Showing posts with label classic sci-fi. Show all posts
Showing posts with label classic sci-fi. Show all posts

Saturday, December 15, 2012

Classic Sci-Fi TV - 150 Episodes (2009) Review

Classic Sci-Fi TV - 150 Episodes (2009)
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Mill Creek Entertainment has done it again! After tackling TV Westerns, TV Crime Shows, TV Spies and Family TV Shows, this offering focuses on early television science fiction shows, with a bit of horror and the paranormal thrown in for good measure. There is quite a bit to savor in this set, so here's the rundown, by category:
Animated Series:
Captain Fathom - 3 episodes
Clutch Cargo - 1 episode
Space Angel - 9 episodes
Filmed TV Series:
Captain Z-Ro - 24 episodes
Flash Gordon - 14 episodes
Johnny Jupiter - 1 episode
One Step Beyond - 16 episodes
Rocky Jones, Space Ranger - 23 episodes
Thriller (Boris Karloff version) - 1 episode
Live Television Series:
Climax - 1 episode
Lights Out - 4 episodes
Tales of Tomorrow - 6 episodes
Filmed Dramatic Anthology Series:
G.E. Theater - 2 episodes
The Star and the Story - 1 episode
Your Jeweler's Showcase (Operation E.S.P.) - 1 episode
Unsold TV Pilots:
Captain Fathom (live action version)
Destination Space
Here Comes Tobor
The Shadow (Tom Helmore version)
The Shadow: Invisible Avenger (Richard Derr version)
Tales of Frankenstein
Public Service Film:
Stamp Day for Superman (cast of "The Adventures of Superman")
Movie Serials:
The Phantom Empire
Radar Men from the Moon
The Undersea KingdomWhile some may consider the inclusion of movie serials to be a bit of a cheat on this set, one can argue that movie serials (and radio) served as a starting point of sorts for the early years of episodic television and, of course, the serials did eventually make their way to television's airwaves. Perhaps the only major omission of a show with a paranormal flavor that is in the public domain and is not included in this set is Boris Karloff's limited series "The Veil" which, possibly, could have substituted for one of the serials. Regardless, this 12-DVD set includes a mixture of some very common, some not so common, and some downright rare shows. Arguably, the biggest "find" on this set is the inclusion of 24 episodes of "Captain Z-Ro" and, to the best of my knowledge, this set marks the commercial DVD debut of Boris Karloff's "Thriller," a series that many fans have long desired to see on DVD. Perhaps the inclusion of the "Thriller" episode "The Return of Andrew Bentley" might prompt further consideration for an official DVD release of this series in the future. And those who previously purchased Mill Creek's 4-DVD set of 50 "One Step Beyond" episodes will be delighted to know that of the 16 episodes included here, only one episode ("Where Are They?") is repeated from that earlier box set.
Among the unsold pilots, I enjoyed the second incarnation of "The Shadow" titled "Invisible Avenger," which was filmed on location in New Orleans in the late 1950s and was eventually released theatrically, and "Tales of Frankenstein." Don Megowan, who appears as the monster in "Frankenstein" also appears in the live action version of "Captain Fathom," which plays like a low rent version of "Voyage to the Bottom of the Sea." One also wonders about the possibilities of "Destination Space" had it been picked up as a regular series by CBS. Though a bit on the talky side (especially in the middle scenes depicted on earth), the pilot featured solid performances from TV veterans like Harry Townes, Charles Aidman, Edward Platt, Whitney Blake and Gail Kobe, and had the backing of a major studio, Paramount.
As is the case with compilations of public domain shows, the audio/visual quality is all over the map and reflects a variety of sources such as kinescopes for the live shows and unrestored 16 millimeter syndication prints for many of the TV show episodes. While none of the episodes that I have viewed so far are unwatchable, this is definitely not a set for videophiles, nor those expecting state-of-the-art special effects. In fact, the special effects are downright primitive when compared to today's special effects and CGI. But considering the low budgets for most of these productions, it's obvious that the SFX people were trying to do the best they could with the limited resources available to them and that's part of the charm of watching these early Sci-Fi TV efforts.
The variety of the shows included in this set is so broad that there is bound to be something to appeal to almost anyone who even remotely enjoys science fiction. This set is highly recommended for classic/vintage TV fans and those who enjoy the early days of science fiction on the small screen. My rating is closer to **** & ½ for this release, just missing a full five stars given the variable audio/visual quality.

