vacation in Cairo together when Mark gets delayed in the Palestinian territories and Juliette is left to navigate the Egyptian capitol alone. In order to ensure his wife's safety until he arrives, Mark asks his former security officer and longtime friend Tareq (Alexander Siddig) to be her guide though the city. He never imagined that they would fall in love, but the more time Tareq and Juliette spend together the more difficult is becomes for them to deny their intense attraction to one another.

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Thursday, August 18, 2011

The Towering Inferno (1974) Review

The Towering Inferno (1974)
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Irwin Allen decided to follow up his "The Poseidon Adventure" success with the 1974 suspense-thriller "The Towering Inferno," a movie which also garnered an impressive 10 Oscar nominations and is released as a 2-disc DVD special edition this week.
Whereas in "The Poseidon Adventure" the leads had to travel up, the only way is down for Steve McQueen, Paul Newman, William Holden, Fred Astaire, Richard Chamberlain, Robert Wagner and Faye Dunaway. Attending the opening night gala the guests are trapped on the 129th floor of the world's tallest building which becomes an inferno thanks to the shoddy wiring system installed by chief builder James Duncan (Holden) and his electrician son Roger Simmons (Chamberlain).
Newman plays Doug Roberts, the proud architect behind the Glass Tower, a skyscraper, which dominates the San Francisco skyline at a height of 138-story's. Returning from a long vacation Roberts immediately recognizes that something is wrong and he is proven correct when a circuit breaker burns out and ignites garbage on a lower floor.
While the script can be a tad melodramatic at times, the effort put into this movie is obvious. Nominated for Best Picture and winning for best cinematography, best special effects and best song, the movie was a smash hit and still holds up well today in this age of blockbuster special effects extravaganza's.
As with "The Poseidon Adventure" the previous DVD release was sorely lacking in special features and has been replaced with three hours of extras. Joining the nine all-new featurettes which includes a retrospective, a look at the special effects and the art design is the AMC Backstory on the making of the movie, 32 deleted or extended scenes and an audio commentary by film historian F.X. Feeney.
Feeney's commentary is fascinating and comprehensive, covering all aspects of the production from the writing and dialogue all the way through to the sets and the sense of anticipation director John Guillerman builds up from the start. Feeney tells us that this movie was a milestone for Hollywood in that it was the first time two studios had co-produced a feature. Warner Bros. and 20th Century Fox owned two separate books, "The Tower" by Richard Martin Stern and "The Glass Inferno" by Thomas N. Scortia and Frank M. Robinson, and both planned to make two competing movies on the same subject.
It was Allen who stepped in and proposed the historic deal and the two studios agreed, splitting first the cost and then the profit equally.
Though not for the full length of the feature special effects director Mike Venzina and stunt coordinator Branko Racki both individually comment on individual scenes. Verzina discusses eight scenes and Racki talks about nine separate scenes. Their observations are largely technical in nature and center on their selective specialties.
The longest of the documentaries is once again the AMC Backstory which runs 22:08. It is in this featurette that we learn that the model used for shots of the tower was itself seven stories high, that William Holden became aggravated with Faye Dunaway's tardy-ness to the set and that despite the media attempting to portray conflict between the two stars Steve McQueen and Paul Newman, the two actually got along well together with a mutual respect and friendly competition (as evidenced by a funny blooper).
The other featurettes range from 4:28 in length (on the directing of the movie) to 9:15 on the writer Stirling Silliphant. But they cover a wide range of topics from a retrospective by the cast and crew "Inside the Tower: We Remember" (8:16) in which Richard Chamberlain likens the set to being at a really glamorous Hollywood party day after day with the standard six star dressing rooms being increased to 15 to the architecture of the tower in "Still the World's Tallest Tower" (8:28) which compares The Glass Tower to other real-life skyscrapers and the impact these high-rise buildings have on the surrounding communities.
Other topics touched on include the safety aspects employed on the production in "Putting out fire" (4:58) in which Allen comments "You'd better have all the camera's rolling because fire waits for no man," and also reveals that firemen were on the set each day to "Running on fire" (5:52) which discusses the work of the stuntmen and includes the facts McQueen did not like anyone else doing his stunts and even Newman and Chamberlain did a number of their own stunts.
Also on this special collector's edition are 32 deleted or extended scenes that range from the 40-second "Still Waiting for the Elevator" which featuresshots of crowds of people pushing and shoving each other at the elevator and Holden's character assessing the situation on the telephone to the 2:55 clip "Four Alarm Fire" which covers the spreading of the fire through the building, the call from security requesting a four-alarm fire and shots of fire engines screaming through the streets of San Francisco.
All of the deleted or extended scenes were originally part of a longer television broadcast. Unfortunately their condition has deteriorated and they were deemed of too poor quality for Fox to include them through the popular DVD technique of seamless branching alongside the theatrical cut on the first disc.
Rounding out the special features on this release are three 1975 articles from "American Cinematographer" which run for a combined 83 pages and which, like those on "The Poseidon Adventure" DVD release, include selectable images which take the viewer to image galleries. These articles are all technical in nature and include discussion on how the movie was photographed and the work of the action unit. There are also six storyboard comparisons and five image galleries that range from shot compositions and costumes through to publicity and conceptual sketches.

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Item Name: The Towering Inferno (Special Edition); Studio:20th Century Fox

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