Showing posts with label intelligent sf. Show all posts
Showing posts with label intelligent sf. Show all posts

Saturday, March 9, 2013

Star Trek The Original Series - The Complete First Season (1966) Review

Star Trek The Original Series - The Complete First Season (1966)
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The Program:
If I could find something new to say about Star Trek, that would be a feat in itself. Let it suffice to say that it's the most successful TV sci-fi franchise of all time, was a pioneering show in many respects, and is just darned entertaining to watch, whether you're a "true believer" or not.
Season One of the Original Series is a great place to start for newbies and fanatics alike. We are introduced to the Romulans, Klingons, Khan, Starfleet, the Federation of Planets, and the whole crew short of Chekov, who appears in Season Two. We are presented with 29 episodes, at least 6 of which are absolute masterpieces, and another 10 of which are really, really good. In this package, you'll get classics such as "The City on The Edge of Forever," "Where No Man Has Gone Before," "Balance of Terror," "The Menagerie," "The Devil In The Dark," and "Space Seed." Overall, it's the Original Series' strongest season, and it only has two real clunkers in the group ("Shore Leave" and "The Galileo Seven").
There's really not a whole lot to be faulted in this season. It's an absolutely rock solid item for any Trekkie, and indeed any sci-fi fan, to own.
The Blu-Ray:
So the question becomes, how is the presentation?
Well, it should be said right off the bat that the HD transfers of these shows are absolutely sparkling. Detail is through the roof, making every smile line, button and dial, star, and ship detail just pop right off the screen. Black levels are rock solid, especially in space scenes. Color saturation is deeper than deep, and bright colors are radiant in a way that the previous DVDs just can't replicate. The show is presented in its original 4:3 aspect ratio - thank goodness CBS/Paramount didn't try to stretch these shows in a manner similar to many "HD" rebroadcasts of older shows on cable.
The Original Series was shot on 35 mm film stock, which has more detail than any 480i TV broadcast can resolve (or 480p DVD for that matter). Thus, it is truly benefited by a high definition transfer. This isn't a release where you look at it and say "well, it looks pretty good for what it is." In fact, it has just as much fine detail and the same superior color as the newest shows currently broadcast on TV in HD. And it really does blow away the previous DVDs, too. There are, of course, a few shots here and there that betray their age. This is just the nature of the beast when dealing with 40 year old celluloid elements. But all told, a good 90% of the shots are competitive with modern HD. So as far as a video rating goes, this is 5 star material all the way.
Audio is a tad problematic. Some of the sound balancing seems to be a bit off - dialogue can have a tough time keeping up with music and sound effects. It's perfectly clear, don't get me wrong. But I found myself fiddling with the volume controls more than I'd like throughout an episode. On the other hand, the audio in general is great. The re-recorded theme song is breathtaking - especially when the Enterprise "wooosh-es" by from the front speakers to the rear surrounds. Red Alert klaxons and atmospheric sounds generally are mixed towards the surround channels. It's very cool.
Special effects sequences have been redone with modern CGI and in high definition. For the most part they look great, and it is quite refreshing in the era of the "Lucas-ing" (or is it Abrams-ifying?) of old material that the producers of the new effects went to such great lengths to respect the original design aesthetic of the 1960's material. I will say I kind of wish they had done new model work, as CG still just isn't to the point where it looks "real" (setting aside the fact that this is inherently unreal stuff being filmed...). But I understand that it would never have been done in that case, since it costs so much more these days to do model work as opposed to CGI. On balance, having new effects is much more good than bad.
But the kicker, and the reason it would be no big deal even if one hated the new effects, is the fact that the original effects are on the same disc. You can watch an entire show with the old or new effects, or, if you'd prefer to irritate your friends and significant others, switch between them in real time with the "angle" button on your remote. Are you paying attention, George Lucas? This is what we want in a Star Wars Blu-Ray! The beautiful new with the respected old, side-by-side. Big kudos go to CBS/Paramount and the Trek team for the job they've done here.
Also included are several extra features. Mini-documentaries, mostly reprised from the previous DVD set, are included one on each disc. The "pop-up" text commentary from the DVD has been retained as "Starfleet Access," a combination video-text commentary. The videos are nice, but they talk over the audio from the episode, whereas the older text commentary did not interfere with the audio. I wish both could have been included. New features include a mini-doc on the HD restoration and effects, and a set of "home movies" from an extra on the Trek set. Especially cool is an interactive "tour" of the original series Enterprise, showing many nooks and crannies not often seen or discussed, on the same gorgeous HD CGI model that the new shots use. All in all, a healthy set of extras.
The packaging is nowhere near as bad as some previous DVD Trek seasons, but it still has its issues. Why can we not be presented with episode titles on each disc? The discs are just blank silver paint, with loads of empty space that helpful titles could have occupied. Instead, the episodes are listed on the INSIDE of the Blu-Ray insert, and are covered by both the filler material in the front, and by a disc in back. Being required to pop out a disc to see the contents of three more is really not convenient.
*****
The audio niggles and the packaging stupidity might be enough to make some downgrade this to a four star rating. I am swayed however, by the astounding HD clarity of the video, and the wonderful options for old and new special effects. The other things are minor issues in the scheme of things. This is a tremendously good presentation of an absolutely seminal television show and science fiction saga. The respect with which the "restoration" was handled is truly commendable.
Any Trekkie/Trekker who has a Blu-Ray player should own this set. It's just that simple. If you are just a general sci-fi fan, you also should give this serious consideration.

