Showing posts with label spanish. Show all posts
Showing posts with label spanish. Show all posts

Tuesday, December 11, 2012

Rubi (2004) Review

Rubi (2004)
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Rubi was amazing on DVD. I have to admit I was a little iffy whether I should buy it because I have purchased other Novelas on DVD and didn't like them. I'm the first to admit, I was wrong. It has the whole show on it and it's not all chopped up either. It even has some extra footage and an alternative ending. I would strongly suggest this to any Rubi fan. The show was great and the DVD dosen't come far behind.

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Rubi is an ambitious young woman, who all her life wanted to become rich. She studies in a private university, where she meets sweet and rich Maribel, and becomes her friend. Rubi is the only friend of Maribel, who doesn’t know that she wants to be her friend only because of her money. When Hector, a young and handsome architect with whom Maribel had been chatting on the Internet arrives at Mexico, Rubi meets his friend, Alejandro. Alejandro and Rubi immediately fall in love. Hector proposes to Maribel and she accepts. When Rubi finds out that Alejandro isn’t rich as she thought, she decides to break up with him and do everything in order to marry rich Hector, and finally get the life she always dreamed of.

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Monday, July 16, 2012

Broken Embraces (2009) Review

Broken Embraces (2009)
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In "Broken Embraces", Pedro Almodovar rehashes a lot of themes and devices from his earlier films to create a pastiche that is pleasant enough but not as strong as his more daring and original works. Harry Caine (Lluis Homar) is a blind screenwriter who had been film director Mateo Blanco before he lost his sight. Now he dictates screenplays to his assistant Diego (Tamar Novas), the son of his longtime manager Judit (Blanco Portillo), who wishes Harry would write scripts for more popular genres. One day as aspiring filmmaker (Ruben Ochandiano) proposes that Harry collaborate on a script about a son who avenges himself on his detested father posthumously. That inspires Harry to tell Diego the story of how he fell in love and lost his sight 14 years earlier, a subject of which he has not spoken in all those years.
In 1994, Harry met Lena (Penelope Cruz), the beautiful mistress of financier Ernesto Martel (Jose Luis Gomez), when he directed her in her first film, a comedy called "Girls and Suitcases". They fell in love and incurred Ernesto's wrath. The film shifts back and forth, between 1994 and 2008, as Diego takes in the story, and Judit grows wary of what Harry might tell him. Harry and Lena's affair is deliberately clichéd, but I waited for Almodovar to give it his unique spin. Unfortunately, it never quite delivers. Lena seems more an object than a fully realized character, which might be fitting, as she is in Harry's memory. But as a main character, she is underwritten. Jose Luis Gomez is perfect as a man in the grip of obsession for Lena, so much so that I wish Ernesto had a more prominent role.
Sometimes Pedro Almodovar has a stroke of brilliance. And sometimes he seems to make movies because he likes making movies, even if he doesn't have anything fresh to contribute. I've seen too much of "Broken Embraces" in his other films, and it just never engages the audience. Harry and Lena's love has no spark. I could see the "surprises" coming a mile away. Some actions seem to lack motivation. Penelope Cruz is luminous. There's never any doubt as to why she's a movie star in Almodovar's films. Jose Luis Gomez is very good, and so Blanco Portillo would be if the writing for her character were a little better. I think those familiar with Almodovar's work are going to find this one stale. But I can't really recommend it to those new to Almodovar, as you would be better off seeing the great "All About My Mother" (1999) or, if you want noir, the labyrinthine noir homage/spoof "Bad Education" (2004). In Spanish with optional subtitles.
The DVD (Sony 2010): Bonus features include 3 deleted scenes, a theatrical trailer (2 min), and 4 featurettes. "The Cannibalistic Councillor" (7 min) is a scene from the fictional "Girls and Suitcases" movie, in which Chon, a woman of conservative politics and Councillor of Social Affairs, goes on about her sexual obsession and foot fetish. This is pure, hilarious Almodovar and not to be missed. There is another scene from the fictional movie among the deleted scenes. "Pedro Directs Penelope" (6 min, English subtitles) shows us what Almodovar is saying offscreen while two actresses play a scene. "On the Red Carpet: The New York Film Festival Closing Night" (3 min) has a few brief interviews. "Variety Q&A with Penelope Cruz" (6 min) is an interview of Cruz by Todd McCarthy. Subtitles are available for the film in English and French. Dubbing available in French.

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A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.