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Science Fiction programming from the Golden Age of Television fills this 12-DVD collection with 24 all-time classic shows!
Captain Fathom - 4 Episodes
Captain Z-Ro - 24 Episodes
Climax - 1 Episode
Destination Space - 1 Episode
Flash Gordon - 14 Episodes
G.E. Theatre - 2 Episodes
Here Comes Tobor - 1 Episode
Invisible Avenger - 1 Episode
Johnny Jupiter - 1 Episode
Lights Out - 4 Episodes
Mandrake, The Magician - 1 Episode
One Step Beyond - 16 Episodes
Operation ESP - 1 Episode
Phantom Empire - 12 Episodes
Radar Men From the Moon - 12 Episodes
Rocky Jones - 23 Episodes
The Shadow - 1 Episode
Space Angel - 9 Episodes
Stamp Day for Superman - 1 Episode
The Star & The Story - 1 Episode
Tales of Frankenstein - 1 Episode
Tales of Tomorrow - 6 Episodes
Thriller -1 Episode
Undersea Kingdom - 12 Episodes

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Tuesday, November 20, 2012

The Time Machine (1960) Review

The Time Machine (1960)
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This review refers to the Warner Bros. DVD edition of "The Time Machine"(1960)......
I am so impressed with how this 43 year old classic Sci-Fi film looks and sounds on the DVD, that I am going to start with that this time. I wasn't expecting it to look as great as it did because the editorial review here gives it 3 out of 5 stars on both the picture and the sound. If you are a big fan of this film, or thinking of buying it as a gift for someone who is, you will not be disappointed with this transfer. The picture is presented in the original widescreen format,so you won't miss a bit of the action. To watch it you would think you went back in the time machine to 1960 and were viewing it for the first time. It is clear and sharp with vibrant color.The soundtrack is remastered in Dolby Dig 5.1 and is a welcome enhancement.The DVD also includes a terrific Behind The Scenes documentary called "Time Machine...The Journey Back". The film's star Rod Taylor hosts and fans will love this informative feature. You'll get a good look at how the actual machine was made and the journey that it has taken in the last 40 years as well as other interesting tid bits. This feature has it's own scene selections to choose from or you can just watch it straight through. The film may be viewed in French and has subtitles in English and French.(my only teeny complaint would be that the black bar area is not used for these subtitles, they are at the bottom of the film).
The story based on the novel by H.G. Wells is as captivating today as it ever was. You know the tale.....
George(Rod Taylor)has all the time in the world. He tells his friends an incredible story of his adventures traveling through the ages in a time machine that he has built. As his story begins, he starts out slowly traveling through the 20th century. He doesn't like what he sees. War and destruction seem to be the fate of civilaztion.He pushes foward, quickly, and the years fly by. Finally stopping in the year 802701,he comes across what seems to be a paradise on earth. Clean air,fruit growing in abundance, and a society of young beautiful people, the Eloi, who don't seem to have a care in the world. But even in this Utopian like civilazation there's trouble amiss.The Morlocks are running things from underground and they are just as scary today as they ever were.So it's up to our guy George to save this future civilazation from the evil Morlocks,and try to get back home to the year 1900 for an 8pm dinner appointment..whew,what a great story!
Directed brillantly by George Pal("7 Faces of Dr. Lao"/"Atlantis the Lost Continent"), the film also boasts the great talents of Alan Young, Sebastian Cabot, and the lovely Yvette Mimieux, as "Weena", who adds a little romantic interest to the story. The film was awarded a well deserved Oscar for it's special effects(also discussed in the featurette) for Gene Warren and Tim Barr.The movie is rated G, although the scenes with the Morlocks might be a little scary for very young children.
A great story, fabulous film and an outstanding DVD. So go back in time, with your old friend "The Time Machine"..enjoy...Laurie

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A time travel inventor travels to the future where the passive Eloi are in danger of becoming prey to subterranean mutants called Morlocks.Genre: Feature Film-DramaRating: GRelease Date: 13-MAR-2001Media Type: DVD

