Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

Wednesday, April 10, 2013

Alien Abduction Review

Alien Abduction
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The Sci-Fi Channel showed this movie over the weekend, and I'm seriously thinking of buying the DVD. Often their weekend fare seems to be low-budget techno-testosterone-adventure that's best avoided by anyone with a brain. But "Alien Abduction" is low-budget something else entirely.
It starts out seeming innocuously unoriginal, with four fairly annoying twentysomethings on a camping trip in the woods. They experience a horrifically gory alien abduction (hence the title), and then our lead woman wakes up in an institution for abduction survivors, where she has to figure out what's going on before what's going on kills her. We're not told whether the other three have survived, but they do reappear in the story after a while. (I'm being vague here on purpose.)
I knew from the outset that there would be a twist ending, and I assumed the twist would be fairly standard and predictable. Once the movie got going, though, it became obvious that I'd have to revise my prediction. I actually made several guesses through the course of the movie about what it would be, but was still surprised when it finally came. And it was pretty clever to boot.
All the hospital scenes are shot in a wash of green, or sometimes purple, contributing to the surreal, dreamlike atmosphere that pervades the whole movie. The only full color is when reality starts to intrude. If you pay attention, there are clues and red herrings scattered throughout as to the true nature of the situation, and some of them are actually not obvious, such as when the woman in charge says she is "responsible for all the abductions in the northeast region." In context, she clearly means that her hospital is responsible for the victims of such abductions. -- Or does she? The bizarre behavior of many (if not most) characters is another clue, but for this there are at least three potential explanations within the course of the story. Don't make the usual mistake of thinking this is merely bad acting. While it may be that, it also (perhaps unintentionally) has the effect of adding to the surreal, inhuman, disorienting quality of our heroine's surroundings, while at the same time preserving the quiet campiness, which turns out to complement the story surprisingly well.
Along her adventure, our heroine discovers scarred, murderous nurses; how easy it is to pose as a doctor in a military-run hospital; and the importance of wearing the right clothes for any given occasion. This is good dirty camp, and should be appreciated as such. Yet this character also acts in a completely consistent and believeable way, and turns out (after an initial spate of shrieking) to be a pretty sympathetic protagonist. This movie was made on a shoestring budget over a whopping one-and-a-half weeks, and the sound quality in particular suffered for it -- be prepared to turn your volume up, then down, then up again, several times. (This is frustrating but not fatal.) For the money and time they had, they did a pretty good job with a pretty good script.
All in all, the best B-movie I've ever seen.

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ALIEN ABDUCTION - DVD Movie

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Friday, March 22, 2013

The Greatest American Hero - Season One (1981) Review

The Greatest American Hero - Season One (1981)
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Although it's now fashionable to watch a superhero struggle with his or her abilities in movies and TV, it wasn't always the case. William Katt played Ralph Hinkley an ordinary guy who is left a gift from aliens from outer space-a suit that gives its wearer the ability to fly, super strength, invisibility and much more. Suddenly, he had all these super powers but lost the owner's manual to tell him how to use it correctly. Ralph ends up flying into walls and generally having as many mishaps as a superhero could possibly have. Befriended by FBI agent Bill Maxwell (Robert Culp) Hinkley partners with him and decides to fight for good. These first eight episodes (including the two hour pilot ) made up the first season of the series. The two hour pilot soars with nice comedic touches by Katt, Connie Selleca and the perfect straight man in Culp. In fact, Culp plays it so seriously that it comes off almost as a parody of a government agent.
With an exceptionally good transfer, "The Greatest American Hero" looks almost as if it was invulnerable to the ravages of time. The transfers look very nice with solid blacks and color reproduction. Considering the show is twenty five years old, there are few of the flaws that one might expect. The image is occasionally soft but and has some minor analog imperfections (such as dust, dirt particularly during the effects shots) on the whole, Anchor Bay has done a meticulous job in transferring this series to DVD. The sound while limited by the technology of the time (it was broadcast in mono) has good presence with the dialogue very clear. Some minor background hiss crops up from time to time. Although the box says this is in stereo it sounds like mono to me.
We get a pilot for a spin off entitled "The Greatest American Heroine". While only one episode was shot, what we have is quite good and promising. Sadly, no network picked up the spin-off so, until recently, it has sat on the shelf. In the spin off Hinkley hands off the suit to a young woman and she takes up where he left off. We also get interviews with stars William Katt, Robert Culp, Connie Selleca and writer/producer/creator Stephen J. Cannell. Culp provides some interesting tidbits in his interview. For example, the reason Bill Maxwell comes across so intense and humorless is because Culp decided to play the role that way. He figured that there with others playing for laughs, presenting his character as serious would provide an anchor to reality and prevent the show from becoming too tongue-in-cheek. With over an hour of interviews, this portion of the set is extremely generous. No commentary tracks from anyone but, really, the interviews do make up for that. Hopefully in future sets we can have commentary tracks on key episodes by the actors and Cannell.

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Believe it or not, he’s walking on air! William Katt is back as reluctant flying crime fighter Ralph Hinkley, who would know exactly how to use the red superpower suit given to him by aliens if he hadn’t lost its instruction manual. In this season, Ralph pitches in the World Series, prevents World War III, suffers amnesia, joins the circus, battles bad bikers, voodoo vengeance, a fast-food mascot and much more, all with the help of his attorney girlfriend Pam Davidson (Connie Selleca) and FBI agent Bill Maxwell (Robert Culp). Who could it be? Believe it or not, he’s THE GREATEST AMERICAN HERO!This collection features all 22 Second Season episodes with such guest stars as Markie Post, Joe Mantegna, Barbara Hale, Keenan Wynn, Dixie Carter, Don Drysdale and more, plus all-new Extras that include revealing and fun career-retrospective interviews with creator Stephen J. Cannell and music composer Mike Post.

