Showing posts with label jack black. Show all posts
Showing posts with label jack black. Show all posts

Sunday, April 22, 2012

Be Kind Rewind (2008) Review

Be Kind Rewind (2008)
Average Reviews:

(More customer reviews)
VHS is pretty much dead now, but it has one characteristic that "Be Kind Rewind" revolves around: expose it to magnetism, and it dies.
So you can probably guess what happens in Michel Gondry's fourth movie, and his first foray into all-out comedy. It has some plot holes and a rather bizarre premise, but there's a warm, funny little heart buried in the kooky antics and wild remakes of every movie from "Ghostbusters" to "Lord of the Rings."
Be Kind Rewind is an ancient video store, and supposedly the birthplace of unknown jazz legend Fats Waller. It's also due to be razed for a new block of condos -- so store owner Mr. Fletcher (Danny Glover) goes on a scouting trip for a week, leaving his conscientious clerk Mike (Mos Def) in charge.
Unfortunately local weirdo Jerry (Jack Black) tries to destroy a local power plant, because he believes it's controlling his brain. Instead he gets fried, and his body becomes a walking electromagnet -- which they only discover after he's wandered through the store, erasing all the old tapes. Even worse, a regular customer (Mia Farrow) wants "Ghostbusters" by that evening.
So Mike and Jerry hurriedly shoot their OWN version of the movie, with the help of Alma (Melonie Diaz) and soon they find that their "Sweded" movies have a growing fanbase, and they are statewide celebrities. But the demolition deadline is approaching, and Hollywood lawyers are threatening them for copyright infringement -- will the town's new devotion to these quirky "Sweding" moviemakers help them stay?
Michel Gondry's movies are always set in "real life," but with a few drops of the unreal -- memory erasure, waking surrealist dreams, that kind of thing. And even though "Be Kind Rewind" is set in a grimy, shabby New Jersey town, it has the same delightfully unreal quality -- it's a genial buddy comedy where literally anything can happen.
I'll admit, there are some moments that don't entirely work. Note the awkward "this town is a swamp" exchange, and we're expected to allow the plot holes to slide (where did the infringement lawyers go?). And that whole magnetized body fluids thing was just gross.
But despite its flaws, it's somehow a very lovable movie. It's crammed with physical and verbal comedy ("Iloveyou Iloveyou we'relovers kissme!"), ranging from amateur train hijacks to an inept break-in at a DVD rental store. And a merely entertaining movie becomes sidesplitting when our heroes start shooting a ghastly no-budget "Ghostbusters" with fishing rods, tinsel, and bags of goo. This is followed by "Robocop," "2001," "Rush Hour 2," "Driving Miss Daisy" and several others -- all with no budget, borrowed costumes, cardboard sets, and a cast of rank amateurs.
Gondry is obviously having a roaring good time lampooning Hollywood blockbusters. But he also injects some deeper currents into what could have been a one-joke movie -- there's a bittersweet subplot about the possibility of losing the store that has brought a community together. Yeah, it's supposed to tug at the heartstrings, but it really does work -- particularly since the movie rental industry is going belly-up.
One particularly nice touch is that the movie ends -- and is punctuated by -- scenes of a very low-budget, old-looking biopic of Fats Waller. Initially it just seems like another conceit, but it turns out to be very important to the plot.
Black is a delight as the insane Jerry, brimming with manic energy -- in one scene, he encases himself in aluminum foil. Mos Def's Mike is more pleasant and low-key as the responsible boy-next-door type, and Danny Glover is outstanding as the paternal, gravel-voiced Mr. Fletcher. Diaz is also quite solid as a vague love interest/codirector/costar; and keep an eye out for Sigourney Weaver in a small cameo.
Michel Gondry's fourth full-length film is a big-hearted, mildly bittersweet little comedy, with the slightly unreal quality you expect from his films. I want the Sweded "Be Kind Rewind!"

