Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Tuesday, January 29, 2013

Personal Effects (2009) Review

Personal Effects (2009)
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This plays more like an indie flick, and you wouldn't think so with a cast like Michelle Pfeiffer, Ashton Kutcher and Kathy Bates, but in order for this picture to be evaluated properly it needs to be understood that this isn't a fast paced Blockbuster movie, but rather a moody, slow character piece with an unraveling beautiful love story in the subtext. Ashton Kutcher plays a young man whose sister was brutally raped and murdered. He's a silent, but tough guy who has trouble with communicating what's really going on underneath. He's a man's man. He does an impeccable job at conveying what he's thinking just by watching his face and his eyes. I've never seen him do more honest acting work than in this film. Michelle Pfeiffer is a true gem in this, not just a stunning beauty, but she brings a great spirit to the screen and with her character, showing raw emotion to charismatic and charming humor. She plays a woman whose husband was killed by a friend with a gun. Ashton and Michelle's characters have that first common understanding between each other when they meet at a group therapy session for those that lost someone close to them. They slowly begin to develop a friendship that later grows more intimate, clinging onto one another in an underlying way to connect with someone they can relate to. Michelle's character has a deaf son who holds a lot of bottled up anger and rage over his father's death, but is befriended and helped by Ashton's character taking him out of pain and into new heights. Ashton has his Mother played brilliantly in a small, but significant supporting role by Kathy Bates who is raising her daughter's daughter. The love story aspect between the two leads is very real, honest and sexy, poignantly done. This is a sleeper, a slow methodical and feel good piece on loss, love, friendship and family. I don't consider my five star giving for this overly generous, it's five stars for the kind of movie that it is, for this kind of genre, a unique film about the human condition.
There's a scene between Michelle Pfeiffer and Ashton Kutcher that is so erotically charged, practically everything, but taking off their clothes that I'm surprised they didn't give this an NC-17 just for that. The three leads show some absolutely incredible dramatic realism. Kathy Bates should've got some kind of award acknowledge for this one, but if only someone could've put it out there and market it.

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Walter (Ashton Kutcher) is a rising star in the NCAA wrestling world until his life is ripped apart by the brutal murder of his sister.Returning home to console his mother Gloria (Kathy Bates) he seeks vengeance on the man who is accused of the crime.A chance meeting with a beautiful mature woman (Michelle Pfeiffer) gives him solace to the situation.Personal Effects is a heartbreaking and ultimately uplifting romance that is a testament to the power of love.

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Sunday, January 20, 2013

Bee Gees - Live by Request (2001) Review

Bee Gees - Live by Request (2001)
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Recording with an audience of less than 1,000, this DVD feels like a club recording with it's Dolby Ditigal and DTS audio sound. Host Mark McEwen gushes a tad much and the 'Live by Request' gimmick is not original. Still, it manages to captivate. Fifteen songs (one a medley of eight), five being from the last album, it's a collection that defies the ear with the groups tight instrumentals and harmonies. "She Keep On Coming" and "You Should Be Dancing" rock the house, while "Sacred Trust" and "How Can You Mend A Broken Heart" lull the audience into a trance. This recording is unique in that there are plenty of star 'call-ins' and lots of joking around. Its surprising to hear Barry sing, "Woman In Love", but "Nights On Broadway" is, once again, cut far too short for a song that contains some of their best work.
This is as close as a great live recording gets and a DVD well worth owning. "One Night Only" is a great live recording as well, but nothing matches the intimacy of this presentation.

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Celebrating 35 years of hitmaking, the Bee Gees take the stage in New York City with host Mark McEwen taking the requests as Barry, Maurice and Robin play your favorite songs from the last four decades. From A&E's popular "Live By Request" music series, the brothers Gibb perform five new classics and over a dozen all-time favorites in this unique, intimate concert captured in glorious surround sound. Songs: This Is Where I Came In, She Keeps on Coming, Sacred Trust, Man in the Middle, Massachusetts, To Love Somebody, I Started a Joke, Jive Talkin', How Can You Mend a Broken Heart, Gotta Get a Message To You, Acoustic Medley: New York Mining Disaster/Run to Me/Too Much Heaven/Islands in the Stream/Holiday/A Woman in Love/Guilty/Nights on Broadway, Wedding Day, Lonely Days, How Deep Is Your Love, You Should Be Dancin'.

