Showing posts with label dvd sci-fi. Show all posts
Showing posts with label dvd sci-fi. Show all posts

Saturday, February 9, 2013

Alien Anthology Review

Alien Anthology
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My local electronics store already had the Alien Anthology bluray on the shelves this Tuesday (October 19). At first I thought the street date had been changed at the last minute (it wouldn't be the first time). But it appears that all the websites still list the release date for next Tuesday (Oct 26), so I guess my local store must have made a mistake (it wouldn't be the first time for that either).
In either case, I already got my hands on the Alien Anthology set, and I thought that Alien fans who are still trying to decide whether it's worth the upgrade before next week's proper street date might want to know the following:
(Note: This review assumes that most of you have already seen the films, and there may be some very mild spoilers.)
[UPDATE: I've added LOTS more detail about the extras, including the extended Alien 3 doc. Find this under PROS section (3). In PROS section (1) I've also answered some questions from another customer.]
[UPDATE 4: More specifics on why the 3rd and 4th films' picture quality won't wow you as much as the first 2 films'. Under Cons section (1)]
[UPDATE 6: I've found more new extras on disc 6, including new deleted scenes from Aliens. Details in PROS section (3).]
PROS:
1) All four films look very good on bluray, and much better than the earlier DVDs, with the first two films looking the best. Alien almost looks brand new. Aliens still looks its age (sometimes), but it enjoys the single biggest improvement in picture quality in the jump from DVD to bluray that I have ever seen for a classic film (or pretty much any film for that matter). While there are still plenty of shots that still look soft or a bit grainy by today's standards, the entire film looks sharper than ever and the grain is far less distracting. Some sequences, like the marines' initial investigation of the abandoned colony, almost look like they could have been shot this year. The color quality and detail visible on the panning shot from the planet to Ripley's orbital hospital room at the beginning of the film totally blew my mind. Detail and texture are excellent throughout and I saw no signs that DNR had been overused. After experiencing Aliens on bluray, I wonder how I was ever able to tolerate the picture quality on the DVD.
[UPDATE: The Theatrical and Director's cuts of Alien both look equally great. It's my understanding that Ridley Scott made some minor alterations to things like contrast, etc. in the Director's cut, but I frankly didn't notice any difference between the two. I haven't watched the Theatrical cut of Aliens in years, as I much prefer the Extended version, so I may not remember which all scenes were added for the latter. However, I did not notice any correlation between picture quality and whether a scene was in the Theatrical cut or added in later, so I assume that they all come from the same source and are of more-or-less equal quality. If I have a chance to look at it again soon and do notice any differences, I'll post another update.]
[UPDATE 2: I've watched the first 25 minutes of the Theatrical cut of Aliens and can confirm that the picture quality is identical to the Special Edition. In other words, it will cause longtime Aliens fans' jaws to drop off right before they become temporarily blinded by its awe-inspiring glory. This is truly the greatest film restoration I've ever seen prepared for the transition from DVD to bluray. Because of the film stock used, I didn't think it would ever be possible for the film to look this good.]

