A Time to Kill (1996) Review

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(More customer reviews)I saw this movie shortly after it came to video and thought it was a pretty good movie. Then a couple years later, I saw it again. And it just kind of stuck in my brain. I'll be reading or listening to something, and it will remind me of the movie. In conversations I bring up this film all the time because it is so relevant to important issues of our time. Racism, vigilante action, legal issues, etc. The more you watch this movie, the more it makes you think.
And if you're not interested in thinking about some of the larger philosophical issues at hand, there's still plenty of stuff for you. You've got Matthew McConaughey who does a phenomenal job, and looks great while at it. Oliver Platt imbues his character with just the right amount of sleaze and charm that you can't help but love him. Donald Sutherland is absolutely lovable as the old-school gentleman (and you and your friends can argue over whether he's a lush or or a drunk/alcoholic). Sandra Bullock does a believable job, and the men tend to find Ashley Judd rather attractive in this role. And let's not forget Samuel L. Jackson, who makes his character so real that you understand the situation he's in and why he does what he does.
So basically, there's something for everyone here. Thinking stuff with good looking people (male and female) who act well. Can't go wrong with this one.

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The Poseidon Adventure (1972) Review

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(More customer reviews)Timed to coincide with the big-screen remake "Poseidon," 20th Century Fox Home Entertainment are releasing 2-disc special editions of two classic star-studded disaster movies, including the 1972 original "The Poseidon Adventure" starring Gene Hackman, Ernest Borgnine, Shelley Winters and Roddy McDowell among a crew of 15 Academy Award winners. Produced by the legendary Irwin Allen (who made a career in the 1970s of turning out big-budget disaster movies) the movie, based on a novel of the same name by Paul Gallico, tells the story of the aging liner Poseidon, which is hit by a 90-foot tidal wave that knocks her over on her final voyage from New York to Greece.
Featuring impressive special effects for its time and excellent performances from its cast, the movie manages to rise above a trite script and corny dialogue as they travel through an upside-down world, into the bowels of the ship in the hope of rescue from above.
Perhaps the main attraction of this movie is the sets, which effectively create a world turned on its head that leaves passengers walking on the ceilings of a maze of passageways and falling into what was just seconds before the roof of a giant ballroom. The movie proved to be a smash hit in 1972 and itself garnered nine Oscar nominations.
The movie was previously released on DVD as a relatively bare-bones effort, an oversight which has been corrected here in what is a virtual embarrassment of riches for those of us who love to scour through the special features of those shiny discs. Alongside two audio commentaries, one featuring director Ronald Neame and a second with cast members Pamela Sue Martin, Stella Stevens and Carol Lynley are ten all-new featurettes that include a retrospective by the cast and crew and the AMC Backstory that looked behind the making of the movie. The longest of these short documentaries by far is the Backstory presentation that clocks in just short of a half-hour at 25:08 and details not just the fight by Allen to bring the novel to the screen, but also on-camera interviews with the likes of Roddy McDowell, Sheila Metthews Allen and Stella Stevens.
Fox apparently was reluctant to finance the $5 million picture and tried to kill the movie even after work had started on it. It was up to Allen to raise half of the budget, something he managed when he interrupted two rich friends playing cards at the neighboring country club who said "Yes, but let us get back to the game." The two men subsequently became even more wealthy.
The shortest documentary "Turning over the ship" on the effects shots in the picture is a mere 2:26.
The other documentaries cover such elements as the song "The Morning After," the religious themes of the movie, how some of the scenes were created and a featurette, which this DVD shares with "The Towering Inferno," on writer Stirling Sillipant.
Even given its short length at 6:27 is the featurette "The R.M.S. Queen Mary" which gives a fascinating history of the liner which served not only as a location for exterior shots of the "Poseidon" and the design of the ship, but also in the genesis of the idea for the novel. Apparently Gallico had taken a trip on the Queen Mary in the 1950s when it had been hit by a large wave. Tilting slightly plates and glasses went flying until the ship righted itself. Years later as Gallico sat down to write a novel the memory came back to him.
Perhaps the most famous shot of the movie is of the character Terry falling from a table into the glass ceiling below. This stunt was performed by actor Ernie Osatti, who was asked to do it so the movie could say that a number of the stunts had been performed by the actors themselves. This is recounted by Osatti in the 4:09 documentary "Falling up with Ernie."
Of the two commentaries the solo effort by Neame is the most involving with the director commending his cast for spending virtually an entire movie being "damped down" with hoses before practically every shot. Neame also reveals that he was "terrified" when he heard that Gallico would be seeing the movie because he had not stayed faithful to the novel, but was relieved to find out that the novelist loved the film.
Neame also explained the use of the "title" on the front of the movie which would seem to a casual observer to be a spoiler. As the movie opens we learn from a blurb on the screen that "only a handful of survivors" made it through the capsized ship. As Neame tells us, this was included as a means of holding the audiences attention through the first 20 minutes of the picture as we are introduced to the impressive cast with the audience trying to figure out who will survive.
The second cast commentary by Martin, Stevens and Lynley has, strangely enough, more periods of silence as the three seem to become involved in watching the movie unfold. It is also more anecdotal in nature. Stevens, for example, recounts getting into trouble recently for having her picture taken with the model of the ship (which apparently is on display at the maritime museum in Long Beach, Calif.), until it was learned she had appeared in the movie.
The three also talk about the casting and even mention how they had expressed an interest in making cameo appearances in the new movie, a notion which was met with no enthusiasm by the studio.
Perhaps the most interesting special feature is also the most unusual, an interactive feature that allows the viewer to follow the escape through schematics of the ship as they watch the movie. With a boat graphic in the lower right corner of the picture as a prompt, a screen comes up that shows the viewer where the survivors are, the path they took to get there and who is left. The schematic is based (as the movie and book were also) on the R.M.S Queen Mary.
Rounding out the DVD is a 10-minute archival 1972 promotional feature on the movie, two teaser trailers and the theatrical trailer, three storyboard comparisons and the transcription of an article that appeared in an edition of "American Cinematographer" with selectable images that take the viewer to image galleries.

