Showing posts with label economics. Show all posts
Showing posts with label economics. Show all posts

Wednesday, April 17, 2013

Plunder: The Crime of Our Time (2009) Review

Plunder: The Crime of Our Time (2009)
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As telling a scene as any I've watched in a documentary happens in the 2010 film PLUNDER: THE CRIME OF OUR TIME, where demonstrators marching against Wall Street corruption refuse to talk to a C.N.B.C. television news reporter. You'd expect it to be the criminal bankers avoiding journalists, not their subprime mortgage scam victims. Yet the people seeking justice do not want to talk to C.N.B.C. and other corporate media.
Journalist-director Danny Schechter's PLUNDER: THE CRIME OF OUR TIME presents good reason for the silence of the financially slaughtered lambs. Showing television news clips from the years leading up to 2008 collapse, we see C.N.B.C. and other such "news" providers only interview individuals warning of the crisis when alongside financial services flacks who talk over them, drowning out the truth. To those who lost their homes in the subprime mortgage bait-and-switch, corporate news may as well be partners with the lenders who took advantage of them. No wonder Schechter tells that C.N.B.C. reporter, "They hate you."
That scene typifies the tone of PLUNDER: THE CRIME OF OUR TIME, which reports what's happened from the point of view of those who matter, average Americans. Danny Schechter takes it to the streets in a blow-by-blow recount of the victimization of millions of Americans that is the second Great Depression. The facts need no point-counterpoint; the wealthy took the money and ran.
See PLUNDER: THE CRIME OF OUR TIME.

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A hard-hitting investigative film by Danny Schechter. The “News Dissector” explores how the financial crisis was built on a foundation of criminal activity uncovering the connection between the collapse of the housing market and the economic catastrophe that followed. To tell this story Schechter speaks with bankers involved in these activities, respected economists, insider experts, top journalists including Paul Krugman, and even a convicted white-collar criminal, Sam Antar, who blows the whistle on intentionally dishonest practices.

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Monday, January 28, 2013

Spice and Wolf: Season One Review

Spice and Wolf: Season One
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Spice and Wolf sounds, by the description, like a typical sudden-girlfriend-appearance anime. Indeed, there are similar "boy meets cute Goddess girl" series out there, like Kannagi: Crazy Shrine Maidens. Spice and Wolf, however, is nothing of the sort.
It is, instead, a very interesting and well-thought out period piece. The antiquated European setting is ideal for the true essence behind this anime--economy. Lawrence and Holo make a cute pair, to be sure, but this first season only hints at a romantic development between them. Instead, the focus is on a sort of budding professional relationship. The two explore the world town by town, with interesting glimpses into different trading practices, different currencies, and different cultures. The religious presence of a Catholic-esque Church is especially intriguing. They are corrupt in trading methods but effective at spreading faith, something wholly believable.
Simple observations like this are one of the things that make this series so great. Its compliment are the characters. Lawrence and Holo are always interesting, and usually funny. Holo's flirtation and Lawrence's inhibitions make for a comedic formula that rarely gets tiring. The best part about their relationship is that, unlike most anime, the audience is not forced to believe in it. The anime takes things slow, letting their relationship build like real ones do--by shared experience. Their frustrations, fears, dreams and humor are all allowed to develop naturally. This may make it seem like there is little character development throughout the series, but there is enough to keep it going.
The series of light novels, off of which this anime is based, are still being published. As such, the episodic nature of the show seems to make it come to an abrupt end. This is no problem, however, considering there is a second season already finished in Japan, with a third all but assured. It is worth the small time investment. As it is only one small part of an anticipated whole, it will not be a jaw-dropping, life-changing piece of art, but it will most definitely make your day a little more pleasant. Is this not one of the most admirable aspects of art, anyway, that it can do something so simply profound as to make one feel better?
Funimation usually does the most acceptable job of dubbing shows here. Fullmetal Alchemist is an example of some of their good work, and they only seem to learn from their mistakes as a company. And for those who refuse to tolerate dubbing, the original Japanese voice track is amazing, and their subtitling is sure to be, also.
This is a series that will grow on you, just as the characters grow on each other. The pace is peaceful, the characters likable, and the story makes the fantastic easy to believe. There is little here not to enjoy.

