Showing posts with label sigourney weaver. Show all posts
Showing posts with label sigourney weaver. Show all posts

Saturday, February 9, 2013

Alien Anthology Review

Alien Anthology
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My local electronics store already had the Alien Anthology bluray on the shelves this Tuesday (October 19). At first I thought the street date had been changed at the last minute (it wouldn't be the first time). But it appears that all the websites still list the release date for next Tuesday (Oct 26), so I guess my local store must have made a mistake (it wouldn't be the first time for that either).
In either case, I already got my hands on the Alien Anthology set, and I thought that Alien fans who are still trying to decide whether it's worth the upgrade before next week's proper street date might want to know the following:
(Note: This review assumes that most of you have already seen the films, and there may be some very mild spoilers.)
[UPDATE: I've added LOTS more detail about the extras, including the extended Alien 3 doc. Find this under PROS section (3). In PROS section (1) I've also answered some questions from another customer.]
[UPDATE 4: More specifics on why the 3rd and 4th films' picture quality won't wow you as much as the first 2 films'. Under Cons section (1)]
[UPDATE 6: I've found more new extras on disc 6, including new deleted scenes from Aliens. Details in PROS section (3).]
PROS:
1) All four films look very good on bluray, and much better than the earlier DVDs, with the first two films looking the best. Alien almost looks brand new. Aliens still looks its age (sometimes), but it enjoys the single biggest improvement in picture quality in the jump from DVD to bluray that I have ever seen for a classic film (or pretty much any film for that matter). While there are still plenty of shots that still look soft or a bit grainy by today's standards, the entire film looks sharper than ever and the grain is far less distracting. Some sequences, like the marines' initial investigation of the abandoned colony, almost look like they could have been shot this year. The color quality and detail visible on the panning shot from the planet to Ripley's orbital hospital room at the beginning of the film totally blew my mind. Detail and texture are excellent throughout and I saw no signs that DNR had been overused. After experiencing Aliens on bluray, I wonder how I was ever able to tolerate the picture quality on the DVD.
[UPDATE: The Theatrical and Director's cuts of Alien both look equally great. It's my understanding that Ridley Scott made some minor alterations to things like contrast, etc. in the Director's cut, but I frankly didn't notice any difference between the two. I haven't watched the Theatrical cut of Aliens in years, as I much prefer the Extended version, so I may not remember which all scenes were added for the latter. However, I did not notice any correlation between picture quality and whether a scene was in the Theatrical cut or added in later, so I assume that they all come from the same source and are of more-or-less equal quality. If I have a chance to look at it again soon and do notice any differences, I'll post another update.]
[UPDATE 2: I've watched the first 25 minutes of the Theatrical cut of Aliens and can confirm that the picture quality is identical to the Special Edition. In other words, it will cause longtime Aliens fans' jaws to drop off right before they become temporarily blinded by its awe-inspiring glory. This is truly the greatest film restoration I've ever seen prepared for the transition from DVD to bluray. Because of the film stock used, I didn't think it would ever be possible for the film to look this good.]