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Thursday, March 14, 2013

FastWalkers - Brand New UFO and Alien Disclosure DVD with the World's Leading Experts and Stunning New Footage Review

FastWalkers - Brand New UFO and Alien Disclosure DVD with the World's Leading Experts and Stunning New Footage
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This is one of the most amazing DVDs that I have ever seen. It manages to cover the history of UFOs, and at the same time, explore the implications of ETs visiting our planet. Anyone who has even the slightest interest in the UFO phenomenon will find this DVD fascinating. The individuals speaking on the DVD are retired military personnel, scientists, historians, pilots, government officials, and credible UFO investigators. It is a must buy.

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Mankind's most carefully guarded secret revealed! For the first time.... information that you were never meant to know. Amazing UFO photos and video footage you were never meant to see. over 30 experts are represented in the fields of medicine, physics, science, aviation, journalism,biology, religion, politics, military and more! The difinitive documentaryabout E.T and UFO disclosure.

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Friday, March 8, 2013

Species (1995) Review

Species (1995)
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While the film itself is a love it or hate hit kind of thing (as far as the story and actors and whatnot), I would like to rate the actual quality of the disk and what separates it from the dvd version.
The Blu-ray version of this movie is much better than all the other version. Better quality images, better quality sound, and you even get a cool glimpse into Giger's creative process with a extra on the blu-ray that shows him creating the "evil train" sequence.
Personally, I liked the movie - but I think what most people want to know is, is it worth buying the blu-ray version vs. the dvd version and the answer to that question is DEFINATELY!

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Sunday, February 24, 2013

Bikini Girls From the Lost Planet (2006) Review

Bikini Girls From the Lost Planet (2006)
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Oh boy! Another bikini movie from Retromedia. And it's a good one. It reuses a classic B movie plot that never gets old. A planet populated entirely with women sends two cute, scantily clad girls to Earth to find virile men that can be brought back and used to insure the survival of their race.
There are seven sex scenes. Four are boy/girl. One is girl/girl. One is boy/girl/girl/girl. And one is boy/girl/boy/girl. The women are all hot and include veteran bikini girls Nicole Sheridan and Beverly Lynn, as well as some new faces: Christine Nguyen, Syren, Michelle Lay, and Rebecca Love. All the women do a great job during their sex scenes. Unfortunately, Rebecca doesn't have a sex scene is this movie, she just stands around topless.
Extras include some bloopers and trailers for other Retromedia bikini movies.
I recommend this one.

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Blast off to the farthest reaches of deep space as two starl-lost foxes from the all-lesbian planet of Aquaterra head for Earth in search of the finest male breeding stock. A fast-paced erotic spoof of sex and special effects in the tradition of Flesh Gordon, this is sin and satire on a galactic scale!.

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Saturday, February 9, 2013

Alien Anthology Review

Alien Anthology
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My local electronics store already had the Alien Anthology bluray on the shelves this Tuesday (October 19). At first I thought the street date had been changed at the last minute (it wouldn't be the first time). But it appears that all the websites still list the release date for next Tuesday (Oct 26), so I guess my local store must have made a mistake (it wouldn't be the first time for that either).
In either case, I already got my hands on the Alien Anthology set, and I thought that Alien fans who are still trying to decide whether it's worth the upgrade before next week's proper street date might want to know the following:
(Note: This review assumes that most of you have already seen the films, and there may be some very mild spoilers.)
[UPDATE: I've added LOTS more detail about the extras, including the extended Alien 3 doc. Find this under PROS section (3). In PROS section (1) I've also answered some questions from another customer.]
[UPDATE 4: More specifics on why the 3rd and 4th films' picture quality won't wow you as much as the first 2 films'. Under Cons section (1)]
[UPDATE 6: I've found more new extras on disc 6, including new deleted scenes from Aliens. Details in PROS section (3).]
PROS:
1) All four films look very good on bluray, and much better than the earlier DVDs, with the first two films looking the best. Alien almost looks brand new. Aliens still looks its age (sometimes), but it enjoys the single biggest improvement in picture quality in the jump from DVD to bluray that I have ever seen for a classic film (or pretty much any film for that matter). While there are still plenty of shots that still look soft or a bit grainy by today's standards, the entire film looks sharper than ever and the grain is far less distracting. Some sequences, like the marines' initial investigation of the abandoned colony, almost look like they could have been shot this year. The color quality and detail visible on the panning shot from the planet to Ripley's orbital hospital room at the beginning of the film totally blew my mind. Detail and texture are excellent throughout and I saw no signs that DNR had been overused. After experiencing Aliens on bluray, I wonder how I was ever able to tolerate the picture quality on the DVD.
[UPDATE: The Theatrical and Director's cuts of Alien both look equally great. It's my understanding that Ridley Scott made some minor alterations to things like contrast, etc. in the Director's cut, but I frankly didn't notice any difference between the two. I haven't watched the Theatrical cut of Aliens in years, as I much prefer the Extended version, so I may not remember which all scenes were added for the latter. However, I did not notice any correlation between picture quality and whether a scene was in the Theatrical cut or added in later, so I assume that they all come from the same source and are of more-or-less equal quality. If I have a chance to look at it again soon and do notice any differences, I'll post another update.]
[UPDATE 2: I've watched the first 25 minutes of the Theatrical cut of Aliens and can confirm that the picture quality is identical to the Special Edition. In other words, it will cause longtime Aliens fans' jaws to drop off right before they become temporarily blinded by its awe-inspiring glory. This is truly the greatest film restoration I've ever seen prepared for the transition from DVD to bluray. Because of the film stock used, I didn't think it would ever be possible for the film to look this good.]