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STAR TREK - THE COMPLETE FIRST SEASON features the adventures of the U.S.S. Enterprise under the command of Capt. James Kirk (Shatner) and his first officer, Lt. Cmdr Spock (Nimoy) during the 23rd century.They are on a mission in outer space to explore new worlds, where the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen.All 29 first-run episodes on eight discs: The Man Trap, Charlie X, Where No Man Has Gone Before, The Naked Time, The Enemy Within, Mudd's Women, What Are Little Girls Made Of? Miri, Dagger of the Mind, The Corbomite Maneuver, The Menagerie Part I, The Menagerie Part II, The Conscience of the King, Balance of Terror, Shore Leave, The Galileo Seven, The Squire of Gothos, Arena, Tomorrow is Yesterday, Court Martial, The Return of the Archons, Space Seed, A Taste of Armageddon, This Side of Paradise, The Devil in the Dark, Errand of Mercy, The Alternative Factor, The City on the Edge of Forever, Operation: Annihilate!
Text commentary by Michael Okuda and Denise Okuda on Where No Man Has Gone Before, The Menagerie Part I, The Menagerie Part II, The Conscience of the KingFeaturettes: The Birth of a Timeless Legacy, Life Beyond Trek: William Shatner, To Boldly Go... Season One, Reflections on Spock, Sci-Fi Visionaries.

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Sunday, October 14, 2012

Time After Time (Snap Case) (1979) Review

Time After Time (Snap Case) (1979)
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It has been a while since I've reviewed something on my lifelong favorite's list. So I've chosen "Time After Time" because it isn't very well known by younger audiences nor is it necessarily considered a "classic."
However, I instantly fell in love with this movie over 25 years ago--and I still consider it a rip-roaring good time!
Starting out with the most bizarre plot ever, "Time After Time" will keep you enthralled. It is a glorious popcorn flick--fast, light, fun, and exciting in equal measures. Set in 1893, we meet H. G. Wells (Malcolm MacDowell) who is unknowingly friends with Jack The Ripper (David Warner). MacDowell has constructed a time machine which Warner misappropriates as he is fleeing the authorities. He travels to modern day San Francisco where he continues his murderous ways. MacDowell follows him, he must stop Jack The Ripper! He meets up with a local woman, Mary Steenburgen, who helps him adjusts and ultimately gets caught up in his unlikely story.
"Time After Time" succeeds in several different genres concurrently. This is a credible sci-fi pic, a sweet romance, a fish out of water comedy, as well as a decent serial killer thriller. I think that's what I love and respect about this film, it's out there. There is no way that this picture should work, it should be terrible. And yet, inexplicably, Nicholas Meyer has crafted an intricate and audacious work. Even if I didn't love this movie, I would respect its ambition and scope. But love it I do, this is one of the most wildly entertaining pictures you could hope to see. Some people might be tempted to dismiss this work as dated or even slight--and yes, you do have to accept that this is a product of the 70's. There are references to "free love" and other concepts of the era, but at the same time--the film is incredibly prescient about violence in the modern age. Every time Warner describes how he was meant to exist in this future, where killings and debauchery are commonplace, I understand a real truth in his sentiment.
The performances are cracking good. MacDowell is the unlikeliest hero and a refreshing romantic lead. Warner has NEVER NEVER been better. If you are even a passing fan of his, you must see this picture. And Mary Steenburgen is a delight--she doesn't do enough these days! Maybe this isn't highbrow entertainment, but it is dazzling fun. Recommended to all without even the slightest hesitation. KGHarris, 12/06.