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Sunday, October 14, 2012

Time After Time (Snap Case) (1979) Review

Time After Time (Snap Case) (1979)
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It has been a while since I've reviewed something on my lifelong favorite's list. So I've chosen "Time After Time" because it isn't very well known by younger audiences nor is it necessarily considered a "classic."
However, I instantly fell in love with this movie over 25 years ago--and I still consider it a rip-roaring good time!
Starting out with the most bizarre plot ever, "Time After Time" will keep you enthralled. It is a glorious popcorn flick--fast, light, fun, and exciting in equal measures. Set in 1893, we meet H. G. Wells (Malcolm MacDowell) who is unknowingly friends with Jack The Ripper (David Warner). MacDowell has constructed a time machine which Warner misappropriates as he is fleeing the authorities. He travels to modern day San Francisco where he continues his murderous ways. MacDowell follows him, he must stop Jack The Ripper! He meets up with a local woman, Mary Steenburgen, who helps him adjusts and ultimately gets caught up in his unlikely story.
"Time After Time" succeeds in several different genres concurrently. This is a credible sci-fi pic, a sweet romance, a fish out of water comedy, as well as a decent serial killer thriller. I think that's what I love and respect about this film, it's out there. There is no way that this picture should work, it should be terrible. And yet, inexplicably, Nicholas Meyer has crafted an intricate and audacious work. Even if I didn't love this movie, I would respect its ambition and scope. But love it I do, this is one of the most wildly entertaining pictures you could hope to see. Some people might be tempted to dismiss this work as dated or even slight--and yes, you do have to accept that this is a product of the 70's. There are references to "free love" and other concepts of the era, but at the same time--the film is incredibly prescient about violence in the modern age. Every time Warner describes how he was meant to exist in this future, where killings and debauchery are commonplace, I understand a real truth in his sentiment.
The performances are cracking good. MacDowell is the unlikeliest hero and a refreshing romantic lead. Warner has NEVER NEVER been better. If you are even a passing fan of his, you must see this picture. And Mary Steenburgen is a delight--she doesn't do enough these days! Maybe this isn't highbrow entertainment, but it is dazzling fun. Recommended to all without even the slightest hesitation. KGHarris, 12/06.

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London 1893 is home to a killer with a macabre nickname... and also to a visionary genius who would write "The Time Machine." But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture fleeing his own time to take refuge in ours - with Wells himself in pursuit?

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Friday, September 7, 2012

Space 1999 - 30th Anniversary Edition Megaset (17DVD) (1975) Review

Space 1999 - 30th Anniversary Edition Megaset (17DVD) (1975)
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As soon as we got this in, we opened a set and checked it out...
This so-called digitally remastered 30th Anniversary edition is NO DIFFERENT than the older Mega Set...just slimmer packaging. You still see all the spots, smudges, hairs, graininess. The only reason to buy this is if you have not already gotten the older set and want to save some money. Sad, really, that we did not get the better UK remastered product.

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All 48 episodes of this acclaimed space adventure are contained in this complete collection, digitally remastered from the original 35mm film, plus bonus footage, featured extras, and much more! With its progressive plotlines, an outstanding cast, and astonishing special effects from Oscar® winner Brian Johnson (Alien, The Empire Strikes Back), SPACE: 1999 has secured its place as one of the most thought-provoking series of the 21st century—and beyond.

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Saturday, June 30, 2012

Alien (The Director's Cut) (1979) Review

Alien (The Director's Cut) (1979)
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Amazon's reviewer calls this movie overrated and drawn out, while the Leonard Maltin movie guide review seems a bit baffled that some people like this kind of entertainment. Don't listen to either of them. Alien is, quite simply, one of the best movies ever made in both the sci-fi and horror genres. Those who complain that the film takes too long to get going suffer from some kind of cinematic attention span disorder; Ridley Scott draws his scenes out because he wants to build tension and establish a sense of realism before introducing H.R. Giger's terrifying creation. Unfortunately we can all see that the monster is just a guy in a suit during the closing sequences when Scott finally lets us see what the big slimy nemesis really looks like, but otherwise the film hasn't aged a bit since it came out two decades ago. The DVD is great too, with excellent picture quality and a really great commentary track, despite some disastrously inappropriate menu screens (the interfaces are all CG-rendered glitz, which really doesn't go with a movie known for its slow, elegant, quiet suspense). Anyone with any interest in horror or science fiction films in general should pick up this classic immediately.

