Showing posts with label roddy mcdowall. Show all posts
Showing posts with label roddy mcdowall. Show all posts

Sunday, November 11, 2012

Fright Night Part II (1989) Review

Fright Night Part II (1989)
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I have bought a few cheapie $3.99 DVD movies. Though the picture was far from great, thery were no worse than VHS picture quality. I recently bought Fight Night Part II on DVD for $10.99 and the picture quality is atually worse than the VHS that I have! What the hell happened! Don't get me wrong, I'm glad that Artisan Entertainment is digging and releasing some old classics from their vaults, but if your going to release them like this then don't bother! This is by for the worst from Artisan. Bride of Re-Animator, Waxwork, and Lair of the White Worm were disappointents because of the poor picture quality, no widescreen formats, and lack of supplemental material, but Fright Night Part II takes the cake as their worst release! MGM may be getting lazy too and only releasing their titles only in Full Screen format, but at least their movies have good picture quality! Artisan needs to shape up or get out! Artisan should sell the rights of their older movies to Anchor Bay Entertainment so they could be properly released!

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If I rated the movie alone, I'd give it five stars.Unfortunately, I have to warn anyone who wants to buy this DVD format from Artisan.I own over 150 DVD's and I've never come across such a sad excuse for a DVD.The picture quality is HORRIBLE!If you look closely, you can see that it was taken from a tape source, and not the original.Plus, Artisan claims on the back of the box that it is formatted from its "original" aspect ratio, and that it was shot in full screen.That is a blatant lie.It was shot in letterbox widescreen, just as the first film was.You can even tell when you watch it that it has been cropped to death, and at certain moments the screen moves from right to left to catch what's missing.The audio is 2.0 Dolby surround, which is fine.However, when you turn the volume up to hear the more quiet parts of the film, you hear tape hiss.Beware of Artisan releases on DVD.Their transfers are usually like this.I have a few other older films released by them, and they're pretty poor in the quality department.It is a great film however, and is worth having no matter what.I guess this DVD is better than not having it...Almost.

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Wednesday, August 1, 2012

The Poseidon Adventure (1972) Review

The Poseidon Adventure (1972)
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Timed to coincide with the big-screen remake "Poseidon," 20th Century Fox Home Entertainment are releasing 2-disc special editions of two classic star-studded disaster movies, including the 1972 original "The Poseidon Adventure" starring Gene Hackman, Ernest Borgnine, Shelley Winters and Roddy McDowell among a crew of 15 Academy Award winners. Produced by the legendary Irwin Allen (who made a career in the 1970s of turning out big-budget disaster movies) the movie, based on a novel of the same name by Paul Gallico, tells the story of the aging liner Poseidon, which is hit by a 90-foot tidal wave that knocks her over on her final voyage from New York to Greece.
Featuring impressive special effects for its time and excellent performances from its cast, the movie manages to rise above a trite script and corny dialogue as they travel through an upside-down world, into the bowels of the ship in the hope of rescue from above.
Perhaps the main attraction of this movie is the sets, which effectively create a world turned on its head that leaves passengers walking on the ceilings of a maze of passageways and falling into what was just seconds before the roof of a giant ballroom. The movie proved to be a smash hit in 1972 and itself garnered nine Oscar nominations.
The movie was previously released on DVD as a relatively bare-bones effort, an oversight which has been corrected here in what is a virtual embarrassment of riches for those of us who love to scour through the special features of those shiny discs. Alongside two audio commentaries, one featuring director Ronald Neame and a second with cast members Pamela Sue Martin, Stella Stevens and Carol Lynley are ten all-new featurettes that include a retrospective by the cast and crew and the AMC Backstory that looked behind the making of the movie. The longest of these short documentaries by far is the Backstory presentation that clocks in just short of a half-hour at 25:08 and details not just the fight by Allen to bring the novel to the screen, but also on-camera interviews with the likes of Roddy McDowell, Sheila Metthews Allen and Stella Stevens.
Fox apparently was reluctant to finance the $5 million picture and tried to kill the movie even after work had started on it. It was up to Allen to raise half of the budget, something he managed when he interrupted two rich friends playing cards at the neighboring country club who said "Yes, but let us get back to the game." The two men subsequently became even more wealthy.
The shortest documentary "Turning over the ship" on the effects shots in the picture is a mere 2:26.
The other documentaries cover such elements as the song "The Morning After," the religious themes of the movie, how some of the scenes were created and a featurette, which this DVD shares with "The Towering Inferno," on writer Stirling Sillipant.
Even given its short length at 6:27 is the featurette "The R.M.S. Queen Mary" which gives a fascinating history of the liner which served not only as a location for exterior shots of the "Poseidon" and the design of the ship, but also in the genesis of the idea for the novel. Apparently Gallico had taken a trip on the Queen Mary in the 1950s when it had been hit by a large wave. Tilting slightly plates and glasses went flying until the ship righted itself. Years later as Gallico sat down to write a novel the memory came back to him.
Perhaps the most famous shot of the movie is of the character Terry falling from a table into the glass ceiling below. This stunt was performed by actor Ernie Osatti, who was asked to do it so the movie could say that a number of the stunts had been performed by the actors themselves. This is recounted by Osatti in the 4:09 documentary "Falling up with Ernie."
Of the two commentaries the solo effort by Neame is the most involving with the director commending his cast for spending virtually an entire movie being "damped down" with hoses before practically every shot. Neame also reveals that he was "terrified" when he heard that Gallico would be seeing the movie because he had not stayed faithful to the novel, but was relieved to find out that the novelist loved the film.
Neame also explained the use of the "title" on the front of the movie which would seem to a casual observer to be a spoiler. As the movie opens we learn from a blurb on the screen that "only a handful of survivors" made it through the capsized ship. As Neame tells us, this was included as a means of holding the audiences attention through the first 20 minutes of the picture as we are introduced to the impressive cast with the audience trying to figure out who will survive.
The second cast commentary by Martin, Stevens and Lynley has, strangely enough, more periods of silence as the three seem to become involved in watching the movie unfold. It is also more anecdotal in nature. Stevens, for example, recounts getting into trouble recently for having her picture taken with the model of the ship (which apparently is on display at the maritime museum in Long Beach, Calif.), until it was learned she had appeared in the movie.
The three also talk about the casting and even mention how they had expressed an interest in making cameo appearances in the new movie, a notion which was met with no enthusiasm by the studio.
Perhaps the most interesting special feature is also the most unusual, an interactive feature that allows the viewer to follow the escape through schematics of the ship as they watch the movie. With a boat graphic in the lower right corner of the picture as a prompt, a screen comes up that shows the viewer where the survivors are, the path they took to get there and who is left. The schematic is based (as the movie and book were also) on the R.M.S Queen Mary.
Rounding out the DVD is a 10-minute archival 1972 promotional feature on the movie, two teaser trailers and the theatrical trailer, three storyboard comparisons and the transcription of an article that appeared in an edition of "American Cinematographer" with selectable images that take the viewer to image galleries.