2) All four films also sound greatly improved compared to the DVD. This is especially true for Alien 3. Dialogue which was hard to make out on the DVD is now much clearer and easier to understand. I did notice some audio sync issues with some of the third film's dialogue, but I think these are misalignments which were already present on previous DVD releases, and may therefore be inherent to the original film.
3) The new extras are extensive and excellent. Within the first couple minutes of sampling the new enhancement pods on disc 5, I learned a couple of tidbits I had been unaware of before. These are a wonderful extension of the already superb making-of documentaries. The MU-TH-UR interactive mode is easy to use and will probably prove helpful to those who are only interested in seeing certain parts of the behind-the-scenes material, but I haven't used it much. I've only sampled a couple minutes of the trivia track portion of this feature (titled "Datastream"), but so far it appears as though it will mostly be a re-hash of material you can find in disc 5's documentaries. The set also includes ALL of the extras from EVERY previous release of these films, as promised (at least as far as I can tell), in addition to the extended Alien Evolution and Alien 3 documentaries.
[UPDATE: The extended Alien 3 documentary includes significantly more footage of Fincher directing on the set (lenghtier character discussions with the actors, etc.) and more detail on the schism between him and the studio that I don't remember seeing on the Quadrilogy DVD. At one point during filming you see Fincher get on a microphone and say, "I can't believe Fox is the number one studio because they're all such a bunch of morons." Interestingly, while some of the new footage does reflect poorly on the studio, I think it also makes it easier to understand why some people had trouble working with Fincher. I personally find this longer cut much more interesting, but it hardly feels like an entirely new, revelatory version. Still, if you love a good behind-the-scenes documentary, the extended cut of "Wreckage and Rage: The Making of Alien 3" may help justify the upgrade to bluray.
By my estimate, disc 5 contains around 17 hours of documentaries, including an hour to an hour-and-a-half of new enhancement pods for each individual film (these are mostly extended interviews and production footage). I couldn't even tell you how many hours of content are on disc 6. So it's understandable, due to space limitations, that some of this material still appears to be in standard def. Although it's in SD, most of it has been enhanced so your bluray player will upconvert it (sometimes beautifully so) to fill a widescreen TV. I find the text slides on the still galleries of concept art on disc 6 (which ARE in FULL HD) much easier to read now. In disc 5's docs, most film clips, production artwork and photos, and many interviews will now fill the screen, while other interview clips appear pillarboxed with new imagery to the right and left instead of black bars (similar to the "Disneyview" feature on the Snow White and Pinocchio blurays, though mostly much less distracting than those were). It all looks good enough that I don't think many people will be too disappointed that some of these extras are still in SD.
BOTTOM LINE: The extras, both new and old, are a substantial improvement over the Quadrilogy DVD set (at least IMHO, your mileage may vary). I doubt many people will feel shortchanged here.]
[UPDATE 6: I've found more new extras on disc 6. There are some deleted scenes from Aliens, at least one of which - featuring Burke in a cocoon - I don't think I've seen before. The Patch and Logos image gallery will be appreciated by folks who love all the costuming/set dressing details. There's a video reproduction of a ride called "Aliens: Ride At The Speed of Fright" which is notable for two things: it's REALLY cheesy, and it features a very young Jeffrey Combs (I think this part is new - I don't remember seeing it on the DVD). The Parodies section is just some Alien-related clips from Spaceballs and Family Guy. You'll also want to keep an eye out for Easter Eggs on this disc.]
4) The set has a couple of impressive surprises that weren't mentioned in any of the studio press releases I've seen. Disc Unbound is an automatic feature: when you eject any disc from this set, the Weyland-Yutani logo will pop up on screen. You can then insert any other disc from the set and you'll go straight to the main menu - it will skip over all the studio logos and FBI Warning screens, making an Alien marathon slightly faster and less annoying.
I was aware that this set would include isolated score tracks for all four films (as well as alternate score tracks for the first two), but was unaware that you can also access each piece of music in any order from an index which includes even more unused music. I'm not certain, but I think I may have even spotted a couple of Bonus alternate tracks for Aliens that weren't even on the Deluxe Edition soundtrack CD.
5) For those who are hard of hearing, all 4 films and even the extras on discs 5 and 6 include subtitles in around 15 languages, including English and Spanish. Even the audio commentaries have subtitles in multiple languages! Each film also has multiple language audio tracks, though it appears that only the English receives a lossless one.
6) The packaging is the most elegantly beautiful I've ever seen for a bluray set. Inside the slipcase is a hardcover book with each disc held securely within its own page. These pages include photos from each film, as well as some basic info like plot synopses and director's credits. There's also a booklet and insert tucked in the back which explain how MU-TH-UR mode and Disc Unbound work, and list the content on each disc. It also has a note from Ridley Scott filled with tantalizing hints about what to expect in his upcoming prequel. Everyone will be happy to know that the package is very compact and will fit perfectly next to your other blurays. It's the same size as the Close Encounters of the Third Kind bluray, except that the spine is a little thicker since it holds more discs...Read more›

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Brace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!

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Monday, December 3, 2012

Alien - Predator Total Destruction Collection Review

Alien - Predator Total Destruction Collection
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Ok, so all the other reviews are whining about the lack of special features. Personally, I love these movies, they were the definition of Sci-Fi horror, well, until the AVP wastes.
But I have never watched a special feature, nor have i listened to a director's commentary. I just don't care about those things. I simply want these movies. This pack has them. if you want to own these movies, this is a GREAT deal.
If you care about what the director ordered for lunch on the 5th day of shooting, then spend twice the money and get the special super pack. If not, this pack is for you!

