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(More customer reviews)Anjelica Huston's directorial debut is a stunning one. This film, based with loving care on Dorothy Allison's fine novel by screenwriter Anne Meredith, tells the story of a pre-teen girl growing up under horrific family surroundings in the 1950s American South.
Bone Boatwright, played with astounding sensitivity and guts by young actor Jena Malone, is subjected to unconscionable brutality and sexual abuse by her stapfather. Her mother, portrayed here by Jennifer Jason Leigh, is in deep denial of what is happening to her child, unable or unwilling to see what is occuring under her roof -- partly afraid of losing her husband, partly due to psychological trauma she most likely received when she was a child. This pattern of behavior is usually circular in nature -- victims many times become perpetrators or enablers when they become adults. Only intensive counseling and a deep determination on the part of the survivor can break this horrible chain.
Jena Malone turns in the performance of a lifetime -- and from one so young! If she can do this level of work at this age, what will she be capable of as her career continues? The entire cast is well-chosen -- this was a project about which they obviously cared very deeply. The performances they give here attest to that.
Meredith's screenplay is excellent -- very true to Allison's novel. Some parts were necessarily left out for considerations of film length -- the important thing is that Meredith was intelligent and respectful enough of Allison's work that she wisely chose not to add any elements on her own. Too many screenwriters make that mistake -- it's refreshing to see such a quality screenplay for such an important work as this.
Anjelica Huston must have been extremely moved by Allison's novel (an amazing book -- check it out) to have taken on a project such as this, one that she most likely knew would not be a box office smash. She shows great sensitivity to the material here -- there are some scenes that are necessarily brutal in nature, and they are filmed with both truth and dignity. This is an ugly story -- thank God she chose not to show it through rose-colored glasses. The more fine films on this subject are seen, the greater our chances as a people of understanding this shameful problem in our society. The more it is discussed and brought into the light of day, the fewer places there will remain for the perpetrators to hide. Those who don't believe things like this still occur are fooling themselves -- statistics show that over 70% of children in America are sexually abused in some degree. Think about that the next time you pass a school or a playground full of children, who have the right to be leading lives untouched by these predators.
I've read that Ted Turner originally commissioned this film, but when it was done refused to show it on his cable network. Too bad he lacked the courage to do the right thing -- and kudos to Showtime for stepping up to the plate and taking over. This is an outstanding film on a heartbreaking but vital topic -- and one that should be seen by more people. Heartfelt thanks to Anjelica Huston, and to everyone involved in bringing this wonderful novel to the screen.
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