Showing posts with label science fiction movies. Show all posts
Showing posts with label science fiction movies. Show all posts

Saturday, February 9, 2013

Alien Anthology Review

Alien Anthology
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My local electronics store already had the Alien Anthology bluray on the shelves this Tuesday (October 19). At first I thought the street date had been changed at the last minute (it wouldn't be the first time). But it appears that all the websites still list the release date for next Tuesday (Oct 26), so I guess my local store must have made a mistake (it wouldn't be the first time for that either).
In either case, I already got my hands on the Alien Anthology set, and I thought that Alien fans who are still trying to decide whether it's worth the upgrade before next week's proper street date might want to know the following:
(Note: This review assumes that most of you have already seen the films, and there may be some very mild spoilers.)
[UPDATE: I've added LOTS more detail about the extras, including the extended Alien 3 doc. Find this under PROS section (3). In PROS section (1) I've also answered some questions from another customer.]
[UPDATE 4: More specifics on why the 3rd and 4th films' picture quality won't wow you as much as the first 2 films'. Under Cons section (1)]
[UPDATE 6: I've found more new extras on disc 6, including new deleted scenes from Aliens. Details in PROS section (3).]
PROS:
1) All four films look very good on bluray, and much better than the earlier DVDs, with the first two films looking the best. Alien almost looks brand new. Aliens still looks its age (sometimes), but it enjoys the single biggest improvement in picture quality in the jump from DVD to bluray that I have ever seen for a classic film (or pretty much any film for that matter). While there are still plenty of shots that still look soft or a bit grainy by today's standards, the entire film looks sharper than ever and the grain is far less distracting. Some sequences, like the marines' initial investigation of the abandoned colony, almost look like they could have been shot this year. The color quality and detail visible on the panning shot from the planet to Ripley's orbital hospital room at the beginning of the film totally blew my mind. Detail and texture are excellent throughout and I saw no signs that DNR had been overused. After experiencing Aliens on bluray, I wonder how I was ever able to tolerate the picture quality on the DVD.
[UPDATE: The Theatrical and Director's cuts of Alien both look equally great. It's my understanding that Ridley Scott made some minor alterations to things like contrast, etc. in the Director's cut, but I frankly didn't notice any difference between the two. I haven't watched the Theatrical cut of Aliens in years, as I much prefer the Extended version, so I may not remember which all scenes were added for the latter. However, I did not notice any correlation between picture quality and whether a scene was in the Theatrical cut or added in later, so I assume that they all come from the same source and are of more-or-less equal quality. If I have a chance to look at it again soon and do notice any differences, I'll post another update.]
[UPDATE 2: I've watched the first 25 minutes of the Theatrical cut of Aliens and can confirm that the picture quality is identical to the Special Edition. In other words, it will cause longtime Aliens fans' jaws to drop off right before they become temporarily blinded by its awe-inspiring glory. This is truly the greatest film restoration I've ever seen prepared for the transition from DVD to bluray. Because of the film stock used, I didn't think it would ever be possible for the film to look this good.]