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Disc 1: Alien 20th Anniversary WS Disc 2: Aliens Long Version WS Disc 3: Alien 3 WS Disc 4: Alien Resurrection WS Disc 5: Predator PS Disc 6: Predator 2 WS Disc 7: Alien vs Predator Unrated WS Disc 8: Alien vs Predator 2 Unrated WS

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Wednesday, September 19, 2012

The Alien Legacy (1986) Review

The Alien Legacy (1986)
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You're not reading this for a critical review of the movies; if you haven't seen the movies, you've been living under a rock for the last 20 years (in which case you should rent them, then buy this set). You're reading this because you want to know if this set is worth owning.
Yes, yes, and yes. Simply put, this is the best usage of DVD to date. Picture quality and sound are outstanding, and that's just the beginning. What makes these discs shine is all the attention that was put into the extra goodies on the discs themselves. Pop in the Aliens disc, and the menu is as if you're watching one of the Marines' helmet cameras, investigating the lost colony. Put in Alien and you'll be traveling down the famous claustrophobia corridors of the Nostromo choosing your options. After seeing these you'll take a different point of view on a lot of your other DVD's, once you witness how good they could have been but aren't.
On these discs there's deleted footage, commentaries, theatrical trailers, making-of documentaries, and too much more to name here (although, if you once owned the Aliens laserdisc, there isn't quite all the stuff there was on that version, like Cameron's script drafts and other written material).
A feast for fans. The best DVD purchase I've ever made, and a rediscovery of the old Alien magic. Highly recommended.

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Saturday, June 30, 2012

Alien (The Director's Cut) (1979) Review

Alien (The Director's Cut) (1979)
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Amazon's reviewer calls this movie overrated and drawn out, while the Leonard Maltin movie guide review seems a bit baffled that some people like this kind of entertainment. Don't listen to either of them. Alien is, quite simply, one of the best movies ever made in both the sci-fi and horror genres. Those who complain that the film takes too long to get going suffer from some kind of cinematic attention span disorder; Ridley Scott draws his scenes out because he wants to build tension and establish a sense of realism before introducing H.R. Giger's terrifying creation. Unfortunately we can all see that the monster is just a guy in a suit during the closing sequences when Scott finally lets us see what the big slimy nemesis really looks like, but otherwise the film hasn't aged a bit since it came out two decades ago. The DVD is great too, with excellent picture quality and a really great commentary track, despite some disastrously inappropriate menu screens (the interfaces are all CG-rendered glitz, which really doesn't go with a movie known for its slow, elegant, quiet suspense). Anyone with any interest in horror or science fiction films in general should pick up this classic immediately.

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

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Saturday, March 24, 2012

Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection) (1986) Review

Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection) (1986)
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This consists of two discs for each film, the original and an alternate version (more on that below) on the first disk, and collections of approximately 2 hours of featurettes and other bonuses on the second disc. The ninth disc is a hodgepodge of trailers and other items from previous DVD and laser disk versions. Although the extras have been released in a variety of forms over several years (the John Hurt documentary 'The Alien Saga', being the latest), THIS is the definitive version.
'Alien' (average user rating: 4.6). If you haven't seen this classic film, then you must be living under a rock. The collection includes the original theatrical version (which I prefer) and the "Director's Cut", notable for its inclusion of the controversial captain-cacooned by alien scene (controversial because from the Alien mythology developed in later films, we know that only the massive queen can lay eggs). I prefer the original (which is actually 1 minute longer), and interestingly enough, it appears that Ridley Scott prefers the original as well. The making of featurettes are extensive and reveal Giger's extensive participation and how what was originally expected to receive a b-moive budget became one of the very few examples where Fox studios followed the vision with a classic.
'Aliens' (average user rating: 4.7). This is the only sequel I know of that is rated higher than the original. This time, the "Special Edition" version (also on the previous 'Alien Legacy' box set) is a superior experience and exactly is how upstart director James Cameron (who had written the script prior to the release of 'The Terminator') wanted to release the film, but was constrained entirely by time limits. The result is additional scenes featuring the colonists and Ripley's family lost to the time she spent in hypersleep. As with the first installment, the featurettes are interesting and thorough, although the Viet Nam War metaphor is not as thoroughly explored with Cameron as has been in other releases.
'Alien 3' (average user rating: 3.2). As a fan of the franchise, this was perhaps the most anticipated part of this new box set. The "working print" of the film (the longest of all the versions here, and complete with subtitles for missed sound editing), adds a depth to the film that was not in the original. That is, the arrival of Ripley and the characters are covered much more thoroughly, the alien creature is begotten by an oxen with a much more original look, there is an additional plot twist arising from the nature of the inhabitants (criminally delusional), and there is no riduculously-timed chest-burster scene at the end. Still, the film is a flawed masterpiece. The film is better appreciated in light of the bad situation first-time director David Fincher had been placed in - not the least of which is an incomplete script during production and a set that had already been constructed for the ill-conceived "wooden planet/monestary" vision of the previously assigned director. In this sense, the three production featurettes come across as almost an apology/tribute to Fincher. (NOTE: Fincher is the only director who is not interviewed on the box set.)
'Alien Resurrection' (average user rating: 3.0). What happens when you put the French director of 'Amelie' (Jean-Pierre Jeaunet) in charge of an alien movie? Well, foreign/art movies were all the craze in the last 1990s, so . . . Fox studios thought, "Why not?" In the end, many fans of the franchise did not appreciate the obviously satirical slant on this final installment. The opening scene and ending scenes (the only additions of substance) on the extended version make the film even more tongue-in-cheek. Despite the French director and crew's obvious regard for the original 'Alien' (as documented in the featurettes), armed with the return of Sigourney Weaver and the addition of superstar Winona Ryder, the director ultimately made a quirky, campy action film. But in the end, it was the last quarter of the script that makes this the weakest of all the installments by far. Postscript to Fox studios: if you had given Fincher this much creative freedom, you would have have a third masterpiece.

