Showing posts with label ellen page. Show all posts
Showing posts with label ellen page. Show all posts

Sunday, April 29, 2012

Peacock (2010) Review

Peacock (2010)
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As you can see by the previous reviews, the opinions are greatly varied. They all have merit but I have to say I liked it more than I didn't like it.
As for the issue of multiple or fractured personalities, I don't have the expertise to say whether or not they exist, but it is the crux of this film so, depending on your views on the matter, you may need to suspend your disbelief.
Yes. You get, right off the bat, the strong connection to Psycho. Abused son plus dead mom equals crazy son. This son, played by Cillian Murphy will make or break this one for you. Susan Sarandon is present but she's doing what she can with a rather small part. Bill Pullman seems unnecessarily weird and Ellen Page does a very good job even though she's only in a couple of scenes. This is Murphy's movie. The way he plays the parts of John and Emma, I felt, were tremendous. He's screwed up and trapped in a self imposed prison. Through a trick of fate he almost finds a way out through his alter ego Emma. But you see the torment in him and you realize how precarious the situation is. One false move and the whole thing comes crashing down.
The writer/director Michael Lander ripped a couple of pages out of the David Lynch book of film making but as I tend to like Lynch, I wasn't at all bothered. It's a good idea for a movie and all aspects of the production are professional. The soundtrack is way cool and the bones don't show. This is a good, solid, imaginative film. It clocks in at 90 minutes so it won't tax your patience.
But beware. This is not for the casual viewer. If you're into popcorn kind a flix this may not be your cup of tea. If way off beat films are your poison, give it a shot.

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John Skillpa, a quiet bank clerk living in tiny Peacock, Nebraska, prefers to live an invisible life. Then, in a moment, everything changes. A train caboose runs off its tracks and crashes into John’s backyard and destroys more than the weathered planks of his wood fence. When neighbors descend on the scene, they discover John’s other personality, Emma, for the first time and mistakenly believe her to be John’s wife. This launches John into the glare of the spotlight and eventually shatters the delicate balance of his sanity.

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Wednesday, March 28, 2012

An American Crime (2008) Review

An American Crime (2008)
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AN AMERICAN CRIME is a problematic little reenactment of a real criminal case of child abuse dating back to 1965. The story is horrifying and while the film places the facts in our faces, the impact of the film is out of focus. This is due to the script that elects to glaze over the motivational aspects of a brutal crime in favor of attempting to investigate fully the mindset of both the perpetrator and the victims. Were it not for some sterling performances by Catherine Keener and Ellen Page this film might be easily dismissed: the strength of these actresses to overcome a weak script and manage to involve us is much to their credit as artists.
Indiana, 1965, and Gertrude Baniszewski (Catherine Keener) is a 'borderline' single mother of several children who is asked to take care of Sylvia (Ellen Page) and Jennie Likens (Hayley McFarland) while the girls parents remain on the road as carnies, promising to send checks to help support their farmed out children. Gertrude is a woman of loose morals who adds babies to her large family during liaisons with young men like the itinerant Dennis (James Franco).Gertrude takes in laundry to support her household and requires her young children to work toward the same goal. A friction develops between Sylvia and Jenny and the children by Gertrude's illicit adventures as well as covert sexual similarities surfacing in her children and at 'family meetings' Gertrude doles out punishment for Sylvia - punishment including cigarette burns, coke bottle insertions, branding etc. - all of which are undeserved and eventually lead to Sylvia's imprisonment in the basement where Gertrude and her children and their friends daily torture Sylvia. Eventually Sylvia dies and Gertrude and family are brought to court for charges of first-degree murder and variations thereof. The court proceedings (under the leadership of lawyer Leroy K. New played by Bradley Whitford) provide the story drivers as each allegation is then acted out by flashbacks until the verdicts are reached.
Catherine Keener is superb as the deranged, maladaptive Gertrude and Ellen Page adds yet another feather to her cap in a role that in another actor's hands could have been over the top. Writer/director Tommy O'Haver (the script was written with the aid of Irene Turner) does manage to show us the facts of this atrocity yet fails to go inside the characters to give us the psychobiographies this film has the potential for illuminating. It may well repel some viewers, but it does bring to the forefront a crime that is all too common in this country. Grady Harp, May 08

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"This," said Prosecutor Leroy New, "has been the most terrible crime ever committed in the state of Indiana;" the first crime of child abuse that broke through reticence and denial to register with the public. In Tommy O'Haver's heartbreaking and hard-hitting film, AN AMERICAN CRIME, Academy Award ® nominee Catherine Keener portrays Gertrude Baniszewski, the seemingly ordinary housewife who imprisons and tortures a beautiful teenager, played by Academy Award ® nominee Ellen Page, in the basement of her house - two portrayals that will resonate with audiences long after they leave the theatre. AN AMERICAN CRIME also stars James Franco and Bradley Whitford.