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

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Saturday, April 14, 2012

The Classic Sci-Fi Ultimate Collection, Vols. 1 & 2 Review

The Classic Sci-Fi Ultimate Collection, Vols. 1 and 2
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Universal has finally seen the folly of their ways in selling this set exclusively via Best Buy and is re-releasing both volumes 1 & 2 in one set. Included are all ten films in the original sets, but once again there will be no extra features - just the films themselves and some trailers. If you love the great campy horror films of the 1950's you'll love this set. The following is from the press release on the new combined set:
Tarantula (1955, 81 min.)
An experiment to create a growth formula that could end starvation evolves into a nightmare when a contaminated spider grows gargantuan - with an appetite to match!
The Mole People (1956, 78 min.)
Deep below the surface of the earth, three scientists stumble upon a tyrannical tribe of albinos who have enslaved a mutant - and dangerous - race of mole people.
The Incredible Shrinking Man (1957, 81 min.)
After encountering a mysterious radioactive mist, an ordinary businessman finds his physical size diminishing as his ordinary household becomes a terrifying trap of doom. By the way, who keeps a cat in the house with a six inch tall husband around?
The Monolith Monsters (1957, 76 min.)
In a desperate race against time and nature, a geologist and a scientist must find a way to stop effects of killer outer-space rocks that are literally petrifying people with fear!
Monster on the Campus (1958, 76 min)
Terror sweeps a college campus after the discovery of a prehistoric fish that turns animals and humans that come into contact with it into bloodthirsty monsters.
Dr. Cyclops (1940, 78 min) in COLOR!
A brilliant but deranged physicist shrinks his enemies to one-fifth of their normal size when they begin to challenge his unconventional experiments.
Cult of the Cobra (1955, 80 min)
Vengeance is sworn against six American GI's after they witness a clandestine ceremony worshiping beautiful women who can change into serpents.
The Land Unknown (1957, 79 min)
When a navy expedition crash-lands in a crater thousands of miles below sea level, they encounter a hot, tropical landscape of prehistoric terror filled with ferocious dinosaurs.
The Deadly Mantis (1957, 79 min)
A paleontologist teams up with the military to battle a huge praying mantis when it goes on the attack in metropolitan cities after being released from an Arctic iceberg.
The Leech Woman (1960, 77 min)
Determined to recapture her beauty, a woman discovers a compound that will restore youth - but only when it's combined with fluid taken from bodies of the newly dead.

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Prepare to be blown away with 10 out-of-this-world adventures from the golden age of Hollywood in The Classic Sci-Fi Ultimate Collection: Volumes 1& 2! Loaded with innovative special effects and captivating storylines, these timeless tales will take you into the strange and shocking worlds of Tarantula, The Mole People, The Incredible Shrinking Man, The Monolith Monsters, Monster on the Campus, Dr. Cyclops, Cult of the Cobra, The Land Unknown, The Deadly Mantis and The Leech Woman. You can run and you can hide, but you won't want to miss a minute of the fun in this amazing sci-fi showcase!

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Thursday, April 5, 2012

Dark Star (1974) Review

Dark Star (1974)
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A lot of people i know who are not aware that this film was originally released in 1975 fault it for being derivative, when, actually, if anything, the shoe is on the other foot.
Dan O'Bannon's special effects sequences are incredible, especially since the entire budget for the whole film wouldn't buy coffee for an effects house working on teevee commercials today; i am especially taken with the utterly convincing planet-buster bombs made from an HO-scale piggyback trailer turned upside down with engine parts from a 1/25th scale model car attached (if you look closely on a good copy you can still read the logo of the car manufacturer on the valve cover used as part of the bomb's drive mechanism).
So many great lines and sequences in this film -- Pinback and the beachball and the elevator may exceed the Maximum Allowable Funny Quotient for a minor film, and Doolittle's conversation with the bomb (capable of destroying an entire planet) that plans to detonate right alongside the ship, as he leads it into beginning philosophy and convinces it that maybe it *didn't* really hear the "go" code...
The theme song, "Benson Arizona", one of the more warped contry songs one will ever hear, is a hoot; the original is by Carpenter and a lyricist whose name i have lost, and SF fans have been adding verses to it for years.
Watch for the "THX-1138" gag -- for many years (if not still) the only time the *whole* title has been used in a film reference.
O'Bannon worked on special effects on the first "Star Wars" film, and basically borrowed his own "computer search of the blueprints" sequence from "Dark Star" for that film.
The basic design of the "Dark Star" itself is by Ron Cobb, background astronomical paintings by Jim Danforth, and the design of the crew's spacesuits is determined by the fact that they used a commercially-available toy spaceman for effects shots.
As an example of the sort of audience this film appeals to -- it was briefly released theatrrically in the latter Seventies; a frind here in Atlanta went to see a matinee, and realised that the only other people in the dark with him were Joey Ramone and his girlfriend.

