Showing posts with label film making. Show all posts
Showing posts with label film making. Show all posts

Wednesday, December 12, 2012

The William Castle Film Collection (13 Frightened Girls / 13 Ghosts / Homicidal / Strait-Jacket / The Old Dark House / Mr. Sardonicus / The Tingler / Zotz) Review

The William Castle Film Collection (13 Frightened Girls / 13 Ghosts / Homicidal / Strait-Jacket / The Old Dark House / Mr. Sardonicus / The Tingler / Zotz)
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Some of my favorite 60's horror films show up in this boxed set due out this fall. William Castle always had a gimmick with his films. Sometimes these had him appearing onscreen himself such as in Mr. Sardonicus, and sometimes it involved theatre tricks such as wiring the seats to deliver a mild shock during the Tingler or issuing life insurance policies during Macabre. Eight of the films Castle made for the then Columbia Pictures are included here.
Homicidal (1961), begins with a woman paying a hotel bellhop to marry her and murdering the justice of the peace who performs the ceremony. She sucessfully flees the scene. She also just happens to work in a large mysterious house where there seem to be a multitude of family secrets, dominated by the late owner's obsession with obtaining a male heir.
Mr. Sardonicus (1961) is the tale of a 19th-century villager who obtained a fortune by retrieving a lottery ticket from the pocket of his dead father's vest pocket. Problem is, dad had been dead for some time and the sight of him shocked Sardonicus into having the same death grin himself. Now he'll stop at nothing to retrieve his normal facial expression.
Zotz! (1962) - A mild-mannered college professor finds an ancient amulet that can make people move in slow motion, and when enemy spies learn about it, a hilarious chase ensues.
The Old Dark House (1963), is Castle's version of the J.B. Priestley novel. It follows an American car salesman to a spooky old Welsh estate where the members of an eccentric family begin to get picked off one by one.
The Tingler has Vincent Price as a scientist looking for a live creature that he thinks is the basis for all fright and also has the power to frighten people to death.
13 Ghosts (1960) - Has a penniless man inheriting a mansion from his late uncle. It turn out that it is inhabited by 12 ghosts which special glasses enable the family to see. It also turns out that Uncle Cyrus left his fortune somewhere in the house.
13 Frightened Girls! (1963) - A bunch of priveleged teenagers at a boarding school intersect with a tale of espionage. Silly but fun stuff.
Strait-Jacket (1964) - Twenty years ago Lucy Harbin (Joan Crawford) found her husband with another woman and did them both in with an ax. After being locked up for twenty years she is now free and supposedly sane. However, strange occurances begin that make it look like Lucy has gone over the edge again. Joan gives a great performance here. Well, let's face it, she never gave a bad one regardless of the movie itself.
Several of these films have been on DVD before, and when they were released several came with featurettes, so I'm hoping at least that much gets carried over into the new boxed set. Specifically there were short featurettes on the original Sardonicus, Homicidal, 13 Ghosts, Tingler, and Strait-Jacket.
Now if only whoever it was who owned the rights to the 1958 Castle film Macabre would issue a DVD release.

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Iconic horror director William Castle created a simple, but winning formula for his films: a little comedy, a lot of scares, a preposterous gimmick, and a clear sense that fright films should be fun. This even meant Castle would, like Hitchcock, appear in his trailers and even the movies themselves. Though his career spanned 35 years and included everything from westerns to crime thrillers, he'll always be remembered for his horror films from the late 50s to the mid-60s. And now Sony presents all eight of his Columbia features - three making their DVD debut, the rest newly-remastered - in one "spook-tac-ular" collection. And as a bonus, it includes the award-winning feature-length documentary, Spine Tingler! The William Castle Story.

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Saturday, October 20, 2012

Bionicle: The Legend Reborn Review

Bionicle: The Legend Reborn
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Whoever thought that a toy line would become the star of a movie franchise? (with the exception of GI Joe of course)
Years ago, when bionicles first hit the marketplace, and my boys discovered them,we always thought they would make a great film. With CGI advances,they are now here. Even if you do not know anything about the Bionicle line of toys, you will like this.
In terms of plot, Mata Nui, a great and powerful ruler at one time, helps win a monumental battle. The local population asks him to help fight the Skrall and Bone Hunters. There is bionicle action, great animation, and and excellent plot. For those familiar with bionicles, the characters transform well to film especially when it comes to their high range of motion. In one scene, Michael Dorn voices a character, and as in all animated films, reflects a Worf like pose. It would take a Trek minded viewer to see that one though.
On the DVD, the bonus features include "Bye Bye Babylon", "Metus Revenge" ending, a character gallery, and deleted scens. The embossed cover is pretty cool too.
With every film these get better. We look forward to the rest.
Tim Lasiuta

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Your favorite BIONICLE® heroes come to life in this thrilling, all-new movie adventure filled with action and excitement! Mata Nui, once a great and powerful ruler, finds himself in a remote wasteland of scrap parts and burnished metals. After winning a dangerous Glatorian battle, he’s asked to help fight the local villagers’ real enemies: the evil Skrall and Bone Hunters. Together with a brave band of Glatorian fighters and Agori villagers, Mata Nui embarks on an epic adventure to imaginative new lands where exciting BIONICLE® secrets will be revealed.