2) All four films also sound greatly improved compared to the DVD. This is especially true for Alien 3. Dialogue which was hard to make out on the DVD is now much clearer and easier to understand. I did notice some audio sync issues with some of the third film's dialogue, but I think these are misalignments which were already present on previous DVD releases, and may therefore be inherent to the original film.
3) The new extras are extensive and excellent. Within the first couple minutes of sampling the new enhancement pods on disc 5, I learned a couple of tidbits I had been unaware of before. These are a wonderful extension of the already superb making-of documentaries. The MU-TH-UR interactive mode is easy to use and will probably prove helpful to those who are only interested in seeing certain parts of the behind-the-scenes material, but I haven't used it much. I've only sampled a couple minutes of the trivia track portion of this feature (titled "Datastream"), but so far it appears as though it will mostly be a re-hash of material you can find in disc 5's documentaries. The set also includes ALL of the extras from EVERY previous release of these films, as promised (at least as far as I can tell), in addition to the extended Alien Evolution and Alien 3 documentaries.
[UPDATE: The extended Alien 3 documentary includes significantly more footage of Fincher directing on the set (lenghtier character discussions with the actors, etc.) and more detail on the schism between him and the studio that I don't remember seeing on the Quadrilogy DVD. At one point during filming you see Fincher get on a microphone and say, "I can't believe Fox is the number one studio because they're all such a bunch of morons." Interestingly, while some of the new footage does reflect poorly on the studio, I think it also makes it easier to understand why some people had trouble working with Fincher. I personally find this longer cut much more interesting, but it hardly feels like an entirely new, revelatory version. Still, if you love a good behind-the-scenes documentary, the extended cut of "Wreckage and Rage: The Making of Alien 3" may help justify the upgrade to bluray.
By my estimate, disc 5 contains around 17 hours of documentaries, including an hour to an hour-and-a-half of new enhancement pods for each individual film (these are mostly extended interviews and production footage). I couldn't even tell you how many hours of content are on disc 6. So it's understandable, due to space limitations, that some of this material still appears to be in standard def. Although it's in SD, most of it has been enhanced so your bluray player will upconvert it (sometimes beautifully so) to fill a widescreen TV. I find the text slides on the still galleries of concept art on disc 6 (which ARE in FULL HD) much easier to read now. In disc 5's docs, most film clips, production artwork and photos, and many interviews will now fill the screen, while other interview clips appear pillarboxed with new imagery to the right and left instead of black bars (similar to the "Disneyview" feature on the Snow White and Pinocchio blurays, though mostly much less distracting than those were). It all looks good enough that I don't think many people will be too disappointed that some of these extras are still in SD.
BOTTOM LINE: The extras, both new and old, are a substantial improvement over the Quadrilogy DVD set (at least IMHO, your mileage may vary). I doubt many people will feel shortchanged here.]
[UPDATE 6: I've found more new extras on disc 6. There are some deleted scenes from Aliens, at least one of which - featuring Burke in a cocoon - I don't think I've seen before. The Patch and Logos image gallery will be appreciated by folks who love all the costuming/set dressing details. There's a video reproduction of a ride called "Aliens: Ride At The Speed of Fright" which is notable for two things: it's REALLY cheesy, and it features a very young Jeffrey Combs (I think this part is new - I don't remember seeing it on the DVD). The Parodies section is just some Alien-related clips from Spaceballs and Family Guy. You'll also want to keep an eye out for Easter Eggs on this disc.]
4) The set has a couple of impressive surprises that weren't mentioned in any of the studio press releases I've seen. Disc Unbound is an automatic feature: when you eject any disc from this set, the Weyland-Yutani logo will pop up on screen. You can then insert any other disc from the set and you'll go straight to the main menu - it will skip over all the studio logos and FBI Warning screens, making an Alien marathon slightly faster and less annoying.
I was aware that this set would include isolated score tracks for all four films (as well as alternate score tracks for the first two), but was unaware that you can also access each piece of music in any order from an index which includes even more unused music. I'm not certain, but I think I may have even spotted a couple of Bonus alternate tracks for Aliens that weren't even on the Deluxe Edition soundtrack CD.
5) For those who are hard of hearing, all 4 films and even the extras on discs 5 and 6 include subtitles in around 15 languages, including English and Spanish. Even the audio commentaries have subtitles in multiple languages! Each film also has multiple language audio tracks, though it appears that only the English receives a lossless one.
6) The packaging is the most elegantly beautiful I've ever seen for a bluray set. Inside the slipcase is a hardcover book with each disc held securely within its own page. These pages include photos from each film, as well as some basic info like plot synopses and director's credits. There's also a booklet and insert tucked in the back which explain how MU-TH-UR mode and Disc Unbound work, and list the content on each disc. It also has a note from Ridley Scott filled with tantalizing hints about what to expect in his upcoming prequel. Everyone will be happy to know that the package is very compact and will fit perfectly next to your other blurays. It's the same size as the Close Encounters of the Third Kind bluray, except that the spine is a little thicker since it holds more discs...Read more›

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Brace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!