2) All four films also sound greatly improved compared to the DVD. This is especially true for Alien 3. Dialogue which was hard to make out on the DVD is now much clearer and easier to understand. I did notice some audio sync issues with some of the third film's dialogue, but I think these are misalignments which were already present on previous DVD releases, and may therefore be inherent to the original film.
3) The new extras are extensive and excellent. Within the first couple minutes of sampling the new enhancement pods on disc 5, I learned a couple of tidbits I had been unaware of before. These are a wonderful extension of the already superb making-of documentaries. The MU-TH-UR interactive mode is easy to use and will probably prove helpful to those who are only interested in seeing certain parts of the behind-the-scenes material, but I haven't used it much. I've only sampled a couple minutes of the trivia track portion of this feature (titled "Datastream"), but so far it appears as though it will mostly be a re-hash of material you can find in disc 5's documentaries. The set also includes ALL of the extras from EVERY previous release of these films, as promised (at least as far as I can tell), in addition to the extended Alien Evolution and Alien 3 documentaries.
[UPDATE: The extended Alien 3 documentary includes significantly more footage of Fincher directing on the set (lenghtier character discussions with the actors, etc.) and more detail on the schism between him and the studio that I don't remember seeing on the Quadrilogy DVD. At one point during filming you see Fincher get on a microphone and say, "I can't believe Fox is the number one studio because they're all such a bunch of morons." Interestingly, while some of the new footage does reflect poorly on the studio, I think it also makes it easier to understand why some people had trouble working with Fincher. I personally find this longer cut much more interesting, but it hardly feels like an entirely new, revelatory version. Still, if you love a good behind-the-scenes documentary, the extended cut of "Wreckage and Rage: The Making of Alien 3" may help justify the upgrade to bluray.
By my estimate, disc 5 contains around 17 hours of documentaries, including an hour to an hour-and-a-half of new enhancement pods for each individual film (these are mostly extended interviews and production footage). I couldn't even tell you how many hours of content are on disc 6. So it's understandable, due to space limitations, that some of this material still appears to be in standard def. Although it's in SD, most of it has been enhanced so your bluray player will upconvert it (sometimes beautifully so) to fill a widescreen TV. I find the text slides on the still galleries of concept art on disc 6 (which ARE in FULL HD) much easier to read now. In disc 5's docs, most film clips, production artwork and photos, and many interviews will now fill the screen, while other interview clips appear pillarboxed with new imagery to the right and left instead of black bars (similar to the "Disneyview" feature on the Snow White and Pinocchio blurays, though mostly much less distracting than those were). It all looks good enough that I don't think many people will be too disappointed that some of these extras are still in SD.
BOTTOM LINE: The extras, both new and old, are a substantial improvement over the Quadrilogy DVD set (at least IMHO, your mileage may vary). I doubt many people will feel shortchanged here.]
[UPDATE 6: I've found more new extras on disc 6. There are some deleted scenes from Aliens, at least one of which - featuring Burke in a cocoon - I don't think I've seen before. The Patch and Logos image gallery will be appreciated by folks who love all the costuming/set dressing details. There's a video reproduction of a ride called "Aliens: Ride At The Speed of Fright" which is notable for two things: it's REALLY cheesy, and it features a very young Jeffrey Combs (I think this part is new - I don't remember seeing it on the DVD). The Parodies section is just some Alien-related clips from Spaceballs and Family Guy. You'll also want to keep an eye out for Easter Eggs on this disc.]
4) The set has a couple of impressive surprises that weren't mentioned in any of the studio press releases I've seen. Disc Unbound is an automatic feature: when you eject any disc from this set, the Weyland-Yutani logo will pop up on screen. You can then insert any other disc from the set and you'll go straight to the main menu - it will skip over all the studio logos and FBI Warning screens, making an Alien marathon slightly faster and less annoying.
I was aware that this set would include isolated score tracks for all four films (as well as alternate score tracks for the first two), but was unaware that you can also access each piece of music in any order from an index which includes even more unused music. I'm not certain, but I think I may have even spotted a couple of Bonus alternate tracks for Aliens that weren't even on the Deluxe Edition soundtrack CD.
5) For those who are hard of hearing, all 4 films and even the extras on discs 5 and 6 include subtitles in around 15 languages, including English and Spanish. Even the audio commentaries have subtitles in multiple languages! Each film also has multiple language audio tracks, though it appears that only the English receives a lossless one.
6) The packaging is the most elegantly beautiful I've ever seen for a bluray set. Inside the slipcase is a hardcover book with each disc held securely within its own page. These pages include photos from each film, as well as some basic info like plot synopses and director's credits. There's also a booklet and insert tucked in the back which explain how MU-TH-UR mode and Disc Unbound work, and list the content on each disc. It also has a note from Ridley Scott filled with tantalizing hints about what to expect in his upcoming prequel. Everyone will be happy to know that the package is very compact and will fit perfectly next to your other blurays. It's the same size as the Close Encounters of the Third Kind bluray, except that the spine is a little thicker since it holds more discs...Read more›

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Brace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!