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Superman - The Movie (1978) Review

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(More customer reviews)This is a tough one to review. For a film made in 1978, I don't think it could look any better. I'm willing to bet this Blu-ray disc is as good if not better than the premiere screening of Superman back in 78. Great care must have been taken to clean up and restore this picture. It is practically free of scratches and dirt. It is detailed, far above standard definition. Colors are balanced and eye catching. Contrast is natural and evenly spread. Inserted scenes are consistent with the rest of the film. Never looked better. Still, 1978. There are a few scenes with plenty of grain and most of the film gives the impression of being a little out of focus, a little blurred. Five star transfer, four star visual impact. I doubt if a 1080p display is getting much more out of this picture than a 720p display.
(PS3 - 1080p projector - 92")

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The planet Krypton is doomed and Jor-El sends his infant son to refuge on a distant planet where he develops superhuman powers that he must hide from the mortals around him.Genre: Feature Film-Action/AdventureRating: PGRelease Date: 8-FEB-2005Media Type: DVD

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Twilight (1998) Review

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(More customer reviews)This review refers to "Twilight" (VHS/Paramount)....
Paul Newman knows a thing or two about playing a private eye. Remember "Harper" and "The Drowning Pool"? In "Twilight", he's Harry Ross(funny it should be another "H" name, to add to his list), an on the wagon, ex-cop, turned ex-private eye. He's holed up at the home of an ailing Jack, and Catherine Ames, once bright and shining movie stars. The Ames', by the way, are Gene Hackman and Susan Sarandon.
Harry has been doing odd jobs for the Ames', and he's about to handle the oddest. Jack asks Harry to deliver a package. Don't worry, he says, a simple task, no guns needed. Well, this simple task unleashes a web of 20 year old secrets and lies that could ruin lives and take a few in the process. And yes, a gun would come in real handy for Ross, who comes out of retirement to solve the case. And... who do you trust?... becomes the big question for him.
It's a real treat to see Newman in this quiet but deadly thriller, unraveling a murder mystery, that has dead bodies and danger at every turn. Sarandon and Hackman are in top form as they try to protect themselves from their own past. Director Robert Benton("Places In The Heart"/"Kramer Vs. Kramer"), seems to be paying homage to the noir of yesteryear, and does it with a wonderful flair for the genre.
Stockard Channing, Reese Witherspoon, James Garner, Giancarlo Esposito, Liev Schreiber, John Spencer and M. Emmet Walsh, add their wonderful talents to the story. The music, by Elmer Bernstein completes the feel of this Hollywood mystery.
This VHS edition presents a nice picture(full screen), and very good sound in Stereo. You may want to keep the remote handy as there are more than 10 minutes of previews at the beginning of the tape. The film is rated R for some violence, and nudity.
Catch these legends all together, in one time, in one place. "Twilight" in Tinsletown!
Get the popcorn ready and enjoy....Laurie
also recommended:
Empire Falls (Every Small Town Has a Big Story) Vol. 1
The Outrage

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A RETIRED PRIVATE INVESTIGATOR AGREES TO HELP HIS STAR FRIENDSAND BECOME EMBROILED IN A DANGEROUS AND COMPLEX MURDER MYSTERY.