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Monday, December 10, 2012

Jeremiah - The Complete First Season (2002) Review

Jeremiah - The Complete First Season (2002)
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Why only four stars? Well, I have to knock it down a bit for Sam Egan's episodes because while they did improve as the season went on, they just could never compare to JMS'. I hope in the coming seasons a writer will be able to jump on board and pick up the reins where JMS left off and keep the momentum going. Also, I was a bit disappointed to see that it is not being presented in Widescreen as that would have been the smarter move for MGM to make.
The premise might not be for everyone as it is a dark and grim view of our future but the underlying message is about hope. The characters in this series are at a crossroads -- they can continue to prey off the remains of the "old world" until there is nothing left or they can try to rebuild their world into something better than what came before them.
Season one was a bit of a bumpy ride and perhaps had a slow start but it was worth it in the end. I followed this show after being a fan of Babylon 5 for many years and knew it was going to be worth it if I just held out long enough. Boy, was I was right!
It was fun to pay attention to the little details that were semi-hidden on the first viewing, only to discover that they all contributed to the greater arc of the show. Even the "bad" episodes all tied into the larger picture and became part of a wonderful tapestry called, JEREMIAH.
Some of my favorite episodes that had my head spinning for days at the numerous possibilities presented were FIREWALL, TRIPWIRE and the two-part season finale, THINGS LEFT UNSAID.
If you haven't had a chance to see this show, I strongly urge you to check out this series, as it is one of the most thought-provoking and intelligent shows produced. Give it a season and if you aren't hooked by the end, return it or donate it to your local library. However, I have a feeling that you will either tune into Showtime to see season two or you will be anxiously awaiting the next season's set to arrive at your door.

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A stunning sci-fi epic that re-envisions the future of mankind, this top-rated, action-packed original series is "intriguing" (Associated Press), "fascinating" (Ft. Lauderdale Sun-Sentinel) and "deep and intense" (Science Fiction Weekly)! Luke Perry ("Beverly Hills 90210," "Oz") stars as Jeremiah, one of the many young survivors of the "Big Death" that claimed the lives of every adult in the world 15 years ago. Now forging his way through a bleak wilderness fraught with danger and conspiracy, Jeremiah and his most trusted friend, Kurdy (Malcolm-Jamal Warner), are plunged into thrilling adventures that test every facet of their humanity…and ultimately the fate of the human race itself!

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Monday, December 3, 2012

Alien - Predator Total Destruction Collection Review

Alien - Predator Total Destruction Collection
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Ok, so all the other reviews are whining about the lack of special features. Personally, I love these movies, they were the definition of Sci-Fi horror, well, until the AVP wastes.
But I have never watched a special feature, nor have i listened to a director's commentary. I just don't care about those things. I simply want these movies. This pack has them. if you want to own these movies, this is a GREAT deal.
If you care about what the director ordered for lunch on the 5th day of shooting, then spend twice the money and get the special super pack. If not, this pack is for you!

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Disc 1: Alien 20th Anniversary WS Disc 2: Aliens Long Version WS Disc 3: Alien 3 WS Disc 4: Alien Resurrection WS Disc 5: Predator PS Disc 6: Predator 2 WS Disc 7: Alien vs Predator Unrated WS Disc 8: Alien vs Predator 2 Unrated WS

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Tuesday, November 20, 2012

AVP - Alien Vs. Predator (Widescreen Edition) (2004) Review

AVP - Alien Vs. Predator (Widescreen Edition) (2004)
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The first time I saw this movie, I absolutely hated it. The second time, I saw this "Unrated" cut, and suddenly I didn't mind it so much. I fact I kind of liked it. Maybe that had something to do with the fact that James Cameron himself said that he liked it, and I was under the influence of reading that.
Alien Vs. Predator is a sequel to the first two Predator movies, and a prequel to the Alien series. As such, it sets up how the Company from the Alien films first became aware of the Xenomorphs. The Company is represented by Lance Henriksen, playing the founder of the Weyland-Yutani Company, who later builds the Bishop android in Aliens, also played by Lance Henriksen. We can assume that the dude in Alien3, also played by Henriksen, is a generations-later relative of this character.
A lot of B-level actors have been selected for this film, most of whom I'd never seen before. Most notably is Ewen Bremner, the "other" Ewen from Trainspotting. While nobody in this cast (apart from Henriksen) is on a level with some of the supportors from the Alien or Predator series (such as Bill Duke, Jesse Ventura, Tom Skerrit, Bill Paxton, or Michael Beihn), none of them are that bad either. In fact they all have a sort of charisma, which is important since you're supposed to feel bad when they start getting slaughtered.
The script is the weakest point of this film. Many fans have pointed out many inconsistencies with the Alien series. While a little thinking can patch up most of these plot holes, some just gape wide open no matter how much duct tape you try to put over them.
The big two, which I can't fathom an explanation for, are as follows. First, the life cycle of the Xenomorphs has been hurried so that they now burst out of your chest after what seems like minutes. Yet this is even contradicted later in the film, when a Predator gets infected with one! It takes him hours to burst out. Second, there appear to be more Xenomorphs in this film than there were human hosts. I don't get that. No explanations are attempted within the film.
Having said that, I think this movie is easier to swallow than Predator 2 with its cheesy gang members, or Alien Resurrection with its unbelievable cloning of Ellen Ripley and Queen.
Disc two is the real treasure here. I watched the pre-production and post-production segments absolutely mesmerized. Paul Anderson is a charismatic director with a clear passion for Alien movies (the good ones) and he clearly worships the ground that Jim Cameron walks on. As he and his crew walk us through the making of the movie, you really become infected with his enthusiasm. The fact that most of the movie was done with scale models with a minimun of CG just makes is so much cooler. It's much more fun watching guys blow up models than it is to watch some guy do it on his Mac.
Initially I bought this movie simply to have a complete Alien and Predator collection. After watching this cut, and the bonus material, I was hooked in. It's not as bad as I made it out to be the first time. It's a popcorn movie. While the original two Alien films and the first Predator film were more cerebral, I believe Alien Vs. Predator to be better than the later films of those franchises. I enjoyed it, and maybe you will too.