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Saturday, December 1, 2012

Star Trek VI - The Undiscovered Country (Two-Disc Special Collector's Edition) (1991) Review

Star Trek VI - The Undiscovered Country (Two-Disc Special Collector's Edition) (1991)
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Let me explain
-Spoiler Warning-
The first version of the film was shown in theaters.
The second version was shown on all home video formats. This version includes a couple of additional footage to certain key scenes, and a few new scenes all together.
- Spock has more Dialogue in the top brass meeting.
- A scene taking place in the President's office where Col. West presents his plan to sneak into Klingon territory and rescue Kirk and McCoy.
- Spock and Scotty checking the torpedo inventory before Valeris informs them that the Chancellor's Daughter is now the current klingon chancellor.
- The klingon assassin at the climax of the film turns out to be Col. West.
The Third version of the film is shown on this Special Collector's Edition DVD. This version includes all the material from the second version, and a few minor changes to certain scenes and effects.
- When Martia gets shot, a disruption sound effect is removed to make her scream more apparent.
- Valeris's interrogation scene has been entirely reedited. There are now close up shots of Kirk and McCoy when they speak their lines instead of being in wide shots. When Spock and Valeris name a particular conspirator, the face of that person briefly appears in a flashback like style.
Do I prefer this version of the film? Sure. I personally believe that Valeris's interrogation scene is much more dramatic with the flashback shots. It really helps the viewers who aren't good with names understand who Spock and Valeris are talking about, and adds a little more tension near the end of the film.
I hoped this information helps you out in spotting what has been changed. If there is anything I missed, please feel free to contact me.

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Sunday, October 14, 2012

Time After Time (Snap Case) (1979) Review

Time After Time (Snap Case) (1979)
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It has been a while since I've reviewed something on my lifelong favorite's list. So I've chosen "Time After Time" because it isn't very well known by younger audiences nor is it necessarily considered a "classic."
However, I instantly fell in love with this movie over 25 years ago--and I still consider it a rip-roaring good time!
Starting out with the most bizarre plot ever, "Time After Time" will keep you enthralled. It is a glorious popcorn flick--fast, light, fun, and exciting in equal measures. Set in 1893, we meet H. G. Wells (Malcolm MacDowell) who is unknowingly friends with Jack The Ripper (David Warner). MacDowell has constructed a time machine which Warner misappropriates as he is fleeing the authorities. He travels to modern day San Francisco where he continues his murderous ways. MacDowell follows him, he must stop Jack The Ripper! He meets up with a local woman, Mary Steenburgen, who helps him adjusts and ultimately gets caught up in his unlikely story.
"Time After Time" succeeds in several different genres concurrently. This is a credible sci-fi pic, a sweet romance, a fish out of water comedy, as well as a decent serial killer thriller. I think that's what I love and respect about this film, it's out there. There is no way that this picture should work, it should be terrible. And yet, inexplicably, Nicholas Meyer has crafted an intricate and audacious work. Even if I didn't love this movie, I would respect its ambition and scope. But love it I do, this is one of the most wildly entertaining pictures you could hope to see. Some people might be tempted to dismiss this work as dated or even slight--and yes, you do have to accept that this is a product of the 70's. There are references to "free love" and other concepts of the era, but at the same time--the film is incredibly prescient about violence in the modern age. Every time Warner describes how he was meant to exist in this future, where killings and debauchery are commonplace, I understand a real truth in his sentiment.
The performances are cracking good. MacDowell is the unlikeliest hero and a refreshing romantic lead. Warner has NEVER NEVER been better. If you are even a passing fan of his, you must see this picture. And Mary Steenburgen is a delight--she doesn't do enough these days! Maybe this isn't highbrow entertainment, but it is dazzling fun. Recommended to all without even the slightest hesitation. KGHarris, 12/06.

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London 1893 is home to a killer with a macabre nickname... and also to a visionary genius who would write "The Time Machine." But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture fleeing his own time to take refuge in ours - with Wells himself in pursuit?

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Thursday, August 2, 2012

Star Trek II: The Wrath of Khan - The Director's Cut (Two-Disc Special Collector's Edition) (1982) Review