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Bonnie and Clyde (1967) Review

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(More customer reviews)Warner Home Video is releasing newly remastered transfers of Bonnie and Clyde, with new special features, in several editions. Amazon is taking orders at the following links:
Standard DVD 2-disc Special Edition
Standard DVD 2-disc Ultimate Collector's Edition
Blu-ray
HD
The first three were released on March 25th; the HD version is due out on April 15th. Warner Brothers has announced that it won't support HD after May 31, 2008, so there may be a limited window to get the HD version.
The new transfers have been made from the "original elements," meaning stuff like original negatives or original prints. (See below for an update on the video and audio quality.) The special features announced, included in all the new releases, are these:
-- the full-length History Channel documentary about the real Bonnie and Clyde called "Love and Death: The Story of Bonnie and Clyde" (43:10)
-- a new three-part documentary about the making and releasing of the film and its relation to the real Bonnie and Clyde:
. . . "Bonnie and Clyde's Gang" (22:35)
. . . "The Reality and Myth of Bonnie and Clyde" (24:07)
. . . "Releasing Bonnie and Clyde" (18:06)
-- two newly discovered deleted scenes (5:23)
-- two trailers (4:11)
-- Warren Beatty's wardrobe tests (7:39)
The HD and Blu-ray editions will also include as a "high-def exclusive" a hardcover book (34 pages according to Amazon, 32 pages according to dvdbeaver) with a detailed production history, star/director filmographies and rare archival behind-the-scenes photos. The book is an integral part of the case. This isn't included in the standard DVD Special Edition.
The Ultimate edition will also include some non-DVD extras. Details are given in the earlier reviews of the Ultimate edition (January 17, 2008).
No commentary was announced, so I subtract one star. For some the making-of features may partially make up for the lack of commentary.
As for the movie itself, it's a landmark, but there are already many helpful reviews here about that ....
Update on the video and audio quality of the new releases (March 27th)
I haven't got my copy yet, but I've checked out some early professional reviews. All the ones I've seen that compare to the older DVD agree that the video quality of the new releases is much improved. I'll give some details from a sampling of reviews here for anyone interested, but the upshot is that everyone is pleased with both new transfers (HD not being out yet).
Standard DVD
DVD Beaver, which specializes in DVD image evaluations and comparisons, says the standard DVD 2-disc Special Edition video is "very strong," clean, with minimal noise. They report improved detail, contrast and color from the older DVD. Skin tones are said to be a bit on the red side (which is what most people prefer to accurate color). The image is said to have a glossy look at times, perhaps the same look described at DVD Town as "a little glassy."
The sound is the original mono, described by DVD Beaver as "clear and consistent." No one raves about the sound, but everyone finds it good overall, for mono.
The review at DVD Town finds the new transfer "excellent for a movie some forty years old." It mentions noticeable grain in some shots, but this may refer to scenes in which there was intentional grain introduced for effect. Also mentioned are occasional softness, skin tones a touch dark, but overall color "quite realistic." Says the definition is superb for standard DVD, contrast strong.
DVD Verdict says, "The remastered print looks very good, with strong colors and high contrast, and superb detail ...," with a little grain at times.
Blu-ray
DVD Beaver says the Blu-ray version is, as would be expected, even better. The darks are darker than on the new standard DVD, the brights brighter, very strong detail, with a touch redder skin tones, very minor noise. The image is said to retain a natural look.
The sound is described with very same adjectives as for the standard DVD: clear and consistent.
Home Theater Forum's reviewer calls the Blu-ray transfer's color fidelity "outstanding" and overall quality "excellent," including sharpness and detail. Blacks are said to be very black, though less so in the later part of the movie.
A review at High-Def Digest praises the Blu-ray image quality very highly, particularly the color, which it describes as vibrant, smooth and natural.
(I've posted the links to the reviews cited in the first comment for this review.)