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Sunday, November 25, 2012

Full House: The Complete Sixth Season (1987) Review

Full House: The Complete Sixth Season (1987)
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Full House Season 6 Episode List.
1. Come Fly with Me.
DJ comes back from Spain with a surprise. Michelle and Stephanie are extremely excited to see her again. But a boy Stephanie thinks is cute gets on a plane and they go on with him. They go to Auckland, New Zealand.
2. The Long Goodbye.
While Danny struggles with maintaining his long-distance relationship with Vicki or ending it, Michelle learns her best friend Teddy is moving to Texas.
3. Road to Tokyo.
Michelle tries to dig a hole in the backyard to reach Jesse who is in Japan. Jesse has some hard choices to make.
4. Radio Days
Jesse starts yet another career and brings Joey along with him. A Disc Jockey seems right up Jesse alley. He will have to learn to share his time on the radio with Joey however who is also hired.
5. Lovers and Other Tanners
DJ has to learn to put things in her life by priority. Forgetting to pick up Michelle is the last straw for Danny with DJ.
6. Educating Jesse.
Kimmy and DJ make a Don't Drop out of School project. Jesse won't help because he was a school drop out.
7. Trouble in Twin Town.
Money can buy a lot of things but it can't buy happiness. The happiness that Jesse and Becky share. This is proven to both of them when Becky's rich cousin comes into town.
8. The Play's the Thing.
Michelle has to learn that just because you want something doesn't mean you'll always get it. And when you don't you don't just quit what you are a part of.
9. Nice Guy's Finish First.
Joey is stuck in the middle of being nice and not angry like he promised Michelle or win the hockey game he is playing in.
10. I'm Not D.J.
Hair is the main topic in this episode. Nicky and Alex need to go for their first haircuts and Stephanie is sporting the Princess Leila look. What is Stephanie trying to hide?
11. Designing Mothers.
What happens when you combine a medalling mother of your girlfriend, meeting her for the first time, and being left alone with her? TROUBLE. That's what happens when; Vicky's mom comes to meet Danny for the first time.
12. A Very Tanner Christmas.
A Tanner House full of Santa's but who is who is the question. Find out which Santa is Vicky, which is Joey and which is Steve.
13. The Dating Game.
Falling for somebody who doesn't fall for you back is a hard thing. Joey and Stephanie have to learn this the hard way.
14. Birthday Blues.
Kimmy's 16th birthday and Steve & DJ's 6th month anniversary and DJ forgot Kimmy's birthday. DJ throws her a party in 15 minutes, but Steve ruins it for her and Kimmy gets her feelings hurt.
15. Be True to Your Pre-School.
Nicky and Alex play the bassoon? Watch as Jesse lies to get the twins into a well-known preschool.....and does; but him and Becky change their mind and decline.
16. The Heartbreak Kid.
Just because you're young doesn't mean you don't have feelings and can't get them hurt. The Tanners find this out when they take Michelle's crush on Steve lightly.
17. Silence is Not Golden.
In this very heart wrenching episode we find Stephanie in a very difficult situation. She knows of a classmate who is being abused by his father but made a promise not to tell. She is torn between telling because she knows he is in trouble and keeping his secret.
18. Please Don't Touch the Dinosaur.
Super glue and a prayer are in order in this episode. When Jesse and Danny take Michelle's class to the museum. Talk about broken bones. A $4,000,000 dinosaur skeleton is in need of some attention.
19. Subterranean Graduation Blues.
It doesn't matter where you are when something important is supposed to happen as long as your family is there with you to celebrate. Making a difference in somebody's life is worth more than missing out on something you were counting on.
20. Grand Gift Auto.
What seems too good to be true usually is. Joey found this out when he bought DJ a car for her birthday later to find out it was stolen.
21. Room for One More.
Mr. Dad with a peaceful day or house gone mad. Which one do you think Jesse is faced with when he tries to convince Becky that he can handle things so she will agree to have another baby.
22. Prom Night.
A mistaken event takes place at the prom which has DJ in a tailspin. Prom was not what she expected and because of this misunderstanding Prom night seems to be ruined.
23. The House Meets the Mouse (1)
Michelle crowds in front of Stephanie and becomes Princess for a Day. When the other girls don't want to listen to her, she runs away from them to go on her own.
24. The House Meets the Mouse (2)
All Danny wants to do is ask Vicky to marry him. Does he ever get the chance to ask? Every time he tries he is interrupted. Stephanie misses out on some very good times because she is to busy feeling sorry for herself. DJ thinks she see's Steve all over Disney Land. Jesse does an underwater broadcast with a hungry looking shark swimming around.

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The laughs and lessons keep on coming in the sixth season! Join the Tanners once again for another hilarious season of Full House. Watch as Danny struggles to maintain a long-distance relationship, DJ goes to Prom, Michelle learns you don't get everything you want, Stephanie has to make an important decision and Becky and Jesse decide on pre-schools! Don't miss the latest antics of the Tanners in the complete sixth season for the first time ever on DVD!

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Monday, September 24, 2012

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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Sunday, July 8, 2012

The Jacksons: A Family Dynasty Review

The Jacksons: A Family Dynasty
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I thoroughly enjoyed watching this reality show on A&E! I looked forward to watching The Brothers interacting with each other every week. I cannot wait for the next season! The Brothers look really good, although I'd love for Randy to make an appearance! I've grown up looking up to Tito, the quiet, serious one. Don't know why but he has this sexiness that just screams at ya! I can relate to Jackie, being the oldest myself, expecting the respect that comes along with it--don't always seem to happen that way. I can also relate to Marlon, being the funny one trying to keep things light. And Jermaine--what can I say?!?!?! He's still moving and shaking. I admire Tito and Jermaine for continuing their music careers and staying on the move.
Before I forget--my favorite part of the series was when The Brothers isolated themselves trying to come up with songs for the "then" concert tribute to Michael and Tito was cooking a type of salmon??? for dinner. He put a little wine in the dish which obviously gives it great flavor. Sounds good? Actually Jermaine doesn't partake of any liquor, wine, etc. due to religious beliefs. Well, Tito's dinner was a treat for everyone, including Jermaine, who had no idea his lips touched wine! He was chowin' down! Oooopppppsssss--DOES HE KNOW THIS YET???!!!
I'd love to see more from this amazing Family Dynasty, Definitely!