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"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.

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Wednesday, September 19, 2012

The Alien Legacy (1986) Review

The Alien Legacy (1986)
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You're not reading this for a critical review of the movies; if you haven't seen the movies, you've been living under a rock for the last 20 years (in which case you should rent them, then buy this set). You're reading this because you want to know if this set is worth owning.
Yes, yes, and yes. Simply put, this is the best usage of DVD to date. Picture quality and sound are outstanding, and that's just the beginning. What makes these discs shine is all the attention that was put into the extra goodies on the discs themselves. Pop in the Aliens disc, and the menu is as if you're watching one of the Marines' helmet cameras, investigating the lost colony. Put in Alien and you'll be traveling down the famous claustrophobia corridors of the Nostromo choosing your options. After seeing these you'll take a different point of view on a lot of your other DVD's, once you witness how good they could have been but aren't.
On these discs there's deleted footage, commentaries, theatrical trailers, making-of documentaries, and too much more to name here (although, if you once owned the Aliens laserdisc, there isn't quite all the stuff there was on that version, like Cameron's script drafts and other written material).
A feast for fans. The best DVD purchase I've ever made, and a rediscovery of the old Alien magic. Highly recommended.

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Friday, September 14, 2012

Escape to Witch Mountain Special Edition (1975) Review

Escape to Witch Mountain Special Edition (1975)
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To coincide with the new Witch Mountain film being released to theaters, Disney is re-releasing "Escape to Witch Mountain" (1975) as a special edition loaded with well-done extras.
The story is about Tony (Ike Eisenmann) and his younger sister, Tia (Kim Richards), two orphans who have recently lost their foster parents as well. While getting used to their new home, an orphanage (run by Disney favorite Reta Shaw), the children draw the attention of an attorney, Lucas Deranian (Donald Pleasence), whose life is saved because of the children's esp powers. Deranian's boss, Aristotle Bolt (Ray Milland) is an evil (and wealthy man) fascinated with paranormal powers. He pretends to be the children's uncle so that he can take custody of them and use them for his own gain. Meanwhile, Tia's star case (a metal purse) reveals a map to Witch Mountain, providing clues to their origins. Once Tony & Tia discover Bolt's plot to exploit them, they escape his mansion and with the help of a crusty (only on the outside!) widower, Jason O'Day (Eddie Albert), they try to find their way home to Witch Mountain. Bolt and the greedy townspeople (hungry for Bolt's financial reward) chase after the children. Will they make it home?
Sure, the special effects will not be quite as dazzling to current generations used to digital, but the story and its universal themes more than make up for the film's 1970's appearance. What child couldn't relate to having a hard time fitting in with others, feeling lost and just wanting to find the comfort and warmth of home? Richards and Eisenmann have excellent chemistry, and are ably supported by veteran actors Ray Milland, Eddie Albert, and Donald Pleasance (who is extremely menacing in his understated performance). The scenery is also fantastic, as much of the film is shot on location in Carmel and Palo Alto. And as for style...the opening credits still pack a wallop--WAY COOL!
The extras are fantastic, giving a very complete look at how the film was made.
Audio Commentary:
Fantastic memories from Kim Richards, Ike Eisenmann, and director John Hough. Very enjoyable to listen to, filled with fun behind the scenes info, such as Tia's star case currently residing in the Disney archives, and learning that Kim's younger sister played Tia in the flashbacks. What is fantastic is that both Kim & Ike have excellent recall of what occurred during filming.
"Making the Escape" (26:41): What a fantastic making-of featurette. Interviews with Richards, Eisenmann (who now goes by the name Iake Eissinmann), red-headed bully orphan Dermott Downs, and director John Hough. Hough tells how Disney wanted a grittier and darker feel to "Witch Mountain," which is why he got the job (thanks to previous films, including "Legend of Hell House"). Kim & Ike share very warm memories of making the movie (Ike is even moved to tears when discussing the themes of the movie and people's reaction). Kim remembers Disney as the best studio and most loyal, with a family feeling; obviously, these were special times for these two actors who also enjoyed being part of the special effects used in the film. Interestingly enough, Jodie Foster was considered for Kim's part until Foster took another project instead.
"Conversations with John Hough" (6:52): Interview with the director, who discusses his philosophy on filmmaking. "Get passionate about a subject, and don't give up." He attributes his long career to making a variety of movies and gambling on risky projects. He aptly feels that good directors must be part psychologists, to understand the actors and crew.
"Disney Sci Fi" (2:45): A montage of clips from films such as "Escape to Witch Mountain," "The Rocketeer," "Tron," "The Cat from Outer Space," and "The Navigator."
"Disney Effects--Something Special" (11:03): Harrison Ellenshaw, a visual effects designer who also happens to be the son of famous Disney matte artist Peter, discusses the history of visual effects at the Disney studio. "20K Leagues Under the Sea" (1954) was the first visual effects film shot on the Disney lot. Ub Iwerks was the genius who accomplished many of the dazzling effects at Disney, and the man behind the the process lab. "Mary Poppins" and other films show how rich and artistic matte paintings could look on film, giving a special perfection not possible with location filming. "Dick Tracy" (1990) was pretty much the last Disney film to use the traditional photochemical processes & matte paintings. Today, most of these effects are handled digitally. A clip from "The Rookie" is shown, illustrating how a grip is digitally removed from the film. "Fix it in post" has become the standard line after a mistake is made.
"Disney Studio Album 1975": Shows clips from what was going on at the Disney Studio during that year: "Escape to Witch Mountain," "The Apple Dumpling Gang," "Strongest Man in the World," "One of our Dinosaurs is Missing," Debut of America On Parade (Disneyland), Mission to Mars (Disneyland), "No Deposit No Return" in production, "Crazy With the Heat" (reissue), "Pluto's Christmas Tree" (reissue), "Pluto's Housewarming" (reissue), "The Sky's The Limit" (TV), "The Boy Who Talked to Badgers" (TV), "The Secret of the Pond" (TV), and Welcome to the World--Space Mountain Opens at WDW.
"Pluto's Dream House" (1940): Mickey wants to build Pluto a new doghouse, and with the aid of an unseen Genie in a lamp, accomplishes his goal. Although enjoyable, it is extremely curious that Disney puts this on the DVD with no background or explanation, especially with its politically incorrect depiction of the genie (who sounds like he wandered off the set of Amos & Andy) and Pluto being painted in blackface and getting dubbed "Mammy." And yet, "Song of the South" remains in the vaults.
Sneak Peeks:
Featuring previews of Bolt, Disney XD, Tinkerbell & The Lost Treasure, Morning Light (inspiring true story of Roy Disney putting together a team of 15 inexperience sailors for a trip from LA to Honolulu), Snow White (on Blu-ray), and Bedtime Stories (Adam Sandler).
Pop-Up Fun Facts
Specs:
Audio: Dolby Digital 5.1 Surround Sound (English & French), French & Spanish Subtitles. Audio is good and clear, but not especially outstanding.
Video: Widescreen (1.75:1), enhanced for 16x9 TVs. Picture is clear with good color, but definitely has a 70's soft feel.
The sequel, Return from Witch Mountain Special Edition is also now available.

