Showing posts with label boston. Show all posts
Showing posts with label boston. Show all posts

Saturday, December 15, 2012

I Got the Feelin': James Brown in the 60's (2008) Review

I Got the Feelin': James Brown in the 60's (2008)
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May I respectfully say, "James Brown Live At Chastain Park", take a rest.
Here we have two transcendant excursions into Soul Music history, 1968 concerts made within about two weeks of each other, one at the Apollo, the other at the Boston Gardens, and whether or not the proverbial floodgates will be opened, at this point it doesn't matter. The concerts are amazing: Soul Brother Number One at the very top of his form, a singing, dancing, band-directing, audience mesmerizing phenomenon. His renditions of the ballads "Try Me", "Bewildered", the gospel-jazz expositions like "Get It Together", "There Was A Time", and "Cold Sweat" are of course the best out now on DVD.
The earlier TV Special called "Man To Man" appears to be the final TV cut, no extras. The video quality is not what it should be for an artist of his stature, though let's remember that it was done on videotape by Metromedia in New York, not by a network. The viewer should not be upset with some of the trendy kaleidoscope effects, and some hard edits.
We have the much-discussed, much-requested concert from Boston, telecast one day after the assassination of Doctor Martin Luther King. The atmosphere is naturally tense, involves Mayor Kevin White, who delivers a powerful speech.
As ticketholders were offered a refund so as to stay at home and watch the taping, the audience is comparatively sparse. Yet the consummate showman is still able to elicit audible screams on his passionate, intense, sometimes whispered, sometimes belted "It's Man's, Man's, Man's World". He's also able to excite those patrons...the initiated already know the story of those who rushed the stage on a night that all were asked to remember Doctor King and enjoy James Brown in Peace. It was on outpouring of Love but the camera lens can distort. And Brown knew it.
There are two songs live from the Olympia, 1966 and 1967, though the jacket says 1968 and 1967. The latter was totally unexpected by this Brownologist: the Live At The Apollo, Volume Two arrangemet of "It's A Man's....World"! Not gonna give it all up at this juncture - suffice to say, it's way better on this DVD than on the recent, expanded CD reissue.
The Documentary on Disc Three is surely worth an Oscar.
The bits and pieces of that 1968 concert now form into an amazing whole, which the Documentary Producer duly notes was long, long overdue for commercial release. To support his backstory, is the sensuous Marva Whitney, his 1967-1970 Diva (Disc Two should have included some of her performance); and Charles Bobbitt, his Manager, who tells the story of how he became James Brown's Manager - and how he had to watch the turnstiles that night...and the safety of his friend and client.

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I Got the Feelin': James Brown in the '60s is the definitive look at JB's on-stage prowess, including an acclaimed documentary, two previously unreleased concerts, and more. With full-length versions of many classics, including"I Feel Good," "Out Of Sight," "Cold Sweat," "Try Me," "I Got The Feelin'," "It's A Man's Man's Man's World," "Bewildered," and "Please, Please, Please," I Got the Feelin': James Brown in the '60s is an essential part of any music lover's collection. DISC 1: THE NIGHT JAMES BROWN SAVED BOSTON Features the director's cut of the acclaimed VH1 film The Night James Brown Saved Boston, which tells the story of a 1968 concert that not only averted riots in Boston in the aftermath of MLK's assassination, but also set James Brown on a revolutionary new path.Includes additional interviews with members of James Brown's band, friends and colleagues, plus a panel discussion from the film's premiere in Boston. DISC 2: LIVE AT THE BOSTON GARDEN Features the historic 1968 Boston Garden concert as originally broadcast by WGBH. Contains additional audio from the radio simulcast of the concert. DISC 3: LIVE AT THE APOLLO '68 Features Man to Man: James Brown Live at The Apollo Theater 1968, a TV special taped the week before the Boston show and unseen for 40 years! Plus bonus performances from 1967 and 1968 shows at L'Olympia in Paris, AND the legendary version of "Out of Sight" from The T.A.M.I. Show (1964).