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Straight from the tabloids to the television, The Jacksons: A Family Dynasty chronicles the personal and professional lives of the Jackson brothers as they reunite in the aftermath of the passing of their beloved brother, Michael. This six-hour docu-series provides an intimate behind-the-scenes peek into the daily real-life drama that the Jackson brothers experience due to the tabloids, documenting their relationships with one another, their children and their wives as they struggle to balance the demands of their professional commitments and celebrity.Prior to Michael's untimely death, the brothers planned on celebrating their 40th anniversary with the 'rebirth' of the Jackson Five and a small concert. But both the preparation and performance become extremely emotional as family members and longtime friends come out to show their support in the wake of tragedy. Primarily shot 'in the moment,' The Jacksons: A Family Dynasty also includes some documentary elements to illuminate key moments of the Jackson's legendary history.

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Wednesday, April 4, 2012

Beautiful Thing (1996) Review

Beautiful Thing (1996)
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There are many 'coming out' and gay-themed movies these days, but none is more heart-breaking -- or heart-warming -- than this one. Glen Berry and Scott Neal are perfect as Jamie and Ste, two troubled working-class London boys coming to terms with their sexuality, each other, and the homophobic world around them. Ste lives with an abusive father and older brother who have made him feel ugly. Jamie and his mum take him in, and the boys bunk together. They discover love to the accompaniment of "You are sixteen, going on seventeen, unprepared for a world of men". The music (a lot of Mama Cass, but also some lovely, bittersweet original stuff for string quartet) is deftly woven into the fabric of the film's story, and is an integral part of its structure. After a fight, Jamie and Ste kiss to Mama Cass singing "You gotta make your own kind of music". The ending is as uplifting and sweet as any on film. The surprising thing is that this wonderful movie was made for British television. I wish more films could be as fresh, touching, and honest as this bright, shining little gem.

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A pair of teenage boys growing up in a working-classneighborhood become aware of their homosexuality. While both werevaguely aware they might be gay, neither had ever acted on theirimpulses. Once they decide that they're attracted to each other, neitheris sure just what to do. Winner of 4 International Film Festival Awards.

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Monday, March 19, 2012

The Maiden Heist Review

The Maiden Heist
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The prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story - Christopher Walken, Morgan Freeman and William H. Macey - are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.
Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.
The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

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Their plan wasn't exactly a work of art. It was a stroke of genius. But now the perfect crime is turning into a perfect disaster in this madcap comedy featuring Academy Award winners Morgan Freeman, Christopher Walken, Marcia Gay Harden and Academy Award nominee William H. Macy. Charles, Roger and George are the very picture of honest security guards. But when they learn their favorite artworks are being sent to another museum, they concoct a plan to switch the real masterpieces with fakes. All goes well until a mistake forces these first-time thieves into a last-minute escapade in the comedy caper that proves you're never too old to have some new fun.

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Saturday, March 10, 2012

The House Without a Christmas Tree (1972) Review

The House Without a Christmas Tree (1972)
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Hi, I am Addie Mills (Lisa Lucas)and I just wanted to thank all of you who wrote such warm and complimentary reviews about "The House Without a Christmas Tree". What touched me most is the lasting impression the show made on so many and I feel very privileged to hold a place in their memory and their holiday tradition. It was a wonderful experience working on such a meaningful project and with such talented people. Actually, we did four specials all together. One for Thanksgiving called "The Holiday Treasure", for Easter called "The Easter Promise" and Valentines day (believe it or not) called "Addie and the King of Hearts." All but the Valentines Day show are available on video and I believe all four books are still out there. It's nice to see that good quality and heartwarming emotional drama can still be appreciated. Thanks again. (No, I'm not acting anymore but I did go onto roles in "An Unmarried Woman" with Jill Clayburgh, "Turning Point" with Shirley Maclaine and some wonderful television films like "The Adams Chronicles","A Perfect Match" and "The Migrants" Special hi to Traci in Canada. Yes,I remember spending many a cold day in your school during filming!

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After a mother dies, her family appears destined to spend the rest of its days picking up the pieces.In 1940's Nebraska, a sweet and intelligent 10-year-old girl raises the ire of her bitter widower father, who has never forgotten that his wife died while giving birth to their daughter.To illustrate for the girl that life does not come easy, the father bars the family, which also includes his mother, from having a traditional Christmas tree.This yuletide, though, has a happy surprise for this home so desperately in need of holiday cheer.