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Saturday, December 31, 2011

Fright Night (1985) Review

Fright Night (1985)
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It's safe to say that Charley Brewster has a short attention span. In fact, that's probably an understatement. But, when Charley oversees his new neighbor committing murder through his bedroom window, he finally gets some focus in his life. Much to the dismay of his family and friends, however, his new focus is on vampires. After a violent confrontation with Jerry, the creature next door, Charley is desperate to destroy the monster, and he attempts to enlist the aid of local "Fright Night" horror host Peter Vincent, the fearless vampire killer, to do it. Unbelieving Peter is reluctant, but Charley's girlfriend Amy and creepy-geek friend, Evil Ed, convince him with a bit of financial persuading. Their intention is to prove to Charley that Jerry Dandrige is not a vampire at all, but they are in for the scare of their lives, and it's anybody's guess who will survive the real "Fright Night!"
"Fright Night" is an 80s vampire flick for the classic horror fanatic! Paying homage to such staples as Dark Shadows and the Hammer Dracula franchise, this surprising little horror film supplies vampire lore and cliches aplenty, put together so skillfully that the result is this horror fan's favorite vampire indulgence. Of course, this favoritism is in no small part due to spectacular effects and performances! The cast seems tailor made for their roles as they play them, even if some choices seem a bit odd superficially. Hard to imagine this vampire pining away over the centuries for Married With Children's Marcy D'Arcy, but Amanda Bearse plays the role of the teenage object of Chris Sarandon's desires to perfection. Chris, himself, is powerfully convincing and menacing as the hip, 80's vampire. Extremely well adjusted to the times, too. His slave-boy zombie, Billy Cole, is played by an excellently creepy Jonathan Stark, but he's out-creeped by the always somewhat disturbing Stephen Geoffreys as Evil Ed. Of course, William Ragsdale IS Charlie Brewster, and his portrayal is what propels the film. The icing on THIS cake, however, aside from the teenage victim in the window that I've had a crush on all my life, played by someone named Irina Irvine, is the brilliant performance of one of my all-time faves, Roddy "Bullwhip" McDowall, as Peter Vincent, vampire killer! The late, great Roddy McDowall is definitely the yeast that raises this film from vampire movie mediocrity. Despite the nearly bare bones disc, featuring only a trailer and double-sided widescreen/fullscreen selection, this DVD is a must own for vampire, horror, and McDowall fans alike. Be prepared for some cheezy 80's music and a great time that you'll want to experience again and again! Also, be sure to check out "Fright Night 2," one of the best sequels ever made!

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FRIGHT NIGHT - DVD Movie

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