2) All four films also sound greatly improved compared to the DVD. This is especially true for Alien 3. Dialogue which was hard to make out on the DVD is now much clearer and easier to understand. I did notice some audio sync issues with some of the third film's dialogue, but I think these are misalignments which were already present on previous DVD releases, and may therefore be inherent to the original film.
3) The new extras are extensive and excellent. Within the first couple minutes of sampling the new enhancement pods on disc 5, I learned a couple of tidbits I had been unaware of before. These are a wonderful extension of the already superb making-of documentaries. The MU-TH-UR interactive mode is easy to use and will probably prove helpful to those who are only interested in seeing certain parts of the behind-the-scenes material, but I haven't used it much. I've only sampled a couple minutes of the trivia track portion of this feature (titled "Datastream"), but so far it appears as though it will mostly be a re-hash of material you can find in disc 5's documentaries. The set also includes ALL of the extras from EVERY previous release of these films, as promised (at least as far as I can tell), in addition to the extended Alien Evolution and Alien 3 documentaries.
[UPDATE: The extended Alien 3 documentary includes significantly more footage of Fincher directing on the set (lenghtier character discussions with the actors, etc.) and more detail on the schism between him and the studio that I don't remember seeing on the Quadrilogy DVD. At one point during filming you see Fincher get on a microphone and say, "I can't believe Fox is the number one studio because they're all such a bunch of morons." Interestingly, while some of the new footage does reflect poorly on the studio, I think it also makes it easier to understand why some people had trouble working with Fincher. I personally find this longer cut much more interesting, but it hardly feels like an entirely new, revelatory version. Still, if you love a good behind-the-scenes documentary, the extended cut of "Wreckage and Rage: The Making of Alien 3" may help justify the upgrade to bluray.
By my estimate, disc 5 contains around 17 hours of documentaries, including an hour to an hour-and-a-half of new enhancement pods for each individual film (these are mostly extended interviews and production footage). I couldn't even tell you how many hours of content are on disc 6. So it's understandable, due to space limitations, that some of this material still appears to be in standard def. Although it's in SD, most of it has been enhanced so your bluray player will upconvert it (sometimes beautifully so) to fill a widescreen TV. I find the text slides on the still galleries of concept art on disc 6 (which ARE in FULL HD) much easier to read now. In disc 5's docs, most film clips, production artwork and photos, and many interviews will now fill the screen, while other interview clips appear pillarboxed with new imagery to the right and left instead of black bars (similar to the "Disneyview" feature on the Snow White and Pinocchio blurays, though mostly much less distracting than those were). It all looks good enough that I don't think many people will be too disappointed that some of these extras are still in SD.
BOTTOM LINE: The extras, both new and old, are a substantial improvement over the Quadrilogy DVD set (at least IMHO, your mileage may vary). I doubt many people will feel shortchanged here.]
[UPDATE 6: I've found more new extras on disc 6. There are some deleted scenes from Aliens, at least one of which - featuring Burke in a cocoon - I don't think I've seen before. The Patch and Logos image gallery will be appreciated by folks who love all the costuming/set dressing details. There's a video reproduction of a ride called "Aliens: Ride At The Speed of Fright" which is notable for two things: it's REALLY cheesy, and it features a very young Jeffrey Combs (I think this part is new - I don't remember seeing it on the DVD). The Parodies section is just some Alien-related clips from Spaceballs and Family Guy. You'll also want to keep an eye out for Easter Eggs on this disc.]
4) The set has a couple of impressive surprises that weren't mentioned in any of the studio press releases I've seen. Disc Unbound is an automatic feature: when you eject any disc from this set, the Weyland-Yutani logo will pop up on screen. You can then insert any other disc from the set and you'll go straight to the main menu - it will skip over all the studio logos and FBI Warning screens, making an Alien marathon slightly faster and less annoying.
I was aware that this set would include isolated score tracks for all four films (as well as alternate score tracks for the first two), but was unaware that you can also access each piece of music in any order from an index which includes even more unused music. I'm not certain, but I think I may have even spotted a couple of Bonus alternate tracks for Aliens that weren't even on the Deluxe Edition soundtrack CD.
5) For those who are hard of hearing, all 4 films and even the extras on discs 5 and 6 include subtitles in around 15 languages, including English and Spanish. Even the audio commentaries have subtitles in multiple languages! Each film also has multiple language audio tracks, though it appears that only the English receives a lossless one.
6) The packaging is the most elegantly beautiful I've ever seen for a bluray set. Inside the slipcase is a hardcover book with each disc held securely within its own page. These pages include photos from each film, as well as some basic info like plot synopses and director's credits. There's also a booklet and insert tucked in the back which explain how MU-TH-UR mode and Disc Unbound work, and list the content on each disc. It also has a note from Ridley Scott filled with tantalizing hints about what to expect in his upcoming prequel. Everyone will be happy to know that the package is very compact and will fit perfectly next to your other blurays. It's the same size as the Close Encounters of the Third Kind bluray, except that the spine is a little thicker since it holds more discs...Read more›

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Brace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!

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Tuesday, January 8, 2013

Star Trek: The Motion Pictures DVD Collection (Motion Picture/ Wrath of Khan/ Search for Spock/ Voyage Home/ Final Frontier/ Undiscovered Country/ Generations/ First Contact/ Insurrection/ Nemesis) (1991) Review