Star Trek II: The Wrath of Khan - The Director's Cut (Two-Disc Special Collector's Edition) (1982)
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I just bought this DVD..., and the verdict is in: It's a blast!!!
THE MOVIE: Certanily one of the best Star Trek movies. Although the main plot about revenge is a bit too basic, the sub-plots, including the addition of Kirk's ex-wife and son, makes the movie better. The action is well paced and the special effects are marevelous. Also, the "expanded director's edition" featured on this DVD adds about 5 extra minutes to the movie. The added footage does little to help the plot, but does a great deal to flesh out more of the minor characters, such as Kirk's son and Lt. Saavik. Also, the last 15 minutes of the film (some added dialogue was put in there to have a little bit more emotional impact at the end of the film) made me jump the grade of the film from a "B" to an "A+."
THE DVD: In addition to having a crisp, clear picture transfer of the film with oustanding sound, the first disc has a nice audio commentary from the director and an even nicer text commentary from Michael Okuda, co-author of the Star Trek Encyclopedia. (That guy knows EVERY SINGLE LITTLE DETAIL THAT OTHER PEOPLE WOULD NOT EVEN KNOW A THING ABOUT that regards to Star Trek.) The second disc contains the following:
1) The Captain's Log: A 27-minute documentary featuring brand new interviews with Leonard Nimoy, William Shatner, director Nicholas Meyer, Ricardo Montalban, and others. They talk about how they originally intended to put the film together, how they eventually ended up completing that task, and other things.
2) Designing Khan: A 23-minute documentary that features interviews with director Nicholas Meyers, the costume designer, and the production designer. They discuss the transitions they made in costume and production design from the ST:TMP to ST2:TWOK.
3) Visual Effects: An 18-minute featurette that has interviews with the FX crew. They explain how they executed and completed the FX shots. (Big surprise there)
4) The Star Trek Universe: A 28-minute documetary that features interviews with two Star Trek novel writers. They discuss how they fill in the gaps between the movies with their books and where they get their ideas.
5) Original Interviews: Basically 10 minutes of interviews (from 1982) featuring William Shatner, Leonard Nimoy, Ricardo Montalban, and Deforest Kelley.
6) Archives: The archives feature 10 original storyboard sequences. (That sure beats the storyboard archives on the ST:TMP DVD, which features a mere 3 storyboard sequences.) There is also a thatrical trailer.
So, there you have it. A great movie with a packed DVD equals a great purchase. Buy as soon as possible.
1982; 116 minutes; Rated PG for mild obscenity, some sequences of sc-fi action/violence, and brief shots of the aftermaths of brutal murders.
(I DO think this movie should have been rated PG-13, but the rating didn't exist then. See and judge for yourself.)...

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Saturday, July 21, 2012

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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Sunday, April 8, 2012

Star Trek - The Motion Picture: The Director's Cut (Two-Disc Special Collector's Edition) (1979) Review

Star Trek - The Motion Picture: The Director's Cut (Two-Disc Special Collector's Edition) (1979)
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I got the DVD about 4 hours ago. The second that I peeled all those security stickers off my DVD box, I popped it open, place the disc in my player, turned up the Dolby Digital, my super sub-woofer... my high density screen, shut down all light sources, put my PowerMac G4 to sleep, turned off my phones, and laid back for what I hoped would be a nice treat.
Paramount should be ashamed of themselves. This edit should be in theaters. This isn't a minor achievement in quality increase. This is now a great film. I am literally stunned right now.
It isn't a matter of effects, so much as it is about dynamics of motion... The tightening of scenes.... Little tweaks here and there.... An added scene here, a missing one here... Revealing more about the characters, keeping a character from being less than he should be.
First off, the Visual Effects shots are absolutely superior, while remaining exactly of the same palette as the original film. These new shots add a consistent sense of grandeur that Wise achieved so very well in some scenes, yet not at all in others. Now... Now the film is a sweeping science fiction epic... Man facing the unknown that comes from that place where no man has gone before.
The picture quality was gorgeous... the richness of the colors... Everything just gorgeous. The new sound... DEAR GOD, it was magnificent. The remix was handled to perfection and not bungled like those that were toying with SUPERMAN recently. From beginning to end there is a quality increase in the sound that never once falters to my ears on this great sound system of mine.
I'd like to tell you about the new visual effects shots, but to be honest... I can't. They are that seamlessly integrated. I'm sure that there were scenes of the Enterprise passing into the great V-GER ship that I had never seen, but they were intercut with old ones so well that all I got was an increased feeling of motion and dynamics of shots. The results were exactly what was needed.
Suddenly this film feels like it belongs in Trumbull and Dykstra's Filmography. It always was nice... but before it always felt like a travelogue, and not at all threatening and ominous and creepy and moody and scary and mysterious. That's right, these new shots actually ADD to the ATMOSPHERE.
For the first time in too long, I'm looking at not only real STAR TREK, but frankly... This is Star Trek where it should always be. Smart Science Fiction told by great Narrative Filmmakers and folks of vision.... Not the fumblings of visionless hucksters that have kidnapped the franchise since the death of Roddenberry.
I have yet to venture into the second DVD... The one loaded with deleted scenes, documentaries and the behind the scenes joys... That will be what I do tomorrow. For now I'm in the afterglow of watching perhaps the best STAR TREK movie and dealing with the realization that due to the lack of vision of cowardly executives, this final masterpiece of Robert Wise's will never be projected upon a Silver Screen as it so needs to be.