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Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc

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Friday, April 22, 2011

Ghostbusters Review

Ghostbusters
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And the answer is absolutely YES!
I won't get caught in the main synopsis of the movie, I'm guessing you know the story and the actors. If not you should be asking your self where have you been the last twenty years or so...now lets get into it!
Video Quality on this release is in full 1080p using the MPEG-4 codec on a BD-50 (50 gigabyte dual-layered Blu-ray Disc). This is a great catalog release. It is so refreshing to see a studio not attempt tweaking the original image with digital noise reduction and edge enhancement. This is a faithful to the source transfer. Clarity and resolution is where this transfer shines, all the little signs, switches, knobs and so forth are all clearly defined displaying an excellent depth of field. Colors are nicely saturated and accurate displaying good natural hues.
As for the Bonus Materials: these are presented in Standard Definition 480i and High Definition 1080i with Dolby Digital 2.0 sound.
*BD-Live - Keep in mind that BD-Live requires the user to be on a "Profile 2.0" capable Blu-ray Disc Player and connected to the Internet to access online content via the studio (in this case Sony). Once online you can access content such as downloadable trailers for other Sony Blu-ray Disc release upcoming and already available. Title specific content in this case is actually included. 2 different Ring tones are available which are just dialogue from the film. Standard rates apply to get these I'm sure, nothing is 100% free these days.
*"Cinechat" - This BD-live application allows viewers to chat with friends and family while watching the film. A easy to understand tutorial is included.
*"Slimer Mode" is a Blu-ray exclusive feature that is using Bonus View which requires the user to be on a "Profile 1.1" or higher capable Blu-ray Disc Player. If you are capable of it, this is worth the time to watch all the way through. A neat "Ghostbusters" border frames the film while it's playing; at the same time a Picture-In-Picture track plays interview clips featuring the cast and crew looking back at the production. It is complemented with additional still photographs and behind-the-scenes video. A pop-up trivia track is also inserted into the mix, showcasing interesting facts about the film and its shooting locations.
*"Blu-Wizard" - A BD-Java feature that will allow viewers to create their own play list of special features by selecting only those of interest. Once activated, a pop-up marker indicates when that particular feature is available to view. *Audio Commentary - Director Ivan Reitman is joined by co-writer/actor Harold Ramis and associate producer Joe Medjuck. It is unfortunate that they weren't able to update the commentary (originally recorded in 1999 for the DVD release) with thoughts from Bill Murray, Dan Aykroyd, or Sigourney Weaver. This is very informative track but unfortunately it comes across as dry. Opcional subtitles are included.

*"Scene Cemetery" (9 minutes - SD) - This is a collection of 10 deleted scenes that while fun to see in their own right aren't missed in the film.

*"1984 Featurette" (9:45 - SD) - This is a fun vintage featurette shot for the original 1984 release. Featuring behind-the-scenes footage and short interviews with cast and crew talking about the various aspects of making this beloved movie.
*"Cast and Crew Featurette" (10:53 - SD) -This is a short 11 minute featurette originally recorded for the 1999 DVD release.It is a collection of interviews with Ivan Reitman, Dan Aykroyd, and Harold Ramis talking about the film and its impact in general. *"SFX Team Featurette" (15:22 - SD) - This is a panel discussion with the original F/X team.They discuss their experience of working on the film.

