Showing posts with label acting. Show all posts
Showing posts with label acting. Show all posts

Friday, March 23, 2012

The Informant (2009) Review

The Informant (2009)
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In 1992 Mark Whitacre, the President of Bio-Product division of ADM (powerful Fortune 500 company), became the highest ranking executive EVER to turn whistle blower. For three years he helped the FBI gather evidence of a multinational conspiracy to control the price of lysine. As a result, US government collected hundreds of millions of dollars in fines from ADM and foreign corporations, followed by prison sentences for three executives. These are events in real life as well as the movie. However, according to the opening credits, the film is not intended as a documentary and does depart from real life facts... The final, cheeky line of the prologue: "So there!", gives us a hint that, though the topic and the consequences suffered by many in this story are somber, what we are about to see is meant to amuse and entertain, as well as educate...
As promised, the chuckles do come often, but their source is not your typical one liners. Matt Damon is Whitacre, an inspired choice for the role. His plump, mustachioed and toupeed character comes across so harmless and ordinary you never question why his actions go undetected; even as his concealed recording equipment loudly malfunctions during a covert multinational executive meeting! You laugh at the bewilderment of FBI agents and the DA's office as they are led by the nose by Whitacre's increasingly outlandish antics. One could say "The Informant!" has the educational quality of an Aesop's fable: blinded by their desire to swallow a tasty morsel (ADM), the agents cross their fingers and fail to run even the most basic checks on their informant; checks that would immediately reveal inconsistencies in his stories (such as the true nature of his parentage, for example).
The film is not perfect. Based on the way it was being advertised, I expected something in the same category as "The Pink Panther". In reality, one would not be wrong to describe it as a combination of "A Beautiful Mind", "The Insider", and "The Duck Soup" (Marx Brothers). Sadly, "The Informant!" never quite becomes as touching, thrilling and funny as those films were, respectively. The makers allow it to drag on a bit in the second half as Whitacre's behaviour becomes absurd. The logical explanation for it all arrives only after our initial keen interest has already begun to dissipate. I also hear some grumblings about the film's muted lighting. Since most of the action takes place in offices and hotels, I believe the lighting is true to reality. Anyone who has spent at least one work day in a cubicle, understands how oppressive that atmosphere can be. Despite these possible faults, Whitacre's story and Damon's performance make "The Informant!" worthy of at least one theater trip. Depending on your personal approach, you will see a funny thriller or... a thrilling comedy. Either way, expect to be entertained!
PS: BRAVO! to the filmmakers for sticking to a relatively modest budget ($21 mil)! I am sick of paying to see worthless films with budgets that could bankrupt the economy of a small country.

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A rising star at agri-industry giant archer daniels midland whitacre suddenly turns whistleblower. Even as he exposes his companys multi-national price-fixing conspiracy to the fbi whitacre envisions himself being hailed as a hero of the common man and handed a promotion.Studio: Warner Home VideoRelease Date: 02/23/2010Starring: Matt Damon Frank WelkerRun time: 108 minutesRating: R

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Monday, December 19, 2011

Ballet Shoes Review

Ballet Shoes
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BALLET SHOES (starring Emma Watson... celebrated for her lead roles in the Harry Potter films...along with an all-star acclaimed ensemble cast) is absolutely wonderful. I personally am in love it. Targeting a very large and underserved audience which is best defined as "moms and their daughters", Ballet Shoes is a film about realizing ambitions; a film where its tag line `dreams do come true' is really the `spot on' underlying message of the film... and the storyline. I believe it is destined to be a huge success for it is a tale of inspiration indeed.
A big-budget Granada film production, originally for the BBC, Ballet Shoes is based on the literary classic penned by Noel Streatfeild that women especially are very familiar with as key reading material from their childhood. A costume drama with absolutely stunning cinematography, the film portrays 1930's London with a sense of dreamy realism. For those who recall the box office smash "You've Got Mail", the book is the one being sought after that Meg Ryan launches into a verbal expose about. Ms. Ryan was right on the money, as is this adaptation of the tale.
Ballet Shoes is the story of three orphan girls; Petrova, Posie and Pauline (Emma Watson) who are raised as sisters after being brought together by a rich, world traveler as babies. As they grow up, each girl develops a dream of their own. Pauline wants to be an actress; Petrova longs to be an aviator; Posie wishes to dance. Circumstances bring them together, and together they vow to go down in the history books. "We three Fossils vow...". This vow launches the three Fossil sisters on their voyage, a journey that they travel individually as well as together, one that can only serve to inspire any young girl who watches the film.
On a personal note, I watched this film with my 8 year old daughter and 6 year old son. While my son fought to pay attention (not surprising), my daughter was riveted throughout the film. The appearance of `Hermoine' as a teen brought her into focus early on, and then the tale itself kept her eyes and ears wide open. She's asked repeatedly to watch Ballet Shoes again, which of course she has. My son, of course, is back to watching `his thing', Spiderman, Superman and The Adventures of the Galaxy Rangers...
Ballet Shoes, in a certain sense, is a long form faerie tale, and I recommend it with no reservations whatsoever as superb family viewing.