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Sunday, October 2, 2011

Juno (Single-Disc Edition) Review

Juno (Single-Disc Edition)
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Teenage pregnancy is frequently a starting point for myriad philosophical arguments: some see it as a major problem, some see it as an argument for the need of early teaching of contraceptive technique and sex education, some see it as a reason for championing abortion, and some see it as a piece of life that confronts families in both positive and negative ways. JUNO is a beautifully written (Diablo Cody) and directed (Jason Reitman) version of unplanned pregnancy offered by a splendid ensemble cast: it is a movie that could modify the sociologic outlook of many people in a very strong fashion.
Juno (Ellen Page) is sixteen and talks her best friend Bleek (Michael Cera) into having sex: the result is a surprise pregnancy that Juno shares with her girlfriend Leah (Olivia Thirley) and the store clerk Rollo (Rainn Wilson) even before informing Bleek, a likable kid who seems fairly flat about the situation. After discarding abortion as a viable solution, Juno informs her father (JK Simmons) and stepmother (Allison Janney) of her status, and tells them she is going to complete the pregnancy and give the baby to some loving and needy barren couple. Her parents are at first flustered by the news, but quickly become supportive in a way that tells us many things about the durability of successful families. With Leah's help, Juno answers an ad for 'wanted: baby' in PennySaver and visits the Lorings (Jennifer Garner and Jason Bateman) who desperately want a child and embrace Juno's gesture of adoption with eager excitement. The remainder of the film follows Juno as her abdomen increases in girth, finding new respect for her parents and for Bleek, and inadvertently walking in the troubled waters of the Loring's marital discord. Without giving the story away, the ending is so tender and free of cliché that it allows us, the audience, to appreciate all the vigor and sensitivity and humor and warmth of Juno - an example of developing maturity that is a fresh breeze compared to the usual teenage movies.
Ellen Page does indeed deliver a pitch perfect performance, but her co-stars are equally fine: Simmons and Janney break away from their usual type cast roles brilliantly, and the other members of the cast (the entire cast) flesh out this well written story with great skill. The mixture of animated graphics and the imaginative musical score enhance the flavor of the tale. JUNO offers an unbiased look at the topic of teenage pregnancy and wins on every level. Grady Harp, April 08

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Juno MacGuff (Ellen Page) is a cool, confident teenager who takes a nine-month detour into adulthood when she's faced with an unplanned pregnancy-and sets out to find the perfect parents for her baby. With the help of her charmingly unassuming boyfriend (Michael Cera), supportive dad (J.K Simmons) and no-nonsense stepmom (Allison Janney), Juno sets her sights on an affluent couple (Jennifer Garner and Jason Bateman) longing to adopt their first child.

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Monday, September 26, 2011

Cairo Time (2010) Review

Cairo Time (2010)
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I completely disagree with the previous review. I found the movie delightful. The film brought back many memories of Cairo and Egypt (and Arab men) for me. There is also the experience of a woman traveling alone rather than traveling with a companion or family. I recognized many of the experiences that Juliette had as captured by the exquisite acting of Patricia Clarkson. I had no idea what an excellent actress she is. I especially loved the slow development of the relationship between Juliette and Tarek, played by Alexander Siddig. Hopefully, the film industry will cast Siddig in more romantic leads (if thats what he wants).
The movie did just scratch the surface on several little subplots but it did not get weighed down by them and kept to the theme of friendship and romance developing while a woman waits (unaccompanied) in Cairo. The music was beautiful as well. I recommend the movie (unless you only like action films) and I suggest checking out "The Making of Cairo Time" on Youtube for a little more background on the film and director. (Its an art film and a romance film.)

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A married magazine editor falls for one of her husband's old acquaintances while vacationing in Cairo in this romantic drama from writer/director Ruba Nadda. Juliette (Patricia Clarkson) is a magazine editor who is happily married to Mark (Tom McCamus), a Canadian diplomat. Their kids are all grown up, and they've planned a three-week vacation in Cairo together when Mark gets delayed in the Palestinian territories and Juliette is left to navigate the Egyptian capitol alone. In order to ensure his wife's safety until he arrives, Mark asks his former security officer and longtime friend Tareq (Alexander Siddig) to be her guide though the city. He never imagined that they would fall in love, but the more time Tareq and Juliette spend together the more difficult is becomes for them to deny their intense attraction to one another.

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Tuesday, September 13, 2011

I.Q. (1994) Review

I.Q. (1994)
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Now this is how to do the genre!
This is brilliantly funny, poignant and tender, but never insipid (the director is Australia...so insipidness is definitely out) movie. Matthau is truly fantastic as Einstein, as are his three sidekicks (especially Godel! and the tree that likes to eat their stuff!) as they try to manuever the two leads together and remove the Lesser Professor, a.k.a the rat man, Chimp Pimp, etc from the picture: the stuffy english fiance of Meg Ryan's Character, played perfectly by Stephen Frey. Of course the Lesser Professor is trying to hang on to Meg Ryan's character and expose Tim Robbin's character as a fraud because of his new found friendhsip with Einstein and the secret paper they're working on so Tim Robbin's character can impress Meg Ryan's charater with 'his genius' because that is what she looks for in a man- a genetic hope of making genius children so she, lacking in her own confidence, can achieve through her children. MEg Ryan's character is Eistein's neice.
I can't understand how Matthau didn't get a best supporting actor nomination for this movie! He is so good, as is all the cast: they fit perfectly, especially the 'four boys'.
The story is fairly linear but well paced. It does deal with a lesser theme of self belief, being yourself, and sexual equality and that brilliant men can be have brilliant women as their equal, or betters. The main theme is not letting the brain rule the heart too much, and to be happy. And that some things-love- defy science!
I can't think of any movie like this one. Its unique, clever, witty and subtle at times (especially the humor: Einstein on a motorbike going wah-hoo...very cool!). So if you like your movies sophisticated, wholesome, honest, stylish and not contrived then you defintely want to see this one! The cinematography and 'fifty-ness' is fantastic!
Definitely 5 stars! More even...!
DVD is very plain: just the movie. No added features or even bio's for that matter. But with a movie this good, who needs them? The picture and sound quality are top notch.