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A SOMEWHAT ROMANTIZED ACCOUNT OF THE CAREER OF THE NOTORIOUSLYVIOLENT BANK ROBBING COUPLE AND THEIR GANG.

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The French Connection (1971) Review

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(More customer reviews)"The French Connection" is a fantastic time capsule of a film; a solid crime drama enhanced tremendously by great performances, terrific stunt work and wonderful location shooting in and around NYC that captures The Big Apple during its 1970's heyday as a scummy, gritty cesspool of a town. It's a fine example of 1970's American cinema, a classic of its type and a must-see, if not a must-own, for fans of crime dramas and police procedurals.
Regarding specifically the Blu-Ray edition of the film, Director William Friedkin has apparently decided that the gritty, documentary-like feel to the original cinematography of his film was not gritty and documentary-like enough; instead of taking advantage of the latest technological advances to clean up or restore an original master of this classic film, director Friedkin decided that he would revisit his 39-year-old masterpiece by making it look decidedly worse. Using various digital filters, he has amped up the graininess, distorted and smeared the color scheme, while blowing out the contrast in order to give "The French Connection" an (intentionally) worn-out, distorted look that really does change the visuals of the film.
Unfortunately, rather than giving the film a more "authentic" feel (as was the director's intention), this inexplicable digital makeover adds absolutely nothing to the film's impact save for scads of fake film grain, alternately faded and overly-saturated hues and crappier contrast. I am by no means a film purist, but the fact is this visual overhaul is pointless, gimmicky and (most problematic) extremely distracting. The added grain will astonish you during certain parts of the film... and not in a good way. People with large televisions especially be warned.
This is what "The French Connection" cinematographer Owen Roizman had to say on the matter of the film's "new" look:
"I wasn't consulted. I was appalled by it. I don't know what Billy (director William Friedkin) was thinking. It's not the film that I shot, and I certainly want to wash my hands of having had anything to do with this transfer, which I feel is atrocious."
I sympathize with you, Mr. Roizman.
Mr. Friedkin's decision to experiment with the film's original cinematography wouldn't be much of an issue if the original version of the film was included alongside the digitally-altered version, but alas, that is not the case with this blu-ray release. On the contrary, Mr. Friedkin has stated that this new, digitally-altered version of "The French Connection" is how this classic film will unfortunately be presented in future releases from here on end.
I infinitely prefer the 2001 Five-Star Collection 2-disc DVD set, and wholeheartedly recommend it over this Blu-Ray. The remastering on the THX-approved 2001 DVD is terrific (looking especially good upconverted via 1080p), the original cinematography is preserved, the 5.1 Dolby Digital sounds great, and its got hours of extras (in fact, its got virtually all of the extras found on the Blu-Ray incarnation); right now, it can be had brand new for around the same price as the blu-ray edition... but snap it up while you can, as the two-disc edition is currently out-of-print. As another alternative, if you can live without most of the extras, the 2005 single-disc DVD release has the same mastering as the 2001 Five-Star Collection 2-disc DVD set, is currently still in circulation, and can be bought brand new for around $7.00.
If you must check out this Blu-Ray, rent before you buy.
Perhaps its time for Mr. Friedkin to make a new film rather than waste time tinkering on his old ones (or, judging by his last film "Bug", maybe not).

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Two narcotics detectives, "Popeye" Doyle and his partner Buddy Russo (Gene Hackman, Roy Scheider), start to close in on a vast international narcotics ring when the smugglers unexpectedly strike back.Following an attempt on his life by one of the smuggl

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Enemy of the State (1998) Review