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Sunday, October 14, 2012

Time After Time (Snap Case) (1979) Review

Time After Time (Snap Case) (1979)
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It has been a while since I've reviewed something on my lifelong favorite's list. So I've chosen "Time After Time" because it isn't very well known by younger audiences nor is it necessarily considered a "classic."
However, I instantly fell in love with this movie over 25 years ago--and I still consider it a rip-roaring good time!
Starting out with the most bizarre plot ever, "Time After Time" will keep you enthralled. It is a glorious popcorn flick--fast, light, fun, and exciting in equal measures. Set in 1893, we meet H. G. Wells (Malcolm MacDowell) who is unknowingly friends with Jack The Ripper (David Warner). MacDowell has constructed a time machine which Warner misappropriates as he is fleeing the authorities. He travels to modern day San Francisco where he continues his murderous ways. MacDowell follows him, he must stop Jack The Ripper! He meets up with a local woman, Mary Steenburgen, who helps him adjusts and ultimately gets caught up in his unlikely story.
"Time After Time" succeeds in several different genres concurrently. This is a credible sci-fi pic, a sweet romance, a fish out of water comedy, as well as a decent serial killer thriller. I think that's what I love and respect about this film, it's out there. There is no way that this picture should work, it should be terrible. And yet, inexplicably, Nicholas Meyer has crafted an intricate and audacious work. Even if I didn't love this movie, I would respect its ambition and scope. But love it I do, this is one of the most wildly entertaining pictures you could hope to see. Some people might be tempted to dismiss this work as dated or even slight--and yes, you do have to accept that this is a product of the 70's. There are references to "free love" and other concepts of the era, but at the same time--the film is incredibly prescient about violence in the modern age. Every time Warner describes how he was meant to exist in this future, where killings and debauchery are commonplace, I understand a real truth in his sentiment.
The performances are cracking good. MacDowell is the unlikeliest hero and a refreshing romantic lead. Warner has NEVER NEVER been better. If you are even a passing fan of his, you must see this picture. And Mary Steenburgen is a delight--she doesn't do enough these days! Maybe this isn't highbrow entertainment, but it is dazzling fun. Recommended to all without even the slightest hesitation. KGHarris, 12/06.

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London 1893 is home to a killer with a macabre nickname... and also to a visionary genius who would write "The Time Machine." But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture fleeing his own time to take refuge in ours - with Wells himself in pursuit?

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Saturday, September 1, 2012

Kids in the Hall - Brain Candy (1996) Review

Kids in the Hall - Brain Candy (1996)
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Dear readers, if you have never seen the Kids In The Hall series, you will not understand the nuances and brilliance of Brain Candy. If you have, you will feel like you have discovered the Holy Grail.
Synopsis: researchers discover a pill to make everybody happy, and suffer the consequences. The great part, the Kids play all the parts, and there are little skits within the big picture.
If you are expecting slapstick, forget it, this is sophisticated humor. The absurd rules. THIS is what the Kids are best at, and this is the best I have seen. From Canadian police trampled by people fleeing a public rest room, to catatonic test subjects, this film rocks. Kudos to Dave Foley, who made it big with NewsRadio (man do I hope they release that series on DVD). He plays the stright man the whole way through, and actually gets the meatiest parts. The rest wear dresses, but look pretty good....
If you are a Welcome to Woop Woop fan, or a Monty Python fan, if you can find this movie, BUY IT!! This is a watch and watch again movie.

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Sunday, August 5, 2012

Living in Oblivion (1995) Review

Living in Oblivion (1995)
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This movie is so well-crafted and funny I'd recommend it to anyone. If, however, you've ever been involved in independent film, you'll find it even more hilarious. It's so dead-on at capturing all the headaches, squabbles, technical nightmares, bad food, and creative frustrations inherent in most low-budget filmmaking, you'll laugh even as you relive the pain.