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DARK STAR was originally intended to be a 68 minute film. JackHarris, the Hollywood producer, convinced the filmmakers to shoot 15minutes of extra footage and he released the expanded version theatricallyin 1975 through Bryanston Pictures. In 1983, DARK STAR was re- issued tohome video as a "Special Edition," created under the supervision andauthorization of the filmmakers. This special version, featuring a newtechnically superior video transfer, had been edited by the filmmakersthough, virtually removing all the extra footage. Now, once again for allDARK STAR purest, here is the full length theatrical release version,painstakingly restored, and sporting a new Dolby Digital Hi-Fi stereo soundtrack. Enjoy! In the mid twenty-first century, mankind has reached a pointin its technological advances to enable colonization of the far reaches ofthe universe. DARK STAR is a futuristic scout ship traveling far in advanceof colony ships. Armed with Exponential Thermosteller Bombs, it prowls theunstable planets. But there is one obstacle that its crew members did notcount on -- one of the ship's thinking and talking bombs is lodged in thebay, threatening to destroy the entire ship and crew! Bonus Features: Contains 2 Versions: Longer Theatrical & Original Shorter Version|Trailer| Scene Selection| Actor Bios| Remixed 5.1 Track. Specs: DVD5; Dolby Digital 5.1; 83 minutes; Color; 1.85:1 Aspect Ratio; MPAA - G;Year - 1974; SRP - $9.99.

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Sunday, September 25, 2011

Journey to the Center of the Earth (1959) Review

Journey to the Center of the Earth (1959)
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OK, there's been some controversy here about the quality of this release, so let me put it to rest. This DVD is spledid! I think this adaptation of Jules Verne's 1864 French novel is a prime example of 1950's wide-screen motion picture family entertainment -- it's wholesome and has a little something for everyone. This is the best film version of this story, the most recent of which was done for the USA Channel on cable in 1999 and was very campy. They couldn't match the 1959 production values of this 20th Century-Fox film that has excellent color photography and art direction, and Bernard Herrmann's wonderfully atmospheric music score. These elements have continued to make it a favorite with fantasy film fans who can appreciate older movies, though it's true that some of it is silly at times, but I don't think the film's makers were trying for a serious movie. It also contains one of James Mason's best performances (He was always good). It's wonderful "Cinemascope" escapism from the bygone Eisenhower-era of the 1950s. Even though I've been watching it on TV since I was a kid in the sixties, I'd only seen pan&scan versions, and it wasn't until I got it letterboxed on laserdisc that I finally saw what a big-screen entertainment this movie was meant to be. It has splendid scope and a score by Bernard Herrmann that takes you right down into the bowels of the earth. Listen to it and you'll notice what I mean, as the movie progresses the music keeps going into a lower and lower register. Five organs were used, including one meant for a Cathedral. (The complete original recordings of the score are available on CD from Varese Sarabande.) Sure it's long in the telling and takes a while to get you down that extinct volcano in Iceland, but it's fun all the way with great special effects work by L.B. Abbott and matte paintings by Emil Kosa Jr. It's been a long wait for this to come out on DVD but it's now worth it. Although Fox should have known that fans would want more extras, including a production and poster still gallery and audio commentary by Pat Boone and Arlene Dahl perhaps?, or an expert on the production? (Perhaps we'll get it in a future release?), they have thankfully included the original theatrical trailer, whic is a lot of fun. They've also gone to great efforts to restore the color negative, and this 16X9 ANAMORPHIC TRANSFER has been struck from a newly made interpositive print, and has been further enhanced with digital video. The original 4-track MagOptical soundtrack is here offered in Dolby Digital 4.0 surround. Although the directionalized dialogue is often off the mark, the aged soundtrack sounds great and will really rumble your room if you've got a subwoofer. If you are a fan of 1959's JOURNEY TO THE CENTER OF THE EARTH, you'll be very happy with this DVD. I'd give this DVD five stars but for Fox skimping on the extras. Boy, you people at Fox can be real dummies!