Star Trek: The Motion Pictures DVD Collection (Motion Picture/ Wrath of Khan/ Search for Spock/ Voyage Home/ Final Frontier/ Undiscovered Country/ Generations/ First Contact/ Insurrection/ Nemesis) (1991)
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In 1966, a TV show writer/producer named Gene Roddenberry (1921-1991) had an idea for a futuristic sci-fi TV series in which humanity has united, achieved faster-than-light interstellar space travel and joined other worlds in the "United Federation of Planets". The show, known as "Star Trek", was on the air for a mere three years, but thanks in part to the 1969 Apollo 11 moon landing, in syndication the show gained a huge audience and fans began to gather at "Star Trek" conventions. With so much interest growing in "Star Trek", producers at Paramount (which obtained the show from Desilu Productions) considered reviving the TV series in the late 1970's, but opted instead to produce a big-screen feature-length film.
In 1979, the first film, called "Star Trek: The Motion Picture", was produced and reunited the entire cast from the cancelled series: Captain James T. Kirk (William Shatner), Lt. Commander/Commander Spock (Leonard Nimoy), Dr. Leonard H. 'Bones' McCoy (DeForest Kelley, 1920-1999), Lt. Cmdr. Montgomery 'Scotty' Scott (James Doohan, 1920-2005), Lt. Hikaru Sulu (George Takei), Lt. Nyota Uhura (Nichelle Nichols), Ensign Pavel Chekov (Walter Keonig), Yeoman Janice Rand (Grace Lee Whitney) and Doctor (formerly Nurse) Christine Chapel (Majel Barrett, who is Gene Roddenberry's widow). Directed by the Oscar-award winning director Robert Wise (1914-2005), the film opened to throngs of waiting fans, but sadly, the film's story (inspired by an episode from the original series) was not well received.
Three years later in 1982, the second film entitled "Star Trek II: The Wrath of Kahn" opened in theaters. Based upon an original series episode that guest-starred Ricardo Montalban as the villian Khan Noonien Singh, this film was hailed by fans and remains to this day one of the most popular of all of them. Though the character of Spock died at the end of this film, the third film released in 1984, "Star Trek III: The Search for Spock", saw his character return because his body at the end of the second film had been left on a newly formed, man-made planet. The next film released in 1986, "Star Trek IV: The Voyage Home", was another very popular film in which the entire original crew travels back in time to current-day Earth in a captured Klingon ship. Unfortunately, the fifth film released in 1989, "Star Trek V: The Final Frontier", is regarded by many as being the worst "Star Trek" film ever produced. Directed by William Shatner, the film's story features Spock's long-lost brother (Laurence Luckinbill) taking over the new Enterprise starship in order to find what he believes is the Garden of Eden, but instead finds an irritated alien entity that had been dumped there by someone else. The sixth film produced in 1991 and entitled "Star Trek VI: The Undiscovered Country" was the final film starring the entire original cast and featured an interesting story involving the Klingons wanting to create a peace treaty with the Federation.
With so much interest in the franchise again, Paramount decided in 1987 to produce an entirely new "Star Trek" TV series featuring a new cast, which would form the crew for the latest version of the starship Enterprise set about 100 years after the time of Kirk. The cast included Captain Jean-Luc Picard (Patrick Stewart), Commander William T. Riker (Jonathan Frakes), Lieutenant/Lt. Commander Geordi La Forge (LeVar Burton), Lieutenant Tasha Yar (Denise Crosby, first season only), Lieutenant Worf (Michael Dorn), Commander Dr. Beverly Crusher (Gates McFadden), Lt. Commander/Commander Deanna Troi (Marina Sirtis), the android Lt. Commander Data (Brent Spiner), the boy Ensign Wesley Crusher (Wil Wheaton) and the frequently recurring character Guinan (Whoopi Goldberg). The new TV show, named "Star Trek: The Next Generation", ran for seven complete seasons between 1987 and 1994.
Four additional big-screen films were then produced starring the cast from "Star Trek: The Next Generation", except for the characters portrayed by Denise Crosby and Wil Wheaton. The first of these films was released in theaters in 1994 and was entitled "Star Trek: Generations". It also included three original cast characters (Captain Kirk, Scotty and Pavel Chekov) to link the "Next Generation" with the original cast. Many fans were disappointed with the film, but I enjoyed it. The second of these "Next Generation" films was released in 1996. Entitled "Star Trek: First Contact", most people enjoyed the excitement of this film's story that featured a deadly cybernetic enemy known as the Borg that had been discovered during the "Next Generation" series. Controlled by the powerful Borg Queen (Alice Krige), the Borg travel back Earth's past in order to stop the father of warp drive, Dr. Zefram Cochrane (James Cromwell), from testing humanity's first-ever warp-powered ship that allowed Earth to make its first contact with an alien species, the Vulcans.
The third film featuring the "Next Generation" cast was released in theaters in 1998. Entitled "Star Trek: Insurrection", the film was not received as well by fans as the previous film, but was entertaining. The final film produced to date in 2002, "Star Trek: Nemesis" featured an alien species that had yet to be shown in any big-screen film, the Romulans. Unfortunately, this film's poor performance in theaters was due to a somewhat lackluster story. Whether or not Paramount will ever produce another film based upon "Star Trek" is currently unknown, but if another one is produced, it would more than likely feature another completely new cast of characters.
Overall, I rate the complete "Star Trek - The Motion Pictures DVD Collection (Special Edition)" DVD set with 5 out of 5 stars and highly recommend it to anyone who has not yet purchased any of the special edition "Star Trek" films on DVD. Thank you Gene Roddenberry, wherever you are, for creating such a wonderful universe of characters and stories in "Star Trek".