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LIVING IN OBLIVION - DVD Movie

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Thursday, July 26, 2012

The Cutting Edge - The Magic of Movie Editing Review

The Cutting Edge - The Magic of Movie Editing
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I'm a filmmaker, university film instructor, and author/writer of film topics. I was excited to hear about this DVD because, to quote it's own blurb "this fascinating program lets you in on the secrets..." of film editing I had presumed. I expected an educational presentation that would dissect the cuts and the tricks, and show the development of a scene from the multiple takes and camera angles, and how an editor selects, massages, and makes it come together visually and aurally. There is a little of that... maybe 10%. The rest of it is talking heads about the "secrets" and the pontificating by directors and editors about how amazing they both are. Good Grief! Save me the self-aggrandizement. I think you've heard the adage: "Don't tell me, show me." There is far too much talking head about what is done, but there are no examples of scenes "in process" but only the final cut. The examples are only referential. Very disappointing. And Tarantino's gushing and hugging his editor has nothing to do with how editing works. This is a blatant ACE promotional piece masking as a documentary. Especially disappointing was the Sharon Stone crotch shots from Basic Instinct that destroys the DVD for high schools and makes it inappropriate for most other audiences. Even the director admits that the inclusion of these shots was NOT at the editor's discretion, but was his intent all along, no doubt to get at the audience's "basic instincts." The shots have everything to do with the story... but little to do with a secret of editing... more to do with the secrets and tricks of marketing. I had hoped to use this in my classes, but I cannot. I am returning the two I ordered. Can't use 'em.

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Bullitt's dynamic editing, highlighted by its twisting, squealing, hill-leaping chase sequence that leaves viewers whooping and woozy, earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing," says Zach Staenberg, Academy Award-winning* editor of the Matrix trilogy. Closeups, flashbacks, parallel action, slow motion, juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction, The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors, The Cutting Edge: The Magic of Movie Editing is, shot for shot and frame after frame, reel magic.

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Monday, July 16, 2012

Broken Embraces (2009) Review

Broken Embraces (2009)
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In "Broken Embraces", Pedro Almodovar rehashes a lot of themes and devices from his earlier films to create a pastiche that is pleasant enough but not as strong as his more daring and original works. Harry Caine (Lluis Homar) is a blind screenwriter who had been film director Mateo Blanco before he lost his sight. Now he dictates screenplays to his assistant Diego (Tamar Novas), the son of his longtime manager Judit (Blanco Portillo), who wishes Harry would write scripts for more popular genres. One day as aspiring filmmaker (Ruben Ochandiano) proposes that Harry collaborate on a script about a son who avenges himself on his detested father posthumously. That inspires Harry to tell Diego the story of how he fell in love and lost his sight 14 years earlier, a subject of which he has not spoken in all those years.
In 1994, Harry met Lena (Penelope Cruz), the beautiful mistress of financier Ernesto Martel (Jose Luis Gomez), when he directed her in her first film, a comedy called "Girls and Suitcases". They fell in love and incurred Ernesto's wrath. The film shifts back and forth, between 1994 and 2008, as Diego takes in the story, and Judit grows wary of what Harry might tell him. Harry and Lena's affair is deliberately clichéd, but I waited for Almodovar to give it his unique spin. Unfortunately, it never quite delivers. Lena seems more an object than a fully realized character, which might be fitting, as she is in Harry's memory. But as a main character, she is underwritten. Jose Luis Gomez is perfect as a man in the grip of obsession for Lena, so much so that I wish Ernesto had a more prominent role.
Sometimes Pedro Almodovar has a stroke of brilliance. And sometimes he seems to make movies because he likes making movies, even if he doesn't have anything fresh to contribute. I've seen too much of "Broken Embraces" in his other films, and it just never engages the audience. Harry and Lena's love has no spark. I could see the "surprises" coming a mile away. Some actions seem to lack motivation. Penelope Cruz is luminous. There's never any doubt as to why she's a movie star in Almodovar's films. Jose Luis Gomez is very good, and so Blanco Portillo would be if the writing for her character were a little better. I think those familiar with Almodovar's work are going to find this one stale. But I can't really recommend it to those new to Almodovar, as you would be better off seeing the great "All About My Mother" (1999) or, if you want noir, the labyrinthine noir homage/spoof "Bad Education" (2004). In Spanish with optional subtitles.
The DVD (Sony 2010): Bonus features include 3 deleted scenes, a theatrical trailer (2 min), and 4 featurettes. "The Cannibalistic Councillor" (7 min) is a scene from the fictional "Girls and Suitcases" movie, in which Chon, a woman of conservative politics and Councillor of Social Affairs, goes on about her sexual obsession and foot fetish. This is pure, hilarious Almodovar and not to be missed. There is another scene from the fictional movie among the deleted scenes. "Pedro Directs Penelope" (6 min, English subtitles) shows us what Almodovar is saying offscreen while two actresses play a scene. "On the Red Carpet: The New York Film Festival Closing Night" (3 min) has a few brief interviews. "Variety Q&A with Penelope Cruz" (6 min) is an interview of Cruz by Todd McCarthy. Subtitles are available for the film in English and French. Dubbing available in French.

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A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.