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Lawrence, a traveling merchant searching for profit, finds a naked girl with the ears and tail of a wolf asleep in his cart. Her name is Holo – a harvest goddess with an untamed beast lurking inside who longs to return to her beloved northern home. Armed with his street smarts and her animal instincts, a simple peddler and a forgotten deity begin a journey through the wild countryside. Along their path, the riches of happiness shall be reaped, even as the bankruptcy which dwells in the human heart is exposed.
Stills from Spice and Wolf: Season One (Click for larger image)

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Monday, December 26, 2011

Guns, Germs, and Steel (2005) Review

Guns, Germs, and Steel (2005)
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First, if you taped this documentary off of PBS, keep your tape as the "extras" here are little more than a few facts spiffed up graphically over a world map.
Diamond's thesis in "Guns, Germs, and Steel" is that geography, which governs climate which, in turn, governs indigenous species, is the reason for the unequal distribution of wealth in the world today. In short, Diamond is focused on why the Europeans conquered so much of the world.
There are 3 one-hour episodes in this series. The first is concerned with why agriculture took hold in parts of the world and hints at the benefits it bestowed in developing large, complex societies. The second episode is concerned with how these large complex (European) societies were able to develop weapons (guns and steel) to conquer much of the rest of the world. Germs were an unintended weapon against indigenous people that may have been the most beneficial. The last installment is concerned with another way to test the "guns, germs, and steel" hypothesis using the European march into Africa as test material. Here, climate (created by geography) creates indigenous germs that the Europeans can't handle. Nevertheless, guns and steel (apparently) still win the day.
This documentary is a reasonable, though somewhat superficial, overview of Diamond's thesis. The problem is, however, that it is somewhat glib and fails to get to the "Ken Burns" gold standard. There is much repetition of the "guns, germs, and steel" theme from episode to episode so that, even within the 3 hours, there should have been room to hint at some speculation on simple questions that the thesis itself invites. For example, there is essentially no mention of China (except the standard reference to gunpowder being developed there). If China had a complex civilization, why did they end up in isolation? It is never mentioned, for example, *why* the Chinese, having developed gunpowder never used it in conquest. (The neglect of China is particularly interesting as Diamond does deal with some of these issues in his book.) Another example is the tropic climate theme: the Americas had a tropical climate as well, complete with tropical germs and yet that did not slow the spread of European conquests there. Finally, geography is presented on a primarily 2-dimensional world map scale, not accounting for crucial issues like climate changes at altitude or rapid transportation as a result of internal rivers within a continent.
Lastly, while this is really Diamond's show, it would have been valuable to have a few scholarly, dissenting opinions on why Diamond's theories haven't been universally embraced. As it is, the documentary presents the "guns, germs, and steel" theory so forcefully, one is left to wonder why it took 30 years for someone as smart as Diamond to come up with a set of seemingly simple ideas. The elegance of Diamond's theory is precisely because it shows how simple issues relate to the complexities of human history, but the documentary completely neglects competing ideas in this arena (and there are many).
It's nice that National Geographic is introducing these provocative ideas to the public at large, it's just a shame that such weighty material didn't produce a deeper program.

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Based on the Pulitzer Prize-winning book and national best seller, Guns, Germs, and Steel is an epic detective story that offers a gripping expose on why the world is so unequal. Professor Jared Diamond traveled the globe for over 30 years trying to answer the biggest question of world history. Why is the world so unequal? The answers he found were simple yet extraordinary. Our destiny depends on geography and access to: Guns, Germs, and Steel. Weaving together anthropology and science with epic historical reenactments, Guns, Germs, and Steel brings Diamond's fascinating theories to life, and moves beyond the book to bring his ideas into the present day.

