Disney's Flubber (1997) Review

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(More customer reviews)I am opposed to remakes in general. Rarely are they as good as the original. I have thought, and continue to think, that remakes are a way to admit that filmmakers are not as creative as they once were, and a remake begins with a completed product. Having said all that, I did like this movie. The movie has problems, but I managed to ignore the problems and have a few good laughs.
Professor Philip Brainard (Robin Williams) is a science genius. Professor Brainard has enough inventions in his house to keep a fleet of patent agents and attorneys busy for years. However, the movie ignores such trivialities to focus on Professor Brainard's need to develop a cheap source of power. The story has Brainard focusing on his pursuit of cheap power to the exclusion of his fiancée Dr. Sara Jean Reynolds (Marcia Gay Harden) and his impending marriage to her. Brainard also seems to be oblivious that Wilson Croft is out to steal his girl, his inventions and sink the college at which they are employed, all at the same time.
Robin Williams is in good form, providing laughs throughout the film. While Fred MacMurray had an air of absent-minded innocence that Williams fails to achieve, Williams brings his own style to the role and does a good job. Marcia Gay Harden almost seems unnecessary to the film though I did like her character. Williams's frenetic characterization of Brainard makes everyone else seem mundane in comparison.
Two of the biggest stars in this movie are special effects, the flubber and a flying robot. The flubber sings and dances and squeaks like a mouse. The robot watches too many soap operas and movies and is jealous of Sara Jean. The robot works diligently to keep the wedding from happening.
This movie does ignore a lot of things in order to keep the plot moving along. I kept wondering how Brainard created an intelligent flying robot the size of a football. Brainard also ignores the need for nuclear elements to power his flubber, with the attendant problems associated with nuclear materials. The missing of the wedding seemed an excessive plot detail, and I found that portion of the plot distracting.
I think the original "Absent-Minded Professor" movie remains superior to the remake. However, if you ignore that this movie is a remake and you are able to ignore the inconsistencies, the movie has a number of very funny moments. I would consider this movie for a family library, though some of the action is quite violent and I would probably limit watching to children ages 7 or 8 and above. Good luck!

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Packed with unmistakable Disney magic, FLUBBER explodes on the screen, fusing adventure, eye-popping visual effects, and the gravity-defying comic genius of Robin Williams. The resulting concoction is a hilarious adventure for all ages. Brilliant but befuddled Professor Phillip Brainard (Williams) is on the brink of inventing a revolutionary energy source and missing his wedding to fiancee Dr. Sara Jean Reynolds (Marcia Gay Harden) -- president of financially challenged Medfield College -- for the third time! When Phillip experiments with his own big bang theory, a miraculous elastic good -- Flubber -- emerges, leaving him ecstatic, but unmarried! Phillip and his flying cyber sidekick, Weebo, soon discover that Flubber, applied to anything, enables it to bounce super high and fast. However, many questions remain. Is Flubber good enough to win Sara back, save Medfield from its financial problems, and slip through the hands of the evil financier who is bankrolling the college? FLUBBER slips, slides, giggles, glides, flips, and flies -- the stuff of surefire family entertainment. Now you can bring home Disney's box office hit that's two parts innovation, three parts imagination, and "100% pure fun!" (CNN)

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School of Rock (Widescreen Edition) (2003) Review

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(More customer reviews)"School Of Rock" is nothing less than the feel-good movie of the year. It's fitting that the movie is filled with blatant AC/DC worship, because it's very much like one of that band's albums: it's excessive and often lowbrow, but you can't help but enjoy it because it's so full of energy and enthusiasm. And most importantly of all, it doesn't take itself too seriously. Whether intentionally or not, director Richard Linklater and co. deal a major backhanded slap to all the sissified nu-metal and post-grunge "sensitive guy" bands currently dominating the airwaves, reminding us all that rock music is supposed to be fun and ultimately uplifting.
First of all, if "School Of Rock" doesn't make Jack Black a star, nothing will. Black gives one of the most lovably over-the-top performances in history as Dewey Finn, an aspiring metal musician who poses as his friend Ned in order to get a substitute teaching job at a posh elementary school. From the opening scene at a rock club, where Dewey launches into a frenzied guitar solo, whips off his shirt, and attempts a stage dive into an apathetic crowd, Black is a whirlwind of manic energy. Much like Jim Carrey, Black doesn't just play the demented role: he means it, and the authenticity he brings to the movie makes all the diference. Quick, think of another guy who could pull off the role this well. This is Black's show, and he knows it.
When Dewey takes a position teaching the uptight children of uptight parents, the stage is set for a classic fish-out-of-water comedy. Many of the movies' funniest moments come early on, when the overweight, disheveled Dewey and his privileged students can't quite figure out what to make of each other. The plot? Realizing that some of his students have musical talent, Dewey, under the guise of a school project, gets them to start up a rock outfit to compete at the local battle of the bands. Along with the way he teaches them plenty about the history of rock and its value for, among other things, "fighting the man." Naturally, the kids, their parents, and the school's principal (played by Joan Cusack, who would steal the movie if Black didn't), all learn valuable lessons about taking chances and enjoying life.
This plot may sound rather hackneyed, but "School Of Rock" doesn't succeed by avoiding cliches; it succeeds my embracing them with all the vigor and passion of Dewey playing a guitar solo. The movie's overbearing earnestness, which I typically find to be more of a turnoff than a woman with bigger muscles than me, turns out to be its greatest asset. The reason? Because "School Of Rock" conveys the too-often-forgotten lesson that people need to lighten up, and rock music has long been a valuable device for doing just that. At its heart, the film's message is simple but enormously effective: that Rock 'n' Roll really just might be able to change the world.
It all comes to a head in the film's monster conclusion, with Dewey donning an Angus Young-styled schoolboy uniform for the Battle of the Bands. Black absolutely owns the stage in this scene; there's no way the image of him performing won't be indelibly etched in the minds of all who see it. If you know your stuff, you can also see the nods to Yes and The Clash in the kids' attire. The song the band performs, fittingly titled "School Of Rock," is a lot like the movie itself: it's filled with rock cliches, but its youthful rebellion and energy more than make up for it. It certainly beats much of what's on the radio today, just as the movie beats much of what's in your local multiplex. Sometimes good intentions and inspired acting can carry a film, and "School of Rock" is one such example.

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SCHOOL OF ROCK - DVD Movie

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