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Monday, April 16, 2012

Hearts of Darkness - A Filmmaker's Apocalypse (1991) Review

Hearts of Darkness - A Filmmaker's Apocalypse (1991)
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Subtitled, "A Filmmaker's Apocalypse", this 1991 film is a documentary about the making of "Apocalypse Now", the 1979 film based on Joseph Conrad's "Heart of Darkness". Set in Vietnam, it is the story of a captain, Martin Sheen, and his crew's mission to find and kill an insane colonel, Marlon Brando, who had created his own kingdom deep in the Jungle. On the way, everyone is touched with the evil around them. This summer I saw the re-edited version of the film and have been intrigued by it ever since. When I heard about this "Hearts of Darkness" I just HAD to see it.
The filming of Apocalypse Now was supposed to take just sixteen weeks at a budget of $13 million. It wound up costing more than $30 million, much of it put up by Francis Coppola himself, and took almost three years to get to the public. Coppola' wife Eleanor and their three children went along on location in the Philippines. She was interested in making a documentary and shot a lot of behind-the-scenes footage, even secretly recording private conversations she had with her husband about the film. The authenticity of the experience really comes through, as everyone involved with the production seemed to go a little bit insane.
Coppola had serious doubts throughout and we hear his words of despair as he thinks he's making a bad movie. We see the terrible typhoon that destroyed all the sets and realized that the helicopters that were being used for the shooting were actually property of the Philippine government who kept calling them away to fight a real disturbance that was going on just ten miles away. We see shots and scenes that never made it into the original film (although much of it eventually made it into the 2001 "Redux" version). We see and overweight Marlon Brando who insisted on being filmed in shadows. And we are right there to watch the filming of the scene in which Martin Sheehan has a mental breakdown. In order to do this he became bleary-eyed drunk, cut his thumb on a mirror and used the blood as part of the scene. The intensity is chilling and when, a short time afterward, he has a life-threatening heart attack at the age of 36, we're all there to see him as he is given first aid.
Now, years later, some of the actors are interviewed about their experiences. We learn that they did a lot of drugs during many of the scenes - acid, speed, marijuana, alcohol, which certainly added to the authenticity as well as the craziness of the whole production. Robert Duval talks about how his famous line "I love the smell of napalm in the morning was improvised. And the whole cast talks about how they improvised a massacre scene. Laurence Fishburne was only 14 when the film was made, a real coming-of-age experience for him. But this very stirring film portrait belongs to Francis Coppola. We get to meet him as a very imperfect human being doing his best to create an art form out of the script, changing it constantly as he went along, and eventually turning out a small masterpiece which went on to be nominated for eight academy awards.
I give this video my highest recommendation. It is a "must" for movie buffs. And an essential education for anyone involved in filmmaking itself. Don't miss it!

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Hearts of Darkness: A Filmmaker’s Apocalypse is an engrossing, unwavering look back at Francis Ford Coppola’s chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director’s wife, with revealing interviews with the cast and crew, shot 10 years later.

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Friday, March 23, 2012

The Informant (2009) Review

The Informant (2009)
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In 1992 Mark Whitacre, the President of Bio-Product division of ADM (powerful Fortune 500 company), became the highest ranking executive EVER to turn whistle blower. For three years he helped the FBI gather evidence of a multinational conspiracy to control the price of lysine. As a result, US government collected hundreds of millions of dollars in fines from ADM and foreign corporations, followed by prison sentences for three executives. These are events in real life as well as the movie. However, according to the opening credits, the film is not intended as a documentary and does depart from real life facts... The final, cheeky line of the prologue: "So there!", gives us a hint that, though the topic and the consequences suffered by many in this story are somber, what we are about to see is meant to amuse and entertain, as well as educate...
As promised, the chuckles do come often, but their source is not your typical one liners. Matt Damon is Whitacre, an inspired choice for the role. His plump, mustachioed and toupeed character comes across so harmless and ordinary you never question why his actions go undetected; even as his concealed recording equipment loudly malfunctions during a covert multinational executive meeting! You laugh at the bewilderment of FBI agents and the DA's office as they are led by the nose by Whitacre's increasingly outlandish antics. One could say "The Informant!" has the educational quality of an Aesop's fable: blinded by their desire to swallow a tasty morsel (ADM), the agents cross their fingers and fail to run even the most basic checks on their informant; checks that would immediately reveal inconsistencies in his stories (such as the true nature of his parentage, for example).
The film is not perfect. Based on the way it was being advertised, I expected something in the same category as "The Pink Panther". In reality, one would not be wrong to describe it as a combination of "A Beautiful Mind", "The Insider", and "The Duck Soup" (Marx Brothers). Sadly, "The Informant!" never quite becomes as touching, thrilling and funny as those films were, respectively. The makers allow it to drag on a bit in the second half as Whitacre's behaviour becomes absurd. The logical explanation for it all arrives only after our initial keen interest has already begun to dissipate. I also hear some grumblings about the film's muted lighting. Since most of the action takes place in offices and hotels, I believe the lighting is true to reality. Anyone who has spent at least one work day in a cubicle, understands how oppressive that atmosphere can be. Despite these possible faults, Whitacre's story and Damon's performance make "The Informant!" worthy of at least one theater trip. Depending on your personal approach, you will see a funny thriller or... a thrilling comedy. Either way, expect to be entertained!
PS: BRAVO! to the filmmakers for sticking to a relatively modest budget ($21 mil)! I am sick of paying to see worthless films with budgets that could bankrupt the economy of a small country.