Click Here to see more reviews about: Be Kind Rewind (2008)

Experience the antics of two outcasts, Jack Black and Mos Def, as they attempt to save the local video store in Be Kind Rewind, an outrageous and offbeat comedy from Academy Award-winning writer/director Michel Gondry. Amateur film director Mike must find a way to save the business after his magnetized friend, Jerry, erases every movie in the store. Using an outdated video camera and their own special effects, the two embark on an adventure to remake all of the movies, from Ghostbusters to Driving Miss Daisy, turning the two town misfits into local celebrities.

Buy NowGet 9% OFF

Click here for more information about Be Kind Rewind (2008)

Monday, March 12, 2012

High Fidelity (2000) Review

High Fidelity (2000)
Average Reviews:

(More customer reviews)
It's hard to explain to someone who hasn't seen High Fidelity, or even someone who's just seen it once, how incredibly good it is. Take first the phenomenal John Cusack, who seems to make any film he appears in twice as watchable. Is there a more underrated leading man in this decade? I doubt it.
Then take into account the amazing support, knowns and unknowns - Cusack's sister Joan, Tim Robbins, Jack Black, etc. - even Zeta-Jones isn't half bad. Consider too the script, which is surprisingly faithful to Nick Hornby's (very good) book, and gives equal measure to comic and tragic relief.
Fianlly, the soundtrack. Can there be any greater song to sum up Rob Thomas (John Cusack's) final revelation after the film ends than Stevie Wonder's I Believe? No. High Fidelity is the complete package - funny, touching, well-acted, scripted, directed, scored for, and unbelievably true to life.
And for all those sad Englishmen writing in to complain that the movie should have been set in Britian - get real. I thank you.

Click Here to see more reviews about: High Fidelity (2000)

From the guys who brought you GROSSE POINTE BLANK comes the absolutely hilarious HIGH FIDELITY. John Cusack (BEING JOHN MALKOVICH) stars as Rob Gordon, the owner of a semi-failing record store located on one of the back streets of Chicago. He sells music the old-fashioned way -- on vinyl, with two wacky clerks, the hysterically funny rock snob Barry (Jack Black) and the more quietly opinionated underachiever Dick (Todd Luiso). But Rob's business isn't the only thing in his life that's floundering -- his needle skips the love groove when his longtime girlfriend Laura (newcomer Iben Hjejle) walks out on him. And this forces him to examine his past failed attempts at romance the only way he knows how! For a rocking fun time, give HIGH FIDELITY a spin. It's sure to make your all-time top five list for comedies -- with a bullet.

Buy Now

Click here for more information about High Fidelity (2000)

Tuesday, October 25, 2011

School of Rock (Widescreen Edition) (2003) Review

School of Rock (Widescreen Edition) (2003)
Average Reviews:

(More customer reviews)
"School Of Rock" is nothing less than the feel-good movie of the year. It's fitting that the movie is filled with blatant AC/DC worship, because it's very much like one of that band's albums: it's excessive and often lowbrow, but you can't help but enjoy it because it's so full of energy and enthusiasm. And most importantly of all, it doesn't take itself too seriously. Whether intentionally or not, director Richard Linklater and co. deal a major backhanded slap to all the sissified nu-metal and post-grunge "sensitive guy" bands currently dominating the airwaves, reminding us all that rock music is supposed to be fun and ultimately uplifting.
First of all, if "School Of Rock" doesn't make Jack Black a star, nothing will. Black gives one of the most lovably over-the-top performances in history as Dewey Finn, an aspiring metal musician who poses as his friend Ned in order to get a substitute teaching job at a posh elementary school. From the opening scene at a rock club, where Dewey launches into a frenzied guitar solo, whips off his shirt, and attempts a stage dive into an apathetic crowd, Black is a whirlwind of manic energy. Much like Jim Carrey, Black doesn't just play the demented role: he means it, and the authenticity he brings to the movie makes all the diference. Quick, think of another guy who could pull off the role this well. This is Black's show, and he knows it.
When Dewey takes a position teaching the uptight children of uptight parents, the stage is set for a classic fish-out-of-water comedy. Many of the movies' funniest moments come early on, when the overweight, disheveled Dewey and his privileged students can't quite figure out what to make of each other. The plot? Realizing that some of his students have musical talent, Dewey, under the guise of a school project, gets them to start up a rock outfit to compete at the local battle of the bands. Along with the way he teaches them plenty about the history of rock and its value for, among other things, "fighting the man." Naturally, the kids, their parents, and the school's principal (played by Joan Cusack, who would steal the movie if Black didn't), all learn valuable lessons about taking chances and enjoying life.
This plot may sound rather hackneyed, but "School Of Rock" doesn't succeed by avoiding cliches; it succeeds my embracing them with all the vigor and passion of Dewey playing a guitar solo. The movie's overbearing earnestness, which I typically find to be more of a turnoff than a woman with bigger muscles than me, turns out to be its greatest asset. The reason? Because "School Of Rock" conveys the too-often-forgotten lesson that people need to lighten up, and rock music has long been a valuable device for doing just that. At its heart, the film's message is simple but enormously effective: that Rock 'n' Roll really just might be able to change the world.
It all comes to a head in the film's monster conclusion, with Dewey donning an Angus Young-styled schoolboy uniform for the Battle of the Bands. Black absolutely owns the stage in this scene; there's no way the image of him performing won't be indelibly etched in the minds of all who see it. If you know your stuff, you can also see the nods to Yes and The Clash in the kids' attire. The song the band performs, fittingly titled "School Of Rock," is a lot like the movie itself: it's filled with rock cliches, but its youthful rebellion and energy more than make up for it. It certainly beats much of what's on the radio today, just as the movie beats much of what's in your local multiplex. Sometimes good intentions and inspired acting can carry a film, and "School of Rock" is one such example.

Click Here to see more reviews about: School of Rock (Widescreen Edition) (2003)

SCHOOL OF ROCK - DVD Movie

Buy NowGet 15% OFF

Click here for more information about School of Rock (Widescreen Edition) (2003)

Saturday, March 12, 2011

The Holiday (2006) Review

The Holiday (2006)
Average Reviews:

(More customer reviews)
Nancy Meyers' "The Holiday" has been seriously dissed by most of America's film critics--including one who suggested that any man who goes to see it should be forced to pay with a crucial part of his anatomy instead of money. "The Holiday" is indeed a prime example of what is condecendingly known as a "chick flick," and it's not a movie you can make great claims for. But "The Holiday" succeeds outstandingly in living up to its title; it provides an audience with a two-hour vacation filled with charming, likable actors playing charming, likable characters. The movie is set during the Christmas holidays in which two women with man problems--Iris (Kate Winslet), an English journalist, and Amanda (Cameron Diaz), an L.A. producer of film trailers--meet over the Internet. On a whim, they decide to switch houses for Christmas; Amanda ends up in Iris's picture-postcard-pretty cottage in Surrey, Iris in Amanda's luxurious, gated mansion in Beverly Hills. There, they discover new romantic complications: Amanda with Iris's brother Graham (Jude Law) and Iris with a film composer named Miles (Jack Black). There's also a subplot about the friendship that develops between Iris and an elderly screenwriter played by the venerable Eli Wallach. Nothing that happens in the movie is at all original or consequential. I could even quibble about an inaccuracy or two in Meyers' screenplay (Cary Grant was from Bristol in Gloucestershire, not Surrey). But seeing "The Holiday" makes you feel happy and light of heart, which is all it sets out to do. While the film's appeal is necessarily greater for women, I also think most men will find this a more-than-serviceable date movie. Sometimes you want a movie that's rich, gooey and sweet, that contains no sharp edges and requires no sharp utensils for its consumption. In an increasingly abrasive world, the need for cinematic confections is greater than ever, and "The Holiday" fills that bill.

Click Here to see more reviews about: The Holiday (2006)

HOLIDAY - DVD Movie

Buy NowGet 30% OFF

Click here for more information about The Holiday (2006)