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Saturday, December 1, 2012

Star Trek VI - The Undiscovered Country (Two-Disc Special Collector's Edition) (1991) Review

Star Trek VI - The Undiscovered Country (Two-Disc Special Collector's Edition) (1991)
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Let me explain
-Spoiler Warning-
The first version of the film was shown in theaters.
The second version was shown on all home video formats. This version includes a couple of additional footage to certain key scenes, and a few new scenes all together.
- Spock has more Dialogue in the top brass meeting.
- A scene taking place in the President's office where Col. West presents his plan to sneak into Klingon territory and rescue Kirk and McCoy.
- Spock and Scotty checking the torpedo inventory before Valeris informs them that the Chancellor's Daughter is now the current klingon chancellor.
- The klingon assassin at the climax of the film turns out to be Col. West.
The Third version of the film is shown on this Special Collector's Edition DVD. This version includes all the material from the second version, and a few minor changes to certain scenes and effects.
- When Martia gets shot, a disruption sound effect is removed to make her scream more apparent.
- Valeris's interrogation scene has been entirely reedited. There are now close up shots of Kirk and McCoy when they speak their lines instead of being in wide shots. When Spock and Valeris name a particular conspirator, the face of that person briefly appears in a flashback like style.
Do I prefer this version of the film? Sure. I personally believe that Valeris's interrogation scene is much more dramatic with the flashback shots. It really helps the viewers who aren't good with names understand who Spock and Valeris are talking about, and adds a little more tension near the end of the film.
I hoped this information helps you out in spotting what has been changed. If there is anything I missed, please feel free to contact me.

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Tuesday, November 20, 2012

The Time Machine (1960) Review

The Time Machine (1960)
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This review refers to the Warner Bros. DVD edition of "The Time Machine"(1960)......
I am so impressed with how this 43 year old classic Sci-Fi film looks and sounds on the DVD, that I am going to start with that this time. I wasn't expecting it to look as great as it did because the editorial review here gives it 3 out of 5 stars on both the picture and the sound. If you are a big fan of this film, or thinking of buying it as a gift for someone who is, you will not be disappointed with this transfer. The picture is presented in the original widescreen format,so you won't miss a bit of the action. To watch it you would think you went back in the time machine to 1960 and were viewing it for the first time. It is clear and sharp with vibrant color.The soundtrack is remastered in Dolby Dig 5.1 and is a welcome enhancement.The DVD also includes a terrific Behind The Scenes documentary called "Time Machine...The Journey Back". The film's star Rod Taylor hosts and fans will love this informative feature. You'll get a good look at how the actual machine was made and the journey that it has taken in the last 40 years as well as other interesting tid bits. This feature has it's own scene selections to choose from or you can just watch it straight through. The film may be viewed in French and has subtitles in English and French.(my only teeny complaint would be that the black bar area is not used for these subtitles, they are at the bottom of the film).
The story based on the novel by H.G. Wells is as captivating today as it ever was. You know the tale.....
George(Rod Taylor)has all the time in the world. He tells his friends an incredible story of his adventures traveling through the ages in a time machine that he has built. As his story begins, he starts out slowly traveling through the 20th century. He doesn't like what he sees. War and destruction seem to be the fate of civilaztion.He pushes foward, quickly, and the years fly by. Finally stopping in the year 802701,he comes across what seems to be a paradise on earth. Clean air,fruit growing in abundance, and a society of young beautiful people, the Eloi, who don't seem to have a care in the world. But even in this Utopian like civilazation there's trouble amiss.The Morlocks are running things from underground and they are just as scary today as they ever were.So it's up to our guy George to save this future civilazation from the evil Morlocks,and try to get back home to the year 1900 for an 8pm dinner appointment..whew,what a great story!
Directed brillantly by George Pal("7 Faces of Dr. Lao"/"Atlantis the Lost Continent"), the film also boasts the great talents of Alan Young, Sebastian Cabot, and the lovely Yvette Mimieux, as "Weena", who adds a little romantic interest to the story. The film was awarded a well deserved Oscar for it's special effects(also discussed in the featurette) for Gene Warren and Tim Barr.The movie is rated G, although the scenes with the Morlocks might be a little scary for very young children.
A great story, fabulous film and an outstanding DVD. So go back in time, with your old friend "The Time Machine"..enjoy...Laurie

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A time travel inventor travels to the future where the passive Eloi are in danger of becoming prey to subterranean mutants called Morlocks.Genre: Feature Film-DramaRating: GRelease Date: 13-MAR-2001Media Type: DVD

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Sunday, August 19, 2012

The Ultimate Matrix Collection (The Matrix/ The Matrix Reloaded/ The Matrix Revolutions/ The Animatrix) (2003) Review

