Damages: The Complete First Season Review

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(More customer reviews)One of the biggest treats of the 2007 television season was "Damages," a wicked and wonderful legal thriller from FX. Headlined by Glenn Close, I expected to enjoy this show--but I wasn't prepared for the level of sophistication, complexity, and intelligence it offered up from its first twisty, and twisted, moments. Made for adults, this drama demands attention and may not be for the casual viewer. With its intricate plotting and structure, the story is told from different time periods interwoven throughout each episode. Essentially, snippets of the story are presented in each time frame, so the audience is left to speculate about the full truth in any given instance. However, as the season progresses, the pieces start to connect in unexpected ways that can both surprise and frustrate. I'd compare the narrative flow of "Damages" to that of a fine novel--telling you just enough so that you are tantalized to stick around for the next chapter.
The plot of "Damages" is a knotty web that is difficult to describe briefly. Ostensibly, the show revolves around a naive young lawyer played by Rose Byrne. The opening scenes show a bedraggled and bloodied Byrne stumbling down the streets of New York--apparently the victim (or perhaps the perpetrator) of an act of violence. Cut to six months earlier and a proper introduction is made. Byrne is seduced and recruited by a major law firm run by Glenn Close. Close seems to have a hidden agenda, but Byrne is quickly overcome by the trappings of success and acceptance. The firm is handling an enormous class action lawsuit against one of the town's most prominent businessmen, played by Ted Danson, and Byrne ends up squarely in the midst of much legal intrigue. What follows includes lying, blackmail, corruption, and even murder--no one in this story remains an innocent.
While I actually think the plot is the real star of "Damages" (I don't think I've ever said that about a TV show before)--it certainly doesn't hurt that the cast is uniformly excellent. Don't be surprised if you see Close front and center come awards time. Her thinly veiled menace and cutting remarks make for classic villainy, but Close pulls it off in a way that you can't help but love! Byrne and all the key supporting players are solid and believable. I particularly liked Zeljko Ivanek and Peter Facinelli, but the real revelation to me was Ted Danson. Honestly, I've followed Danson since he was a bit player in "Body Heat" and I think this is by far his best role. Mixing equal parts charm and bile, this is a great actor in a beautifully written role.
Again, I don't recommend "Damages" to everyone--I only wish I could! If, however, you love sophisticated drama--give this a shot. The DVD format is the perfect way to watch this show at your own pace and enjoy all its subtleties, surprises, and delights. But, be reminded, if you sit down to watch this show--WATCH IT! Otherwise, you might not appreciate how intricately put together "Damages" really is. KGHarris, 12/07.

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Hot new legal thriller on FX! Set in New York's world of high stakes litigation, Damages follows the lives of Patty Hewes, the nation's most revered and most reviled litigator, and her bright, ambitious protégée Ellen Parsons as they become embroiled in a class action lawsuit targeting Arthur Frobisher, one of the country's wealthiest CEOs. As Patty battles Frobisher and his attorney, Ellen learns what it takes to win at all costs, and that lives, not just fortunes, are at stake.

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Across the Universe (Two-Disc Special Edition) (2007) Review

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(More customer reviews)Julie Taymor once again uses her considerable innovative magic to create a film that not only is mesmerizingly beautiful to watch, but also a 'semi-documentary' about the world changes that occurred in the late 1960s and early 1970s as young people for the first time spoke out against the war in Vietnam, the death of Martin Luther King, and the senseless mayhem that extended from the battlefields of Vietnam to the streets of America, all set to the significant, timely music of the Beatles. It sounds like an impossible juxtaposition of themes and ideas, but in Taymor's hands it succeeds.
Opening in Liverpool, England (where the Beatles began their impact on music and thought) we met Jude (Jim Sturgess), a working class boy with the gifts of an artist who decides to set off on a sea journey to meet the father he has never known. Once in New York he meets Max (Joe Anderson) and Lucy (Evan Rachel Wood) who represent the wealthy class, but who both show roots of rebellion against the comfortable norm and an objection to the war that is festering like an abscess in the rice paddies of Vietnam. Jude meets his janitor father in a union that is anticlimactic, and in disappointment he falls in with Max, living the artists' life in the Village with free-wheeling singer Sadie (Dana Fuchs), her beau/guitarist JoJo (Martin Luther) and their newest tenant Prudence (T.V. Carpio), an Asian girl trying to find her place in a confusing world. The group eventually bond with music and rebellion mixed with free love and the passion that they can make a difference, while around them racial crises are at a peak and the draft tags many of the young men (including Max) for the war they cannot condone. From all of this turmoil the story builds to a climax leading to some very touching scenes that convey the spirit of the times and the overriding importance of love and understanding in a world torn apart by political and racial crises.
The cast is strong with each of the actors singing their own versions of various Beatle songs very well (the division between singing and spoken dialect favors the former). But the real magic comes from Julie Taymor's mixture of hallucinogenic visuals, wonderfully choreographed crowd scenes, and ingenious movement from reality scenes displayed on the television to the reactive scenes of the world as viewed through the eyes of the youths and the lyrics of the songs. It is at once touching in its ability to recreate a particular period of history and wholly entertaining in the inventive use of music/dance/visual effects/drama. This film is important now and will only increase in stature as a document of that troubled but exciting time in the history of the world. We can only wonder why the youth of today are not responding to the Iraq War in a like manner, or, more uncomfortable to consider, why we, now as adults, can't muster the same degree of distress about the myriad traumas that are still happening 'Across the Universe'. Grady Harp, April 08