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Monday, December 12, 2011

The Corporation (2004) Review

The Corporation (2004)
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This is an extraordinary film about the creation of the American corporation, its legal organizational model, its global economic dominance and its psychopathic tendencies, and its incredible ambition to influence every aspect of culture in its unrelenting pursuit of profit.
The Corporation was spawned from Joel Balkan's in depth book, "The Corporation: A Pathological Pursuit of Profit and Power". (Due to be released in March this year) The film and book begins in the 18th century, in the establishment of the 14th Amendment. Initially the 14th Amendment was designed after the Civil War to give ex slaves' legal rights, like any other citizen of the United States, but through a maze of legal precedents, the business corporation organization model was now deemed a "legal person" with all the civil rights accorded to a citizen. This highly absurd precedent has paved the way for corporations to literarily get away with murder, because a "corporation" is not an individual that you can put in jail. In effect, a corporation has no moral or social obligations; their only obligation is the pursuit of profit. This film offers numerous examples of unethical practices resulting in death for many people, and because of their status under the 14th Amendment, and endless legal loopholes, have gotten away with terrible crimes against humanity and the environment with no more than a fine, a mere slap on the wrist.
As the law treats corporations as "persons", Balkan thought it appropriate to put the various behaviours of these companies under psychological examination. What this psychological study illustrated is that corporations, as "persons" behave and display the symptoms of the clinical psychopath. A psychopath typically does not have a social conscience, is guilt free after committing heinous acts, and will destroy anything or anybody that prevents them from attaining the object of their particular obsession - in this case, the relentless pursuit of profit.
This documentary took several years to produce with over 650 hours of footage, director(s), Jennifer Abbot and Mark Achbar, had to chisel down this amazing amount of material into a comprehensible film. What is most astounding is the range of people interviewed for this film, that argue from all sides of the "corporation issue": Ira Jackson, Ray Anderson - CEO of Interface, the world's largest carpet manufacturer; Noam Chomsky, Richard Grossman, Howard Zinn, Michael Moore, Milton Freidman - Noble Prize winning economist; Jeremy Rifkin - President, Foundation of Economic Trends; Dr. Robert Hare - Consultant to the FBI on psychopaths, and many more individuals from all sides of the debate.
When Balkan wrote his book and then collaborated with Mark Achbar to produce this film, what they did not want was the film to appear as just some left-wing diatribe, attacking the corporations, but to illustrate to people how the corporation began, how they have evolved and what they could well turn into if the people do not become involved in the democratic process, ensuring our governments take back the reigns of power.
After viewing this film, it becomes all too evident that these large corporations have too much power, whose mandate is not the common good of the people, and who will go to any lengths, legally and otherwise, in the pursuit of profit and the bottom line.
I believe this is one of the best and most important documentary films to be made in many years.