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A rising star at agri-industry giant archer daniels midland whitacre suddenly turns whistleblower. Even as he exposes his companys multi-national price-fixing conspiracy to the fbi whitacre envisions himself being hailed as a hero of the common man and handed a promotion.Studio: Warner Home VideoRelease Date: 02/23/2010Starring: Matt Damon Frank WelkerRun time: 108 minutesRating: R

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Wednesday, January 18, 2012

Riddick Trilogy (Pitch Black/ The Chronicles of Riddick: Dark Fury/ The Chronicles of Riddick) (2000) Review

Riddick Trilogy (Pitch Black/  The Chronicles of Riddick: Dark Fury/ The Chronicles of Riddick) (2000)
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Here are the unrated versions of all of the Riddick tales. We get Pitch Black, The Chronicles of Riddick, and The Chronicles of Riddick: Dark Fury, a short animated film. But will all of the movies and all of the extras, we are still missing the half-hour promotion feature where we see Riddick's past. Originally he was a government assassin who was trained a bit too well. When the government was done with him they tried to eliminate him. Riddick survived and trumped up charges were invented sending him on the run. But that original story is missing from this collection.
Pitch Black. Riddick is one of a handful of survivors who crash on a bright and arid world. But once in a while, the three suns are completely blocked and true darkness covers the land. It is in this darkness that the remaining life on the planet comes out of hiding and goes hunting. Riddick must fight the dark, hold tr group together, and somehow escape the planet.
Dark Fury. Having escaped at the end of the first movie, Riddick and company are picked up by a bounty hunter who has a different idea of what to do with dangerous men. Now Riddick is faced with killers, monsters, and a captain who seems to worship the skill of killing and survival. This film is short and animated but uses the voices of actors from the other movies.
The Chronicles of Riddick. Here old acquaintances try to enlist Riddick's help in stopping a force known as the Necromongers. It is their sworn duty to purge the flawed life of our universe so that they can be born in perfection in the underverse. This time Riddick is faced with his past, unstoppable armies, weapons of mass destruction and possibly the fate of the whole world.
A nice collection of some interesting films. Packed in a nice small package this is not just a bundle but an original collection. Plenty of action and tough guys for any appetite. See the full range of the Richard P. Riddick stories from the starkness of Pitch Black to the visually overwhelming Chronicles of Riddick. Check it out.

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Journey to a remote, hostile planet with a group of marooned passengers who learn that escaped convict Riddick isn't the only thing they have to fear in Pitch Black. Then, see him battle ruthless soldiers of fortune and vicious creatures in renowned animator Peter Chung's The Chronicles of Riddick: Dark Fury. And finally, Riddick finds himself humanity's unlikely champion in the special effects-fueled The Chronicles of Riddick. Join Riddick in three times the action, three times the adrenaline and three times the adventure as the Riddick Trilogy makes complete one of the greatest sci-fi epics of all time!

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Wednesday, January 4, 2012

Waking Sleeping Beauty (2009) Review

Waking Sleeping Beauty (2009)
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I had the great opportunity to see this at a screening in NYC followed by a Q&A with the directors. It was a great look back at a bit of Disney history many people might not be familiar with. The behind the scenes turmoil, management style, and creative process, especially during the making of such great classics as The Little Mermaid and Beauty and the Beast, make it very interesting. As an animator myself, I truly enjoyed this film. Highly recommended.

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By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts - maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "The Little Mermaid," "Beauty and the Beast," "Aladdin," "The Lion King," and more - over a 10-year period.

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Sunday, January 1, 2012

Pootie Tang (2001) Review

Pootie Tang (2001)
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Don't let the title lead you astray! This is NOT one of those gross-out sex movies that are all the rage at the metroplex. In fact, the title is the only offensive thing about the whole picture!
I went into this movie thinking it was going to be one of those "so bad it's good" movies. So you can imagine my surprise when I started laughing and couldn't stop until the final scene of the movie. It's nonsense. It's a joyful, daffy comedy. I mean, can you resist a movie with lines like, "Nobody could ever understand what Pootie was saying, but man, he sure was cool"? The characters and situations are over the top, but the actors are 100% committed to line after ridiculous line that it SOARS. It's one of those comedies that makes you think, "Why don't they make em like this anymore?"
The REAL star of this show, however, is Wanda Sykes who plays Pootie's gal Biggie Shorty, who "dresses up all nice and dances on the street next to a buncha ho's" (but that doesn't mean she's hookin'). She walks away with the whole picture. Chris Rock gives her some tough competition as a radio DJ and as Pootie's father, as does Jennifer Coolidge who plays the super-ho Ireenie, but in the end, Biggie Shorty is the star.
I'm speechless. This is one of my favorite movies of all time. And this coming from a guy whose favorite movies are CITIZEN KANE and CASABLANCA.

