Obsession: Radical Islam's War Against the West (2007) Review

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(More customer reviews)[[[[[[[The following is a freelance review I wrote of the film after viewing it in Los Angeles last year. Your feedback is welcome at Lhart50@yahoo.com or visit my blog at Choosingfreedom.Blogspot.com ]]]]]]]]]]]
Sometimes with all the political fallout of the Iraq debacle we lose site of what is at stake in the war on terror. Because the country is so divided over President Bush's ability to manage the war, the very real and serious problem of Islamic terror is often relegated to a foolish unimportance. As my brother-in-law told me the other night, "if Bush hadn't gone into Iraq we wouldn't be in this mess." On Wednesday, March 14, the West Valley Jewish Community Center presented "Obsession: Radical Islam's War on the West," sponsored by the West Hills Chabad. Like a clarion call this film reminds us of the clear and present danger that confronts Western Civilization . After the movie one of the primary speakers in the film, Noni Darwish discussed with the audience in detail her pro American/Israeli position to this war. This is a film that every American should see.
Darwish, the daughter of the Egyptian Fedayeen commander in Gaza during the 1950s, spoke about the madness that is gripping her people. You could not help but admire her courage and her recognition of righteousness against all odds. Ms. Darwish has a price on her head, so the security to get into this presentation was very strict. She doesn't waiver from her condemnation of the Arab world, her support for Israel or her love of democratic values. I have to admit, I was impressed. It's not every day that you meet an Arab national speak about her respect for the Jewish state. Perhaps reality is never far behind because as Ms. Darwish spoke you got the distinct impression that she was very alone in this commitment, disowned by her family, her country and the religion that totally dominated her life growing up.
Meeting and talking with a real live hero like Noni Darwish made the evening exciting but the film stands on its own merit as a glaring example of the utter hatred that much of the Arab world and large swaths of the rest of non Arab Islam feel toward the west. Thanks to Al-Jizeera and some other like minded Middle East media outlets there are mounds of written and video evidence to support the film's arguments.
The film argues that we are not taking this war seriously. Most of what is reported in the Arab world and in other places never seems to make it in the western media. Steven Emerson, a long time researcher of the Islamic threat said, "The amount of hate propaganda is far more extensive and pervasive than the attention that it receives in the western media." This has to stop. We need to begin to follow the Muslim press, listen to what they are saying, understand what they are implying with their statements and analyze more closely their intentions. The films ultimate message: We face disaster if we don't.
There is a violent movement to convert the entire world to Islam, to completely eliminate the Christian-Judeo world from the face of the Earth. Perceived western influences around the globe are targeted on a regular basis. Caroline Glick, a senior fellow at the Center for Security Policy, makes the point that many countries in the world today have a problem with Islamic extremism on some level. And then to emphasize that statement the film shows a map of the world covered in red "X"s where Jihadis are on the rise, attacking, bombing and killing. As noted in one Palestinian children's textbook, "this religion (Islam) will destroy all other religions through the Islamic Jihad fighters."
Several of the speakers in the film kept reiterating the fact that the West is in denial of this problem. Even in a post 9-11 environment people do not want to admit that there is a growing malignancy on the planet bent on our destruction. The film is very clear not to condemn Islam as a religion and therefore claims that not all of the world's Muslims are the enemy. But, it is clear that the Jihadi movement is at present very large and is growing with each passing generation. There are many Islamic leaders calling for the deaths of Jews, the destruction of the United States, and the defeat of the west, all the while being cheered on by thousands of onlookers. There is no shortage of hatred in the Islamic world. The film implores us to recognize this threat and to begin to fight back in order to survive. Most disturbing about this enemy is the chair squirming, undeniable connection of the Islamic Jihad movement to the rise of Nazism in Europe during the 1930's.The two historical periods are so closely correlated that it is hard to comprehend how we could have missed its growth. It is as if we were so busy reminding ourselves in the last sixty years that we would never again forget the past in Europe that we did not see it creeping up on us again in another part of the world. The film shows that 19th and early 20th century European anti-Semitism along with a remarkably similar ramp toward fascist ideology are alive and well and flourishing within the Muslim world. The only difference being in Europe it was based on politics and now it is based in religion.
One of the historical parallels to Nazism is the connection between the Mufti of Jerusalem and Adolph Hitler. As disturbing then as it is now the film describes and verifies that Hitler and the Mufti agreed that the extermination of the Jews was central to the War's aims. The Mufti, a radical fundamentalist in his own right, distinguished himself as one of the leaders who tried to prevent Jewish Zionism from establishing a Jewish homeland in Palestine during that era. In exchange for his support Hitler promised him that would never happen.
In one especially chilling moment, Walid Shoebat, a reformed Palestinian terrorist and, who like Noni Darwish is shunned by his family, community and religion, explains the growth of Jihad as compared to the growth of Nazism. He says that Islamo fascism is far more dangerous than Nazism because of its religious components. Jihad makes war in the name of almighty God while Nazism made war for a man, Adoph Hitler. And, it exists in several countries not just one. Therefore, Shoebat concludes, that if we do not stop its rise we will be facing not one Nazi Germany but several.
The sole of Islam is at stake some western commentators have noted, indicating that the only way we can win this is for Islam itself to struggle with the question internally and repair it internally. In other words, we are your supporters but it is you who have to correct the problem. According to "Obsession," and confirmed by Noni Darwish, the struggle is already over, Islam has been stolen by the Jihadi movement. The enemy is getting stronger and the decent Muslim who wants to live his life like we live ours is growing ever weaker. In fact, one gets the sickening feeling that Noni Darwish, and the other Muslim commentators depicted in the film, which courageously stand against the Jihadi enterprise, are lone puppies in a sea of wolves. The danger to all of us is clear. Either we begin to get serious about this problem and take positive steps to end it favorably or we are going to lose. The very existence of Western Civilization is at stake and all the freedoms that we developed, struggled with and refined over the last 2500 years are in danger of being forcibly replaced by something very different. We must recognize that to do nothing and to continue to live in denial of this growing problem is a huge mistake. Unless you are willing to accept that your grandchildren before the end of their lives will be bowing down to Mohammad five times a day I would suggest that you begin looking at our involvement in the Middle East as a matter of survival not as a political football to be argued as Republicans and Democrats. It is not too late but we need to begin now or face a global confrontation of such huge proportions that it will dwarf World War II by comparison. The choice is ours.