The Ultimate Matrix Collection (The Matrix/ The Matrix Reloaded/ The Matrix Revolutions/ The Animatrix) (2003)
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During the following I will intend to describe as best and briefly as possible this collection. I also will mention some differences between this collection and the original releases. Enjoy.
The difference between the limited and the unlimited editions are: The Limited Edition comes in a plastic box with trays, a Neo bust and an 80 page booklet that lists the extras of the 10 disks (yes, that's all it does). Besides this the sets are the same.
These two sets include all three films, The Animatrix, the film footage shot for Enter the Matrix videogame and 106 documentaries. The bonus disks for Reloaded and Revolutions are different from those included in the versions already released.
REMASTERD: The movies were enhanced so the films look brighter in color and richer in details. Don't worry it was not done by Gorge Lucas. The films are the same.
AUDIO: Also enhanced (not that it was necessary). Voices are stronger, gentle noises stand out more and details were sweetened just a bit. Great work!
DISK 1: The Matrix. The original commentaries, the music only audio track, follow the white rabbit, take the red pills... ALL ARE MISSING in this version. It comes with two commentaries worth listening to, a written intro from the Wachowski bros., and a ROM feature.
DISK 2: The Matrix Revisited. It includes the entire contents of the original disk except the fanboy stuff.
DISK 3: The Matrix Reloaded. Two new commentaries and a ROM feature.
DISK 4: The Matrix Reloaded Revisited. All new stuff such as a 17-min look at the fight in the Merovingian's chateau, 55-min dissection of the car chase, 40-min look at the Neo vs. 100 Smith battle, 7-min segment on Neo vs. Seraph and more.
DISK 5: The Matrix Revolutions. Two new commentaries and a ROM feature.
DISK 6: The Matrix Revolutions Revisited. Includes a tour of the set, 27-min piece on the Club Hel fight (ceiling walkers), segments on the workers and extras, 17-min profile of Neo vs. Smith final battle, 36-min piece covering the soundtrack, film editing, etc. and more.
DISK 7: The Animatrix. Just as we all remember it.
DISK 8: The Roots of the Matrix. Two documentaries: 1-Return to Source: The Philosophy of The Matrix: is an hour long discussion on the philosophical elements of the movie. And 2-The Hard Problem: the Science Behind the Fiction is an hour long discussion of the science of the films and its possibilities for a real life Matrix.
DISK 9: The Burly Man Chronicles. This is a 94-min featurette documenting the whole 276 day shoot for films 2 and 3. Profiles, interviews, a tribute to Alliyah and more are also found on this disk. Although almost nothing is said about Gloria Foster (the original Oracle).
DISK 10: The Zion Archive. Here we find storyboards and concept art for all three films; trailers and music videos for all three films; video effects in various states of completion and a Matrix Online game preview.
Overall: Excellent collection and a must for fans. If you are not a hardcore fan though and you like this collection, you may want to purchase the one without Neo's bust. It's cheaper and the booklet is only a guide to the extras on the 10 disks which are all included in both sets. The Wachowskis DO NOT give any commentaries on these disks which may be disappointing for some fans. But over all this is a great collection. You may add it to the ones you already own with confidence. There are more goodies in these disks not mentioned here so have fun exploring. Just follow the white rabbit and remember... there is no spoon.

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The definitive ten-disc DVD set, The Ultimate Matrix Collection features all three films in the trilogy together for the first time ever with a newly remastered picture and sound for The Matrix. Also included is the companion piece The Matrix Revisited and the best-selling The Animatrix, plus five entirely new DVDs packed solid with brand-new supplemental materials that encompass every aspect of the Matrix universe, including two new audio commentaries on each film, Enter the Matrix video game footage, 106 deep-delving featurettes/ documentaries and much more!DVD Features:Additional Scenes:Filmed for Enter the Matrix video gameAudio Commentary:The Philosophers: Dr. Cornel West and Ken Wilber; The Critics: Todd McCarthy, John Powers and David ThomsonDVD ROM FeaturesDocumentaryEaster EggsFeaturetteIntroduction:by the Wachowski BrothersMusic VideoPhoto galleryStoryboardsTV SpotTheatrical Trailer


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Thursday, August 2, 2012

Star Trek II: The Wrath of Khan - The Director's Cut (Two-Disc Special Collector's Edition) (1982) Review

