The Paper Chase (1973) Review

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(More customer reviews)I always warned students at the beginning of each year that I had screened "The Paper Chase" once again and was interested in using the Socratic method to spin the little tumblers of their minds. Certainly this was the film that made me want to curb my innate desire to stand up in the classroom and pontificate on every subject under the sun.
Ostensibly the film is about the pressures of first year students at Harvard Law School, but since most of us do not want to become lawyers, know any lawyers, have any dealings with lawyers or even watch television programs with lawyers, "The Paper Chase" ultimately succeeds as a film about wanting to learn and learning to think. At the heart of the film is James Hart (Timothy Bottoms), come from Minnesota to learn at the feet of the great Professor Charles Kingsfield. Despite some painful moments of confrontation in the classroom with his would be mentor-my favorite: "Mr. Hart, here is a dime. Take it, call your mother, and tell her there is serious doubt about you ever becoming a lawyer"-Hart finds he can play the game and play it well. Having given his mind over to Kingsfield, the question then becomes whether his heart and soul will follow as well. The other members of his study group (which includes Edward Herrmann and James Naughton), make different choices and take different paths in order to survive the year. By the end of the film Hart is more alone than he was at the beginning.
As Kingsfield, John Houseman is the powerful center of the film. A producer and drama teacher for almost half a century, Houseman won the 1973 Academy Award for Best Supporting Actor and began a new career as an actor in films and a pitchman in television commercials (however, this was not Houseman's first film, since I know he played an admiral in the political thriller "Seven Days in May"). Indeed, Houseman went on to play the Kingsfield character in the ambitious television versions of the movie. However, it is important to note that those who knew Houseman as a producer or teacher were always quick to point out that he really was acting in "The Paper Chase." There might be Harvard professors fighting over the honor of being the real Kingfield, but Houseman was indeed just doing a role.
As the autocratic master of his domain, Kingsfield is very much the antithesis of the traditional dedicated teacher usually presented in films about school, a point driven home in the film's final meeting between Hart and Kingsfield. If there is a happy ending in this film, it is achieved by Hart's character on a personal, almost private level.
The original novel by John Jay Osborn, Jr. was brought to the film my director James Bridges, who also did the screenplay. Although the sub-plot where Hart discovers the young woman of his affections (Lindsay Wagner) is in fact (gasp!) Kingsfield's daughter is decidedly contrived, overall the film is an intelligent and thoughtful piece. If you are a teacher, or are thinking about becoming a teacher, "The Paper Chase" is just as much recommended viewing as the more conventional fare as such classics as "Goodbye, Mr. Chips," "To Sir, With Love," "Up the Down Staircase," or more contemporary efforts such as "Songs of the Heart."

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Item Name: The Paper Chase; Studio:20th Century Fox

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The Great Debaters (2007) Review

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(More customer reviews)`The Great Debaters' offers what great movie viewing is all about. Based on a true story, the film takes us to Wiley, an African-American Methodist college in Texas during the Depression in 1935. Inspiring, harrowing, and uplifting, the film gives proper transcendence especially during a time and place that didn't offer many breaks.
We are first introduced to Professor Polson (Denzel Washington), a tenacious idealist and poet. As professor at Wiley and debate coach, he hardly yields on any of his principles. Inspired by the man who is named for the heinous lynching, Polson tells his debate recruits that it was in Lynch's best interests to keep Black people, "Physically strong, but psychologically weak." It is with this explanation that we understand his zealous approach to his debate team, and why he makes their training so rigorous.
Entering the field are forty-five tryouts, of which, only four will be selected: two representatives and two alternates. Of the three who make it, we get to know Henry Lowe (Nate Parker) a charismatic and bright figurehead who is easily distracted by beautiful women and hard liquor. Joining him are Samantha Booke (Jurnee Smollett), the first young woman to join the debate team, and James Farmer, Jr. (Denzel Whitaker) forever young at age 14, but an ever resourceful scholar and son of a minister, James Farmer, Sr. (Forrest Whitaker). [No real life relations.] As he notices a romance start to blossom between his teammates, his resentment grows. As the one who researches many of the arguments Henry and Samantha provide on the podium, he is put on the sidelines both in terms of the limelight and the love light.
As you might guess, Wiley enjoys a certain amount of success, and the price of success is opposition. Polson spends a great deal of his time and rhetorical talent organizing a sharecroppers' union, much to the chagrin of Sheriff Dozier (John Heard) who won't have unrest in his sleepy Texas town. In one scene the Farmer family is making a trek by car on a rural country road as they pass a poor white farm. The children who seem so mischievous run alongside the car as they pass along, unaccustomed to seeing a "Negro" with an automobile. Perhaps distracted by the nearby children, he runs over a pig, and in a quietly intense exchange between Farmer, Sr. and the owner, is extorted of a month's paycheck. This reminded me of a similar scene in the 1980's movie, `Centennial,' and showed the contrast between a good film with a similar theme and a great one.
In another part, the debate team makes their way by night to their debate destination when they come across a truly horrible sight. What they see through the windshield reveals a mob of white men who don't like having their heinous deeds brought to light. Shaken, they each try to come to cope with their discovery as they often lose focus and courage in the face of Polson's opposition and the violence laid before them.
Always kept in check by their unyielding leader, the debate team holds out for all possible opportunity. Audacious but unflinching, Polson invites Harvard to a debate match. One of the master strokes of the movie is how the debates and their topics match the action that goes on all around them. Show and tell is mixed expertly for a meaningful movie experience.
`The Great Debaters' is a top-echelon movie experience. Although it is reminiscent of movies like Mississippi Burning, To Kill a Mockingbird (Collector's Edition), and Akeelah and the Bee it captures a fulfilling true life story in a way that doesn't feel like rehash or contain a wasted scene. (Directed by Denzel Washington and screenplay by Robert Eisele)