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(More customer reviews)MOVIE: Enemy of The State is another one of Jerry Bruckheimer's mid 90's action extravaganzas. He reunites with Tony Scott to bring us this action flick about government coverups and how technology is used to basically track every aspect of your life. The movie is about a lawyer who is unwillingly thrown into a wild cat and mouse chase. A congressman is murdered near a reservoir where research is done on migratory geese. So, unknowingly, the whole thing is caught on tape and ends up in the hands of a nerdy and young Jason Lee. He realizes what he has in his possession and during a foot chase he bumps into his old friend played by Will Smith and secretly drops the tape in his bag. Now Will Smith's character is thrown into a world of espionage without knowing why he is being hunted. He meets up with Brill, played by Gene Hackman, an ex NSA agent who ends up helping him. Hackman basically plays a reincarnation of his character in Coppola's The Conversation. The movie is directed at a fast pace by Tony Scott, and it's an overall entertaining action flick. I felt the movie tried to be smarter than it actually was and that the characters were very plain and boring.
ACTING: I didn't like Hackman in this role, but Will Smith brought some life into the movie. For people who haven't seen the movie in awhile you should check it out to recognize some young faces including Jack Black, Jake Busey, Jaimie Kennedy, Seth Green, and the of course the previously mentioned Jason Lee.
VIDEO: The great thing about the recent releases of Con Air, Crimson Tide, and Enemy Of The State are the new anamorphic transfers of the films. They are greatly appreciated and are so much better than the old ones. The quality of the transfer has not improved greatly in terms of picture quality, but there is a noticeable difference.
AUDIO: As for sound we get a very dull Dolby 5.1 mix. All the dialogue is usually center heavy, and rarely does action actually envelope you from the surround speakers. The track is the same from the old release, so it's not the best. There are some scenes with helicopters and some big explosions that utilize the surround speakers well, but overall it's a very dull mix.
SPECIAL FEATURES: The "making of" featurette was actually more extensive than I was expecting. They talk more about the gadgets used in the film versus the actual movie, but overall I found it to be interesting. All the interviews were done back during the making of the movie and it was a pretty extensive behind the scenes for what the movie is. One thing I found extremely interesting was that they talked about a scene where Will Smith is chased by cars in an underground tunnel in his bathrobe. In reality, the cars didn't fit into the tunnel so they had do take the cars apart and weld them back together in the tunnel. The entire scene was maybe a minute long! I just found it interesting that all that work was done for maybe a blip of action. Anyway, the next featurette is basically some on set footage. Overall the two featurettes do justice for what this movie is.
BOTTOM LINE: I got confused whether this was indeed an "extended" cut of the film or not. The cover you see on places like Amazon is not the cover that you actually get. The cover of the film is actually labeled "Special Edition", but the menu does indeed say "Unrated Extended Edition". So, I am thoroughly confused. I didn't notice anything noticeably new, and the running times listed are identical between the old disc and the new one. Still, the upgrade is worth it.

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Hot Hollywood favorite Will Smith (MEN IN BLACK, INDEPENDENCE DAY) stars with Academy Award(R)-winner Gene Hackman (Best Actor, 1971, THE FRENCH CONNECTION) in a high-powered suspense thriller where nonstop action meets cutting-edge technology! Robert Clayton Dean (Smith) is a successful Washington, D.C., attorney who -- without his knowledge -- is given a video that ties a top official of the National Security Agency (Oscar(R)-winner Jon Voight, Best Actor, 1978, COMING HOME) to a political murder! Instantly, every aspect of Dean's once-normal life is targeted by a lethal team of skilled NSA surveillance operatives who wage a relentless, ultra-high-tech campaign to discredit him and retrieve the incriminating evidence! Also featuring Regina King (JERRY MAGUIRE, BOYZ N THE HOOD) in an impressive, star-studded cast -- get ready for the action to explode as Dean desperately races to reclaim his life and prove his innocence before it's too late!

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The Replacements (Snap Case) (2000) Review

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(More customer reviews)As shocking as it may be, when you think about it, the football movies of the past, to include Oliver Stone's excellent but dark, "On Any Given Sunday" simply do not match this film. I will even place this film in the all-time greats like "Pride of the Yankees" and "The Natural".
First, we don't need to watch any more tragedies on film, we need to see something that inspires us to overcome, and this film delivers: I'm surprised its considered a comedy! Hackman should get an oscar for this film because his narration and actions drive the film and create yet another complex character from the mind of the master. Hackman's Coach knows that the men he wants to be his replacements are great, he is frustrated that life hasn't shown them that and he wants to set them up for success, not failure. He believes in them as human beings, not just as football players, that if they can get a "second chance" they will shine. His talks with Keanu Reeves' charachter, reveal a candor and leadership style you should really consider. He tells him flat out he wants to see the man and the ability come together because it will be wonderful to see or words to that effect, his belief in the REALITY that Reeves can deliver are stupendous. Later he instructs his Quarterback, in the hour of decision, the leader wants the ball in his hands.
Along the way, Reeves meets a sexy head cheerleader and there is a nice romance where she begins to believe in him, too. The football action scenes are the best yet to grace movie screens, you feel like you are in shoulder pads/helmet again. What I like was how just before the final game that would decide whether they go to the play-offs or not, Reeves gets canned by front-office politics in favor of the arrogant Joe Theismann-type "all pro" quarterback who is afraid he will lose his job. You are not really sure how the film will end at this point, the team follows the leadership of Reeves but are losing under the arrogant vet. The coach gets a phone call.
I will not give away the ending but Hackman's voice over after the game, clinches it, I paraphrase: "All men once they have touched greatness in their lives are changed forever".
AND THIS IS THE POINT!
Just once, do something great in your life! Go all out and let yourself know that you can do it, once you know this you will be changed forever. The world doesn't let you or want you to know that greatness is within your grasp, this is why it beats you down. Find your gift you have been given and act on it, this is the true attitude "replacement" we need and this film shows us how to get it.