Star Trek II: The Wrath of Khan - The Director's Cut (Two-Disc Special Collector's Edition) (1982)
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I just bought this DVD..., and the verdict is in: It's a blast!!!
THE MOVIE: Certanily one of the best Star Trek movies. Although the main plot about revenge is a bit too basic, the sub-plots, including the addition of Kirk's ex-wife and son, makes the movie better. The action is well paced and the special effects are marevelous. Also, the "expanded director's edition" featured on this DVD adds about 5 extra minutes to the movie. The added footage does little to help the plot, but does a great deal to flesh out more of the minor characters, such as Kirk's son and Lt. Saavik. Also, the last 15 minutes of the film (some added dialogue was put in there to have a little bit more emotional impact at the end of the film) made me jump the grade of the film from a "B" to an "A+."
THE DVD: In addition to having a crisp, clear picture transfer of the film with oustanding sound, the first disc has a nice audio commentary from the director and an even nicer text commentary from Michael Okuda, co-author of the Star Trek Encyclopedia. (That guy knows EVERY SINGLE LITTLE DETAIL THAT OTHER PEOPLE WOULD NOT EVEN KNOW A THING ABOUT that regards to Star Trek.) The second disc contains the following:
1) The Captain's Log: A 27-minute documentary featuring brand new interviews with Leonard Nimoy, William Shatner, director Nicholas Meyer, Ricardo Montalban, and others. They talk about how they originally intended to put the film together, how they eventually ended up completing that task, and other things.
2) Designing Khan: A 23-minute documentary that features interviews with director Nicholas Meyers, the costume designer, and the production designer. They discuss the transitions they made in costume and production design from the ST:TMP to ST2:TWOK.
3) Visual Effects: An 18-minute featurette that has interviews with the FX crew. They explain how they executed and completed the FX shots. (Big surprise there)
4) The Star Trek Universe: A 28-minute documetary that features interviews with two Star Trek novel writers. They discuss how they fill in the gaps between the movies with their books and where they get their ideas.
5) Original Interviews: Basically 10 minutes of interviews (from 1982) featuring William Shatner, Leonard Nimoy, Ricardo Montalban, and Deforest Kelley.
6) Archives: The archives feature 10 original storyboard sequences. (That sure beats the storyboard archives on the ST:TMP DVD, which features a mere 3 storyboard sequences.) There is also a thatrical trailer.
So, there you have it. A great movie with a packed DVD equals a great purchase. Buy as soon as possible.
1982; 116 minutes; Rated PG for mild obscenity, some sequences of sc-fi action/violence, and brief shots of the aftermaths of brutal murders.
(I DO think this movie should have been rated PG-13, but the rating didn't exist then. See and judge for yourself.)...

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Sunday, April 8, 2012

Star Trek - The Motion Picture: The Director's Cut (Two-Disc Special Collector's Edition) (1979) Review

Star Trek - The Motion Picture: The Director's Cut (Two-Disc Special Collector's Edition) (1979)
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I got the DVD about 4 hours ago. The second that I peeled all those security stickers off my DVD box, I popped it open, place the disc in my player, turned up the Dolby Digital, my super sub-woofer... my high density screen, shut down all light sources, put my PowerMac G4 to sleep, turned off my phones, and laid back for what I hoped would be a nice treat.
Paramount should be ashamed of themselves. This edit should be in theaters. This isn't a minor achievement in quality increase. This is now a great film. I am literally stunned right now.
It isn't a matter of effects, so much as it is about dynamics of motion... The tightening of scenes.... Little tweaks here and there.... An added scene here, a missing one here... Revealing more about the characters, keeping a character from being less than he should be.
First off, the Visual Effects shots are absolutely superior, while remaining exactly of the same palette as the original film. These new shots add a consistent sense of grandeur that Wise achieved so very well in some scenes, yet not at all in others. Now... Now the film is a sweeping science fiction epic... Man facing the unknown that comes from that place where no man has gone before.
The picture quality was gorgeous... the richness of the colors... Everything just gorgeous. The new sound... DEAR GOD, it was magnificent. The remix was handled to perfection and not bungled like those that were toying with SUPERMAN recently. From beginning to end there is a quality increase in the sound that never once falters to my ears on this great sound system of mine.
I'd like to tell you about the new visual effects shots, but to be honest... I can't. They are that seamlessly integrated. I'm sure that there were scenes of the Enterprise passing into the great V-GER ship that I had never seen, but they were intercut with old ones so well that all I got was an increased feeling of motion and dynamics of shots. The results were exactly what was needed.
Suddenly this film feels like it belongs in Trumbull and Dykstra's Filmography. It always was nice... but before it always felt like a travelogue, and not at all threatening and ominous and creepy and moody and scary and mysterious. That's right, these new shots actually ADD to the ATMOSPHERE.
For the first time in too long, I'm looking at not only real STAR TREK, but frankly... This is Star Trek where it should always be. Smart Science Fiction told by great Narrative Filmmakers and folks of vision.... Not the fumblings of visionless hucksters that have kidnapped the franchise since the death of Roddenberry.
I have yet to venture into the second DVD... The one loaded with deleted scenes, documentaries and the behind the scenes joys... That will be what I do tomorrow. For now I'm in the afterglow of watching perhaps the best STAR TREK movie and dealing with the realization that due to the lack of vision of cowardly executives, this final masterpiece of Robert Wise's will never be projected upon a Silver Screen as it so needs to be.