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Dreams do come true… Emma Watson (Hermione from Harry Potter) stars in Ballet Shoes, a heartwarming and uplifting film based on the beloved, best-selling novel by Noel Streatfeild and featuring an award-winning cast that includes Emilia Fox, Victoria Wood, Richard Griffiths and Eileen Atkins. "We three Fossils vow to put our name in the history book, because it is ours, and ours alone…" With these words, three orphans, raised as sisters, leave their sheltered lives and embark on an exhilarating journey that takes them to the heights of the stage, screen and sky! DVD EXTRAS: Exclusive 20-Minute Interview with Emma Watson Deleted Scenes, Ballet Shoes Audiobook Excerpt

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Thursday, August 11, 2011

Great Performances: Macbeth Review

Great Performances: Macbeth
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I just finished watching Rupert Goold's film of Macbeth, starring Patrick Stewart and Kate Fleetwood. As mentioned in the last post, I saw this production on Broadway and was eagerly awaiting the film version. Now I've seen a lot of great film Macbeths, including the Ian McKellen/Judi Dench version, the RSC film with Antony Sher, and Roman Polanski's. This film is the best Macbeth that you will ever see. In fact, scenes that I didn't find very effective on stage (Lady Macbeth's mad scene and and the long scene between Malcolm and Macduff) were very powerful in the movie. Patrick Stewart's performance is definitive. You can see every thought that passes through his mind. Kate Fleetwood's Lady Macbeth charted her fall into insanity with such clarity that when Macbeth is told that she has died, it's no surprise to him or the audience. You see that there was no other end to her story. The Weird Sisters, here played as Nurses who have gone over to the dark side, are truly frightening. There is no weak link in this cast, the directing is thrillingly original, and the production design is stunning. It easily could have been shown in movie theaters. This Macbeth is set during the Cold War of the 1950's, and doesn't shy away from the shocking violence of a dictatorship. Characters are brutally executed, and the murder of Lady Macduff and her children is greatly disturbing, even though you see almost nothing happen. And to top it all off, Rupert Goold has the film end with the camera panning from location to location throughout the castle (the dining room, the kitchen, the Weird Sisters' morgue) and then closes with a shot of Macbeth and his Lady in the elevator, hand in hand. So we end with the idea that Macbeth's castle isn't just drenched in blood. Now it's haunted.

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Following a London West End run in December 2007, a sold-out limited engagement at the Brooklyn Academy of Music in March 2008, and a subsequent eight-week run on Broadway, director Rupert Goold s gripping stage production of Macbeth starring Patrick Stewart in a triumphant, Tony-nominated performance will be filmed for television in a co-production agreement between WNET.ORG and Illuminations Television, in association with the BBC. Shot in High Definition on UK locations, Goold will maintain the atmosphere and tone of the critically acclaimed stage production.

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Saturday, March 19, 2011

Bastard Out of Carolina (1996) Review

Bastard Out of Carolina  (1996)
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Anjelica Huston's directorial debut is a stunning one. This film, based with loving care on Dorothy Allison's fine novel by screenwriter Anne Meredith, tells the story of a pre-teen girl growing up under horrific family surroundings in the 1950s American South.
Bone Boatwright, played with astounding sensitivity and guts by young actor Jena Malone, is subjected to unconscionable brutality and sexual abuse by her stapfather. Her mother, portrayed here by Jennifer Jason Leigh, is in deep denial of what is happening to her child, unable or unwilling to see what is occuring under her roof -- partly afraid of losing her husband, partly due to psychological trauma she most likely received when she was a child. This pattern of behavior is usually circular in nature -- victims many times become perpetrators or enablers when they become adults. Only intensive counseling and a deep determination on the part of the survivor can break this horrible chain.
Jena Malone turns in the performance of a lifetime -- and from one so young! If she can do this level of work at this age, what will she be capable of as her career continues? The entire cast is well-chosen -- this was a project about which they obviously cared very deeply. The performances they give here attest to that.
Meredith's screenplay is excellent -- very true to Allison's novel. Some parts were necessarily left out for considerations of film length -- the important thing is that Meredith was intelligent and respectful enough of Allison's work that she wisely chose not to add any elements on her own. Too many screenwriters make that mistake -- it's refreshing to see such a quality screenplay for such an important work as this.
Anjelica Huston must have been extremely moved by Allison's novel (an amazing book -- check it out) to have taken on a project such as this, one that she most likely knew would not be a box office smash. She shows great sensitivity to the material here -- there are some scenes that are necessarily brutal in nature, and they are filmed with both truth and dignity. This is an ugly story -- thank God she chose not to show it through rose-colored glasses. The more fine films on this subject are seen, the greater our chances as a people of understanding this shameful problem in our society. The more it is discussed and brought into the light of day, the fewer places there will remain for the perpetrators to hide. Those who don't believe things like this still occur are fooling themselves -- statistics show that over 70% of children in America are sexually abused in some degree. Think about that the next time you pass a school or a playground full of children, who have the right to be leading lives untouched by these predators.
I've read that Ted Turner originally commissioned this film, but when it was done refused to show it on his cable network. Too bad he lacked the courage to do the right thing -- and kudos to Showtime for stepping up to the plate and taking over. This is an outstanding film on a heartbreaking but vital topic -- and one that should be seen by more people. Heartfelt thanks to Anjelica Huston, and to everyone involved in bringing this wonderful novel to the screen.

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