Showing posts with label human rights. Show all posts
Showing posts with label human rights. Show all posts

Friday, October 26, 2012

Obsession: Radical Islam's War Against the West (2007) Review

Obsession: Radical Islam's War Against the West (2007)
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[[[[[[[The following is a freelance review I wrote of the film after viewing it in Los Angeles last year. Your feedback is welcome at Lhart50@yahoo.com or visit my blog at Choosingfreedom.Blogspot.com ]]]]]]]]]]]
Sometimes with all the political fallout of the Iraq debacle we lose site of what is at stake in the war on terror. Because the country is so divided over President Bush's ability to manage the war, the very real and serious problem of Islamic terror is often relegated to a foolish unimportance. As my brother-in-law told me the other night, "if Bush hadn't gone into Iraq we wouldn't be in this mess." On Wednesday, March 14, the West Valley Jewish Community Center presented "Obsession: Radical Islam's War on the West," sponsored by the West Hills Chabad. Like a clarion call this film reminds us of the clear and present danger that confronts Western Civilization . After the movie one of the primary speakers in the film, Noni Darwish discussed with the audience in detail her pro American/Israeli position to this war. This is a film that every American should see.
Darwish, the daughter of the Egyptian Fedayeen commander in Gaza during the 1950s, spoke about the madness that is gripping her people. You could not help but admire her courage and her recognition of righteousness against all odds. Ms. Darwish has a price on her head, so the security to get into this presentation was very strict. She doesn't waiver from her condemnation of the Arab world, her support for Israel or her love of democratic values. I have to admit, I was impressed. It's not every day that you meet an Arab national speak about her respect for the Jewish state. Perhaps reality is never far behind because as Ms. Darwish spoke you got the distinct impression that she was very alone in this commitment, disowned by her family, her country and the religion that totally dominated her life growing up.
Meeting and talking with a real live hero like Noni Darwish made the evening exciting but the film stands on its own merit as a glaring example of the utter hatred that much of the Arab world and large swaths of the rest of non Arab Islam feel toward the west. Thanks to Al-Jizeera and some other like minded Middle East media outlets there are mounds of written and video evidence to support the film's arguments.
The film argues that we are not taking this war seriously. Most of what is reported in the Arab world and in other places never seems to make it in the western media. Steven Emerson, a long time researcher of the Islamic threat said, "The amount of hate propaganda is far more extensive and pervasive than the attention that it receives in the western media." This has to stop. We need to begin to follow the Muslim press, listen to what they are saying, understand what they are implying with their statements and analyze more closely their intentions. The films ultimate message: We face disaster if we don't.
There is a violent movement to convert the entire world to Islam, to completely eliminate the Christian-Judeo world from the face of the Earth. Perceived western influences around the globe are targeted on a regular basis. Caroline Glick, a senior fellow at the Center for Security Policy, makes the point that many countries in the world today have a problem with Islamic extremism on some level. And then to emphasize that statement the film shows a map of the world covered in red "X"s where Jihadis are on the rise, attacking, bombing and killing. As noted in one Palestinian children's textbook, "this religion (Islam) will destroy all other religions through the Islamic Jihad fighters."
