Showing posts with label mos def. Show all posts
Showing posts with label mos def. Show all posts

Sunday, April 22, 2012

Be Kind Rewind (2008) Review

Be Kind Rewind (2008)
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VHS is pretty much dead now, but it has one characteristic that "Be Kind Rewind" revolves around: expose it to magnetism, and it dies.
So you can probably guess what happens in Michel Gondry's fourth movie, and his first foray into all-out comedy. It has some plot holes and a rather bizarre premise, but there's a warm, funny little heart buried in the kooky antics and wild remakes of every movie from "Ghostbusters" to "Lord of the Rings."
Be Kind Rewind is an ancient video store, and supposedly the birthplace of unknown jazz legend Fats Waller. It's also due to be razed for a new block of condos -- so store owner Mr. Fletcher (Danny Glover) goes on a scouting trip for a week, leaving his conscientious clerk Mike (Mos Def) in charge.
Unfortunately local weirdo Jerry (Jack Black) tries to destroy a local power plant, because he believes it's controlling his brain. Instead he gets fried, and his body becomes a walking electromagnet -- which they only discover after he's wandered through the store, erasing all the old tapes. Even worse, a regular customer (Mia Farrow) wants "Ghostbusters" by that evening.
So Mike and Jerry hurriedly shoot their OWN version of the movie, with the help of Alma (Melonie Diaz) and soon they find that their "Sweded" movies have a growing fanbase, and they are statewide celebrities. But the demolition deadline is approaching, and Hollywood lawyers are threatening them for copyright infringement -- will the town's new devotion to these quirky "Sweding" moviemakers help them stay?
Michel Gondry's movies are always set in "real life," but with a few drops of the unreal -- memory erasure, waking surrealist dreams, that kind of thing. And even though "Be Kind Rewind" is set in a grimy, shabby New Jersey town, it has the same delightfully unreal quality -- it's a genial buddy comedy where literally anything can happen.
I'll admit, there are some moments that don't entirely work. Note the awkward "this town is a swamp" exchange, and we're expected to allow the plot holes to slide (where did the infringement lawyers go?). And that whole magnetized body fluids thing was just gross.
But despite its flaws, it's somehow a very lovable movie. It's crammed with physical and verbal comedy ("Iloveyou Iloveyou we'relovers kissme!"), ranging from amateur train hijacks to an inept break-in at a DVD rental store. And a merely entertaining movie becomes sidesplitting when our heroes start shooting a ghastly no-budget "Ghostbusters" with fishing rods, tinsel, and bags of goo. This is followed by "Robocop," "2001," "Rush Hour 2," "Driving Miss Daisy" and several others -- all with no budget, borrowed costumes, cardboard sets, and a cast of rank amateurs.
Gondry is obviously having a roaring good time lampooning Hollywood blockbusters. But he also injects some deeper currents into what could have been a one-joke movie -- there's a bittersweet subplot about the possibility of losing the store that has brought a community together. Yeah, it's supposed to tug at the heartstrings, but it really does work -- particularly since the movie rental industry is going belly-up.
One particularly nice touch is that the movie ends -- and is punctuated by -- scenes of a very low-budget, old-looking biopic of Fats Waller. Initially it just seems like another conceit, but it turns out to be very important to the plot.
Black is a delight as the insane Jerry, brimming with manic energy -- in one scene, he encases himself in aluminum foil. Mos Def's Mike is more pleasant and low-key as the responsible boy-next-door type, and Danny Glover is outstanding as the paternal, gravel-voiced Mr. Fletcher. Diaz is also quite solid as a vague love interest/codirector/costar; and keep an eye out for Sigourney Weaver in a small cameo.
Michel Gondry's fourth full-length film is a big-hearted, mildly bittersweet little comedy, with the slightly unreal quality you expect from his films. I want the Sweded "Be Kind Rewind!"

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Experience the antics of two outcasts, Jack Black and Mos Def, as they attempt to save the local video store in Be Kind Rewind, an outrageous and offbeat comedy from Academy Award-winning writer/director Michel Gondry. Amateur film director Mike must find a way to save the business after his magnetized friend, Jerry, erases every movie in the store. Using an outdated video camera and their own special effects, the two embark on an adventure to remake all of the movies, from Ghostbusters to Driving Miss Daisy, turning the two town misfits into local celebrities.

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Wednesday, March 16, 2011

Something the Lord Made (2004) Review

Something the Lord Made (2004)
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Alan Rickman and Mos Def give superb performances in this wonderfully-written film about the triumph of intelligence and creativity over the effects of racial prejudice.
"Something The Lord Made" is the real-life story of Dr. Alfred Blalock and technician (later Dr.) Vivian Thomas, both of whom pioneered open-heart surgery in America in the mid-twentieth century.
Rickman, as Blalock, gives a flawless, charismatic portrayal of an egotistical surgeon who gains nobility of spirit while he defies (and yet is simultaneously confined by) the customs of his society. Rickman's performance is all the more impressive because he is British, and Blalock was an American from the south; nevertheless, Rickman's southern accent is natural and effortless.
Rickman brings likability and humanity to what could otherwise be an unsympathetic character; and this core humanity gives "Something The Lord Made" a depth not often seen in tales of bigotry within American society. Too often, tales of this sort delineate the bad guys from the good guys in an almost cartoonish fashion, but Rickman's Blalock is both good and bad, reflecting more accurately the reality of the times in which both characters lived.
Mos Def gives a subtle, moving and sympathetic performance as Vivian Thomas, a gifted man who is caught in the trap of prejudice and the expectations of an unenlighted society. The film clearly demonstrates that Thomas is the intellectual peer of Blalock; it is society and circumstance that for years robs Thomas of the practical opportunity to become Blalock's actual peer in terms of status. Def gives us the portrait of a man who chooses patience over reaction; through him, we feel outrage at the denial of the respect due Thomas, time and again.
The writing in this film is low-key and highly effective. Because American society has in some ways changed since the mid-twentieth century setting of this film, younger viewers may not understand the actions and choices made by Blalock and Thomas, both within this film and within real life. Nevertheless, "Something The Lord Made" gives an extremely uplifting and surprisingly accurate portrayal of life as it really existed in those times, and should be appreciated both as an historical and enlightening film.

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(Drama) Something the Lord Made tells the emotional true story of two men who defied the rules of their time to launch a medical revolution, set against the backdrop of the Jim Crow south. Working in 1940s Baltimore on an unprecedented technique for performing heart surgery on "blue babies," Dr. Alfred Blalock (Alan Rickman) and lab technician Vivien Thomas (Mos Def) form an impressive team. As Blalock and Thomas invent a new field of medicine, saving thousands of lives in the process, social pressures threaten to undermine their collaboration and tear their friendship apart.DVD Features:Audio Commentary:Audio commentary with director Joseph Sargent, writer Peter Silverman, executive directors Eric Hetzel and Joseph W. Cort Featurette Making History Slide Show FeaturetteOther:Making History Slide Show


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