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A vehicle floats in midair a coat rack comes to life and attacks a sheriff and wild animals are putty in the hands of Tony and Tia Malone in Disney's thrilling fantasy adventure about the psychic powers of two young orphans. Their clairvoyance prompts evil millionaire Aristotle Bolt (Ray Milland) to lure them to his mansion to exploit their powers. While escaping, they meet a friendly campter (Eddie Albert) and begin to unravel the mystery of their origin. Soon, all three are fleeing townspeople who have branded the children witches but then IT happens! Someone with even greater powers takes over and leads the children and the audience into a dazzling and unexpected experience one that is truly out of this world! The film was shot around Monterey and Palo Alto, California, including a Victorian mansion at Menlo Park that served as the Pine Woods Orphanage.Bonus features:All-New Pop-Up Fun FactsMaking The EscapeConversations With John HoughDisney Sci-FiPluto's Dream HouseDisney Effects Something Special1975 Disney Studio AlbumAudio Commentary

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Sunday, July 22, 2012

The Hitchhiker's Guide to the Galaxy (1982) Review

The Hitchhiker's Guide to the Galaxy (1982)
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This is a review of the DVD set itself, as I assuming most of you already know the story and have possibly seen the TV show. This is a digitally remastered DVD with a stereo soundtrack and clear crisp visuals.
It's actually a two DVD set. The TV series, which is on the first DVD, is as near to a flawless reproduction as is currently possible. Watch it with the lights off to enjoy all the visuals and matte painting special effects that were available in 1981 with a shoestring budget. Additionally, this is a "must buy" just for the second DVD alone. Outtakes and deleted scenes, behind-the-scenes footage, The Making of The Hitchhikers Guide to the Galaxy, BBC Omnibus Tribute to Douglas Adams, and much more.
BBC Video has stepped up and hit a homerun with this DVD set. Be sure to watch it with and recommend it to your friends. "Share and enjoy!"

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With the galaxy's best-selling tour guide and a good towel, earthling Arthur Dent and Ford Prefect (actually from planet Betelgeuse) are transported, among other places, to the Restaurant at the End of the Universe and back to the beginning of time.

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Saturday, June 30, 2012

Alien (The Director's Cut) (1979) Review

Alien (The Director's Cut) (1979)
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Amazon's reviewer calls this movie overrated and drawn out, while the Leonard Maltin movie guide review seems a bit baffled that some people like this kind of entertainment. Don't listen to either of them. Alien is, quite simply, one of the best movies ever made in both the sci-fi and horror genres. Those who complain that the film takes too long to get going suffer from some kind of cinematic attention span disorder; Ridley Scott draws his scenes out because he wants to build tension and establish a sense of realism before introducing H.R. Giger's terrifying creation. Unfortunately we can all see that the monster is just a guy in a suit during the closing sequences when Scott finally lets us see what the big slimy nemesis really looks like, but otherwise the film hasn't aged a bit since it came out two decades ago. The DVD is great too, with excellent picture quality and a really great commentary track, despite some disastrously inappropriate menu screens (the interfaces are all CG-rendered glitz, which really doesn't go with a movie known for its slow, elegant, quiet suspense). Anyone with any interest in horror or science fiction films in general should pick up this classic immediately.