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CORPORATION - DVD Movie

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Saturday, August 6, 2011

Capitalism: A Love Story (2009) Review

Capitalism: A Love Story (2009)
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"Capitalism" opens with disclaimer from some old film, and then segues into scenes from police videos of people robbing banks and convenience stores. Moore likes to make comparisons. In this case he wants to show us who the real thieves are, and they don't tend to be desperate drug addicts wearing hoodies.
To me that's what Moore's latest film is: a cinematic treatise on crime. Moore uses his excellent skills as an editor to piece together films in a manner that makes you want to scream "Where does he find this stuff?" to paint a telling picture of what America is: a plutocracy. And yes, Mike uses that word and wants us all to learn it, even providing a definition straight out of a textbook.
What Moore also excels at is humanizing crises and the class war by showing us just who's affected by these forces and why. We're shown people, real people being thrown out of their homes, being pushed out of their jobs, being paid meager salaries to do dangerous, complicated work, and being informed that companies profited from the deaths of their loved ones through something called "dead peasant insurance."
He even speaks to various clergy to try and find any sort of modern moral justification for capitalism. He can't. One priest even goes as far as to state flatly that "Capitalism is radically evil."
Yeah.
Speaking of all things radical, Moore puts himself on the line by trying to raid the offices of financial institutions, implores us to do the same, and backs that strategy up by showing current examples of how dissent and popular revolt can turn the tables on the gluttons in power, even if those victories are as small as one family being allowed to stay in their foreclosed home and window factory workers given severance payments after a long sit-in.
However, what "Capitalism" isn't is a mere bleeding-heart piece that is all emotion. Mike tends to do his homework. And that's what makes him a firebrand. The evidence is laid bare for the viewer to see.
There are some who would call Michael Moore and his documentaries "anti-American." He's even told by one Wall Streeter to "stop making movies" when trying to get an accurate definition of what are called "derivatives." Although I would definitely call Moore a subversive, I challenge anyone to find an ounce of hatred towards America in this piece. No, Michael Moore loves America, but his America is made up of those who toil and have little or nothing. His America is being looted by people that can only be described as white-collar sociopaths who would be selling heroin or whoring out young girls had they not been brought up in wealthy families.
You also get a generous serving of Michael's trademark humor to make it all go down easier. It has been said that the best way to take the powerful down a peg or two is by poking fun at them, and Moore doesn't just poke at them, he runs them through with swords of bitingly comedic steel.
If I had one gripe about "Capitalism" it would be that there was so much more ground that could have been covered. That's why I feel that a sequel is in order as well as a prequel since Moore rather glosses over earlier American history. But I suppose that's what he have Howard Zinn for.
Yes, this is a paramount polemic against capitalism and dare I say FOR socialism. Even Bernie Sanders gets some facetime.
As someone who has been identifying as a socialist for years, I can say that it only reinforced my belief that the free market is unsustainable, as if my personal experience as an American worker hasn't been enough to do so. Demons lurk in the details though, and Moore not only shines a light of veracity on them, he also splashes them with holy water, as any left-leaning Catholic such as Moore would.
Christ wasn't a capitalist sympathizer, something Moore also shows us, and neither is Moore himself. So why should you be? It's not in your best interests to be one. Think of this as an intervention by way of motion picture for your friends and family who are thoroughly in love with an abusive spouse that is all take and no give.
Talk about a great candidate for an ABC Sunday Night Movie. If I could hold screenings for "Capitalism" I would. It needs to be seen by far more people than any action/adventure blockbuster.
Thanks for makin' the devils hiss, Mike. And for making socialism taste so good.

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In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fired factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!

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Thursday, April 28, 2011

Wal-Mart: The High Cost of Low Price (2005) Review

Wal-Mart: The High Cost of Low Price (2005)
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'Wal Mart, The High Cost Of Low Price' is filled with first hand testimonials and some hard-fact figures that will help in validating your hatred of this greedy giant, and visually exposes those in other countries who are ruthlessly used as slaves to produce the cheap products you purchase when you patronize this monolith.
These "jobs" provided to the labor forces of India, China, Bangladesh, and Mexico are not 'good wage' jobs even for third world standards. The people are overworked, underpaid, and forced to work in sub-human conditions. These human beings make 13 to 17 cents and hour, and work 10 to 18 hour days without breaks, all so you can have that $1.49 blouse.
Exposed in this film are the squalid, rent controlled apartments in China, provided by the company, that put to shame the most rancid ghetto house in your hometown. And if the employee chooses not to live in these rat-infested housing developments, the rent is still deducted from their wages. Wal-Mart has managed to lower the work standards set for these hard-pressed, low wage, third-world countries that other companies are going to follow, sucking down the standards of working all across the world.
The manager of the Mexico factories went on a tour to make sure that working conditions were humane. He was fired when he reported that the conditions were intolerably inhumane. In his own words, he didn't think retaliation would be brought against him for doing his job.
If you think it was a good thing that America abolished slavery, then think again before you go into a Wal-Mart. Just because the US is no longer "importing" slaves, doesn't make it right to continue to use slavery in other countries to produce high profits for personal gain. Wal-Mart's practices are no different than bringing slaves over from Africa to pick our cotton, it's still a cheap way for the rich to get richer at the expense of human blood and sweat.
Intermittently inserted in the film is a speech made by Lee Scott to the high-end employees and stockholders of Wal-Mart, which sounds very much like an Amway pep-talk. Lee Scott's earnings for 2005 were $27,207,799.00. The average Wal-Mart hourly employee's was $13,861.00.
Interesting facts: After 9/11, the Walton's built themselves an underground bunker in case of another terrorist attack, costing millions of dollars that should have went into paying back the Government for having to subsidize their employee's un-affordable medical benefits.
The Walton family gave less than 1% of their wealth to charity. Bill Gates, not even a nice man himself, gave 58%.
The "Critical Need" fund, set up to assist Wal-Mart employees in emergencies, received five million dollars from Wal-Mart employees (making $13,861.00 annually) and only $6,000.00 from the Walton family, who made, collectively, 102 billion.
Wal-Mart actually had a commercial campaign about "buying American" while all their products come from sweatshops overseas.
Wal-Mart has refused to address crime statistics that show an upswing of violent crime in their large, remote, under-lit and un-protected parking lots, putting their customers in danger and taxing the local law enforcement. The State of California alone paid out 80 Million dollars in medical benefits to poverty-level Wal-Mart employees because the 102 Billion Dollar Walton family does not want to give their "associates" fair medical benefits.
There are many ways to hate Wal-Mart and its ilk, and many books out on the subject, but I recommend watching this DVD so you can actually see the slave workers and conditions overseas that these selfish billionaires exploit without passing down their profit to the "small people" who helped build their empire. The presentation could have used a little more snappiness, and the DVD starts out very slow, but keep watching and you will eventually see the monster peeking out from behind your curtain.
Stop shopping at Wal-Mart. Just stop. You don't need their cheap goods that fall apart two days after you bring them home, and it feels good to know that you make a difference by not supporting slavery. Enjoy!