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A comedy based on the 1987 professional football players' strike. Gene Hackman plays the coach of the team, Jack Warden is the owner, Brett Cullen is the All-Pro quarterback that goes on strike and Keanu Reeves is the "scab" who replaces the star QB.

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The Birdcage (1996) Review

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(More customer reviews)American audiences flocked to this remake of the French classic, "La Cage Aux Folles" - perhaps the funniest comedy ever released in ANY language. It's no surprise that the US viewer could easily lose his or herself in this laugh riot, especially with the incomparable Robin Williams and Nathan Lane in starring roles. Lane is delicious here as the top billed female impersonator and star at Birdcage, a drag extravaganza club owned by his better half Williams. While Williams tones down his Mork routine and actually softens as a result, as funny as he his, Lane steals the movie, with a warm, knowing performance that ranks up there with STeve Martin in "All of Me" as one of the best comedic works ever on film. Dan Futterman (brilliant in "Urbania") plays Williams' son with the right mix of charm and apprehension, while Calista Flockhart (yes, Ally McBeal herself) is strong as his fiance. And that's Hank Azaria (of "The Simpsons" and the ex-Mr. Helen Hunt) as the butler, in a HYSTERICAL mode. Gene Hackman is a hoot as the bride-to-be's right-wing Jesse Helms-like character...and his final scene in drag (think Robert Preston in "Victor Victoria" mixed with Martin Landau in "Ed Wood") alone deserved Oscar consideration. Both Hackman and Lane were robbed at Award time, unlike Ugo Tognazzi (who played the Robin Williams role in the original) who scored an Oscar nomination for Best Actor. Williams doesn't come close to achieving Tognazzi's utter sincerity and charm, but the movie works regardless.
If you've seen and enjoyed the "Birdcage" do yourself a HUGE favor - suspend all fears about reading subtitles and rent thyself "La Cage Aux Folles" (part ONE, not part TWO, which is a poor continuation.) Even in French - perhaps even more as a result of being in French - "La Cage" soars now as it did long before the "Birdcage" was let out of the bag. Its universal themes speak to us in ANY language, but on-screen, the chemistry between its two main characters (indeed, their "marriage" and intimacy) is exceptional - laugh-out-loud funny, utterly winning and full of life. Whereas both Lane and Williams at times seem to be floating through the material, the actors in "La Cage" are clearly taking major risks, especially 20+ years ago when it was first released to wide acclaim. They swish and bicker themselves into your heart and soul, physically and emotionally transforming themselves into shadow images of ANY mom-and-pop couple I've ever known, whether hetero or not.
"La Cage" is flawless. If you've seen La "Birdcage" experience this one-of-a-kind masterpiece and you'll be rewarded with a raw and rowdy comedy that's pure genius.

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Lies and deceptionit's all in the family when Robin Williams must convince his future in-laws that he's as upstanding and uptight as they are in "the funniest comedy you'll see this year" (Gene Shalit, "Today Show"). Co-starring Gene Hackman, Nathan Lane, Dianne Wiest, Christine Baranski and Calista Flockhart, The Birdcage is an uproarious comedy that will send your spirits soaring. Armand (Williams) and Albert (Lane) have built the perfect life for themselves tending to their gaudy Miami nightclub. But their pastel tranquility is shaken when Armand's son announces that he's getting married to the daughter of ultra-conservative Senator Keeley (Hackman)...and they're all getting together for dinner! Can Armand and Albert transform themselves into Mr.and Mrs.Family Values in time? It'll take the performance of their lives, but they'll do anythingand everythingto pull the chiffon over Keeley's eyes!

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