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Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)

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The Orphanage (2008) Review

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(More customer reviews)O.K. first of all I have to say that there were plenty of great reviews for this film on other websites, some calling it one of the best horror films of the year and scariest film ever and blah, blah etc. So was this film worth all the hype? I would definitely say yes!. The Orphanage is the latest supernatural thriller/horror film from Spain, its a slick and quietly chilling piece of work blending traditional scares with modern touches. The way this film works is that it manages to get under your skin and makes you think about it for a while after its ended, the ending was quite moving, sad and horrifying at the same time. The film also had a great storyline which tells a great ghost story that was very original and it was beautifully directed by Juan Antonio Bayona which also happens to be his directorial debut and in my honest opinion he did a wonderful job, the film was also produced by Guillermo Del Toro so you can see how influential his films were to The Orphanage so if you liked Pan's Labyrinth or any classic haunted house films like The changeling, Burnt Offerings and The Haunting then your going to love this.
The acting was phenomenal especially from Belen Rueda as Laura who was very distraught but still strong as the mother looking for her missing son and she showed a wide range of emotions its no wonder that she won several awards for her performance in this film. The plot deals with a woman named Laura (Belen Rueda) who purchases her beloved childhood orphanage with dreams of restoring and reopening the long abandoned facility as a place for disabled children. Once there she discovers that the new environment awakens her son's imagination but the ongoing fantasy games he plays with an invisible friend quickly turn into something more disturbing, check out the knock on wood game the kids play during the beginning then the following similar scene that happens during the course of the film that has got to be one of the scariest scenes I've ever seen and once you've seen the film then you'll understand why I'll just leave it at that, I never thought that a kids game could be so damn scary I thought it was very clever. Laura's son Simon also happens to have a fatal illness he seems to be HIV positive and frequently requires some medication, his actions later on begins to worry his mother his erratic behavior and the fact that he seems to have more imaginary friends becomes even more bizarre and at one point during a party with the disabled kids he vanishes and Laura is simultaneously attacked by a mysterious child in a sack mask, she imediately suspects Simon's 'new friends' and to make matters worse Simon needs his medication before its too late. Laura becomes frightened and increasingly more paranoid as it is very hard for her to explain these things to people especially her husband Carlos played by Fernando Cayo and she even brings in a medium to find out where her son disappeared to.
The film had some great drama as well as some nice intense moments and the use of locations in this film was terrific, first of all you have the huge and creepy mansion thats been used many times in these type of films but was still quite effective then theres this cave near the beach as well as others so the film uses different locations utilising some great cinematography. The director has fantastic use of mood and setting as the ghosts are used to creep out the viewer and doesn't have to get messy doing it which is something that Hollywood needs to learn when making a horror film, it doesn't have any gore but there is a horrific car accident and plenty of scares which catches you off guard like the Knock on wood game and it has a very ominous and eerie setting that was very well shot and the characters are very well developed and I'm not going to over analyze the characters cause I've noticed that other reviewers have done that already I'm the type of person who enjoys a film without questioning what the main character's motivations are or why they did this particular thing in the first place unless it was a dumb blockbuster and besides I'm not a snobby critic ;-).Anyway The Orphanage is a very unique Spanish horror film and one of the best I have ever seen, an entertaining and great horror film thats guaranteed to keep you on the edge of your seat and I highly recommend this so what are you waiting for GO WATCH THIS NOW!.

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Academy-Award nominated filmmaker Guillermo Del Toro (director of Pan's Labyrinth) presents The Orphanage, a chilling ghost story about a woman who discovers dark and horrific secrets hidden within her cherished childhood home and her desperate attempt to rescue her family from the nightmare into which she unwittingly led them.

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Gone Baby Gone (2007) Review

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(More customer reviews)Ben Affleck has written (with Aaron Stockard) a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed (with the exception of Amy Ryan's nomination for Best Supporting Actress) by the Oscars is a grave oversight !
The time is contemporary Dorchester, Massachusetts and Patrick Kenzie (Casey Affleck) and his girlfriend/partner Angie Gennaro (Michelle Monaghan), become aware of a missing child Amanda (Madeline O'Brien) in their own neighborhood. The child's aunt Bea (Amy Madigan) and uncle Lionel (Titus Welliver), unable to cope with Amanda's drugged out mother Helene (Amy Ryan), knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle (Morgan Freeman) who his lost his own daughter in similar circumstances and detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits.
The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane ('Mystic River', 'Shutter Island') is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp, February 08

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Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).

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