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Tuesday, June 5, 2012

Cuidado Con El Angel (2008) Review

Cuidado Con El Angel (2008)
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Yeah, there's a few telenovelas out there. But they don't seem to be very well packaged or distributed. This year, it looks like that's going to change. I don't know why or how, but Cuidado Con El Angel has taken off like a rocket. It's talked about in the same breath as shows like Desperate Houswives or Lost. Think about it. It's not marketed to the general public. It's a household name in Hispanic/latin-american communities, but it went rogue and caught the attention of an audience who had never before paid attention to those sorts of shows before. Just like back in 1999 when Latin-American music artists came into vogue, I think 2010 will bring us another Latin explosion -- this time of soap opera stars. Something fun to watch out for.
3 January 2010 (after having watched the DVDs)
CAVEAT EMPTOR: UTTERLY DISEMBOWELED SERIES
Disemboweled. Dessicated. Dissembled. Deteriorated. Disintegrated. Disjointed. Disfigured. Discordant.
Joyless. Juiceless. Jejune.
I have been completely cheated by this DVD set. HANG ON TO YOUR VHS TAPES OR DV-Rs BECAUSE HOURS OF PLOT HAVE BEEN CUT OUT WITH A DULL BUTTER KNIFE.
An appalling offering.

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CUIDADO CON EL ANGEL - DVD Movie

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Tuesday, November 15, 2011

Sin Nombre (2009) Review

Sin Nombre (2009)
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"Sin Nombre" is a fantastic debut for Cary Joji Fukunaga - an epic about all the harrowing obstacles that illegal immigrants from Central America face before they ever even reach the U.S. border, if they even make it that far. You can appreciate this movie whatever your politics because it's refreshingly free of preaching and lectures and messages. I'm against illegal immigration but I still got caught up in it on an emotional level. Fukunaga simply presents a straightforward story concerning Sayra, a Honduran girl about 15 y/o and Willy, a Mexican boy a little older, maybe 17 y/o. The viewer is left to draw his or her own personal conclusions regarding the Big Picture of illegal immigration and Third World poverty and colonialism and imperialism and exploitation and economics and gangs and so on. I can remember seeing a TV newsmagazine segment a few years ago on how these migrants cross Mexico on the tops of cargo trains. Not inside the boxcars, but clinging to the tops of the cars. Apparently, the interiors of the cars are too dangerous because of bandits and/or rapists and murderers - both free-lance thugs and organized gangsters. At any rate, the whole scene is totally lawless. Anybody who attempts this journey is taking their life into their own hands. They're beset upon by not only the aforementioned bandits, but also the Mexican authorities, who seem entirely unsympathetic, to put it mildly. At the time I thought: "What a great premise for a movie!" Seems like Mr. Fukunaga agreed.
I think the trailer gives away too much already, so I'll try to be careful what I say here. Willy is a member of Mara Salvatrucha and Sayra is making her way North when their paths intersect atop a train. Willy makes a moment-of-truth decision that permanently and irrevocably disrupts his life and suddenly binds the wide-eyed Sayra to his side from that instant on. Then the chase is on and it's a great one.
This movie is not only extremely graphic, but also very true-to-life and thoroughly realistic. For example, there's a scene where an unarmed Willy is being hunted by two gunmen and I figured he would simply turn the tables on them and get their guns. After all, Sylvester Stallone would just laugh if it was a mere two killers after him, right? Sylvester would then easily kill them both bare-handed in a few seconds, right? Even with his eyes closed if he wanted to. But then I realized that Willy without his own gun and without his gang was just a scared boy running for his life like a rabbit. At that point, I realized just how good this movie was and I really got into it.
Fukunaga gets uniformly fine low-key and histrionics-free performances out of his entire cast. Not a single weak link among all of them. The two leads are obvious standouts but there's a lot of superb work by the other actors. Lil' Mago is absolutely terrifying; a figure straight out of a nightmare but still seeming human. Martha Marlene is funny and very touching when we realize what her fate is going to be. Smiley is right on the money - a great peformance by a child actor. Scarface reminds us that not all of the Mara Salvatrucha are kids; some of them actually survive into their 30's and 40's and so on. I think the guy playing El Sol gets somewhat overlooked. His character doesn't have Lil' Mago's eerie appearance but he manages to be every bit as scary just the same.
Also, Mr. Fukunaga clearly knows his Shakespeare. Willy has two different relationships that both echo "Romeo and Juliet" and there's a scene at the end that's a modern version of "Et tu, Brute?" from "Julius Caesar". But what I like most about him is his obstinacy. He was given a Sundance Studios green light to make a film and he came up with a Spanish language epic made in Mexico with an all-Hispanic cast. Not a single gringo in sight, but don't let the sub-titles discourage you from experiencing a top-notch, extremely well-made, deeply moving film. Go see it and buy the DVD when it comes out - it's that good.

