Showing posts with label 1984. Show all posts
Showing posts with label 1984. Show all posts

Monday, March 25, 2013

1984 (1956) Review

1984 (1956)
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This 1956 vision starts with scenes from the recurring nightmare of its time: nuclear war. Oceania and the rest were built on the glowing rubble of that war.
Michael Anderson directed this very compelling version of Winston Smith, the Everyman in that world. It's a world where people searched daily, in their own homes - display of pockets and briefcase content in front of the flickering but unblinking monitor lenses. His work is in rewriting history, to make sure everything turned out the way Big Brother says that it did, and rewriting again tomorrow to conform to the new past.
This movie form of Orwell's book does take some liberties with the story, but none that matter. Winston and his lover are captured. Their thoughtcrime is too serious for matters like trial, and the sentence is immediate. They don't deserve execution in that world, instead they are crushed into Big Brother's mold and converted. This is not a movie with a happy ending. At the time it was written, though, it was a very believable ending.
Some of this story's predictions have some true, in odd ways. Big Brother's cameras track us every day, in banks and stores, along streets and highways, and even from home webcams. Oddly, the futuristic dome-towers of Orwell's Ministry buildings in London also came true in the Swiss Re building, the "gherkin.".
In other ways, though, the 1950s sensibilities of the movie look stale to a modern audience. A newer version of the movie emphasized the grit and damage of a bombed-out world, impoverished by the costs of its weapons, but this was a relatively clean kind of place. The newer production also suggested the physical decay caused by imprisonment under Big Brother, but this Winston came out looking reasonably well-fed and dapper. The 1956 Winston was a crushed man, too, but our eyes have changed since this movie was made.
Still, it's a classic rendering of a classic cautionary story. It's a strong portrayal of a dystopia that could still happen, even though calendar year 1984 has come and gone. And, like Orwell's original, it ends on a note in which hope is not just gone, but forgotten.
//wiredweird

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George Orwell's landmark novel is the basis of this eerie, darkly satiric tale whose futuristic world is divided into three sections following an atomic war. London, capital of the Oceania sector, is where Edmond O'Brien is a clerk for "Big Brother," the totalitarian government that keeps a close watch with all of its subjects. When O'Brien carries on a forbidden love affair with Jan Sterling, officials try to brainwash the couple into abandoning their free will. With Donald Pleasence, Michael Redgrave; directed by Michael Anderson ("Around the World in 80 Days"). 91 min. Standard; Soundtrack: English; scene access. Plays All Regions.This product is manufactured on demand using excellent DVD-R recordable media. Very nice quality and professionally packaged.

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Saturday, March 3, 2012

Beat Street (1984) Review

Beat Street (1984)
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I was franticly looking for this movie not more than 6 months ago, cannot find it anywhere! . This is a movie that must be seen and owned by anyone who loves hip hop and it's culture. Unlike the other breakdance movies this one is so well made, not only does it include artist that are the foundation of hip hop such and melle mel, afrika bambaataa and tina b to name a few but it outlines the culture, from dj-ing to graffity and showdowns on the dancefloor. The rocksteady crew are pure ledgens and for them to be in this movie is just a major bonus. I am propably preaching to the converted here but if you are into hip hop or just listen to the music, you have got to get this movie, hopefully it will come out on dvd 'cos the music would absolutely ROCK.

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Widely considered the most influential hip-hop movie of all time, this "gritty, streetwise musical"(LA Herald-Examiner) features a who's who of the movement's early starsKool DJ Herc, KoolMoe Dee, Doug E. Fresh, Afrika Bambaataa and Melle Melas well as the famous Rocky Steady Crew vs. New York City Breakers battle at the Roxy. Uniting the four elements of hip-hopbreakdancing, DJ-ing, MC-ing and graffitiinto an unforgettable experience, Beat Street is a true classic, packed with sharp lyrics, powerful moves and the flashiest dance sets the screen has ever seen!When rapper-DJ Kenny (Guy Davis) meets cultured jazz artist Tracy (Rae Dawn Chong), he is so inspired by her dedication that he vows to use his talents to escape the ghetto. But when his friend, a gifted graffiti artist, is killed in a tragic accident, Kenny comes face to face with the high price of artistic passion.

