Thursday, April 14, 2011

1984 (1984) Review

1984 (1984)
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Attention: For those who did not read George Orwell's classic dystopian novel "1984" in high school, college, or through personal initiative, please take the time to do so before diving into the soul shattering experience of the film version of this book, aptly titled "1984." I imagine that many viewers could experience lapses of extreme boredom if they do not have a sufficient understanding of newspeak, thoughtcrime, and the political dynamics of Oceania/Eastasia/Eurasia before experiencing this soul shattering film. You might even want to read a few items about communism and fascism before watching the movie. In any event, the book and film are chilling in their presentation of a world in the grip of pure totalitarianism.
Originally released in 1984, "1984" tells the story of Winston Smith. Smith lives and works in what used to be the city of London, before an atomic war swept away the world as we know it and ushered in the dark gloom of Big Brother. Smith spends his days working away in a booth at the Ministry of Information, constantly updating and rewriting the party organs in order to make history fit with present realities. In the course of a day's work, Winston routinely changes rationing promises, removes people labeled as "non-persons" from articles, and burns records. During his off hours, he sits in his ratty apartment under the constant surveillance of the state, which keeps an eye on him through a giant monitor in his living room and with hovering helicopters outside his window. Occasionally, Winston gets to attend giant party rallies where he and other members of INGSOC watch televised propaganda tapes about the endless war with Eastasia (or is it Eurasia?). Each day is bleak, filled with consumer shortages, the endless nattering of propaganda in the background ("War is Peace, Ignorance is Strength, Freedom is Slavery"), and dreams about his life as a child or a place in the countryside.
Unfortunately for Winston, he just cannot make himself accept the prevailing view, namely that one need only give oneself up to the party and never question anything INGSOC pronounces as truth. His job reconstructing history makes him acutely aware that the party lies incessantly, and in Winston's world losing faith in the party means losing one's life after visiting Room 101 in the Ministry of Love. To make matters worse, Winston catches the eye of the lovely Julia and quickly becomes embroiled in seditious activities that Big Brother more than frowns upon. After Winston falls in with a high party official named O'Brien, the downward spiral begins in earnest, leading to an interrogation that is definitely an upsetting viewing experience.
This film is by necessity an intensely character driven vehicle. Thankfully, director Michael Radford obtained the services of John Hurt and Richard Burton to play Winston and O'Brien. Hurt shines as the tortured Winston, looking as though he's on death's door while he trudges through another bland day in Oceania. Burton is properly menacing as the enigmatic O'Brien, playing his role of party thug with equal parts compassion (oddly enough) and threat. I know less about Suzanna Hamilton, the actress who plays Julia, although she does an admirable job working between two great film stars. Incidentally, this was Burton's last film role.
I loved the atmosphere of this film. Radford creates a dank, dingy London I wouldn't even think about strolling through without a full body protection suit. The ubiquitous audio and visual propaganda is a nice touch as well, creating a sense of total immersion in Winston's world. As Winston slogs through the bombed out backdrop of London on his way to work, the viewer becomes aware of the party's total grip on the people through the canard of total war. The omnipresent image of Big Brother should certainly bring a smirk to anyone familiar with Russian history, since the guy looks a lot like Lenin.
I noticed that the Eurythmics soundtrack, while advertised on the case and in the credits, is missing from the film. This did not bother me much since I first saw the film years ago and do not remember much about the soundtrack other than the excellent score by Dominic Muldowney... I feel sorry for those who looked forward to having that part of the soundtrack included in their purchase. Despite this omission, the film is very much worth the money.
Great imagery, great acting, and a great message about the evils of 20th century fascism and communism make "1984" a must have for any film lover. I'll watch John Hurt in nearly anything, but he really turns in a powerful performance here. Pick up this movie and watch for the warning signs!

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