Bee Gees - Live by Request (2001) Review

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(More customer reviews)Recording with an audience of less than 1,000, this DVD feels like a club recording with it's Dolby Ditigal and DTS audio sound. Host Mark McEwen gushes a tad much and the 'Live by Request' gimmick is not original. Still, it manages to captivate. Fifteen songs (one a medley of eight), five being from the last album, it's a collection that defies the ear with the groups tight instrumentals and harmonies. "She Keep On Coming" and "You Should Be Dancing" rock the house, while "Sacred Trust" and "How Can You Mend A Broken Heart" lull the audience into a trance. This recording is unique in that there are plenty of star 'call-ins' and lots of joking around. Its surprising to hear Barry sing, "Woman In Love", but "Nights On Broadway" is, once again, cut far too short for a song that contains some of their best work.
This is as close as a great live recording gets and a DVD well worth owning. "One Night Only" is a great live recording as well, but nothing matches the intimacy of this presentation.

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Celebrating 35 years of hitmaking, the Bee Gees take the stage in New York City with host Mark McEwen taking the requests as Barry, Maurice and Robin play your favorite songs from the last four decades. From A&E's popular "Live By Request" music series, the brothers Gibb perform five new classics and over a dozen all-time favorites in this unique, intimate concert captured in glorious surround sound. Songs: This Is Where I Came In, She Keeps on Coming, Sacred Trust, Man in the Middle, Massachusetts, To Love Somebody, I Started a Joke, Jive Talkin', How Can You Mend a Broken Heart, Gotta Get a Message To You, Acoustic Medley: New York Mining Disaster/Run to Me/Too Much Heaven/Islands in the Stream/Holiday/A Woman in Love/Guilty/Nights on Broadway, Wedding Day, Lonely Days, How Deep Is Your Love, You Should Be Dancin'.

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This Is Tom Jones: What's New Pussycat? (2009) Review

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(More customer reviews)This Volume 3 of THIS IS TOM JONES is only 1 DVD, containing 3 episodes of the show, but all are severely edited. MARCH 21, 1969 is a great show, particularly because TOM and MAMA CASS ELLIOT do a stupendous medley of soul songs: ONE NIGHT WITH YOU, DO RIGHT WOMAN and I GUESS I'LL ALWAYS LOVE YOU. But , shockingly, they even cut at least one song from their performance together out of the medley! Not only that, but Cass' solo song is not included either. What a shame, a legendary performer such as her, & they left out her complete performances on this episode. Instead you get a clean shaven GEORGE CARLIN in a suit doing an unfunny 5 minute dud of a monolouge. THE DAVE CLARK FIVE are listed as guests on this episode, but not surprisingly, they are nowhere to be seen. What's left are 3 songs by Tom: WHAT'S NEW PUSSYCAT, GENTLE ON MY MIND, and WHAT'D I SAY , but even the star of the show has songs cut out of his concert that ends each episode. JANUARY 1, 1971 is even more severely edited. It has Tom doing a very short AIN'T THAT GOOD NEWS, and Free's ALL RIGHT NOW at the end of the show, leaving out other songs as well. Guest JOHN DENVER is seen in a duet with Tom on CAROLINA IN MY MIND, and then a short instrumental guitar piece with an uncredited guitarist , probably as a segueway to a commercial break. The original episode has SHIRLEY BASSEY, Tom's compatriot from Wales, but she is totally left out. Instead we get the complete skits by comedy troup THE ACE TRUCKING COMPANY, which go on for 10 minutes. What a shame. It must be easy to clear comedy performances, but not song copyrights. The 3rd episode from FEBRUARY 1969 is the least edited, but it excludes the performance by LULU. She's seen introducing THE BEE GEES with Tom. Mercifully, their 2 songs aren't edited . ROBIN GIBB has really long hair singing I STARTED A JOKE, and then BARRY GIBB sings FIRST OF MAY. It's a great vintage performance of a 4 member BEE GEES. Another groovy guest pairing is Tom singing with SERGIO MENDES AND BRASIL '66 on a song caled MAS QUE NADA. It's a groovy feeling seeing Tom & the 2 female singers of the group sing and move to the samba grooves. TIM CONWAY occupys space with 2 comedy spots, and they also chose to include actress LYNN REDGRAVE singing a complete song ! Tom's songs are DOCK OF THE BAY and MONEY, again cutting out songs from the concert portion.
The strength's of THIS IS TOM JONES are the musical performances. They are vintage , live performances that recorded the moment. The combination of Tom with different artists brought out all sorts of things in each singer's performances that are unique. To see CASS ELLIOT singing a soul medley with Tom is a rare and great performance. Whatever the reasons are that they cut out her solo, and also SHIRLEY BASSEY, LULU and the rest of the guest stars who are missing performances really cheats the buyer. The music is what's important, not the comedy skits, which they should have edited out. Probably clearance and copyright problems, certainly with the DC5. The episodes look and sound great, are in color, but butchered as could be. As vintage and rare as this show is, they should not have sacrified the legendary performers out of the episodes. It's great to see most of what's here, but what they excluded is inexcusable.

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This is Tom Jones: What's New Pussycat? features some of thegreatest moments from his iconic show including performances by the Bee Gees and John Denver. Tom also turns up the heat with show-stopping renditions of (Sittin' On) The Dock of the Bay and All Right Now, plus delivers his sexy hit What's NewPussycat. For laughs, George Carlin and Tim Conway deliver classic comic routines in addition to more musical performances by (Mama) Cass Elliot, Sergio Mendes and Lynn Redgrave.

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