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Monday, August 13, 2012

Mystic River (Widescreen Edition) (2003) Review

Mystic River (Widescreen Edition) (2003)
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Clint Eastwood's adaptation of Dennis Lehane's wrenching best-seller, "Mystic River," is a remarkable achievement. Having read the book shortly before seeing the movie, I was impressed with Eastwood's faithfulness to the letter and spirit of Lehane's story.
Sean Penn plays Jimmy Markham (Marcus in the book), a small time hood who did a stint in prison almost two decades earlier. Jimmy now owns a grocery store, is a loving family man, and seems to have given up his criminal ways. As a child, Jimmy was a close friend of Sean Devine, who grew up to become a homicide detective, and Dave Boyle, played by the wonderful Tim Robbins. Boyle endured a terrible trauma as a child, and he is tortured by horrifying thoughts that he can never escape. When Jimmy's nineteen-year-old daughter, Katie, is found brutally murdered, Sean investigates with his partner, played by Laurence Fishburne, and the lives of the three old friends intersect once again.
The stellar cast of "Mystic River" is amazingly effective. Each actor completely inhabits his or her character. Sean Penn's performance is brutal and heart-rending, and Tim Robbins convincingly plays a man on the brink of madness. Supporting these fine actors are Laura Linney and Marcia Gay Harden, as Jimmy's and Dave's wives.
Eastwood wisely shot his film on the streets of Boston, and Tom Stern's atmospheric and skillful cinematography contribute to the film's realistic and dramatic look. "Mystic River" is a powerful drama about how desperate people react when they are under tremendous emotional pressure. This mythic tragedy proves Faulkner's dictum, "The past is never dead. It's not even past." The mistakes we make and the injuries that we suffer are always with us in one way or another. Kudos to Eastwood and his fine cast and crew on making an exceptional film.

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Drama. Mystic River tells the story of three men whose dark, interwoven history forces them to come to terms with a brutal murder on the mean streets of Boston.

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Saturday, May 26, 2012

Rounders (1998) Review

Rounders (1998)
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I own the original DVD of this film. Certainly I hesitated to buy a second copy of the essentially same movie, but(...) I thought I'd take a chance. The main feature remains the same, so if you are in the same situation as I was, you'll be paying for the extra features. In short, the extras certainly make it worthwhile to own this edition, whether or not you own the original.
1. If you play poker already, "Heads Up Texas Hold 'Em" won't help you. (I bet you suspected that already.)
2. The two bonus features, "Behind-The-Scenes Special" and "Inside Professional Poker", are short at 5'20" and 5'40" respectively. The former is a little disappointing; it appears that the cast and the staff simply talk about the movie retrospectively after the production. In other words, it looks and feels like an afterthought. The latter is a little more satisfying; it gives some well-known (to regular poker players) principles of poker. The soundtracks are very annoying.
3. Champion Poker Tips gives a few sound-bite tips from Johnny Chan, Chris "Jesus" Ferguson, Phil Hellmuth, and Chris Moneymaker. Again, if you play poker already, there is nothing new here.
4. Now, these professional players are featured in the extra commentary. Mr. Whear characterized this commentary as "odd," but I thought this was the best part of this Collector's Edition. The comments they make are sometimes off the wall, but it just adds to the charm (to me, anyway). They analyze the hand Mike McD loses to Teddy KGB at the beginning of the movie, and also the showdown at the end; their analysis is good, and they explain how (and why) things will be quite different in the real life. Also, the commentary shows the characters of these pros. Hellmuth is usually the motor mouth; Chan is the happy guy, but complains about how fat he appears in the film; Moneymaker seems a little reserved around the others; Ferguson is pretty quiet, but when he speaks he is brilliant (he even cracks a joke).
5. Staff's commentary gives some insight into the production of the film, including the real-world model of Teddy KGB (it turns out he is Eddie KGB in real life). This commentary is also good.
What was on the original DVD edition that is missing on this edition is the theatrical trailer. You might wonder why I bring this up. Well, the trailer contains a couple of scenes that didn't make the cut. I'm sure these could have been added as deleted scenes, too. For that, I subtract 1 star.