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Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination. The film also traces the parallels between the Nazi movement of World War II, the Radicals of today, and the Western world's response to both threats. Featuring interviews with Daniel Pipes, Steve Emerson, Alan Dershowitz, a former PLO terrorist, and a former Hitler Youth Commander

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Expelled: No Intelligence Allowed (2008) Review

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(More customer reviews)Now that the DVD is out, how does it differ from the film version? Even though Vivendi/ Premise won the lawsuit that Yoko Ono filed against the film for using ten seconds of John Lennon's "Imagine", the reference has been cut out of the video. I greatly respected Yoko as a performance artist and had the original records of Two Virgins and Plastic Ono Band. How very sad if a great modern artist's only interest now is gathering greenbacks. More on this in Steve Turner's excellent and revealing The Gospel According to the Beatles, which is full of absolutely unknown Beatlemania.
If anyone actually watched Expelled, they'd see that it's not "thinly disguised creationism" but rather about the freedom to challenge entrenched views. Certain sectors are always taking the church to task for supposedly limiting Galileo's freedom of inquiry and speech (in a vastly distorted account of what actually happened). Hello! Exactly the same thing is happening now, although they seem rather more silent when the shoe is on the other foot. Ben Stein is merely trying to restore the freedoms of speech and inquiry guaranteed in the US constitution to the realm of academia and the hugely controlled "Big Science" of public science foundations and those funded by philanthropic grants, including the Smithsonian Institute, National academy of Science, and the National Science Foundation.
After seeing Expelled in a theater, I wrote a long review of it elsewhere on the web. Now I see it's sparked a rather lively debate among reviewers. Actually, among those who, by their own admission, haven't seen it. One reviewer asks why people are voting against his review (which is against the film). Probably for the same reason people are voting against my review of Dawkins' book: not because the review is "not helpful" but as a way of voting for or against the book or film, as it were.
Having said that, it's probably as impossible to be neutral about this film as about Michael Moore's Farenheit 911 or an Oliver Stone fictionmentary. In my view, however, it's a fine piece of film making. Witty, irreverent, inventive, thoughtful, and Ben Stein is at his likeable, deadpan best. A friend I watched it with said just the opening titles were better than most films he'd seen recently, and I'm inclined to agree. If this film had had the opposite message, I think it would be getting an Academy Award and the New York Times wouldn't stop raving about it (instead of at it).
That's all well and good, one may be saying, but you haven't said anything about the subject. No, and I'd really rather not. If you hold a view generally called these days "Neo-Darwinism" you probably still will after seeing the film. If you incline to an idea called "Intelligent Design", you'll still incline so. If you're interested in battles between factions of the Academy in universities, however, or in free speech and press versus censorship (and this would likely be the topic of many reviews if this film had a different viewpoint), here's an engaging look at the salvos flying back and forth in a social and intellectual debate that much of the media have to date declined to cover.
One interesting thing came out of this film, and that was a test case for "fair use" in relation to copyright laws, an idea everybody knows about, but which seems generally undefined. It concerned Yoko's suing Ben Stein and the producers for using a snippet of John Lennon's song "Imagine". Hasn't everyone and their dog used that song? Yes, but here it wasn't used to sell tennis shoes, but to be considered critically. Again, if the film had the opposite viewpoint, I don't think there would have been a suit, but the outcome was to define "fair use" in its original intent, so that common Joes and Janes don't have to fear cadres of corporate lawyers merely for referring to copyrighted songs, books, films and other materials.