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Seeking the promise of America, a beautiful young woman, Sayra (Paulina Gaitan), joins her father on an odyssey to cross the gauntlet of the Latin American countryside. Along the way, she crosses paths with a teenaged Mexican gang member, El Casper (Edgar M. Flores), who is maneuvering to outrun his violent past. Together they have to rely on faith, trust and street smarts if they are to survive their increasingly perilous journey towards the hope of new lives.

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Monday, October 10, 2011

The Orphanage (2008) Review

The Orphanage (2008)
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O.K. first of all I have to say that there were plenty of great reviews for this film on other websites, some calling it one of the best horror films of the year and scariest film ever and blah, blah etc. So was this film worth all the hype? I would definitely say yes!. The Orphanage is the latest supernatural thriller/horror film from Spain, its a slick and quietly chilling piece of work blending traditional scares with modern touches. The way this film works is that it manages to get under your skin and makes you think about it for a while after its ended, the ending was quite moving, sad and horrifying at the same time. The film also had a great storyline which tells a great ghost story that was very original and it was beautifully directed by Juan Antonio Bayona which also happens to be his directorial debut and in my honest opinion he did a wonderful job, the film was also produced by Guillermo Del Toro so you can see how influential his films were to The Orphanage so if you liked Pan's Labyrinth or any classic haunted house films like The changeling, Burnt Offerings and The Haunting then your going to love this.
The acting was phenomenal especially from Belen Rueda as Laura who was very distraught but still strong as the mother looking for her missing son and she showed a wide range of emotions its no wonder that she won several awards for her performance in this film. The plot deals with a woman named Laura (Belen Rueda) who purchases her beloved childhood orphanage with dreams of restoring and reopening the long abandoned facility as a place for disabled children. Once there she discovers that the new environment awakens her son's imagination but the ongoing fantasy games he plays with an invisible friend quickly turn into something more disturbing, check out the knock on wood game the kids play during the beginning then the following similar scene that happens during the course of the film that has got to be one of the scariest scenes I've ever seen and once you've seen the film then you'll understand why I'll just leave it at that, I never thought that a kids game could be so damn scary I thought it was very clever. Laura's son Simon also happens to have a fatal illness he seems to be HIV positive and frequently requires some medication, his actions later on begins to worry his mother his erratic behavior and the fact that he seems to have more imaginary friends becomes even more bizarre and at one point during a party with the disabled kids he vanishes and Laura is simultaneously attacked by a mysterious child in a sack mask, she imediately suspects Simon's 'new friends' and to make matters worse Simon needs his medication before its too late. Laura becomes frightened and increasingly more paranoid as it is very hard for her to explain these things to people especially her husband Carlos played by Fernando Cayo and she even brings in a medium to find out where her son disappeared to.
The film had some great drama as well as some nice intense moments and the use of locations in this film was terrific, first of all you have the huge and creepy mansion thats been used many times in these type of films but was still quite effective then theres this cave near the beach as well as others so the film uses different locations utilising some great cinematography. The director has fantastic use of mood and setting as the ghosts are used to creep out the viewer and doesn't have to get messy doing it which is something that Hollywood needs to learn when making a horror film, it doesn't have any gore but there is a horrific car accident and plenty of scares which catches you off guard like the Knock on wood game and it has a very ominous and eerie setting that was very well shot and the characters are very well developed and I'm not going to over analyze the characters cause I've noticed that other reviewers have done that already I'm the type of person who enjoys a film without questioning what the main character's motivations are or why they did this particular thing in the first place unless it was a dumb blockbuster and besides I'm not a snobby critic ;-).Anyway The Orphanage is a very unique Spanish horror film and one of the best I have ever seen, an entertaining and great horror film thats guaranteed to keep you on the edge of your seat and I highly recommend this so what are you waiting for GO WATCH THIS NOW!.

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Academy-Award nominated filmmaker Guillermo Del Toro (director of Pan's Labyrinth) presents The Orphanage, a chilling ghost story about a woman who discovers dark and horrific secrets hidden within her cherished childhood home and her desperate attempt to rescue her family from the nightmare into which she unwittingly led them.

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