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The adventures of Pootie Tang, an inner city crime fighter who speaks a language that nobody understands.Genre: Feature Film Urban ComedyRating: PG13Release Date: 2-MAY-2006Media Type: DVD

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Saturday, September 17, 2011

March of the Penguins (Widescreen Edition) (2005) Review

March of the Penguins (Widescreen Edition) (2005)
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I chose to see "March of the Penguins" as a diversion to a 100+ degree day, and saw that cold weather is worse than hot weather. Now, in the brisk part of autumn, it still holds up.
Penguins from several areas of Antarctica converge on land, safe from predators and the ebbing ice shelf. They are there to mate, birth, and care for their chick.
Monogamous for that year, penguins pair up and the mother lays an egg.
The mother dashes off back to the sea, which, thanks to the winter and new ice, is as far as 70 miles. She's starving, having lost one-third of her weight in laying the egg. The trip is long, and she's not fast. Hungry seals await them, some penguins lose their way, and some are too exhausted to continue.
Well-fed, full of food for her chick, she returns, and the father makes the same trip so he can eat. The father stayed behind to incubate the egg, and protect the new chick. He has lost one half of his weight.
The pair trade places a few more times as winter plods on. With temperatures 80 below zero, and winds up to 125, I felt cold just watching. The penguins huddle to keep warm, rotating which must do outside duty.
Morgan Freeman narrates. His voice does not overcome the story. Better written than any documentary I have ever seen, Freeman respects the script. Having never seen a documentary in a theater before, I was impressed at how well it worked on the big screen.
There is no plot, even though there is a beginning and an end. Unlike many documentaries, it does not detail the intricacies of eating, mate choosing, or science of penguin living. It is more about watching the arduous life cycle, with some explaining what we are watching.
The camera works captures the cold -- the shivering penguins, the snow blowing like dust over the long line of marching penguins. It reminded me of movies about Siberia, showing Soviets living in a frozen, cold natural prison.
This isn't a cute animal movie. Tender children might be saddened to see the eggs and chicks freezing, and could be quite frightened when the vicious seals overtake swimming penguins.
Now, with the ever-funny Bugs Bunny in "8 Ball Bunny," the kid-factor increases. Still, even as Bugs graces your home viewing experience, be careful with more impressionable children and the feature documentary.
Another DVD feature: Rodney the Penguin assists in "Crittercam: Emperor Penguins," as we learn how some of the complex videography was really shot.
I fully recommend "March of the Penguins."
Anthony Trendl
editor, HungarianBookstore.com

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In the Antarctic, every March since the beginning of time, the quest begins to find the perfect mate and start a family. This courtship will begin with a long journey - a journey that will take them hundreds of miles across the continent by foot, in freezing cold temperatures, in brittle, icy winds and through deep, treacherous waters. They will risk starvation and attack by dangerous predators, under the harshest conditions on earth, all to find true love. DVD Features:Documentaries:CRITTERCAM : EMPEROR PENGUINS: penguin diving and feedingDocumentary:OF MEN AND PENGUINS: The incredible filmmaking process of the movieOther:8 BALL BUNNY: A classic WB animated short with Bugs Bunny and a penguin