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London 1893 is home to a killer with a macabre nickname... and also to a visionary genius who would write "The Time Machine." But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture fleeing his own time to take refuge in ours - with Wells himself in pursuit?

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Alphaville - Criterion Collection (1965) Review

Alphaville - Criterion Collection (1965)
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Like the reviewer above, I was puzzled as to why Criterion would release this film in full frame format when everything else about the edition seemed so meticulously struck, so I thought other people might be interested in Criterion's explanation as to ask why this DVD copy was in the full frame format.
Even though Criterion released the so called widescreen edition previously (1.66:1 letterboxed), each time they re-strike a new product, they will continually consider how the specific movie is supposed to be seen. What I was told was that even though most Europeans probably saw the 1.66:1 widescreen version in the theaters when it was released, it was their belief through a lot of research and interviews, that Godard framed, and meant for the film to be in 1.33:1 - and it was the releasing company that decided on the 1.66:1 format themselves. They told me at Criterion, that neither is necessarily wrong, but that they decided to go with what they believed most suited the vision of it's maker.
I bought the DVD after hearing their explanation, and you will most likely agree with them when you view this version. From the balance of titles and words on the screen, to the way that shots are constructed (such as a sequence which is obviously intentionally composed of only gesturing hands on the edge of the frame during a conversation) I think their argument is right on the mark. Remember in this season of widescreen fever, it shouldn't be widescreen for the sake of widescreen, but to present the thing the way it was intended to be seen.

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A cockeyed fusion of science fiction, pulp characters, and surrealist poetry, Godard's irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to kill the inventor of fascist computer Alpha 60. Criterion's edition of this seminal film features a new digital transfer.

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Saturday, July 21, 2012

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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Friday, July 8, 2011

Soylent Green Review

Soylent Green
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Soylent Green (Richard Fleischer, 1973)

So what's the difference between schlock and one of the 100 best films ever made? Sometimes, I'll admit, it's a pretty blurry line. That's the case with this gem from the Richard Fleischer stable, a tale of a New York City with a population of forty million and a food supply that comes in little squares of red, yellow, and green.

Thorn (Heston) chews scenery. Roth (Edward G. Robinson) spends his life moaning about how things were better in the seventies. (If only they knew.) The two of them try to get through their lives scavenging from the rich, like everyone else in New York. They have an edge, with Thorn being a cop who treats corruption like a confortable pair of undershorts. A high society murder tips Thorn off that all may not be well with Soylent, the company that makes the majority of the world's food supply, and Thorn and Roth start digging deeper deapite warnings from the victim's old bodyguard (Stephen Young) and Thorn's lieutanant (Brock Peters). The production values are strictly seventies, and it's great to poke fun at various things in the film ("my god, it's 2022 and they're still listening to bad lounge music?"). And yet there's something undefinable about this film that propels it from the realm of bad seventies science-fiction exploitation into the realm of true genius. What that thing is, I don't know; when I figure it out, I'll tell you. But something clicked. Heston's patented god-guns-and-guts character is perfect for the role. Robinson actually looks convincing salivating over a stick of celery. And somehow the movie's last lines are delivered convincingly. It's incredible. Whatever magic they managed to make with this one, Hollywood needs to make more of it. **** 1/2

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The is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green - an artificial nourishment whose actual ingredients are not known by the public. Thorn is the tough homicide detective who stumbles onto the secret so terrifying no one would dare believe him.

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