Mongol: The Rise of Genghis Khan (2007) Review

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(More customer reviews)...but considering the minimal budget (20 million dollars American) and the genuine Mongolian (some areas so isolated that new roads had to be built to get the film crews there) locations filmed, this was a fantastic movie that was well-paced for an introduction to the life of Temudjin, who would become the Genghis Khan.
Despite the low budget, nothing in the movie looks cheaply filmed; everything looks like that of a big budget film six times more expensive, from costumes to makeup (and the craggly dirt buildup on Temudjin during his time in captivity). I don't speak Mongolian, so I can't tell whether the accents spoken are accurately Mongolian, but for an American audience, it was great for authenticity (rather than having them speak Russian or Kazakh).The movie excels in two particular aspects which really make this one more than just a casual ancient-world flick; the battles and the people.While Genghis Khan is demonized in the West as a barbarous conqueror, he is seen like a hero in the East, and this movie serves to show him as both and neither, making him more than just black or white, but a fully fleshed out person with ambitions to uniting all the Mongol tribes as one beneath him. He is utterly believable as a human being, fallible, and seemingly very much driven by his love for his wife and children, whom he nevertheless must leave constantly to fulfill his dream.
There is also Jamukha, who manages to be both a piggish, slothy figure, and a noble, loyal friend to Temudjin, when their dreams conflict and they become enemies, with a very painful and realistic portrayal of just why Jamukha would betray Temudjin, and his lack of joy in facing his opponent on a field of battle.Then there's the battles. As any Ancient/Medieval war movie to be expected, it is bloody. My only annoyances in a puritanic-historian way were the suits of armor, which seemed not to be made of much metal as they would have been in Mongolian times.
Another minor thing that becomes a little excessive, and arguably rather like a recurring joke is shots of blood, showing them being spilled in thousands of thick drops rather than in fountains or bursts of liquid.The final battle sequence manages to both utilize the Mongolian expertise in archery and cavalry and innovate with something both insanely risky and never before seen in Medieval battle depictions. Likely seen in the trailer, as Jamukha sends the bulk of his cavalry force at Temudjin's center, he unleashes a very small number of thickly armored cavalry, armed with double curves swords, which then rush through the enemy cavalry, using the swords to slash at the enemy's sides like Scythed Chariots.
The armored cavalry is a kamikaze force, as after brutalizing the enemy cavalry, Temudjin has his archers unleash a flood of arrows on the force, killing the cavalry on both sides down to a man.Overall a great movie, which doesn't sacrifice the macro-story of Genghis Khan and his dream of a Mongol empire for the micro-story of Temudjin's love life. Of which I wrote virtually nothing about.

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Lark Rise to Candleford: The Complete Season Two Review

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(More customer reviews)Lark Rise to Candleford: The Complete Season One is a charming series that tackles myriad themes, and is adapted from Flora Thompson's semi-autobiographical novel. In the first season, young Laura Timmins (Olivis Hallinan) leaves her village of Lark Rise to work as an assistant to the postmistress in Candleford, Dorcas Lane (Julia Sawalha who was also brilliant in her role as Lydia Bennet in Pride and Prejudice - The Special Edition (A&E, 1996)). Through the course of the first season, Laura discovers that she enjoys living in the more affluent town of Candleford, and experiences the pangs of adolescence, including romantic entanglements. Dorcas Lane, the kind-hearted and sensible postmistress also goes through some pangs of her own, largely to do with her friendship with squire, Sir Timothy Midwinter (Ben Miles) who is married to the beautiful and composed Lady Adelaide (Olivia Grant). In the first season, viewers got to see the themes of marital strife, conflicts between the upper and lower classes, romantic entanglements, and other issues played out.
By the second season, both Sir Timothy and Lady Adelaide have moved to London, but there is still plenty of drama in Dorcas' life with the arrival of James Dowland (Jason Merrells), a former inhabitant of Lark Rise, a local boy who has done well in life. Being a self-made and wealthy man, James settles in Candleford, though he reacquaints himself with the residents of Lark Rise, especially Queenie Turrill (Linda Bassett) who used to take care of him as a young boy. James opens a fashionable hotel in Candleford, and tries to 'improve' the lives of the Lark Rise residents with mixed results. There is also a strong chemistry between James and Dorcas, though their relationship flounders between attraction and rivalry/conflict. Laura seems more mature and wiser, having learned a couple of enlightening things about the pitfalls of romance, and is taking on more responsibilities at the post office. But then, a young clockmaker, Fisher Bloom (Matthew McNulty) comes to town, and Laura finds herself attracted to Fisher, though he seems oblivious to her charms, initially. Laura's parents, Robert and Emma Timmins (Brendan Coyle & Claudie Blakley) who have always been a very close and loving couple find themselves facing some marital strife in their marriage, and this second season takes an intimate look at their dynamics as a couple.
There is also plenty of drama amongst the other inhabitants of Lark Rise & Candleford - the sisters Pearl and Ruby Pratt (Matilda Ziegler, Victoria Hamilton) who have a dressmaking/drapery store continue to pry into others' affairs whilst dealing with their own emotional dramas. Postman Thomas Brown's (Mark Heap)romantic (mis)adventures continue, and many more. This is truly a gem of a series, and I am hopelessly addicted to it. Each episode is well-crafted and credibly acted, drawing viewers into the lives of these mostly endearing & flawed characters, and making one feel at home in both Lark Rise and Candleford.For those who love period dramas, there's some wonderful productions (these are some of my favorites) to check out:
Cranford: The Collection (Cranford / Return to Cranford)
Pride and Prejudice - The Special Edition (A&E, 1996)
Pride and Prejudice (BBC, 1980)
Daniel Deronda
Anne of Green Gables Trilogy Box Set
Road to Avonlea Season 1 and others in the series
Wives and Daughters
The Buccaneers