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The accent is on fun and fantasy in this film version of Jules Verne's classic thriller that stars James Mason, Pat Boone, and Arlene Dahl. With spectacular visuals as a backdrop, the story centers on an expedition led by Professor Lindenbrook (Mason) down into the earth's dark, threat-laden core.Members of the group include the professor's star student, Alec (Boone), and the widow (Dahl) of a colleague.Along the way lurk dangers such as kidnapping, death, sabotage by a rival explorer, and attacks by giant prehistoric reptiles.But they also encounter such magnificent wonders as a glistening cavern of quartz crystals, luminescent algae, a forest of giant mushrooms, and the lost city of Atlantis.Remaining faithful to Verne's story, this is a sweeping adventure that offers enough thrills and entertainment to satisfy every explorer in the family.

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Saturday, September 24, 2011

Forbidden Planet (Two-Disc 50th Anniversary Edition) (1956) Review

Forbidden Planet (Two-Disc 50th Anniversary Edition) (1956)
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Forbidden Planet is an incredible movie and no Sci-Fi fan should be without it. The transfer on the 50th Anniversary and Ultimate Collector's Editions is incredible. I've never seen the film look so bright, crisp and vibrant. The included documentaries and bonus footage are very entertaining and not to be missed.
A word of warning though, the Ultimate Collector's Edition is a bit of a rip off. The included Robby the Robot toy was the main reason I bought this set and it's much smaller (and less detailed) than the images lead you to believe. I haven't opened mine, but it looks like it's not even articulated. Definitely not worth the extra money I had to pay. The lobby card reporductions are nice, as is the tin case, but unless you plan to display these it's hard to justify the added cost.
Be smart, skip the Ultimate Collector's Edition and buy the 50th Anniversary Edition. You'll get just the exact same transfer and bonus material without the cheap toy and lobby cards.

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A dutiful robot named Robby speaks 188 languages. An underground lair offers evidence of an advanced civilization. But among Altair-4's many wonders, none is greater or more deadly than the human mind. Forbidden Planet is the granddaddy of tomorrow, a pioneering work whose ideas and style would be reverse-engineered into many cinematic space voyages to come. Leslie Nielsen plays the commander who brings his spacecruiser crew to the green-skied world that's home to Dr. Morbius (Walter Pidgeon), his daughter (Anne Francis)...and to a mysterious terror. Featuring sets of extraordinary scale and the first all-electronic musical soundscape in film history, Forbidden Planet is in a movie orbit all its own.

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Friday, July 8, 2011

Soylent Green Review

Soylent Green
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Soylent Green (Richard Fleischer, 1973)

So what's the difference between schlock and one of the 100 best films ever made? Sometimes, I'll admit, it's a pretty blurry line. That's the case with this gem from the Richard Fleischer stable, a tale of a New York City with a population of forty million and a food supply that comes in little squares of red, yellow, and green.

Thorn (Heston) chews scenery. Roth (Edward G. Robinson) spends his life moaning about how things were better in the seventies. (If only they knew.) The two of them try to get through their lives scavenging from the rich, like everyone else in New York. They have an edge, with Thorn being a cop who treats corruption like a confortable pair of undershorts. A high society murder tips Thorn off that all may not be well with Soylent, the company that makes the majority of the world's food supply, and Thorn and Roth start digging deeper deapite warnings from the victim's old bodyguard (Stephen Young) and Thorn's lieutanant (Brock Peters). The production values are strictly seventies, and it's great to poke fun at various things in the film ("my god, it's 2022 and they're still listening to bad lounge music?"). And yet there's something undefinable about this film that propels it from the realm of bad seventies science-fiction exploitation into the realm of true genius. What that thing is, I don't know; when I figure it out, I'll tell you. But something clicked. Heston's patented god-guns-and-guts character is perfect for the role. Robinson actually looks convincing salivating over a stick of celery. And somehow the movie's last lines are delivered convincingly. It's incredible. Whatever magic they managed to make with this one, Hollywood needs to make more of it. **** 1/2

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The is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green - an artificial nourishment whose actual ingredients are not known by the public. Thorn is the tough homicide detective who stumbles onto the secret so terrifying no one would dare believe him.

