The Game (1997) Review

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(More customer reviews)What happens when you are a powerful multi-millionaire and have everything you ever wanted? While you and I might think this situation is highly desirable, for Nicholas Van Orton, played by Michael Douglas, it is very boring. In fact, you might say that Nicholas is miserable. However, Nicholas' brother Conrad Van Orton, played by Sean Penn, has bought Nicholas a gift for his 48th birthday, an invitation to play "The Game".
From this point forward the movie drags for what seems forever. I was beginning to regret watching this movie. Looking back, though, I now know that this beginning helps us to more fully understand how boring and awful Nicholas' life is, and further provides an excellent contrast with what happens later in the movie.
Nicholas is in a very upscale restaurant when a waitress (Deborah Unger as Christine) spills wine on his shirt. Christine is fired by the restaurant manager and leaves, very upset. Before you can say white rabbit, a waiter rushes by Nicholas' table and drops off a note that tells Nicholas' to follow the girl. Prepare for the roller coaster ride.
Within moments Nicholas finds himself involved with an apparently dying man, then just as quickly he finds he is being chased by the police, and police dogs, and things just get worse and worse. The list of things to which Nicholas is subjected is too long and would leave you with no surprises.
Nicholas tries to figure out how to make all the action and events to which he is being subjected stop. Nicholas can't handle the loss of control. Further, the chaos of his experiences seems to follow no pattern or order. Eventually Nicholas gets back to where he thinks it all began for a showdown with the characters that he has discovered are actors. The ending had me stunned and amazed. You'll have to watch for yourself.
There are several lapses in credibility, but unless you are an obsessive control freak (sort of like Nicholas Van Orton, for instance) you'll likely consider the lapses minor. This movie ultimately is an intelligent thriller that relies on action only when necessary to heighten Nicholas' fears and to pull him deeper into what begins to seem like a deeply nefarious conspiracy. After watching, this movie became one of my favorites, and I've now seen it several times.
The most difficult part of this movie is the relatively slow first part. However, have patience; what you learn in the first part helps you to understand Nicholas and to be drawn more fully into his situation. Sympathy with Nicholas and his situation is highly desirable to fully appreciate the end of the movie. I was sympathetic, and enjoyed this movie. 5 stars for an intelligent thriller that relies on intelligent plot versus guns, fast cars and special effects.

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Fight Club (10th Anniversary Edition) (1999) Review

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(More customer reviews)When I'm looking at the Top Ten list's of America's critics and the nominations of the DGA,WGA and all the other guilds and press associations, I terribly miss David Fincher's outstanding film "Fight Club", which is possibly the best film of 1999.
Not only is the film visualy stunning, it is also very thought-provoking, wickedly funny and, above all, extremely entertaining. Only few films managed to be so many things at once. David Fincher, in my opinion one of the most exciting directors of the decade, fills his movie with so many ideas that it would be sufficient for three more movies, and they are not just gimmicks for their own sake, they all mean something. Edward Norton and Brad Pitt are brilliant in the leads and the soundtrack by the Dust Brothers fits perfectly to the images.
Many reviewers thought the film was fascist. I think you can only call this ridiculous, since that assumes Fincher sympathizes with Tyler Durden's project mayhem. In fact, he invites us to form our own opinion, like Stanley Kubrick did in "A Clockwork Orange". "Fight Club" hands over the resposibility to the viewer. This may be uncomfortable to some, others (like myself) will embrace this.

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The Social Network (Two-Disc Collector's Edition) (2010) Review

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(More customer reviews)Director David Fincher is back in fighting form! Those fearing he may have lost some of his bite with the ponderous "The Curious Case of Benjamin Button" or the disappointing returns of the criminally overlooked "Zodiac" need not worry. "The Social Network" is a caustically funny and incredibly contemporary look at the evolution of Facebook. Playing like a thriller and a blisteringly dark comedy, this terrific film may be Fincher's most sophisticated piece to date (and certainly his most riveting since the days of "Seven" and "Fight Club"). On paper, "The Social Network" might not sound exhilarating but with the perfect screenwriter (Aaron Sorkin) and the perfect cast (Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer)--Fincher's tale of betrayal, pride, and avarice has become one of this year's must see films.
While I'm sure that everyone knows the subject matter of "The Social Network"--very briefly, the film's plot construction is structured as two pieces of litigation are being brought against Facebook founder Mark Zuckerberg (played with intensity by Eisenberg). One lawsuit is from his former business partner and best friend--a co-founder of the original website who got systematically squeezed out. The other is by a trio of Harvard grads (Armie Hammer plays 2 of the 3, they're twins, in a starmaking performance!) who claim Zuckerberg stole the idea from them after he was hired to create an exclusive dating site. Seen through these concurrent cases, deftly edited with flashback footage, the full picture starts to unravel. From Zuckerberg's social ineptitude, but superior intellect, a social revolution was born. And the more powerful Facebook grew, the more disconnected Zuckerberg became to his only friends and compelled by the drive for domination (his ultimate sense of acceptance).
Make no mistake, while "The Social Network" is incredibly smart and literate, it is also grandly entertaining. Screenwriter Sorkin (creator of "The West Wing" and my favorite "Sports Night") has put together what, in my opinion, is the best screenplay of the year. Sorkin is known for his whip fast dialogue and it is spot-on here! The movie is corrosively witty and uncompromisingly in your face. The film is cast with thoroughly unlikable types in a battle for supremacy. Eisenberg has never been better--no doubt Zuckerberg is a tool (both before and after his success), but Eisenberg makes you understand why and (I'm startled to say) actually appreciate it. Timberlake (as oily Napster creator Sean Parker) is a fantastically appealing devil-in-disguise, but as much as you may dislike him--he was integral to Facebook going wide. Hammer, as I said, is the film's biggest surprise. And Andrew Garfield, as Zuckerberg's betrayed partner, is vivid and alive--and, dare I say, the only character to elicit actual sympathy. But again, the film is merciless--even though we know that Garfield is screwed, we also know that it was an essential part of the successful expansion of Facebook. Business ethics be darned.
"The Social Network" is grown-up entertainment that has much to say about success in the modern era. I appreciated that no one veered away from the heart of darkness in this morality piece--that's what makes everything seem so relevant. Can someone be both repugnant and admirable? If you told me earlier in the year that a film about computer geeks at a keyboard would be edge-of-your-seat entertainment, I wouldn't have believed it. But here, I go. For sheer entertainment, remarkable performances, and an incredibly sophisticated screenplay--"The Social Network" is easily one of my favorite films of the year! Easily. KGHarris, 10/10.

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A story about the founders of the social-networking website facebook.Studio: Sony Pictures Home EntRelease Date: 01/11/2011Starring: Jesse Eisenberg Justin TimberlakeRun time: 120 minutesRating: Pg13Director: David Fincher

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