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

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Thursday, June 14, 2012

V: The Complete Series (1984) Review

V: The Complete Series (1984)
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In 1985, I didn't have a VCR. I loved "V" in 1983 and enjoyed "V The Final Battle" in 1984. I was really happy to hear that the struggles of Mike Donovan and the rest of the resistance were coming back as a series. At the time I worked at a local grocery store and, as fate would have it, I was usually scheduled when V the series was on. As a result I only caught a few episodes here and there when I had a day off. It was not as good as the two mini series but I thought it was entertaining. After a mere 19 episodes the show was cancelled and V was gone forever.
Since that time, I ran across friends who didn't like the series. Whenever I found articles about "V", the series follow up was always dismissed as crass exploitation of the franchise. Last week, WB released the series (possibly to test the wind for a new mini series) on DVD for the first time. Finally, after nearly two decades (can it be that long?) I have been able to finally discover what the series was all about. Here are my impressions:
There will be many SPOILERS so please do not read further if you want to be surprised.
1. This series isn't bad. It is not as good as the two mini-series but it is entertaing in its own right. I also think that this show was innovative in the field of TV Science Fiction. Prior to "V", Science Fiction was very episodic. Star Trek, Space: 1999, Logan's Run, Planet of the Apes, Buck Rogers and to a certain extent, Battlestar Galactica all told self contained stories. The plot was resolved by the end of the hour. "V" The series was different in this respect. It had story arcs and continuing plot threads. Every episode ended in a cliff-hanger and it left you wanting more. In this aspect, it has a modern flavor. Like Babylon 5, StarGate SG 1 and Season 3 Enterprise, it tells a big story over a run of several episodes.
2. People could die on "V". For most TV shows, you know that the heroes will make it in the end. Not on "V". Over the 19 episodes, long-standing characters like Dr. Maxwell and Elias Taylor buy the farm surprisingly abruptly. This raised the stakes dramatically and kept the viewer involved in the narrative.
3. The cast was great. Marc Singer was perfectly cast as heroic Mike Donovan. Micheal Ironside ruled as perfect tough guy Ham. Jane Badler was very memorable as Uber-B**ch, Diana. June Chadwick was suitably catty as Diana'a rival Lydia. Duncan Rehgar was fantastic as Charles, the leader's envoy. His fight with Donovan in "The Hero" is classic. He was a great villain and it is a great shock when he is killed after a mere 4 episodes.
4. There is a sense that this is merely a peek at a global war with the Visitors. For the first 12 episodes or so, The Freedom Network newscaster, Howard K. Smith ( A real journalist by the way) reads the headlines on the state of the war. We learn that the Visitors are sweeping through Spain and so forth. This makes us understand that The resistance in LA is only one story in this global conflict. It really gives the story a certain gravitas.
5. The stories are often action adventure tales that are on par with anything that was on the air in the mid 1980s. Unfortunately, the sociological aspects that made the first mini series so memorable are ignored completely. The show, evan though it is watered down, is entertaining in its own right.
There are some things that are unfortunatle about this show:
1. All the SFX are recycled from the two mini series. (I think one new shot was filmed for "The Dreadknot.") Even entire sequences are lifted from the minis. Remember when Donovan is on horseback and is being chased by a skyfighter? Well, the entire sequesce appears again in "The Champion." After a while, it becomes really grating to see the same shots over and over. I know that SFX on TV was really expensive back then but WB should have spent some money on new shots.
2. As the series goes on, it is clear that there was less and less money bugeted for each episode. The first episode, "Liberation Day" has an outdoor crowd scene with hundreds of extras. By the last episode, we only have the main characters walking around on the standing sets. By the end, the production valules of the show looked rather thread bare.
3. The producers decided to exploit the alien lizards by showing them without their Human masks. This was a mistake. The people who created the lizard makeups were not as artful as John Chambers. As a result the lizard appliances were very stiff and immoble. By showing the Lizards in their natural state too often, it undermined their credibility as a frightening threat. The full face lizards were about as scary and convincing as a halloween slip on mask. It became a bit silly.
4. I hate cliffhangers that are unresolved. I can't understand why they would create a cliffhanger for a show that was doing poorly in the ratings. It is really unfair to viewers who watched every episode.
5. The Star Child. One of the big weaknesses of "The Final Battle" was the ending where Elizabeth gets all glowy like Decker in Star Trek the Motion Picture. Elizabeth uses some kind of super powers that come out of nowhere and saves the day. In the series, the Star Child goes through some type of metamorphosis and comes out of a cacoon as a 17 year old love interest. Elizabeth's powers become a crutch that the writers could use to solve any problems that face the main characters. This undermines the drama of the series and cheapens the series. The powers were kind of kooky. The Star Child could levitate objects and people, mimic voices, had a photographic memory, raise the dead etc. She could do whatever the plot required. It was strange that they spent so much time on her character. I guess, as a writer with a deadline, she was really handy to have around.
Well, thats my take on the series. I reccomend that if you like V, chances are you will like the series. It is a more cartoony version of Kenneth Johnson's creation but is worthy as entertainment and a nostalgic trip back to the 80s.

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They came for water. And for food. And as it turned out, we were the food. But humanity bravely resisted- a struggle seen in the hit miniseries V and V: The Final Battle. Yet the war continues.The heroic conflict comes to a surprising outcome in V: The Series, presented complete and uncut in this 3-disc, 19-episode set. Once again, Earth is the main battleground. But now the aliens whose human guise hides their true reptilian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human, half-spaceling Starchild. They intend to capture her. But that's something the world's Resistance Fighters cannot allow.