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Thursday, April 14, 2011

1984 (1984) Review

1984 (1984)
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Attention: For those who did not read George Orwell's classic dystopian novel "1984" in high school, college, or through personal initiative, please take the time to do so before diving into the soul shattering experience of the film version of this book, aptly titled "1984." I imagine that many viewers could experience lapses of extreme boredom if they do not have a sufficient understanding of newspeak, thoughtcrime, and the political dynamics of Oceania/Eastasia/Eurasia before experiencing this soul shattering film. You might even want to read a few items about communism and fascism before watching the movie. In any event, the book and film are chilling in their presentation of a world in the grip of pure totalitarianism.
Originally released in 1984, "1984" tells the story of Winston Smith. Smith lives and works in what used to be the city of London, before an atomic war swept away the world as we know it and ushered in the dark gloom of Big Brother. Smith spends his days working away in a booth at the Ministry of Information, constantly updating and rewriting the party organs in order to make history fit with present realities. In the course of a day's work, Winston routinely changes rationing promises, removes people labeled as "non-persons" from articles, and burns records. During his off hours, he sits in his ratty apartment under the constant surveillance of the state, which keeps an eye on him through a giant monitor in his living room and with hovering helicopters outside his window. Occasionally, Winston gets to attend giant party rallies where he and other members of INGSOC watch televised propaganda tapes about the endless war with Eastasia (or is it Eurasia?). Each day is bleak, filled with consumer shortages, the endless nattering of propaganda in the background ("War is Peace, Ignorance is Strength, Freedom is Slavery"), and dreams about his life as a child or a place in the countryside.
Unfortunately for Winston, he just cannot make himself accept the prevailing view, namely that one need only give oneself up to the party and never question anything INGSOC pronounces as truth. His job reconstructing history makes him acutely aware that the party lies incessantly, and in Winston's world losing faith in the party means losing one's life after visiting Room 101 in the Ministry of Love. To make matters worse, Winston catches the eye of the lovely Julia and quickly becomes embroiled in seditious activities that Big Brother more than frowns upon. After Winston falls in with a high party official named O'Brien, the downward spiral begins in earnest, leading to an interrogation that is definitely an upsetting viewing experience.
This film is by necessity an intensely character driven vehicle. Thankfully, director Michael Radford obtained the services of John Hurt and Richard Burton to play Winston and O'Brien. Hurt shines as the tortured Winston, looking as though he's on death's door while he trudges through another bland day in Oceania. Burton is properly menacing as the enigmatic O'Brien, playing his role of party thug with equal parts compassion (oddly enough) and threat. I know less about Suzanna Hamilton, the actress who plays Julia, although she does an admirable job working between two great film stars. Incidentally, this was Burton's last film role.
I loved the atmosphere of this film. Radford creates a dank, dingy London I wouldn't even think about strolling through without a full body protection suit. The ubiquitous audio and visual propaganda is a nice touch as well, creating a sense of total immersion in Winston's world. As Winston slogs through the bombed out backdrop of London on his way to work, the viewer becomes aware of the party's total grip on the people through the canard of total war. The omnipresent image of Big Brother should certainly bring a smirk to anyone familiar with Russian history, since the guy looks a lot like Lenin.
I noticed that the Eurythmics soundtrack, while advertised on the case and in the credits, is missing from the film. This did not bother me much since I first saw the film years ago and do not remember much about the soundtrack other than the excellent score by Dominic Muldowney... I feel sorry for those who looked forward to having that part of the soundtrack included in their purchase. Despite this omission, the film is very much worth the money.
Great imagery, great acting, and a great message about the evils of 20th century fascism and communism make "1984" a must have for any film lover. I'll watch John Hurt in nearly anything, but he really turns in a powerful performance here. Pick up this movie and watch for the warning signs!

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