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The residents of Lark Rise and Candleford return for a second season of heart-warming adventures in this critically acclaimed adaptation of Flora Thompson's novels. The second season sees the arrival of a dashing and elegant stranger in Candleford. Rich, enterprising worldly, and without a wife, James Dowland is a successful businessman with a string of London hotels and has come to transform Candleford and bring it new prosperity. But not everyone welcomes his entrepreneurial efforts and it isn't long before he is sparring with thespirited yet suddenly flustered Dorcas and aggravating the pride of the male Lark Risers with his superior business acumen and somewhat overbearing manner.

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Great Performances: Macbeth Review

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(More customer reviews)I just finished watching Rupert Goold's film of Macbeth, starring Patrick Stewart and Kate Fleetwood. As mentioned in the last post, I saw this production on Broadway and was eagerly awaiting the film version. Now I've seen a lot of great film Macbeths, including the Ian McKellen/Judi Dench version, the RSC film with Antony Sher, and Roman Polanski's. This film is the best Macbeth that you will ever see. In fact, scenes that I didn't find very effective on stage (Lady Macbeth's mad scene and and the long scene between Malcolm and Macduff) were very powerful in the movie. Patrick Stewart's performance is definitive. You can see every thought that passes through his mind. Kate Fleetwood's Lady Macbeth charted her fall into insanity with such clarity that when Macbeth is told that she has died, it's no surprise to him or the audience. You see that there was no other end to her story. The Weird Sisters, here played as Nurses who have gone over to the dark side, are truly frightening. There is no weak link in this cast, the directing is thrillingly original, and the production design is stunning. It easily could have been shown in movie theaters. This Macbeth is set during the Cold War of the 1950's, and doesn't shy away from the shocking violence of a dictatorship. Characters are brutally executed, and the murder of Lady Macduff and her children is greatly disturbing, even though you see almost nothing happen. And to top it all off, Rupert Goold has the film end with the camera panning from location to location throughout the castle (the dining room, the kitchen, the Weird Sisters' morgue) and then closes with a shot of Macbeth and his Lady in the elevator, hand in hand. So we end with the idea that Macbeth's castle isn't just drenched in blood. Now it's haunted.

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Following a London West End run in December 2007, a sold-out limited engagement at the Brooklyn Academy of Music in March 2008, and a subsequent eight-week run on Broadway, director Rupert Goold s gripping stage production of Macbeth starring Patrick Stewart in a triumphant, Tony-nominated performance will be filmed for television in a co-production agreement between WNET.ORG and Illuminations Television, in association with the BBC. Shot in High Definition on UK locations, Goold will maintain the atmosphere and tone of the critically acclaimed stage production.