*"Multi-Angle Featurettes" (SD) - This is broken into three sections: "Spook Central Exploding" (2:49), "She's A Dog" (2:00), and "Crossing the Streams" (1:23). Here you can watch the rough video and animation work in before-and-after stages from three particular scenes. *"Storyboard Comparisons" (SD) - Also broken into three sections: "Slimer" (2:13), "Dogs Drag Dana" (2:09), and "Atop Spook Central" (2:04). you can watch the hand-drawn storyboards and compare them to the film's finished cut.
*"Ecto-1: Resurrecting the Classic Car" (15:37 - HD) - Sony and the filmmakers had the hero car restored to its original glory for the promotion of "Ghostbusters: The Video Game". Interview clips include Dan Aykroyd and the talented crew of people who worked on the refurbishment of the 1959 Cadillac Miller-Meteor Ambulance. The real treat is seeing the process of breaking down the car and building it back up to look better than it ever has. Once it is restored Dan Aykroyd was invited to see the Ecto-1 in all it's glory and it is a pleasure seeing the genuine joy he displays at being reunited with the old girl. *"Making of Ghostbusters: The Video Game" (11:18 - HD) - A promotional fluff piece for the video game has the cast and creators sharing their thoughts about the game and its storyline. Brief clips of the video game are interspersed throughout. The game looks like a fun trip down memory lane. The graphics look authentic to the "Ghostbusters" films.
*"Ghostbusters Garage: Ecto-1 Gallery" (HD) - This is a beautiful slide show highlighting the restoration process, whilst Elmer Bernstein's music plays in the background. *"Ghostbusters: The Video Game Preview" (1:43 - HD) - Simply this is the trailer for the now available video game.
*Theatrical Trailers (HD) - A collection of previews in HD `The Da Vinci Code: Extended Cut,' `Close Encounters of the Third Kind,' `Men in Black,' `Fired Up!,' `Paul Blart: Mall Cop,' `So I Married an Axe Murderer,' and `You Don't Mess With the Zohan'.
Hope this was useful.
At the end if you ask me this si a must have!

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GHOSTBUSTERS - Blu-Ray Movie

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Monday, April 4, 2011

Annie Hall (1977) Review

Annie Hall (1977)
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I have a confession to make.

Until now, I've never seen a Woody Allen movie.

Boy, I sure was a "miss out".

Annie Hall, made in 1977, is a classic. Why, oh why, did I wait so long?

First of all it's a story, and a very funny story at that, about a New York Jewish comedian, played by Woody Allen and his WASP girlfriend, played by Diane Keaton. It pokes fun at many social mores that we take for granted and I found myself laughing throughout. There's the New Yorker who never learns to drive, the mid-westerner who orders a pastrami sandwich on white bread with mayonnaise (which seems almost grotesque to a New Yorker like me), the pretentious movie critic, the neuroses of modern romances, and the differences between the New York and Los Angeles way of life.

The film runs along at such a fast pace that there is almost no time at all between funny moments. And, to make it even better, there are some wonderful film techniques. For example, while Diane Keaton and Woody Allen are talking about photography, there are subtitles on the screen about the physical relationship that they are really thinking about.

If the film were made today the phone calls would have been made on cell phones. But surprisingly, that is the only detail that might be changed. Annie Hall has really truly stood the test of time. And I loved it.

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Considered to be "Woody Allen's breakthrough movie" (Time), Annie Hall won* four OscarsÂ(r), including Best Picture, and established Allen as the premier auteur filmmaker. Thought by many critics to be Allen's magnum opus, Annie Hall confirmed that he had, "completed the journey from comic to humorist, from comedy writer to wit [and] from inventive moviemaker to creative artist" (Saturday Review). Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. Introduced byhis best friend, Rob (Tony Roberts), Alvy falls in love with the ditzy but delightful nightclub singer, Annie Hall (Diane Keaton). When his own insecurities sabotage the affair, Annie is forced to leave Alvy for a new lifeand lover (Paul Simon)in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengthseven driving L.A.'s freewaysto recapture the only thing that ever mattered'true love. *1977: Picture; Actress (Keaton); Director; Original Screenplay

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