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A young mechanic falls in love with Albert Einstein's mathematician niece and the scientist schemes to make her fall in love with the mechanic.No Track Information AvailableMedia Type: DVDArtist: RYAN/ROBBINS/MATTHAU/DURNINGTitle: I.Q.Street Release Date: 09/09/2003

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Wednesday, August 17, 2011

Pure Country/Honeysuckle Rose (1980) Review

Pure Country/Honeysuckle Rose (1980)
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My family and I love Pure Country. It is a simple and pleasurable movie with a predictable but delightful ending. While George Strait is not an A-List actor, he gives a solid performance. Besides, his list of lifetime accomplishments far outweigh most actors 10 fold.
Honeysuckle Rose is just packed with Willie Nelson tunes. While Nelson is also not an A-List actor, Amy Irving and Dyan Cannon certainly fit the bill. I'm partial to "Song For You", a tune Willie sings at the end of the movie. And, practically stealing the show is veteran character actor Slim Pickens, who comically swears with flair making "Honeysuckle" a "sweet" affair.

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They're singing the songs...and living them. George Strait already had 25 chart-topping hits when he made his film debut in Pure Country (Side A). He plays Dusty, who ditches his superstar C&W career to rediscover his simple roots...and finds that the simple life can be complex when his manager (Lesley Ann Warren) retaliates. Next, in another savvy, song-filled slice of the performing life, Willie Nelson is On the Road Again for a film that's not autobiographical yet knows its highways and byways well. Dyan Cannon, Amy Irving and Slim Pickens join Nelson in a film that has the knack for providing the right song at the right time. Get on the bus. With Honeysuckle Rose (Side B) marking its DVD Debut, you can't help but go places.

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Friday, July 29, 2011

Gracie (2007) Review

Gracie (2007)
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The fact that this quiet yet beautiful gem of a film was released on the same weekend as the summer blockbuster "Knocked Up" may give some indication as to why it came and went relatively quickly in the theaters. Still, if you saw the previews for this and/or went to see it when it came out, chances are you agree that it was an impressively well-told story of courage, redemption, and the realization that life simply is never perfect, regardless of how much effort is put forth.
Contemporary sport films have become a distinctive genre that is all their own, and simply seeing the poster for this film may instantly suggest something about defying the odds, standing up against adversity, and meeting with huge successes that are the result of hard work. Isn't that, after all, the general formula of many of the inspirational sports movies that are out there?
However, while "Gracie" emphasizes all those things and efficiently plays out those typical messages, there is something much stronger that makes this film worth your time. It is loosely based on true-life events of actress Elisabeth Shue, who made a name for herself with the 1980's hit "Misadventures in Babysitting." Beyond her acting career, though, there is a story of her childhood that is carried through the character of Gracie Bowens, a teenager who is growing up with a slew of soccer-playing brothers. You can sense immediately that she is struggling with feelings of inadequacy as she fights to be part of the family athleticism, but when a jarring tragedy strikes with her oldest brother, so begins her journey toward making a difference and taking his spot on the varsity soccer team. Gracie knows she cannot take this on without her father's consent in training her--a tall order that creates several barriers against her, even with her own parents. If there's anything that this movie strives for most, it's the sobering honesty of the families, schools, and communities that are not always supportive of what certain people deem as valuable.
Perhaps the single factor that drew me in the most about this film was the execution of Gracie's rebellion early in the plot. In an attempt to curb the pain of her family's loss and cope with Dad's rejection, the young girl compensates with alcohol, skimpy outfits, and flings with guys that go well beyond first base. The scenes were so thoughtfully done, and there was a certain authenticity with how a 15-year-old girl in that situation would be feeling and reacting. Though it's clear that her father's attentiveness would be the one thing to pull her away from his danger, the entire issue is proof of the theory that involvement in sports affords young people the discipline to stay out of trouble.
Beyond this, the theme of "Gracie" basically focuses on the price we pay for pursuing a far-fetched dream (and let's face it, it's not usually a cheap deal). Our heroine is a girl who obviously has the passion and grit to do well, but it is hardly a smooth road, and much of the film focuses less on the glory and more on how much this young lady must do every single day to have a shot at what she is doing. Even when she manages to earn the opportunity to try out for the guys' team, the male world of soccer is not exactly kind to the likes of a girl trying to ease her way in. Viewers will find themselves searching hard for a moment during which they can share in celebrating Gracie's success, but the truth is, the film's plot makes it as tough for us as they do for the main character. The ending is enough to generate a smile without feeling that the story went too far with the saccharine and unrealistic, and to me, that is the mark of a unique, credible movie.
If you did not get to catch this film when it was originally released in theaters, I hope you will get your family together to watch it when it arrives on DVD in September. Aside from a solid script that has something important to say for anyone who watches, it is filled with strong, hard-fought performances from the entire cast. Carly Schroeder has the ideal "athletic beauty" combination that film critics have been talking about regarding her performance, and though she is a relative newcomer (she had a recurring role in Hilary Duff's "Lizzie McGuire" TV series and theatrical film of the same name, but this is her first major role), she lends all the right elements to the character and indicates a promising future career in the Hollywood business. As Gracie, she is a bag of bolts, a fighting spirit, and while she thrives under her father's careful guidance, the real test comes when it is time to get out there and show everyone if she can do it. The way Schroeder executes it is brilliant, and there's no doubt that the casting crew got it just right when they chose her. Dermot Mulroney is terrific as always, delivering big as a grieving and conflicted father. His love for his little girl--his only daughter--is never questioned, but his hesitation in helping her realize her biggest goal involves far more intense factors, especially in a society where female prejudice is still a major issue. Elisabeth Shue--who is, again, the inspiration for the title character--steps in as Gracie's patient mother. Always hopeful, yet never afraid to come forward with the truth, it is an all-around enjoyable film that seeks to inspire in its own way.