As the film shows, the use of Darwin's ideas to support Nazi ideology and eugenics was almost universal during and following the Victorian era, and was generally known as "social Darwinism". One may argue that these were actually Huxley's ideas, or that Darwin borrowed heavily from Alfred Wallace, but whatever their pedigree, they were pressed into service nearly at once. G.K. Chesterton wrote tirelessly against the Nazis as they were beginning to come to power, attempting to expose their plan of eugenics. In reference to another reviewer, I have read Mein Kampf (sp.) also, and Hitler's plan was entirely based on "social Darwinism". So were the ideas of Margaret Sanger and numerous other crusaders for what was known as "scientific planning". Numerous authors have pointed out the racist motivations behind the Royal Society in Britain and the ages of Victorian and Edwardian exploration, in which races were contrasted in elaborate displays during the world expositions and fairs.
This was also the motivation in the Soviet Union, which forced a famine in order to coerce farmers onto state cooperatives. When Malcolm Muggeridge exposed this plan in the 'thirties, in Chronicles of Wasted Time he was widely denounced by Soviet supporters in the media who wanted this experiment in social planning to succeed. Among these were the Fabian Socialists, Sydney and Beatrice Webb. But Beatrice Webb wrote in her diary in 1933: "(There was) another account of the famine in Russia in the Manchester Guardian (a British newspaper), which certainly bears out Malcolm's reports....Fortunately for the USSR, the attention of the capitalist countries is today concentrated on the Mad Dog of Europe-- Hitler's Germany."
This film may induce a sense of vertigo, being chocabloc full of information and history barely referenced in the media. The effect may be akin to sailing in a calm sea, only to find one has unaccountably hit an iceberg. Or rather the tip of an iceberg, and the film may spark curious viewers to explore the vast reaches submerged below.
Extras on the DVD include: a trailer for Fossil Hunter, a novel by John Olson with a "female Indiana Jones"; An Important Message from Ben Stein (in favor of free speech and inquiry); an advance notice for Expelled: The Book by David Berlinski, not yet released as of this writing; "Practical Applications", called on the DVD cover: "Using Intelligent Design for Medical Research" noting breakthroughs resulting from assuming an engineered, rather than a random process; Theatrical Trailer (Called: "Theatrical Super Trailer" on the cover); Bonus music tracks by Andy Hunter: "Stars", "Technicolour", "Out of Control". Related links include: Expelledthemovie.com and AcademicFreedomDay.com.
Expelled is written for a popular audience, and those with more interest or background may wish for more discussion of science. That comes in an interview with David Berlinski, author of A Tour of the Calculus and many other books, on a DVD called "The Incorrigible Dr. Berlinski". It's from Coldwater Media, the creators of Icons of Evolution, and may later have a general release. For now, it's available from intelligentdesign.org.

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Big science has expelled smart new ideas from the classroom ... What they forgot is that every generation has its Rebel!That rebel, Ben Stein (Ferris Bueller’s Day Off) travels the world on his quest, and learns an awe-inspiring truth … that educators and scientists are being ridiculed, denied tenure and even fired – for the crime of merely believing that there might be evidence of design in nature, and that perhaps life is not just the result of accidental, random chance.To which Ben Says: Enough! And then gets busy. NOBODY messes with Ben.

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