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Thursday, April 14, 2011

1984 (1984) Review

1984 (1984)
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Attention: For those who did not read George Orwell's classic dystopian novel "1984" in high school, college, or through personal initiative, please take the time to do so before diving into the soul shattering experience of the film version of this book, aptly titled "1984." I imagine that many viewers could experience lapses of extreme boredom if they do not have a sufficient understanding of newspeak, thoughtcrime, and the political dynamics of Oceania/Eastasia/Eurasia before experiencing this soul shattering film. You might even want to read a few items about communism and fascism before watching the movie. In any event, the book and film are chilling in their presentation of a world in the grip of pure totalitarianism.
Originally released in 1984, "1984" tells the story of Winston Smith. Smith lives and works in what used to be the city of London, before an atomic war swept away the world as we know it and ushered in the dark gloom of Big Brother. Smith spends his days working away in a booth at the Ministry of Information, constantly updating and rewriting the party organs in order to make history fit with present realities. In the course of a day's work, Winston routinely changes rationing promises, removes people labeled as "non-persons" from articles, and burns records. During his off hours, he sits in his ratty apartment under the constant surveillance of the state, which keeps an eye on him through a giant monitor in his living room and with hovering helicopters outside his window. Occasionally, Winston gets to attend giant party rallies where he and other members of INGSOC watch televised propaganda tapes about the endless war with Eastasia (or is it Eurasia?). Each day is bleak, filled with consumer shortages, the endless nattering of propaganda in the background ("War is Peace, Ignorance is Strength, Freedom is Slavery"), and dreams about his life as a child or a place in the countryside.
Unfortunately for Winston, he just cannot make himself accept the prevailing view, namely that one need only give oneself up to the party and never question anything INGSOC pronounces as truth. His job reconstructing history makes him acutely aware that the party lies incessantly, and in Winston's world losing faith in the party means losing one's life after visiting Room 101 in the Ministry of Love. To make matters worse, Winston catches the eye of the lovely Julia and quickly becomes embroiled in seditious activities that Big Brother more than frowns upon. After Winston falls in with a high party official named O'Brien, the downward spiral begins in earnest, leading to an interrogation that is definitely an upsetting viewing experience.
This film is by necessity an intensely character driven vehicle. Thankfully, director Michael Radford obtained the services of John Hurt and Richard Burton to play Winston and O'Brien. Hurt shines as the tortured Winston, looking as though he's on death's door while he trudges through another bland day in Oceania. Burton is properly menacing as the enigmatic O'Brien, playing his role of party thug with equal parts compassion (oddly enough) and threat. I know less about Suzanna Hamilton, the actress who plays Julia, although she does an admirable job working between two great film stars. Incidentally, this was Burton's last film role.
I loved the atmosphere of this film. Radford creates a dank, dingy London I wouldn't even think about strolling through without a full body protection suit. The ubiquitous audio and visual propaganda is a nice touch as well, creating a sense of total immersion in Winston's world. As Winston slogs through the bombed out backdrop of London on his way to work, the viewer becomes aware of the party's total grip on the people through the canard of total war. The omnipresent image of Big Brother should certainly bring a smirk to anyone familiar with Russian history, since the guy looks a lot like Lenin.
I noticed that the Eurythmics soundtrack, while advertised on the case and in the credits, is missing from the film. This did not bother me much since I first saw the film years ago and do not remember much about the soundtrack other than the excellent score by Dominic Muldowney... I feel sorry for those who looked forward to having that part of the soundtrack included in their purchase. Despite this omission, the film is very much worth the money.
Great imagery, great acting, and a great message about the evils of 20th century fascism and communism make "1984" a must have for any film lover. I'll watch John Hurt in nearly anything, but he really turns in a powerful performance here. Pick up this movie and watch for the warning signs!

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