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Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer... on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the soccer field, Gracie must summon all of her strength and courage, to finally show the world that a girl with a dream can do absolutely anything!DVD Features:Audio CommentaryFeaturetteTheatrical Trailer


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What Dreams May Come (1998) Review

What Dreams May Come (1998)
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There is such a profound sense of drama, magic and emotion behind the story in "What Dreams May Come," a film based on the novel by Richard Matheson. There is a strong story with which anyone who loves someone else can identify, as well as an austentatious and elegant scope of visual and auditory imagery that jumps right for your eyes onscreen. Matheson's visions of heaven and hell are magnificently realized here, as well as the love between two people that is unbreakable, even after death.
The movie begins with the chance meeting of two American tourists traveling in Switzerland. Soon after, Chris and Annie become inseperable, and after their wedding, they bear two children. Many years later, Ian and Marie are killed in a car collision, leaving their parents distraught yet overcoming. Another couple of years later, Chris dies in a car accident as well, on his way to celebrate the "Double D" anniversary of his wife's emotional recovery from their childrens' deaths. This begins his trip into heaven, which is rocky at first during his attempts to console his living wife, then graduating into his acceptance of his immortality and ascemding into heaven, which turns out to be the creation of his own thoughts and settings. When he realizes that he is not completely happy without Annie, he becomes depressed, so it is no surprise that when Annie commits suicide and is sent to hell, he readies himself to rescue his wife from her emotional confines that keep her in her prison of eternal darkness.
The story for this movie is very ambitious, as are the filmmakers who bring it to life. There is an abundance of vivid memories in the form of flashbacks, many of which are precisely used to move the plot along and keep the story moving. Instead of becoming bored with the ongoing story of Annie and Chris's married and parental life, I found myself becoming more and more entranced as their lives unfolded, and say what you will, but the only way to tell a story like this is through flashbacks. If you were to take all of the memories and place them in order at the beginning of the movie, the audience would forget about the important moments that have an effects on the actions and events that take place in later instances of the film. Each one is a separate piece of the puzzle, and they all fit together quite well.
This film is one of those movies that showcases the possibilities for filmmaking in the future. Really, when you think about it, there is no way that the movie could have been made thirty years ago and still have the same impact as it does now. The settings and scenery play the most important role of the movie, for they provide the reason for the emotion and action that affects our characters. The beginning shots in Switzerland show us beautiful vistas of mountains and lakes, which will later become the inspiration for Chris's heaven, as well as many of the paintings Annie creates. Their home bursts forth with color and brightness, proving that color plays a big role in the film. When everyone is alive, everything seems light and airy. After Chris's death, all is dark, and the walls of the home seem dismal and gray. One scene in particular is a scene in which Chris watches his children being driven away in their van down a long line of lilac trees, a slight fog covering the scene. Their is that brilliance of color, yet the dark fog makes us uneasy, hence the accident that kills their children.
Heaven is elegantly portrayed in this film, and is done so with a new twist: that each person has their own private heaven created in the image of their own personal desires and thoughts. Chris's heaven is based on the paintings of his wife, from the mountains of Switzerland to a small island in the middle of a mountain lake with an opulent, airy house. The filmmakers give each scene the precise look of a painting, even after the special effects fade, using vivid colors, lots of flowers and mountainous backdrops, to transport us into Chris's new world. This is one of the most incredible film achievements ever, taking us to a special place that is warm, inviting, and personifies every thought we, as an audience, have ever had for beauty and vision.
Hell is given a truly horrifying and intense treatment, displaying visions of suffering as well as the personal and emotional pain of life that haunts us all. Somewhat like the way in which Heaven is created, Hell is seen as a persons's "life gone wrong," which allows for the creation of their pain-driven eternity. The gateway to hell is a stunning visual image, a vast, smoky graveyard of smoldering shipwrecks that creak and groan. There is also a dismal, endless sea of decrepit faces of hell's inhabitants, that groan and scream at one another. The most striking of all the settings is the overturned cathedral, where Annie resides. The columns rise from the ceiling and go on forever into the darkness, which gives the whole place a sense of the neverending.
There is a unique chemistry between the two leads that carries on the film's emotion and power. Robin Williams is charming, humorous and bold as Chris Nielsen, and through his acting and talent, he is able to make us believe in the love that Chris holds for Annie. Annabella Sciorra is moving as Annie, embodying all of the emotions and grief that set the stage for the second half of the story. When the two are together onscreen, they are happy and in love, and we buy it because they make it appear very authentic. Cuba Gooding, Jr. plays the angel that brings Chris to heaven, doing well in his performance of helping Chris through his struggle to realize his death. Max von Sydow, whose part is not as big as others he has had, is the tracker who takes them all to hell, and his words of wisdom keep the film's informative angle moving.
"What Dreams May Come" will go down in history as one of the most innovative and spectacular films ever made, full of ambition and inspiration. In its story, we are taken on a journey of the human heart, as well as a striking vision of what may lie in store for everyone under God's eye.