Several of the speakers in the film kept reiterating the fact that the West is in denial of this problem. Even in a post 9-11 environment people do not want to admit that there is a growing malignancy on the planet bent on our destruction. The film is very clear not to condemn Islam as a religion and therefore claims that not all of the world's Muslims are the enemy. But, it is clear that the Jihadi movement is at present very large and is growing with each passing generation. There are many Islamic leaders calling for the deaths of Jews, the destruction of the United States, and the defeat of the west, all the while being cheered on by thousands of onlookers. There is no shortage of hatred in the Islamic world. The film implores us to recognize this threat and to begin to fight back in order to survive. Most disturbing about this enemy is the chair squirming, undeniable connection of the Islamic Jihad movement to the rise of Nazism in Europe during the 1930's.The two historical periods are so closely correlated that it is hard to comprehend how we could have missed its growth. It is as if we were so busy reminding ourselves in the last sixty years that we would never again forget the past in Europe that we did not see it creeping up on us again in another part of the world. The film shows that 19th and early 20th century European anti-Semitism along with a remarkably similar ramp toward fascist ideology are alive and well and flourishing within the Muslim world. The only difference being in Europe it was based on politics and now it is based in religion.
One of the historical parallels to Nazism is the connection between the Mufti of Jerusalem and Adolph Hitler. As disturbing then as it is now the film describes and verifies that Hitler and the Mufti agreed that the extermination of the Jews was central to the War's aims. The Mufti, a radical fundamentalist in his own right, distinguished himself as one of the leaders who tried to prevent Jewish Zionism from establishing a Jewish homeland in Palestine during that era. In exchange for his support Hitler promised him that would never happen.
In one especially chilling moment, Walid Shoebat, a reformed Palestinian terrorist and, who like Noni Darwish is shunned by his family, community and religion, explains the growth of Jihad as compared to the growth of Nazism. He says that Islamo fascism is far more dangerous than Nazism because of its religious components. Jihad makes war in the name of almighty God while Nazism made war for a man, Adoph Hitler. And, it exists in several countries not just one. Therefore, Shoebat concludes, that if we do not stop its rise we will be facing not one Nazi Germany but several.
The sole of Islam is at stake some western commentators have noted, indicating that the only way we can win this is for Islam itself to struggle with the question internally and repair it internally. In other words, we are your supporters but it is you who have to correct the problem. According to "Obsession," and confirmed by Noni Darwish, the struggle is already over, Islam has been stolen by the Jihadi movement. The enemy is getting stronger and the decent Muslim who wants to live his life like we live ours is growing ever weaker. In fact, one gets the sickening feeling that Noni Darwish, and the other Muslim commentators depicted in the film, which courageously stand against the Jihadi enterprise, are lone puppies in a sea of wolves. The danger to all of us is clear. Either we begin to get serious about this problem and take positive steps to end it favorably or we are going to lose. The very existence of Western Civilization is at stake and all the freedoms that we developed, struggled with and refined over the last 2500 years are in danger of being forcibly replaced by something very different. We must recognize that to do nothing and to continue to live in denial of this growing problem is a huge mistake. Unless you are willing to accept that your grandchildren before the end of their lives will be bowing down to Mohammad five times a day I would suggest that you begin looking at our involvement in the Middle East as a matter of survival not as a political football to be argued as Republicans and Democrats. It is not too late but we need to begin now or face a global confrontation of such huge proportions that it will dwarf World War II by comparison. The choice is ours.