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Wednesday, November 23, 2011

Whip It (2009) Review

Whip It (2009)
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"Whip It" is surprisingly good in spite of itself, conventional as a sports movie yet mature in its development of character. It's also an entertaining spectacle, which is relief for me since I've never given much thought to women's Roller Derby (or even sports in general, but that's a topic for another day). Drew Barrymore has done well to hype it as her directorial debut; she proves that she not only has the technical skills, but also the ability to move a story along through dialogue, pacing, and emotion. Having practically grown up in front of the camera, I think it's safe to assume she knows a thing or two about what a film needs in order for it to work. The first thing she did right was cast Ellen Page, who has repeatedly demonstrated just how versatile an actress she is.
She's no exception here. She plays seventeen-year-old Bliss Cavendar, who was raised in a middle-of-nowhere Texas town and gets by as a diner waitress. Her overbearing mother, Brooke (Marcia Gay Harden), a product of a very different set of standards, pressures Bliss into competing in beauty pageants, believing you have to make do with what you've got when you're young and attractive. When Bliss is made aware of a Roller Derby match in nearby Austin, she decides to go and see what all the fuss is about. Lo and behold, she likes what she sees. She then meets Maggie Mayhem (Kristen Wiig), a teammate for the Hurl Scouts, and is encouraged to try out for the team. Maggie is one of several teammates that has adopted a clever nickname; some of the other Hurl Scouts are Smashley Simpson (Drew Barrymore), Rosa Sparks (Eve), and the Manson Sisters (Kristen Adolfi and Rachel Piplica).
Under the guise of taking an SAT studies class, Bliss sneaks away to Austin every week for practice. Conflict abounds: Not only have the Hurl Scouts never won a single game, Bliss' teammates are also unaware that she's underage (you have to be twenty-one in order to be considered for Roller Derby). By the time she starts participating in matches, she develops a rivalry with Iron Maven (Juliette Lewis), the confrontational leader of undefeated champions of Roller Derby, the Holy Rollers. Nevertheless, Bliss has never felt more alive. At long last, she has found something she loves to do, and she does it with people she enjoys being around. Eventually, she will have to find and maintain that delicate balance between her passion, her family, and her life back home, a process that isn't as easy as it might seem.
One could see this film just for the satisfaction of watching an uplifting, inspirational sports film, as has been done so many times before. For me, what made this movie so enjoyable were the characters, most so interesting and well developed that they seemed authentic. Bliss, for example, is willful and determined, yet not so haughty that she only seems like a spoiled brat. There's a remarkably tender side to her, and yes, some of it is reserved for her mother. It would have been easy to write Brooke as a controlling, spiteful stereotype, but all of that is avoided--despite having unrealistic expectations and a dated ideal of successful womanhood, she genuinely cares about her daughter, and we sense that all throughout. The only character who poses a bit of a problem is Bliss' father, Earl (Daniel Stern), seemingly included just for the sake of physically and morally clashing with his wife.
Other characters function as quirky interludes, like Bliss' supportive best friend, Pash (Alia Shawkat), the Hurl Scouts' eccentric coach, Razor (Andrew Wilson), and the boisterous Roller Derby announcer, "Hot Tub" Johnny Rocket (Jimmy Fallon). The screenplay even has room for a teen romance between Bliss and a guitarist named Oliver (Landon Pigg), who eventually swaps his coat for Bliss' Stryper tee shirt (which she claims is the only cool thing her mother ever gave her). Most of these characters, the last one especially, are expected, as is the inevitable final match between the Hurl Scouts and the Holy Rollers. And yet, it all comes together smoothly, making for a fun and endearing film that you'll want to see through to the end.
The game sequences are quite effective on their own, not only because of the well choreographed skating maneuvers, but also because of the camerawork; every shot exploits the spectacle that is Roller Derby, gliding in time with the actors as they zoom over and around each other on an inclined track. Other shots reveal the grungy feel of a Roller Derby event, from the makeshift arena to the ramshackle benches to the screaming fans, most of whom look no older than twenty. This is interesting in and of itself, given the fact that, save for Bliss, all the teammates are in their early to late thirties; one of them even has a young son. Knowing these women are mostly in it for the love of the game, one wonders how long Bliss can keep playing right alongside them. But if there is a message attached to "Whip It," it has nothing to do with what the future may or may not bring; this movie is all about living in the now and loving every minute of it.