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WHAT DREAMS MAY COME - DVD Movie

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Wednesday, June 15, 2011

Return to Me (2000) Review

Return to Me (2000)
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Director and co-writer Bonnie Hunt delivers the goods in "Return To Me," a touching story of two deserving people who are afforded a second chance at love and happiness. When we meet Grace (Minnie Driver), she is suffering with heart disease and awaiting a donor for a transplant. Architect-builder Bob Rueland (David Duchovny) is happily married to Elizabeth (Joely Richardson), they are deeply in love, and Hunt quickly establishes just how perfect their lives are together; so perfect, in fact, it becomes somewhat unsettling because you know that tragedy of some kind or other is imminent. When it comes, the transition is handled succinctly and with the skill of a seasoned professional. When Elizabeth dies, Grace receives her heart. A year later, Bob, still mourning the loss of his wife, meets Grace at the Irish-Italian restaurant owned by her grandfather (Carroll O'Connor), where she works as a waitress. Neither are aware of the intimate link they share to the heart that has given Grace her life. In the hands of a less savvy director, the story at this point could easily go astray and become mired in coincidence and cliche. Hunt never comes close to allowing this to happen, however, and instead hits every note squarely on the head so that the plot fairly resonates with precision and timing. A veteran character actress herself (she plays Grace's closest friend, Meg, here), she seems to know instinctively just when to add the right light touch to offset the drama, then fleshes it all out with an array of great characters,especially Robert Loggia, as Angelo, the "Greatest Italian chef in Chicago," and James Belushi as Meg's husband, Joe. There are no wasted moments in this film; the story moves right along and takes you with it. The dialogue is often witty and always real; in a scene between Grace and Meg that takes place in the hospital (prior to their notification that a donor has been located), in which Grace can barely draw a breath, she looks up at Meg and says one word, "Rosebud." After Elizabeth dies, when Bob finds himself alone at home and finally breaks down, Hunt gives the scene time to build and play out, so that it rings true instead of being glossed over and simply used as a tool to move the story along. When it happens we, as an audience, are also afforded that time to realize the suffering he's experiencing, and it allows us to feel it as well. The scene in which Grace, Meg and Joe are at home awaiting a dinner guest (a former priest), is beyond hilarious.Highlighting an exceptional cast, David Duchovny and Minnie Driver are unforgettable as Bob and Grace; and the multi-talented Bonnie Hunt rises to a whole new level of artistic merit for giving us a truly memorable and heart-warming movie that is a joy to experience. Written by Hunt and Don Lake, "Return To Me" is a delight from beginning to end, the kind of film one waits for to come along. Hopefully, in the future Hunt will treat us to even more movies of this caliber.

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Who knew that when he ordered the special, he d get the dish of his life? David Duchovny ('the X-Files ) and Minnie Driver (Good Will Hunting) ignite sparks in thiswarm-hearted winner(JeffCraig, 'sixty Second Preview ) about a widower and a waitress who meet and fall in love. Featuring an incredible all-star cast, this hilarious romantic comedy delivers a lot of laughs, tears and joysthat will make your spirits soar.It took a lot of cajoling to get Bob (Duchovny), a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress, Grace (Driver). With unsolicitedhelp from Grace's matchmaking grandfather (Carroll O Connor), Bob asks her out. And as their relationship blossoms, everything seems to be going great, until an unbelievable truth is revealed one that could easily break both of their hearts for good.

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Wednesday, June 1, 2011

P.S. I Love You (2007) Review

P.S. I Love You (2007)
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Marketing P.S. I LOVE YOU was a hit/miss situation. The general trailer and the billboards seem to set the audience up for a sappy tearjerker. But happily what happens in this film is not the expected 'widowed person communicating with the dead love out of failure to get on with life' tale, but instead a look into the importance of friendship, family, and adjusting to the incomparable loss. Credit the original novel by Cecelia Ahern as adapted for the screen by Steven Rogers writer/director Richard LaGravenese for making what so easily have been a sappy, maudlin, whining tale into a touching one of human emotions with a sense of reality mixed with a mildly implausible situation, and a series of character studies that emphasize the importance of support in the time of grief.
Holly (Hilary Swank) and Gerry (Gerard Butler) Kennedy are a married couple with goals and frustrations and a huge dollop of passionate love, surrounded by friends and family. The tragedy happens just as the movie starts: Gerry has died of a brain tumor leaving the copeless Holly alone with her memories and self-inflicted regrets. But Gerry, knowing he was a terminal patient, devised his own plan to help Holly through that first year of grief: he left letters in various forms and places, advising Holly how to learn about his family and how to get on with life. Holly's mother (Kathy Bates) owns a bar and has supported her little family since Holly's father deserted his family years ago. In the bar is another injured soul named Daniel (Harry Connick Jr.) who fancies Holly but realizes she is far from ready to think about dating. Holly's friends Denise (Lisa Kudrow) and Sharon (Gina Gershon) accompany Holly to Gerry's pre-planned trip to his home in Ireland to meet the in-laws Holly never knew. While in Ireland Holly reminisces on the magic of first meeting Gerry, meets Gerry's parents as well as Gerry's best friend William (Jeffrey Dean Morgan) and through it all manages to appreciate the gift of PS I Love You letters and reminders Gerry has left for her. And she ultimately finds closure to her loss.
The cast is strong and makes these at times strained characters into lovable people: Hilary Swank has made a successful entrance into the feminine lead role and is balanced to perfection by Butler, Morgan, Connick, Bates, Kudrow and Gershon. They make the implausible plausible and deliver a love story that goes beyond the level of superficial to join the ranks of warm and tender memorable slices of life. It is surprisingly good! Grady Harp, May 08

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Buy a new outfit. Be a disco diva. Learn to fish. Take a chance. Travel. Laugh. Love. Sometimes all you need to start really living is a little shove in the right direction – and that’s just what Holly Kennedy gets. From the handsome, big-hearted love of her life. From a series of mysterious letters. And from gal pals who know that a friend in need is a friend in need of some laughs! Based on Cecelia Ahern’s joyful bestseller and boasting a top cast led by two-time Academy Award® winner* Hilary Swank and Gerard Butler (300), P.S. I Love You is your very own message full of fun, love, triumph and romance. Open it now. (P.S. You’ll love it!)