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Saturday, August 6, 2011

Eagle vs. Shark (2007) Review

Eagle vs. Shark (2007)
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Lilly (Loren Horsley) works in a fast food restaurant and garners the respect of no one. But she takes it on the chin and remains curiously sweet. She's got a crush on Jarrod, a narcissist geek with a horrible mullet played by Jemaine Clement of Flight of the Conchords fame. Jarrod and Lilly hook up at a party one night. (Do you want to have sex? OK.) Jarrod has a mission-to crush a samoan lad who tortured him in school. He returns home to fight his nemesis. I won't give it away, but the ending to this movie had me laughing hysterically. This is a completely original script absent banal comedy and full of emotional depth. You won't see films like this coming out of Hollywood these days. Thank you Taika and the NZ Film Commission.
Many people have compared Eagle to Napoleon Dynamite, but I find the comparison lacking. Yes, Lily and Jarrod are geeks, but the similarities with Napoleon end there. This isn't a geek revenge movie though the plot may seem like that on the face of it. The movie is titled Eagle vs. Shark but it could be titled man vs. woman. Neither Lily or Jarrod run to each other as solace from the outside world. Lily has a warm home life with her brother and Jarrod is pretty solidly convinced of his stature and his ability with women until the end of the movie. It's interesting to see how Lily turns Jarod around. This film is about the balance of power between Lily and Jarod, not geeks vs the world.
There are a lot of good minor characters in this film including Jarrod's sister and her husband and Lily's brother. Jarrod's daughter is played brilliantly by an eccentric little girl whose name I can't find on the DVD. She's cute to watch. I liked Lorena's performance. She brings strength to her role as Lily but doesn't come off aggressive. It must have been a difficult role to play right.
Good extras on the film including some nice deleted scenes. The commentary with Taika was a little off putting. He seems a bit over it. His girlfriend, Lorena Horsely who plays Lily calls from NZ and they talk a bit about the film, but neither one of them seem very into it. It seems like the commentary was added a long long time after the film was made and maybe thrown in because of the success of Conchords. The most interesting commentary comes from the guy that plays Jarrod's brother in law. Taika says things like "that scene comes from the Sundance film workshop" but doesn't explain what that is or why he was there. Flight of the Conchords fans don't buy Eagle to hear any interviews or commentary with Jemaine. He is curiously absent from all the extras here as he was with Conchords. Jemaine seems more over it all these days than anyone. I doubt HBO will get a season 3 out of him unless they throw him mad mad money.
There are a lot of great views of NZ in this film. Loved the camera shot on the playground with Lily running in the mouse wheel with the bay out the back. Gorgeous. Good music from the Phoenix Foundation Horsepower, Pegasus that works well with the film. The soundtrack wasn't chosen for marketing purposes, it actually works with what's going on in the film.
When I see a good film like this, completed for under a million dollars, you wonder what is going on in Hollywood these days that more films like this aren't made. Hollywood is good at throwing money into a lot of dumb scripts with hot actors, but it takes someone like Taika to come along and demonstrate how a good movie is really about a good script, not special effects and pretty people.

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Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.

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Sunday, July 31, 2011

Citizen Kane (Two-Disc Special Edition) (1941) Review

Citizen Kane (Two-Disc Special Edition) (1941)
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Probably the most unfortunate thing that ever happened to `Citizen Kane' was that it found itself atop the AFI top film list. Now, no one can simply enjoy the film. Everyone feels compelled to scrutinize it and make a decision about its greatness. Asking whether `Citizen Kane' is the best film of the century is like asking if Marilyn Monroe was the most beautiful woman. It depends on whom you ask.
`Citizen Kane' is not the most entertaining film I've ever seen, but it is certainly one of the most important. It is a vanguard motion picture and a gargantuan achievement for Orson Welles. If you consider the fact that Welles was a 24 year old Hollywood outsider who had only done radio and theater when he landed the contract for this film, you begin to appreciate what a big deal it was. This was during a time when a few studios controlled every film that was made. How many 24 year old actor/directors can you name today, even in a world where independents abound?
The story is based on the life of William Randolph Hearst. Writer Herman Mankiewicz had an up-close look at Hearst as he had been an occasional house guest at the Hearst mansion. The similarities were striking, right down to the paramour whose career Hearst promoted, who loved to do jigsaw puzzles. The fact that this film was released at all is a marvel in itself. Hearst went on a personal campaign to crush the film and enlisted every powerful friend he had to stop it. Louis B. Mayer offered RKO $800,000 to destroy the print. John D. Rockefeller ordered the Radio City premier cancelled. All of Hearst's newspapers were forbidden to mention the film.
Hollywood was uniformly against it and Welles was branded an insolent maverick. The film was snubbed by the Academy. It was nominated for 9 Oscars and won only best screenplay. The film turned out to be a commercial failure, losing $150,000. With all the forces stacked against it, we are lucky to be having this best film debate at all.
The story has a simple moral; that money and power can't buy happiness. We see Kane's progress from a happy child, to an idealistic young journalist intent on helping the common man, and finally to a bitter and angry old man whose innocence has slipped from him. One of the most effective scenes that illustrated this was the two minute overlay of breakfast conversations with his wife. It starts with cooing lovers and progresses through increasing levels of discord. It ends in silence with the two reading separate newspapers, her disdain for him subtly indicated by her choice of the hated Chronicle as her newspaper.
What is so remarkable about this film is the filmmaking. Director after director has pointed to some aspect of this film as having influenced them. The use of shadows and various perspective shots was not unprecedented in 1941, but never before had they been used with so much dramatic impact. What was unprecedented was that `Citizen Kane' was the first film ever to depart from the strict narrative format, which moves forward chronologically. The film starts at the end and jumps around in time based upon the perspective of the person who is telling his or her story about Kane. So the next time you see a flashback, remember it started here.
The makeup was revolutionary. Welles often went through four hours or more of makeup to be properly aged for each scene. The film also launched a number of brilliant careers. Besides Welles, Joseph Cotton and Agnes Moorehead went on to long and prominent film careers.
If `Citizen Kane' is not the best film of the century it is certainly one of them. Its influence on a generation of filmmakers cannot be ignored in the equation. People who watch this film and ask, "What's the big deal?" are comparing it with modern films that have borrowed from this film's techniques and undergone 60 years of evolution. It's like going back to Kitty Hawk and saying, "What's the big deal, the flight only lasted a few seconds."
There is only one rating to give to a film of such monumental importance. It is the consummate 10.