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Tuesday, March 6, 2012

The Boondock Saints II: All Saints Day (2009) Review

The Boondock Saints II: All Saints Day (2009)
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This movie has been getting a lot of backlash from the fans of the first movie. People are saying that "It wasn't like the first one" or "It's ten years too late". I'm a fan of the first movie and I enjoyed this one immensely. Of course it isn't like the first one, but 10 years too late? Not to me. Duffy gave himself a decade to make a followup to the cult phenomenon and, well, 10 years later, he gave is possibly the greatest sequel to the first movie one could ask for.
Returning to the roles of the insanely badass McManus brothers are Sean Flanery and Norman Reedus, and boy, do they do great here. Also, in place of the lovable Paul Smecker is Julie Benz as Eunice Bloom, a sexy, funny, and smart FBI agent, who, in her words, is "so f--kin' smart, she makes other smart people feel like they're retarded" (she stays true to her word!). And also, Billy Connolly as the daddy, Il Duce. But, in place of David Della Rocco is Clifton Collins Jr. as Romeo, a HILARIOUS Mexican dude, whom, believe it or not, tops Rocco by a thousand! And believe me, the cast here is SPECTACULAR! Not a single disappointment.
It is 8 years later. The McManuses are living a quiet life on a farm in Ireland, and the brothers (albeit with hilarious long hair and beards). One night at dinner, a priest comes in and gives them the news: They're in trouble. A Boston priest has just been killed, and the killer had done all he can to make it look like the McManuses are responsible. Upon hearing of this, it's time to shave the beards and cut the hair, and jump on the boat back to Boston. On the boat, they meet Romeo, a hilarious and quirky Mexican dude who is interested in joining them. After a rough patch, he joins them, and the minute they are off the boat, they are a team of three. Their goal is not only to get their names cleared, but to get their revenge on the person who killed the priest.
However, while that is happening, Paul Smecker is gone and has been replaced by Eunice Bloom, a sexy, funny, and undoubtedly quirky FBI agent. Upon her investigation at the crime scene, she comes to the conclusion that the saints did not kill the priest. It was done by a member of the Yakavetta family, who also wants revenge: On the saints, for killing Pappa Joe. However, despite the cops' and Bloom's positions, they decide that they are just as in it to investigate the murder as The Saints, and worlds collide, with more chaos and action you can handle!
I won't give away more, because this movie is simply a must see. Basically, if you liked the first movie, you will like this one a great deal. It has the original brothers, who give great performances, it has tons of action, lots of blood, and is a great time at the cinema for sure. The movie is well paced and well filmed. It is easier to tell that it was shot on a higher budget than the original, which is a good thing, you can see it in the cinematography, you can see it in the effects and everything. In short, if you loved the first movie, go see this movie for sure. Duffy has managed to top the first movie in every way imaginable, which is a bold statement because the first movie was awesome too. But be sure to see this! Oh, and the ending. The ending is AWESOME, with a cameo from someone you may know of!
IN TOTAL:
Entertainment: 10/10
Sex: 0/10
Violence: 100/10
Laughs: 10/10
Action Fator: 100/10
McManus Brothers: Every bit as badass as the first
Romeo: Better be in movie three
Julie Benz: Don't worry, she's great guys
The Ending: Yes, there will be a third one, as the ending shows!
Troy Duffy: Earns forgiveness, even after seeing "Overnight"
Litres of Tomato Ketchup: A few grocery store shelves worth
***SEE IT!!!!***

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From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the brothers return to Boston to mount a violent and bloody crusade to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV's Dexter) hot on their trail…the Saints are back!

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Tuesday, February 21, 2012

Blown Away (1994) Review

Blown Away (1994)
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Tommy Lee Jones is at his insane and malevolent-genius best as Ryan Garrity, an escaped I.R.A. bomber. He has the film's most chilling line, when he calls Jeff Bridges and says "I've come to create a new country called chaos, and a new government called anarchy."
Great special effects, not in the bombs but the close ups of everyday devices we see (?) Garrity use to make his weapons. When the phone is reconnected, or the oven ignited, we know that a huge conflagration will follow. It is fascinating, and among the more gripping scenes of the movie.
Why the "pros' dog this out is beyond me. Neither it nor Jones are wacky. It is more spellbinding that just the reviews suggest.
The music of U-2 makes a great backdrop to the impending action. Forrest Whittaker and Lloyd Bridges make great supporting cast members.

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Saturday, July 2, 2011

Gone Baby Gone (2007) Review

Gone Baby Gone (2007)
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Ben Affleck has written (with Aaron Stockard) a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed (with the exception of Amy Ryan's nomination for Best Supporting Actress) by the Oscars is a grave oversight !
The time is contemporary Dorchester, Massachusetts and Patrick Kenzie (Casey Affleck) and his girlfriend/partner Angie Gennaro (Michelle Monaghan), become aware of a missing child Amanda (Madeline O'Brien) in their own neighborhood. The child's aunt Bea (Amy Madigan) and uncle Lionel (Titus Welliver), unable to cope with Amanda's drugged out mother Helene (Amy Ryan), knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle (Morgan Freeman) who his lost his own daughter in similar circumstances and detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits.
The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane ('Mystic River', 'Shutter Island') is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp, February 08

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Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).

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