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Sunday, February 5, 2012

The Time Machine (2002) Review

The Time Machine (2002)
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It may be unfair, but a remake of a hit movie must always be compared to the original. The 1960 original of THE TIME MACHINE was a deserved hit. The 2002 version may be a treat for the eyes, but unfortunately, not for the brain. Part of the problem is that Simon Wells, the great-grandson of H. G. Wells, directed the movie as if he were more entranced with dazzling special effects (and dazzling they are) than with bringing out a believable, fully fleshed series of characters. In 1960, director George Pal wisely kept the focus squarely on the hero's adventures and why he helped the human Eloi. In 2002, Simon Wells clearly loved the image of leaping, loping half-humans that he had seen in previous sci-fi movies. The supporting cast in the age of the time traveler (David Pearce) did not do very much to point out his character. His girlfiend Emma (Sienna Guillory) was in the film only to motivate him to build a time machine to alter the past to avoid her death. One would think that such a clumsy device would not be sufficient by itself to galvanize the time traveller. In the original, Rod Taylor's scientific curiosity with time was quite sufficient a motivation.
The real hero of the movie is the special effects co-ordinator. The images of one day melding into the next are memorable. Further, the appearance of the Morlocks as a cross between man and fish stuns the senses. Jeremy Irons disappoints as the Morlocks leader. As Irons pontificates on the split between Eloi and Morlocks, the viewer can see under the pasty-white makeup and hear the Irons from DIE HARD III lecturing Bruce Willis on similar such claptrap. Further, the ending, which I shall not divulge here, is an incomprehensible mess of weird logic unconnected to resulting effect. What emerges by the end of the film is the growing realization that Simon Wells ought to have paid less attention to being different from his forebear and more attention to a director who knew how to weave a magical spell that would not get lost in the techo wizardry that passes for the cutting edge in computer special effects.

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Tuesday, January 31, 2012

Westworld (1973) Review

Westworld (1973)
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I picked this film up about a week ago. I hadn't seen it since it premiered back in the 1970's. It made no impression on me whatsoever on that first viewing. Boy has time and its simplicity improved it, the second time around! This is a very timely film and I think people of all ages should take a look at it.
This film moves from humour to fantasy to horror almost seamlessly. And the funny thing is- the fact that Crichton didn't get caught up in atmosphere or look; he concentrated on two characters simply going to a future resort, however fantastic the idea seems, to release and experience what in fact become examples of some of the darkest pleasures or most violent impulses inside of all of us. It really presses the right buttons and asks questions about what we find fun or entertaining.
I don't want any review I write to spoil the films for the people yet to see the work so, let's just say- when the tables turn and 'we're on the receiving end ', there's a real numbing truth to what this film drives home. More so today then when it was released. Think of some of the 'reality based darkness' that now litters our airwaves and the unfortunate numbers who seem to be tuning in to watch it.
James Brolin really nails the 'who cares' feel his character needs. Richard Benjamin has to be the one who feels silly at first, then joins in with a sort of reckless abandon. And Yul Brynner is an example to everybody today (in acting, directing, effects and make-up ), of how you can scare the hell out of someone with a look, a smile and two small silver contact lens. (You'll know what I mean when you get to the scene). Benjamin really balances him from that point, having to portray the fear the new reality hits him with.
I won't do the Jurassic comparisons. I thought it when Jurassic came out but Jurassic was a rollercoaster ride. Westworld is the tale with the real bite.
I highly recommend this movie. It's an entertainment that quickly turns to a truth I think we all need to keep thinking about. What do we really find entertaining? Or more to the point... why?

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Westworld is a futuristic theme park where robots are programmed to fulfill guests' lustful and sometimes violent fantasies-- until something goes wrong with their circuitry.Genre: Science FictionRating: PGRelease Date: 3-JUL-2001Media Type: DVD