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The story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time.No Track Information AvailableMedia Type: DVDArtist: WELLES/COTTEN/COMINGORE/MOOREHTitle: CITIZEN KANEStreet Release Date: 09/24/2002

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Monday, July 25, 2011

The Stoning of Soraya M (2009) Review

The Stoning of Soraya M (2009)
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This is a very well acted and compelling movie. I've seen videos of real life stonings, and although somewhat cleaned up, this movie gives a realistic face to the act.
The actors do an exceptional job at portraying the characters. Shohreh conveys with a single look, what other actress's take sentences to do. That's a real feat considering I had to read the words in subtitles at the same time!
The movie also shows what a mob mentality really is. What pressure and teaching can compel a son to do to his mother...it shows what strength really is- not being the hero like in most movies, but in what it takes in the real world, to simply speak the truth. A strength that most people don't have.
As cleaned up as it is (the movie does not deal with the underlining condoning of stoning in Islam such Muhammad demanding it in his famous confrontation with the Jews according to Ibn Ishaq, 257 and Bukhari vol 4 book 61, no. 3635- they are his first biographer, and a collector off traditions Muslims themselves consider reliable)-This movie does however show a present day reality that I fear most viewers won't have the strength to really see.
Watch this movie, and then watch how few people are even willing to talk about the subjects it brings up- how many excuses and side steps people will take, rather than confront the reality that this movie throws in your face.
It is one of the few movies that show human nature- the good, the bad and the ugly. From looters, to the ones who confront them. This movie does more in the side plots showing human psychology, than most other movies that try to protray it as a main subject matter.
In short, this is a must see, if nothing else to better understand a dark side of the world.

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STONING OF SORAYA M - DVD Movie

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Wednesday, June 29, 2011

Magnolia (New Line Platinum Series) (1999) Review

Magnolia (New Line Platinum Series) (1999)
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There have been many terrific reviews written by other Amazon members that go into great detail about why this film was fabulous or why it worked or didn't. So I won't waste time boiling down all of the stories going on in this film again.
"Magnolia" is a near masterpiece...
The reasons it was a box office dud are too numerous to mention, but they run the gamut from its confusing title -- to the decision to keep superstar Tom Cruise's name in the background -- to the bad-worth-of-mouth recorded by rating services which survey people looking for conventional narratives and resolutions as they walk out of theaters.
I see 50 to 60 films a year (and not for a living), and I avoided "Magnolia" out of fear. Fear of wasting time, more important than wasting money. And another concern was the film's controversial resolution, the critical element that determines the success or failure of most movies with a mass audience. Now that I've seen "Magnolia" on video and have finally been able to philosophically, intellectually and logically string together its elements, there is no doubt that this is one of the most wonderful accomplishments on film ever made. "Magnolia" takes you on a journey whereby a master story teller challenges you to hang onto a breathtaking ride of images, content and music, and find the thread that strings everything, including the last 20 minutes...together in a way that makes coherent sense.
Yes, the point of the movie is that there are things that defy scientific logic. "Magnolia" tackles this premise and applies it to human behavior in a dazzling kaleidescope of aural, verbal and visual montages -- which make it IMPOSSIBLE -- to stop this film to come back to later. You're pulled into the tornado, wondering how's it going to end?
This film is worth BUYING, especially with all of the extras on DVD. But it's also worth "previewing." I won't lie to you. A conventional audience might not like "Magnolia's" structure and its last 20 minutes. But the rest of it is hands down wonderful. I guarantee you will enjoy it. The acting, the story, the dialogue are consistently mesmerizing, from start to finish. I can't guarantee you will agree with the cosmic, unexplainable force that joins everything together in the end. Personally, I would have chosen something less comical -- and saying "frogs falling from the sky" doesn't spoil the point of the movie even though I would have preferred huge hailstones on a July afternoon in California. The controversial decision to visualize what for most of the movie is abstract -- is the root of why I think the film is misunderstood by some -- and hated by others.
Yet I believe "Magnolia" is a fabulous film. Whether you like the film on the whole or not, I guarantee that you won't be bored, which is the curse of all lousy movies. Everything about "Magnolia" is mesmerizing. And if the resolution seems initially a bafflement, if you think about it some more, everything will make sense. You will find that things that seem visibly ridiculous or irrational are no more or less the same as the "unscientific randomness" of human behavior that is TOTALLY PLAUSIBLE.
In sum, see this, rent this, buy this -- but don't dismiss or ignore "Magnolia" -- it's 99 7/8ths the work of a great young master.

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An intriguing and entertaining study in characters going through varying levels of crisis and introspection. This psychological drama leads you in several different directions, weaving and intersecting various subplots and characters, from a brilliant Tom Cruise, as a self-proclaimed pied-piper, to a child forced to go on a TV game show and the pressures he faces from a ruthless father.

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