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Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination. The film also traces the parallels between the Nazi movement of World War II, the Radicals of today, and the Western world's response to both threats. Featuring interviews with Daniel Pipes, Steve Emerson, Alan Dershowitz, a former PLO terrorist, and a former Hitler Youth Commander

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Saturday, August 6, 2011

Capitalism: A Love Story (2009) Review

Capitalism: A Love Story (2009)
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"Capitalism" opens with disclaimer from some old film, and then segues into scenes from police videos of people robbing banks and convenience stores. Moore likes to make comparisons. In this case he wants to show us who the real thieves are, and they don't tend to be desperate drug addicts wearing hoodies.
To me that's what Moore's latest film is: a cinematic treatise on crime. Moore uses his excellent skills as an editor to piece together films in a manner that makes you want to scream "Where does he find this stuff?" to paint a telling picture of what America is: a plutocracy. And yes, Mike uses that word and wants us all to learn it, even providing a definition straight out of a textbook.
What Moore also excels at is humanizing crises and the class war by showing us just who's affected by these forces and why. We're shown people, real people being thrown out of their homes, being pushed out of their jobs, being paid meager salaries to do dangerous, complicated work, and being informed that companies profited from the deaths of their loved ones through something called "dead peasant insurance."
He even speaks to various clergy to try and find any sort of modern moral justification for capitalism. He can't. One priest even goes as far as to state flatly that "Capitalism is radically evil."
Yeah.
Speaking of all things radical, Moore puts himself on the line by trying to raid the offices of financial institutions, implores us to do the same, and backs that strategy up by showing current examples of how dissent and popular revolt can turn the tables on the gluttons in power, even if those victories are as small as one family being allowed to stay in their foreclosed home and window factory workers given severance payments after a long sit-in.
However, what "Capitalism" isn't is a mere bleeding-heart piece that is all emotion. Mike tends to do his homework. And that's what makes him a firebrand. The evidence is laid bare for the viewer to see.
There are some who would call Michael Moore and his documentaries "anti-American." He's even told by one Wall Streeter to "stop making movies" when trying to get an accurate definition of what are called "derivatives." Although I would definitely call Moore a subversive, I challenge anyone to find an ounce of hatred towards America in this piece. No, Michael Moore loves America, but his America is made up of those who toil and have little or nothing. His America is being looted by people that can only be described as white-collar sociopaths who would be selling heroin or whoring out young girls had they not been brought up in wealthy families.
You also get a generous serving of Michael's trademark humor to make it all go down easier. It has been said that the best way to take the powerful down a peg or two is by poking fun at them, and Moore doesn't just poke at them, he runs them through with swords of bitingly comedic steel.
If I had one gripe about "Capitalism" it would be that there was so much more ground that could have been covered. That's why I feel that a sequel is in order as well as a prequel since Moore rather glosses over earlier American history. But I suppose that's what he have Howard Zinn for.
Yes, this is a paramount polemic against capitalism and dare I say FOR socialism. Even Bernie Sanders gets some facetime.
As someone who has been identifying as a socialist for years, I can say that it only reinforced my belief that the free market is unsustainable, as if my personal experience as an American worker hasn't been enough to do so. Demons lurk in the details though, and Moore not only shines a light of veracity on them, he also splashes them with holy water, as any left-leaning Catholic such as Moore would.
Christ wasn't a capitalist sympathizer, something Moore also shows us, and neither is Moore himself. So why should you be? It's not in your best interests to be one. Think of this as an intervention by way of motion picture for your friends and family who are thoroughly in love with an abusive spouse that is all take and no give.
Talk about a great candidate for an ABC Sunday Night Movie. If I could hold screenings for "Capitalism" I would. It needs to be seen by far more people than any action/adventure blockbuster.
Thanks for makin' the devils hiss, Mike. And for making socialism taste so good.

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In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fired factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!

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Monday, July 25, 2011

The Stoning of Soraya M (2009) Review

The Stoning of Soraya M (2009)
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This is a very well acted and compelling movie. I've seen videos of real life stonings, and although somewhat cleaned up, this movie gives a realistic face to the act.
The actors do an exceptional job at portraying the characters. Shohreh conveys with a single look, what other actress's take sentences to do. That's a real feat considering I had to read the words in subtitles at the same time!
The movie also shows what a mob mentality really is. What pressure and teaching can compel a son to do to his mother...it shows what strength really is- not being the hero like in most movies, but in what it takes in the real world, to simply speak the truth. A strength that most people don't have.
As cleaned up as it is (the movie does not deal with the underlining condoning of stoning in Islam such Muhammad demanding it in his famous confrontation with the Jews according to Ibn Ishaq, 257 and Bukhari vol 4 book 61, no. 3635- they are his first biographer, and a collector off traditions Muslims themselves consider reliable)-This movie does however show a present day reality that I fear most viewers won't have the strength to really see.
Watch this movie, and then watch how few people are even willing to talk about the subjects it brings up- how many excuses and side steps people will take, rather than confront the reality that this movie throws in your face.
It is one of the few movies that show human nature- the good, the bad and the ugly. From looters, to the ones who confront them. This movie does more in the side plots showing human psychology, than most other movies that try to protray it as a main subject matter.
In short, this is a must see, if nothing else to better understand a dark side of the world.

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STONING OF SORAYA M - DVD Movie

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