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Monday, May 23, 2011

The Ugly Truth (Widescreen Edition) (2009) Review

The Ugly Truth (Widescreen Edition) (2009)
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"The Ugly Truth" represents something I never thought I'd see: A romantic comedy that both women and men will appreciate. Granted, it probably won't be for the same reasons. Women will like it because underneath it all, it's a fairly typical romantic comedy, the story of Girl Hates Boy, Boy Hates Girl, Boy and Girl Fall in Love Anyway. Men will like it because one of the main characters expresses much of what they think and feel on a daily basis. Everyone will like it because the story is engaging and the characters are not mere cardboard caricatures. You can actually invest in them, and you're able to care about what's going on. What could easily have been a routine date night movie is instead a surprisingly good movie that need not wait until date night. It's also genuinely funny--a bit raunchy, yes, but funny just the same.
Much of the film's success is due to the wonderful onscreen chemistry between Katherine Heigl and Gerard Butler. They continuously make us laugh, yet the comedy is not so broad that you can't believe them in their roles. They make a point of interacting with one another, not as comic relief but as real people. Heigl plays Abby Richter, the romantically challenged, neurotic, controlling producer of a failing Sacramento morning talk show. Butler plays Mike Chadaway, the chauvinistic host of a public access relationship program called "The Ugly Truth." He's unapologetically tell-it-like-it-is in matters of men and women. There's no such thing, he claims, as a sensitive, nurturing man who wants to connect at an emotional level. Men just want sex, plain and simple. And they only want it with attractive women.
Abby, who thinks Mike's rhetoric is appalling, is horrified when she learns that he has been hired to her station in an effort to boost ratings. They clash at every turn ... until he learns that she's interested in dating her next door neighbor--an orthopedic surgeon named Colin (Eric Winter) who just happens to be incredibly handsome. Sensing she's doing everything wrong to initiate a relationship, Mike offers to help Abby by having her test his relationships theories on Colin. She reluctantly agrees, and sure enough, Mike's methods work wonders. She dresses more provocatively. She learns to stop being critical and avoid discussing her personal problems. She learns to be the embodiment of both the saint and the sinner, or as Mike puts it, "The librarian and the stripper."
And that's when things start to get more complex. Abby is succeeding with Colin, but only at the expense of not being herself. On the other hand, could anyone love her as herself? She is, after all, known for bringing background checks and printed topics of conversation to blind dates. As for Mike, he has very definite reasons for believing that loving relationships are a sham. They're gradually revealed not only through carefully structured scenes, but also through Butler, who shows he can find the right balance between smug and sensitive. We see that Mike is the closest thing his young nephew has for a father, and even though he playfully gives the boy relationship advice, he's also quick to remind him that kids should never, ever watch his show.
Heigl also manages a balancing act with her performance, specifically between strength and vulnerability. Abby overachieves at work to compensate for a lack of a love life, which initially seems funny but steadily grows desperate. For reasons she doesn't care to admit to, she's falling in love with Mike, and he too is falling in love with her. But what about Colin? Is he with Abby only because of the façade Mike told her to put up? There's a scene between her and Colin late in the film that directly addresses this issue, and to my delight, it's handled in a way that avoids just about everything that would happen in the average romantic comedy. There are no shouting matches. There are no flying fists. There are no confrontations. There's only a quiet moment of realization that the truth is indeed ugly.
Scenes like these are wonderfully juxtaposed with moments of well written comedy. There are some very amusing moments between Cheryl Hines and John Michael Higgins as unhappily married news anchors who share the same desk and time slot. The film's single funniest scene takes place in a restaurant and involves Abby, an extremely stimulating pair of underwear, and a control device that ends up in the wrong hands.
I can say with complete honesty (and some embarrassment) that I wasn't expecting such a strong film. I certainly wasn't expecting a strong film belonging to this particular genre. What floors me is that two of the three writers of this film are Karen McCullah Lutz and Kirsten Smith. There are the same two that brought us "The House Bunny," one of the worst films of 2008. They certainly got it right this time around. "The Ugly Truth" is one of the best romantic comedies I've seen in a long time, a delightful and absorbing tale about the fronts people display. It's funny without lowering itself to the level of cheap gags, and this is in spite of the film's well-deserved R rating. Heigl and Butler convincingly pull off a romance, no small feat given the contrived nature of these kinds of films. At last, a date movie both the man and the woman can enjoy.

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Katherine Heigl and Gerard Butler star in this wildly funny battle of the sexes. Abby (Heigl), a successful morning show producer, is looking for a lot in a man. Mike (Butler), her obnoxious TV star, knows men only want one thing. Determined to prove that she's not romantically challenged, Abby takes Mike's advice during a promising new romance, but the unexpected results will stun everyone.

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