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Everyone has seen Wal-Mart's lavish television commercials, but have you ever wondered why Wal-Mart spends so much money trying to convince you it cares about your family, your community, and even its own employees? What is it hiding?WAL-MART: The High Cost of Low Price takes you behind the glitz and into the real lives of workers and their families, business owners and their communities, in an extraordinary journey that will challenge the way you think, feel... and shop.

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Thursday, April 21, 2011

i.o.u.s.a. Review

i.o.u.s.a.
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It is unfortunate that only 10 people were in the theater besides my wife and I to watch this documentary film. The past head of the GAO for the last 3 presidents is the 'star' of this film and he presents the case about the national debt in a logical and yet terrifying manner. This is a must see for every high school student in America. Unfortunately, this will never happen. The film does present a method to save the country, but it will come at a cost that probably few in this land of ours will want to pay. But,if we don't, there is no doubt that a payment of some kind will occur, but it will be disastrous. Once you see this, you will begn to change your personal financial decisions with a wary eye on the future. Don't see this at your peril.

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America is on the brink of a financial meltdown. I.O.U.S.A. boldly examines the rapidly growing national debt and its consequences for the United States. Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions.Over 125 minutes of bonus materials, including exclusive interviews with Warren Buffett, Alan Greenspan and others.

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Sunday, February 27, 2011

Inside Job (2010) Review

Inside Job (2010)
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This priceless documentary presents a devastating expose of the staggering Wall Street swindle that caused the economic meltdown of 2008. The interview with Martin Feldstein brought back to mind the hoopla of his appointment as chief economic adviser to President Reagan. The movie points out that Feldstein initiated the financial deregulation follies that led to the looting of the Savings and Loans and culminated with the passage of the Commodity Futures Modernization Act of 2000, the lead sponsor of which was Senator Phil Gramm. It was truly depressing to see how this massive swindle was pulled off through the collusion of the economic advisers, politicians, high-flown professors of economics with scandalous and highly unethical conflicts-of-interest, investment banks, and ratings agencies. At the end of "Inside Job," Robert Gnaizda lists various groups that should be prosecuted. When asked why this has not been done, he answered: "It's a Wall Street government!"
Some of the topics in the movie were covered in the FRONTLINE broadcast "Inside the Meltdown" and in the FRONTLINE broadcast "The Warning." The latter exposed how Brookley Born was sabotaged by Alan Greenspan, Robert Rubin and Larry Summers--the Troika that is directly responsible for the massive fraud perpetrated by the Wall Street crowd.
It is reassuring to see that some members of Congress were competent. Senator Byron Dorgan (D. North Dakota) voted against his own party, predicting that the repeal of Glass-Steagall would lead to massive taxpayer bailouts. On 19 September 2009, Senator Dorgan was interviewed by Scott Simon on "Weekend Edition Saturday." The following is from the transcript at:

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From Academy Award®-nominated filmmaker, Charles Ferguson (NO END IN SIGHT), comes INSIDE JOB, the first film to expose the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, INSIDE JOB traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia.

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