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Tuesday, January 31, 2012

Westworld (1973) Review

Westworld (1973)
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I picked this film up about a week ago. I hadn't seen it since it premiered back in the 1970's. It made no impression on me whatsoever on that first viewing. Boy has time and its simplicity improved it, the second time around! This is a very timely film and I think people of all ages should take a look at it.
This film moves from humour to fantasy to horror almost seamlessly. And the funny thing is- the fact that Crichton didn't get caught up in atmosphere or look; he concentrated on two characters simply going to a future resort, however fantastic the idea seems, to release and experience what in fact become examples of some of the darkest pleasures or most violent impulses inside of all of us. It really presses the right buttons and asks questions about what we find fun or entertaining.
I don't want any review I write to spoil the films for the people yet to see the work so, let's just say- when the tables turn and 'we're on the receiving end ', there's a real numbing truth to what this film drives home. More so today then when it was released. Think of some of the 'reality based darkness' that now litters our airwaves and the unfortunate numbers who seem to be tuning in to watch it.
James Brolin really nails the 'who cares' feel his character needs. Richard Benjamin has to be the one who feels silly at first, then joins in with a sort of reckless abandon. And Yul Brynner is an example to everybody today (in acting, directing, effects and make-up ), of how you can scare the hell out of someone with a look, a smile and two small silver contact lens. (You'll know what I mean when you get to the scene). Benjamin really balances him from that point, having to portray the fear the new reality hits him with.
I won't do the Jurassic comparisons. I thought it when Jurassic came out but Jurassic was a rollercoaster ride. Westworld is the tale with the real bite.
I highly recommend this movie. It's an entertainment that quickly turns to a truth I think we all need to keep thinking about. What do we really find entertaining? Or more to the point... why?

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Westworld is a futuristic theme park where robots are programmed to fulfill guests' lustful and sometimes violent fantasies-- until something goes wrong with their circuitry.Genre: Science FictionRating: PGRelease Date: 3-JUL-2001Media Type: DVD

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Saturday, September 24, 2011

Forbidden Planet (Two-Disc 50th Anniversary Edition) (1956) Review

Forbidden Planet (Two-Disc 50th Anniversary Edition) (1956)
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Forbidden Planet is an incredible movie and no Sci-Fi fan should be without it. The transfer on the 50th Anniversary and Ultimate Collector's Editions is incredible. I've never seen the film look so bright, crisp and vibrant. The included documentaries and bonus footage are very entertaining and not to be missed.
A word of warning though, the Ultimate Collector's Edition is a bit of a rip off. The included Robby the Robot toy was the main reason I bought this set and it's much smaller (and less detailed) than the images lead you to believe. I haven't opened mine, but it looks like it's not even articulated. Definitely not worth the extra money I had to pay. The lobby card reporductions are nice, as is the tin case, but unless you plan to display these it's hard to justify the added cost.
Be smart, skip the Ultimate Collector's Edition and buy the 50th Anniversary Edition. You'll get just the exact same transfer and bonus material without the cheap toy and lobby cards.

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A dutiful robot named Robby speaks 188 languages. An underground lair offers evidence of an advanced civilization. But among Altair-4's many wonders, none is greater or more deadly than the human mind. Forbidden Planet is the granddaddy of tomorrow, a pioneering work whose ideas and style would be reverse-engineered into many cinematic space voyages to come. Leslie Nielsen plays the commander who brings his spacecruiser crew to the green-skied world that's home to Dr. Morbius (Walter Pidgeon), his daughter (Anne Francis)...and to a mysterious terror. Featuring sets of extraordinary scale and the first all-electronic musical soundscape in film history, Forbidden Planet is in a movie orbit all its own.

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