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Wednesday, October 26, 2011

The Black Hole (1979) Review

The Black Hole (1979)
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People would kill me if they read what I'm writing about "The Black Hole". However that's the way I feel about it. This movie was a flop at the box office and most critics weren't so gentle with it. But I really enjoyed this campy sci-fi flick from the Walt Disney Studios for many reasons:
1. I was overwhelmed by the teaser trailer (too bad it's not included on this DVD) where the green grid is moving all over the screen, ending with the Black Hole logo swifting and twisting in black. Awesome!!
2. The black and yellow logo in some of the posters, the one shown on the DVD case.
3. The U.S.S. Cygnus. WOW!!! What a beautiful ship.
4. The robots. Maximillian truly looks menacing. And V.I.N.CENT and Old B.O.B.; the cutest robots since "Star Wars"'s R2-D2.
5. The cast of outstanding performers: Maximilian Schell, Anthony Perkins, Robert Forster, Joseph Bottoms, Yvette Mimieux, Ernest Borgnine, and Roddy McDowell as the voice of V.I.N.CENT.
6. John Barry's majestic score.
7. The final scene, inside the black hole. Those images. Those visual effects. John Barry's music.
This movie might have had some flaws at describing a space version of "20,000 Leagues Under The Sea", but this is my most cherished guilty pleasure of all time.

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Friday, July 15, 2011

Metropolis (Restored Authorized Edition) (1927) Review

Metropolis (Restored Authorized Edition) (1927)
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Once again Amazon have taken all the reviews for all versions of this film and lumped them together. This Blu-ray hasn't even been released, so unless you have seen the now truly restored film at the TCM Film Festival during the summer of 2010, you're reviewing previous releases of the film.
For those who don't already know, a 99% complete version of the film was discovered in Argentina just last year. ALL previous DVD releases are not as complete as this Blu-ray.
Bill Hunt at The Digital Bits has a thorough and very highly recommended review here: [...]

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Friday, July 8, 2011

Soylent Green Review

Soylent Green
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Soylent Green (Richard Fleischer, 1973)

So what's the difference between schlock and one of the 100 best films ever made? Sometimes, I'll admit, it's a pretty blurry line. That's the case with this gem from the Richard Fleischer stable, a tale of a New York City with a population of forty million and a food supply that comes in little squares of red, yellow, and green.

Thorn (Heston) chews scenery. Roth (Edward G. Robinson) spends his life moaning about how things were better in the seventies. (If only they knew.) The two of them try to get through their lives scavenging from the rich, like everyone else in New York. They have an edge, with Thorn being a cop who treats corruption like a confortable pair of undershorts. A high society murder tips Thorn off that all may not be well with Soylent, the company that makes the majority of the world's food supply, and Thorn and Roth start digging deeper deapite warnings from the victim's old bodyguard (Stephen Young) and Thorn's lieutanant (Brock Peters). The production values are strictly seventies, and it's great to poke fun at various things in the film ("my god, it's 2022 and they're still listening to bad lounge music?"). And yet there's something undefinable about this film that propels it from the realm of bad seventies science-fiction exploitation into the realm of true genius. What that thing is, I don't know; when I figure it out, I'll tell you. But something clicked. Heston's patented god-guns-and-guts character is perfect for the role. Robinson actually looks convincing salivating over a stick of celery. And somehow the movie's last lines are delivered convincingly. It's incredible. Whatever magic they managed to make with this one, Hollywood needs to make more of it. **** 1/2

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The is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green - an artificial nourishment whose actual ingredients are not known by the public. Thorn is the tough homicide detective who stumbles onto the secret so terrifying no one would dare believe him.

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Wednesday, April 13, 2011

Outlander (2009) Review

Outlander (2009)
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Like Antonio Banderas in "The 13th Warrior" and Director Robert Zemeckis in his 2008 CGI film, "Outlander" takes on the classic tale of Beowulf, but unlike those films it does it with a sci-fi twist. The "Grendel" monster in this film has celestial origins much like the titular Outlander played by Jim Caviezal. The monster design was one of the most pleasantly surprising aspects of the film; its look was unique and had the right mix of cool and creepy.
Some drawbacks to this film include a few flashback scenes with weak CGI, relatively uncharismatic male leads, and a few odd casting choices--John Hurt as a Viking king? In contrast the wonderful Ron Perlman was cast perfectly yet sorely underused. Those complaints aside, "Outlander" is overall a tightly paced, action packed, and entertaining take on the English language's oldest adventure tale.

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In the year’s most action-packed sci-fi adventure, Jim Caviezel (The Passion of the Christ) stars as a futuristic soldier who crash lands on Earth with a hellish, fire-breathing monster in a time of warring Viking tribes. Fusing advanced technology with Iron Age weaponry, he must unite the fierce Vikings and hunt the bloodthirsty beast before it kills them all. Featuring Ron Perlman (Hellboy films), Sophia Myles (Underworld films), and John Hurt (Indiana Jones and the Crystal Skull), Outlander is “visually spectacular” (Michael Wilmington, Chicago Daily Herald), combining stunning special effects, fast-paced action, and a fantastic story to explosive effect.Stills from Outlander (Click for larger image)



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