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Hang onto your helmet and get ready to break away from the pack! Ellen Page scores huge laughs as Bliss Cavendar, a small-town teenager with a big dream: to find her own path in the world. Tired of following in her family’s footsteps of compliance and conformity, Bliss discovers a way to put her life on the fast track...literally. She lands a spot on a rough-and-tumble roller derby team and becomes “Babe Ruthless” — the hottest thing on eight wheels! Co-starring Drew Barrymore (in her feature film directorial debut), Marcia Gay Harden, Juliette Lewis, Daniel Stern and Jimmy Fallon, Whip It is a triumphant, free-spirited comedy loaded with high-speed action and nonstop fun!
Audio: English: 5.1 Dolby Digital / Spanish: Dolby Surround / French: Dolby Surround
Language: Dubbed: English, French & Spanish / Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 2.40:1


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Sunday, October 2, 2011

Juno (Single-Disc Edition) Review

Juno (Single-Disc Edition)
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Teenage pregnancy is frequently a starting point for myriad philosophical arguments: some see it as a major problem, some see it as an argument for the need of early teaching of contraceptive technique and sex education, some see it as a reason for championing abortion, and some see it as a piece of life that confronts families in both positive and negative ways. JUNO is a beautifully written (Diablo Cody) and directed (Jason Reitman) version of unplanned pregnancy offered by a splendid ensemble cast: it is a movie that could modify the sociologic outlook of many people in a very strong fashion.
Juno (Ellen Page) is sixteen and talks her best friend Bleek (Michael Cera) into having sex: the result is a surprise pregnancy that Juno shares with her girlfriend Leah (Olivia Thirley) and the store clerk Rollo (Rainn Wilson) even before informing Bleek, a likable kid who seems fairly flat about the situation. After discarding abortion as a viable solution, Juno informs her father (JK Simmons) and stepmother (Allison Janney) of her status, and tells them she is going to complete the pregnancy and give the baby to some loving and needy barren couple. Her parents are at first flustered by the news, but quickly become supportive in a way that tells us many things about the durability of successful families. With Leah's help, Juno answers an ad for 'wanted: baby' in PennySaver and visits the Lorings (Jennifer Garner and Jason Bateman) who desperately want a child and embrace Juno's gesture of adoption with eager excitement. The remainder of the film follows Juno as her abdomen increases in girth, finding new respect for her parents and for Bleek, and inadvertently walking in the troubled waters of the Loring's marital discord. Without giving the story away, the ending is so tender and free of cliché that it allows us, the audience, to appreciate all the vigor and sensitivity and humor and warmth of Juno - an example of developing maturity that is a fresh breeze compared to the usual teenage movies.
Ellen Page does indeed deliver a pitch perfect performance, but her co-stars are equally fine: Simmons and Janney break away from their usual type cast roles brilliantly, and the other members of the cast (the entire cast) flesh out this well written story with great skill. The mixture of animated graphics and the imaginative musical score enhance the flavor of the tale. JUNO offers an unbiased look at the topic of teenage pregnancy and wins on every level. Grady Harp, April 08

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Juno MacGuff (Ellen Page) is a cool, confident teenager who takes a nine-month detour into adulthood when she's faced with an unplanned pregnancy-and sets out to find the perfect parents for her baby. With the help of her charmingly unassuming boyfriend (Michael Cera), supportive dad (J.K Simmons) and no-nonsense stepmom (Allison Janney), Juno sets her sights on an affluent couple (Jennifer Garner and Jason Bateman) longing to adopt their first child.

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