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Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features: Deleted Scenes The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.My Soul Is A Witness; Music Video Theatrical Trailer Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting Party

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The Social Network (Two-Disc Collector's Edition) (2010) Review

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(More customer reviews)Director David Fincher is back in fighting form! Those fearing he may have lost some of his bite with the ponderous "The Curious Case of Benjamin Button" or the disappointing returns of the criminally overlooked "Zodiac" need not worry. "The Social Network" is a caustically funny and incredibly contemporary look at the evolution of Facebook. Playing like a thriller and a blisteringly dark comedy, this terrific film may be Fincher's most sophisticated piece to date (and certainly his most riveting since the days of "Seven" and "Fight Club"). On paper, "The Social Network" might not sound exhilarating but with the perfect screenwriter (Aaron Sorkin) and the perfect cast (Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer)--Fincher's tale of betrayal, pride, and avarice has become one of this year's must see films.
While I'm sure that everyone knows the subject matter of "The Social Network"--very briefly, the film's plot construction is structured as two pieces of litigation are being brought against Facebook founder Mark Zuckerberg (played with intensity by Eisenberg). One lawsuit is from his former business partner and best friend--a co-founder of the original website who got systematically squeezed out. The other is by a trio of Harvard grads (Armie Hammer plays 2 of the 3, they're twins, in a starmaking performance!) who claim Zuckerberg stole the idea from them after he was hired to create an exclusive dating site. Seen through these concurrent cases, deftly edited with flashback footage, the full picture starts to unravel. From Zuckerberg's social ineptitude, but superior intellect, a social revolution was born. And the more powerful Facebook grew, the more disconnected Zuckerberg became to his only friends and compelled by the drive for domination (his ultimate sense of acceptance).
Make no mistake, while "The Social Network" is incredibly smart and literate, it is also grandly entertaining. Screenwriter Sorkin (creator of "The West Wing" and my favorite "Sports Night") has put together what, in my opinion, is the best screenplay of the year. Sorkin is known for his whip fast dialogue and it is spot-on here! The movie is corrosively witty and uncompromisingly in your face. The film is cast with thoroughly unlikable types in a battle for supremacy. Eisenberg has never been better--no doubt Zuckerberg is a tool (both before and after his success), but Eisenberg makes you understand why and (I'm startled to say) actually appreciate it. Timberlake (as oily Napster creator Sean Parker) is a fantastically appealing devil-in-disguise, but as much as you may dislike him--he was integral to Facebook going wide. Hammer, as I said, is the film's biggest surprise. And Andrew Garfield, as Zuckerberg's betrayed partner, is vivid and alive--and, dare I say, the only character to elicit actual sympathy. But again, the film is merciless--even though we know that Garfield is screwed, we also know that it was an essential part of the successful expansion of Facebook. Business ethics be darned.
"The Social Network" is grown-up entertainment that has much to say about success in the modern era. I appreciated that no one veered away from the heart of darkness in this morality piece--that's what makes everything seem so relevant. Can someone be both repugnant and admirable? If you told me earlier in the year that a film about computer geeks at a keyboard would be edge-of-your-seat entertainment, I wouldn't have believed it. But here, I go. For sheer entertainment, remarkable performances, and an incredibly sophisticated screenplay--"The Social Network" is easily one of my favorite films of the year! Easily. KGHarris, 10/10.

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A story about the founders of the social-networking website facebook.Studio: Sony Pictures Home EntRelease Date: 01/11/2011Starring: Jesse Eisenberg Justin TimberlakeRun time: 120 minutesRating: Pg13Director: David Fincher

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