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Friday, June 1, 2012

Repo Man (Collector's Edition) (1984) Review

Repo Man (Collector's Edition) (1984)
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Repo Man is completely unclassifiable. Funny, dark, biting, thrilling, confusing, action, adventure, it's all there. Emilio Estevez plays Otto, a "white suburban punk" living in LA's sprawl, with a nowhere job that he loses in the film's second scene. When his hippie parents admit they sent his college fund to a TV preacher (We're sending Bibles to El Salvador!), Otto meets Bud (Harry Dean Stanton), a cocaine-driven Repo Man who needs an extra driver. Otto joins the firm and soon learns the Repo Code; Bud's version (You see, a Repo Man gets himself INTO tense situations), and the other regulars at Helping Hand Auto share their philosophies too. Light finds Bud's view tedious but is willing to handle shoot-outs when he's not reading parodies of Scientology (Diuretix), Miller seems completely neuron-fried (The more you drive, the less intelligent you are), and Oly is along to make a four-pack. (Did you notice the four experienced Repo Men are named after beers?) Let's go get a drink, kid!
Multiple plot strands at first seem unrelated, but bind together closer and tighter as the film moves along. Otto and the other Repo Men are on the lookout for a 1964 Chevy Malibu, with a $25,000 bounty. So are some creepy FBI agents, who stalk and kidnap Otto. And so are Helping Hand's arch-rivals, who careen into the plot whenever things are getting dull. The car's driven by a nuclear physicist in from Los Alamos, who warned a CHP officer not to look in the trunk (with deadly results). Otto's punk friends find the car while breaking into a pharmaceutical factory, but they're too stupid to keep it. (These three are some of the dumbest criminals ever shown in film, including Kevin Kline's Otto in _A Fish Called Wanda_) Otto finds love, after a fashion, but since this is Reaganesque LA, even his girlfriend has her own motives. ("Otto! What about our relationship?" Otto's reply is a brilliant retort to Cary Grant's last line in Gone with the Wind.)
The film abounds with hilarious throw-away lines, signs, and labels. Several scenes take place in food stores, and all the food is generically labeled. Multiple viewings are required to catch them all; be sure to read all the signs in the windows. Even the TV preacher shows up on several television sets. Repo Man takes its structure from Miller's bizarre rant about the cosmic latticework of interconnectedness, because everything is interconnected, and Miller turns out to be right about all of it by the end. "And flying saucers are... You got it. Time Machines."
Top it off with a TERRIFIC sound track by Iggy Pop, Black Flag, The Circle Jerks, and a host of others from the punk scene and this is one of the best movies ever made.

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REPO MAN SE - DVD Movie

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Sunday, May 27, 2012

Race to Witch Mountain (Blu-ray/DVD Combo + Digital Copy) (2009) Review

Race to Witch Mountain (Blu-ray/DVD Combo + Digital Copy) (2009)
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You'd think a Las Vegas cab driver had seen it all, especially with that UFO convention in town, right? Almost right, until two solemn children show up in his car. They have a wad of cash that they don't seem to understand very well, an urgent need to reach some desert destination, and a schoolbook way of speaking. It seems as legal as anything in Las Vegas and the money's green, so they're off.
So, a moment later, are the government goons in their black SUVs, in hot pursuit. The kids turn out to be something pretty special. The big bad gov guy calls them "illegal aliens," without stating just which laws they broke or just how alien. Then the chase is on with a few extras thrown in, like a killer robot and the only UFOlogist in the world who actually has a clue.
There's plenty of action, a bit of bloodless violence, some ominous but ambiguous threats against the kids, and a steady stream of one-liners to keep the mood from getting too grim. Maybe this isn't one for the ages, but it provides some popcorn entertainment where no one gets killed and everyone keeps their clothes on. Enjoy!
-- wiredweird

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Studio: Buena Vista Home VideoRelease Date: 08/04/2009Run time: 98 minutesRating: Pg

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Tuesday, May 1, 2012

The Faculty (1998) Review

The Faculty (1998)
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Most people would think that the above combination would fail, but not at the hand of Kevin Williamson, writer of this wonderful science-fiction film brought to life by talented actors and from the director of "From Dusk Till Dawn." Opening with an intense scene in which the school principal is attacked and overtaken by two alien staff, the film only gets better, introducing us to the seperate lives of each of the students who will come together to stop the faculty, as well as the student body, from taking over the entire town. As more people become converted, the small band of "refugees" begin to discover their own clues, ultimately deducing that the queen alien must be eliminated if they are to save the town. Some might think the plot and material to be juvenile, yet it has a certain intelligence and thinking factor behind its young and fresh cast. Also, the film blends with its story many of the elements used in movies of the same genre from the fifties and sixties, which makes it even better for some reason. Let's just be blunt: everything in this movie works.

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This hip and edgy thriller from the director of FROM DUSK TILL DAWN and the writer of SCREAM and SCREAM 2 sizzles with a hot young cast including Elijah Wood (THE LORD OF THE RINGS Trilogy), Josh Hartnett (PEARL HARBOR), and R&B superstar Usher Raymond! When some very creepy things start happening around school, the kids at Herrington High make a chilling discovery that confirms their worst suspicions: their teachers really are from another planet! As mind-controlling parasites rapidly begin spreading from the faculty to the students' bodies, it's ultimately up to the few who are left -- an unlikely collection of loners, leaders, nerds, and jocks -- to save the world from alien domination! Also starring Robert Patrick (TERMINATOR 2), Famke Janssen (X-MEN), and Jon Stewart (TV's THE DAILY SHOW) in a great cast -- don't miss the unstoppable excitement of this unpredictably smart and scary hit!

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