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North & South (2005) Review

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(More customer reviews)"North & South" was released in the UK in November 2004 and in the US in July 2005. Since its first broadcast, viewers across the globe have hailed it as one of the best - if not the best - British period miniseries ever produced. It was voted BBC's "Best of 2004" in drama, actor and actress categories, among others.
Many in the US will probably confuse Elizabeth Gaskell's "North & South" to John Jake's civil war drama of the same name. While Jake's tells the story of America's north and south, Gaskell's story is rooted in Victorian England. John Thornton, a handsome, stern, passionate manufacturer from Milton represents the north. Margaret Hale, an outspoken, beautiful and spirited young woman from Helstone represents the south. When the Hales move from the idyllic village of Helstone to the bustling, industrial city of Milton, Margaret and Thornton's lives collide.
John Thornton is instantly attracted to Margaret while she is repulsed by his haughty demeanor and the way he treats his employees. She develops a disdain for the wealthy 'masters' (manufacturers) and strikes a friendship with the daughter of the local union leader, much to Thornton's dismay. As Margaret becomes better acquainted with Mr. Thornton, she gradually comes to admire him. She discovers that he is hardworking, a devoted brother and son, generous and kind to Margaret's parents, and is loyal and honorable. However, when the workers in Milton strike, the turn of events that follow drive a wedge between Margaret and Thornton and eventually threaten to pull them apart.
"North & South" is produced by the excellent BBC and the screenplay was written by Sandy Welch, who also penned the outstanding "Our Mutual Friend." Everything you would expect from a topnotch BBC production is here - locations, sets, costumes, casting, direction, cinematography. The story is an adaptation of Elizabeth Gaskell's little known but well loved 19th century novel. Mrs. Gaskell also wrote "Wives & Daughters" which was turned to another superb miniseries starring Justine Waddell, Keeley Hawes and Francesca Annis in 1999.
I would be very remiss in writing a review for this miniseries without applauding the exemplary cast. The little known Richard Armitage has earned a throng of fans overnight because of his unforgettable portrayal of John Thornton. He has since replaced Pride & Prejudice's Colin Firth as my favorite brooding hero and infuses so much passion and charisma into his role. Daniela Denby-Ashe is wonderful and charming as Margaret Hale. Also excellent are Brendan Coyle as the gruff but good-hearted Nicholas Higgins, Sinead Cusack as John Thornton's haughty but devoted mother, Joy Joyner as the funny and superficial Fanny Thornton, Lesley Manville as Mrs. Hale and Tim Piggot-Smith as Mr. Hale.
"North & South" has since replaced 1995's "Pride & Prejudice" as my favorite miniseries. It tugs at the heart and sweeps the viewer off their feet. The relationships that develop between its main characters (notably, Thornton and Margaret; Thornton and Higgins; Margaret and Bessy Higgins) and the journey that Margaret and Thornton go through are truly unforgettable. In fact, you will wish that the ending didn't come so soon!
"North and South" went through a sad process of editing when BBC America aired it in July 2005. A full hour was cut from the miniseries to make room for commercials. Finally, with this dvd release US viewers now have a chance to see this instant classic as it was meant to be seen - with a 233 minute running time and with all the scenes intact. The dvd also includes a delightful interview with Richard Armitage, a handful of deleted scenes (including an extended 'proposal' scene), commentaries and cast biographies.
If you are an anglophile or a fan of high-quality period drama, you owe it to yourself to see "North & South." Fans of "Pride & Prejudice," "Wives & Daughters," "Middlemarch," Dickens / Austen adaptations and the like should not miss this. I have no doubt that most of you will fall in love with this miniseries as many of us have. Everyone whom I have recommended this miniseries to have at least liked it (and at most, are completely obsessed with it). This dvd is a keeper and deserves a place in any period drama fan's dvd collection.

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Masterpiece Classic: Downton Abbey (Original UK Unedited Edition) Review

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(More customer reviews)Julian Fellowes has mined his script for Gosford Park, and took a few cues from the beloved 1970s series Upstairs, Downstairs - Collector's Edition Megaset (The Complete Series plus Thomas and Sarah), to create Downton Abbey, a stunning and colorful drama set around the aristocratic Crawley family and the staff which serves them. Set between 1912 and 1914, Downton Abbey chronicles the conflict of class, gender, and politics, and serves it up with a refreshing dollop of sizzle and scandal. Hugh Bonneville, Elizabeth McGovern, and Dame Maggie Smith (as Robert, Earl of Grantham, Cora, Countess of Grantham, and Violet, Dowager Countess of Grantham, respectively) are knock outs, but the rest of the cast are no slouches either, with the stunning Michelle Dockery at the forefront as Lady Mary Crawley, who is the selfish, proud, and vindictive eldest daughter you can't help but like. The actors and the stunning interiors of Highclere Castle, home to the Earls of Carnarvon, give Downton Abbey a glossy, sophisticated sheen, even when the script's twists and turns can be a bit of a let-down. Nevertheless, the drama is engrossing and invigorating, and a worthy addition to the collection of any period drama aficionado--and anyone who likes good drama, period!

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Downton Abbey -- a sprawling, lavish Edwardian mansion nestled in the Yorkshire landscape -- needs an heir. Dame Maggy Smith stars as Violet, the stubborn Dowager Countess of Grantham matriarch of Downton. Hugh Bonneville stars as her son, the stoic, unflapple Lord Crawley. Elizabeth McGovern is his far-sighted American wife, Cora. From Academy Award-winner Julian Fellowes. This is the original un-edited UK version of the program.

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